100 Essential Love Songs

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

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1Digital Media
#TitleArtistRatingLength
1I’m Not in Love
recording engineer:
10cc (in 1974)
engineer and mixer:
Eric Stewart
producer:
10cc
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 319)
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3.85:59
2The Look of Love, Part 1
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:27
3Martha’s Harbour
engineer:
Tony Phillips (engineer, mix, remix credits)
producer:
Paul Samwell-Smith
guitar:
Tim Bricheno (in 1987)
vocals:
Julianne Regan (in 1987)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988)
recorded at:
Ridge Farm in Dorking, Surrey, England, United Kingdom (in 1987) and The Manor in Oxfordshire, England, United Kingdom (in 1987)
part of:
The Downloader’s Music Source Book (number: 369)
recording of:
Martha’s Harbour (in 1987)
writer:
Tim Bricheno, Andy Cousin and Julianne Regan
publisher:
BMG Music Publishing Ltd.
All About Eve3.53:03
4Don’t Worry
Appleton4:16
5Turn Back Time
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
writer:
Claus Norreen and Søren Rasted
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:04
6Foolish
recording of:
Foolish
writer:
Ashanti Shequoyia Douglas (US R&B singer and musician), Mark DeBarge, Etterlene Jordan (R&B/soul singer/songwriter, a/k/a Etterlene Jordan), Irving Domingo Lorenzo, Jr. and Marcus Vest
publisher:
Baeza Music LLC, DJ Irv Publishing, Jobete Music Co., Inc., N-the-Water Publishing Inc., Pookietoots Publishing, Sony/ATV Melody and Universal Music Corp. (USA, affiliated with ASCAP)
is based on:
Stay With Me
Ashanti3:27
7You’re the First, the Last, My EverythingBarry White3.753:22
8Song for Whoever
engineer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
acoustic guitar and electric guitar:
Dave Rotheray
bass guitar:
Sean Welch
drums (drum set):
David Stead
piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
vocals:
Paul Heaton and Dave Hemingway
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
Song for Whoever
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Go! Discs Music Ltd. (publisher) and Island Music Ltd.
The Beautiful South2.654:02
9That Ole Devil Called Love
alto saxophone:
Jack Cressey (on 1944-11-08) and Hymie Shertzer (on 1944-11-08)
double bass:
Haig Stephens (on 1944-11-08)
drums (drum set):
George Wettling (on 1944-11-08)
guitar:
Carl Kress (on 1944-11-08)
piano:
Dave Bowman (jazz pianist) (on 1944-11-08)
tenor saxophone:
Larry Binyon (on 1944-11-08) and Dave Harris (tenor saxo) (on 1944-11-08)
trumpet:
Russ Case (US trumpeter & bandleader) (on 1944-11-08)
vocals:
Billie Holiday (on 1944-11-08)
recording of:
That Ole Devil Called Love (on 1944-11-08)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:52
10Achy Breaky Heart
producer:
Jim Cotton and Joe Scaife
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2011)
music videos:
Achy Breaky Heart by Billy Ray Cyrus
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 464)
cover recording of:
Achy Breaky Heart
lyricist and composer:
Donald L. Tress
Billy Ray Cyrus2.53:22
11As Time Goes By
vocals:
Bing Crosby (in 1976)
recording of:
As Time Goes By (the song from “Casablanca”) (on 1976-07-20)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Bing Crosby3:18
12No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:31
13HeartbeatBuddy Holly2:07
14Sleeping With the Light OnBusted3:36
15Wild World
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recording of:
Wild World (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens3.93:18
16If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989) and The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 386)
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.753:59
17The Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:15
18Who’s Sorry Now
vocals:
Connie Francis (American former actress and chart-topping singer)
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1958)
cover recording of:
Who’s Sorry Now? (1923 song)
lyricist:
Bert Kalmar (in 1923) and Harry Ruby (in 1923)
composer:
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (on 1923-03-07) and Mills Music Corporation (in 1929)
Connie Francis42:16
19Linger
additional engineer:
Aiden McGovern
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
background vocals:
Noel Hogan and Mike Mahoney
lead vocals:
Dolores O’Riordan
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1993)
recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
mixed at:
Maison Rouge in London (Greater London), England, United Kingdom
music videos:
Linger by The Cranberries
recording of:
Linger
lyricist:
Dolores O’Riordan
composer:
Noel Hogan and Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries4.14:33
20Friday I’m in Love
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass guitar:
Simon Gallup
bass guitar [6-string bass]:
Perry Bamonte
drums (drum set) and percussion:
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Perry Bamonte and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Friday I’m in Love by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 73)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
The Cure4.63:33
21If You’re Not the One
producer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
electric guitar:
Adam Phillips (British guitarist and singer)
keyboard and viola:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
percussion:
Daniel Cummings
violin:
Robin Smith (songwriter/pianist/conductor/producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2002)
music videos:
If You’re Not the One by Daniel Bedingfield (singer- songwriter)
recording of:
If You’re Not the One
lyricist and composer:
Daniel Bedingfield (singer- songwriter)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
translated version of:
Se tu non sei lei
Daniel Bedingfield14:12
2Digital Media
#TitleArtistRatingLength
1You’re in My Heart
producer:
Mike Batt and David Essex
recording of:
You’re in My Heart
lyricist and composer:
David Essex
David Essex3:30
2Always the Last to Know
Del Amitri4:16
3Touch Me in the Morning
producer:
Tom Baird (Motown producer) and Michael Masser
arranger:
Tom Baird (Motown producer) and Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
writer:
Michael Masser and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
Diana Ross3.53:23
4Don’t Be a StrangerDina Carroll4:41
5Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:46
6Winter Melody
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
instruments:
Munich Machine
saxophone:
Dino Solera
background vocals:
Madeline Bell and Wheatman Sisters
recording of:
Winter Melody
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
Donna Summer36:28
7I Just Don’t Know What to Do With MyselfDusty Springfield2:59
8Ev’ry Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3.53:31
9Big Big World
producer:
Göran Elmquist, Niklas Flyckt and Urban Eriksson
organ [Wurlitzer Organ]:
Peter Ljung
recording of:
Big Big World
writer:
Emilia Rydberg (Swedish singer Emilia Rydberg (Mitiku), “Big Big World”, “Twist of Fate”) and Yogi (producer Günter Lauke)
publisher:
Anderson Music and EMI Music Publishing Sweden AB
Emilia33:22
10I Just Want to Make Love to You
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Etta James33:03
11More Than Words
assistant engineer:
Craig Doubet (recording engineer)
engineer:
Bob St. John
producer and mixer:
Michael Wagener
bass guitar:
Pat Badger
drums (drum set) and percussion:
Paul Geary
guitar, keyboard, percussion and piano and background vocals:
Nuno Bettencourt
background vocals and lead vocals:
Gary Cherone
phonographic copyright (℗) by:
A&M Records (in 1990)
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Funky Metal Publishing
Extreme3.755:34
12Out of Reach
lead vocals:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
music videos:
Out of Reach by Gabrielle (British singer-songwriter)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer-songwriter) and Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:15
13I’ll Stand by You
programming:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
producer:
Brian Higgins (British producer and song writer) and Xenomania
mixer:
Tim Powell (Songwriter and producer, ex-Xenomania)
guitar:
Nick Coler and Shawn Lee (American musician, producer, video game composer)
keyboard:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
vocals:
Cheryl Cole (formerly Cheryl Cole), Nadine Coyle, Sarah Harding, Nicola Roberts and Kimberley Walsh
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2004)
cover recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L and Kobalt Publishing Ltd.
Girls Aloud33:42
14Help Me Make It Through the NightGladys Knight & the Pips4:20
15Cool
additional producer:
Nellee Hooper
producer:
Dallas Austin
mixer:
Mark “Spike” Stent (producer, engineer)
lead vocals:
Gwen Stefani
phonographic copyright (℗) by:
Interscope Records, Inc. (not for release label use!) (in 2004)
mixed at:
The Mix Suite in London (Greater London), England, United Kingdom
music videos:
Cool by Gwen Stefani
recording of:
Cool
writer:
Dallas Austin and Gwen Stefani
publisher:
EMI Blackwood Music Inc. and Harajuku Lover Music
Gwen Stefani4.13:03
16Will You?
producer:
Tony Visconti
vocals:
Hazel O’Connor
arranger:
Tony Visconti
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1980)
recorded at and mixed at:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Will You?
lyricist and composer:
Hazel O’Connor
publisher:
Albion Music Ltd.
Hazel O’Connor4:45
17The Reason
recording engineer:
Mike Plotnikoff and Casey Stone (engineer) (strings)
additional engineer:
Eric Miller (engineer)
producer:
Howard Benson
mixer:
Chris Lord‐Alge
drums (drum set) [Drums]:
Chris Hesse
electric bass guitar [Bass]:
Markku Lappalainen (Markku Juha Lappalainen, bass player)
guitar:
Dan Estrin
vocals:
Doug Robb
strings arranger:
Deborah Lurie
music videos:
The Reason (Music video) by Hoobastank
recording of:
The Reason
lyricist:
Doug Robb
composer:
Dan Estrin
Hoobastank43:52
18Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:38
19Never Tear Us Apart
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
INXS (in 1987)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) and PolyGram International Music B.V. (not for release label use!) (in 1987)
music videos:
Never Tear Us Apart (music video) by INXS
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2025 (Australian Songs)) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 282)
recording of:
Never Tear Us Apart
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey and Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:01
20Everlasting LoveJamie Cullum3:22
3Digital Media
#TitleArtistRatingLength
1On the Wings of Love
recording of:
On the Wings of Love
writer:
Peter Schless (keyboardist and composer) and Jeffrey Osborne (in 1982)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Lincoln Pond Music, March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music) and Rondor Music (London) Ltd.
Jeffrey Osborne4:05
2What Becomes of the Brokenhearted
recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Jimmy Ruffin2:53
3Love and Affection
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading4:23
4Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker3.553:49
5Is She Really Going Out With Him?
engineer:
Rod Hewison
producer:
David Kershenbaum
bass guitar:
Graham Maby (in 1978-08)
drums (drum set):
David Houghton (in 1978-08)
guitar:
Gary Sanford (in 1978-08)
lead vocals:
Joe Jackson (English musician) (in 1978-08)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson4.43:37
6Looking for Love
Karen Ramirez3:44
7All My LifeK‐Ci & JoJo4:42
8Cherish
producer:
Ronald Bell, Jim Bonnefond and Kool and The Gang
phonographic copyright (℗) by:
De-Lite Recorded Sound Corp. (not for release) (in 1984)
edit of:
Cherish by Kool & the Gang
music videos:
Cherish by Kool & the Gang
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang3.353:53
9Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:04
10Lifted
recording of:
Lifted
writer:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) and Paul Tucker
publisher:
Lots of Hits Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family4:09
11Say You, Say Me
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Say You, Say Me
lyricist and composer:
Lionel Richie
publisher:
Brockman Music
part of:
The 58th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1985 winner)
Lionel Richie4.154:00
12What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:16
13Breathe In
Lucie Silvas3:48
14Show Me Heaven
phonographic copyright (℗) by:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) and The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:47
15Sea of Love
cover recording of:
Sea of Love
publisher:
Fort Knox Music Co and Tek Publishing
recording of:
Sea of Love
publisher:
Fort Knox Music Co and Tek Publishing
Marty Wilde2:23
16How Sweet It Is (To Be Loved by You)
producer:
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) and William Stevenson (Motown songwriter)
recording of:
How Sweet It Is (to Be Loved by You) (on 1964-07-10)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye52:58
17All Night Long
recording of:
All Night Long
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Mary Jane Girls4:05
18My Guy
later releases:
My Guy by Mary Wells (Motown singer)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 24)
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
cover recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:47
19Heart ("Damn Yankees")
Max Bygraves2:29
20My One Temptation
recording of:
My One Temptation
writer:
Michael Leeson, Peter Vale (writer/arranger) and Miles Waters (songwriter)
publisher:
Abacus Publishing and Chappell Music Co. Inc.
Mica Paris43:32
4Digital Media
#TitleArtistRatingLength
1Love Changes Everything
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
lead vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
music videos:
Love Changes Everything by Michael Ball (British actor, singer, and radio and TV presenter)
recording of:
Love Changes Everything
lyricist:
Don Black (English lyricist) and Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Aspects of Love (full musical)
Michael Ball23:27
2One Day in Your Life
producer:
Sam Brown
arranger:
Sam Brown
recording of:
One Day in Your Life
lyricist:
Samuel F. Brown III
composer:
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1974 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Michael Jackson3.54:06
3Try
programming:
Field (Canadian producer, songwriter & musician) and Track
assistant engineer:
Ian Bodzasi, Steve Chahley and Neil Couser
engineer:
Brad Haehnel, Joe Labatto and Brian West (Canadian producer, songwriter & musician)
producer:
Field (Canadian producer, songwriter & musician), Nelly Furtado and Track
mixer:
Brad Haehnel
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
James Bryan (Canadian guitarist/songwriter)
bass:
Mike Elizondo
drums (drum set) [drums]:
Russ Miller (US session drummer) and Joey Waronker
guitar [intro guitar]:
Field (Canadian producer, songwriter & musician)
harmonium [echo harmonium] and piano:
Alex Alessandroni (keyboard)
turntable [scratching]:
Lil' Jaz
vibraphone:
Bob Leatherbarrow
background vocals and lead vocals:
Nelly Furtado
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2003)
recorded at:
4th Street Recording in Santa Monica, California, United States
recording of:
Try
lyricist:
Nelly Furtado
composer:
Nelly Furtado and Brian West (Canadian producer, songwriter & musician)
publisher:
Nelstar Publishing (in 2003), Sony/ATV Music Publishing Canada (SOCAN) (in 2003) and Worldwide West Music Inc. (in 2003)
Nelly Furtado3.94:37
4I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.32:34
5Crazy
producer:
Owen Bradley
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 85) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tree Publishing
Patsy Cline4.152:41
6You Do Something to Me
producer:
Brendan Lynch (London producer) and Paul Weller (English singer‐songwriter and musician)
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles
drums (drum set):
Steve White (Style Council drummer)
guitar, other instruments [novatron], piano and lead vocals:
Paul Weller (English singer‐songwriter and musician)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
recorded at:
The Manor in Oxfordshire, England, United Kingdom and Finsbury Park in Haringey, London (Greater London), England, United Kingdom (on 1996-06-09)
live recording of:
You Do Something to Me (on 1996-06-09)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller43:33
7Baby, I Love Your Way
producer:
Peter Frampton
bass guitar:
Stanley Sheldon (bass player)
drums (drum set) [drums]:
John Siomos
grand piano, organ and Rhodes piano:
Bob Mayo (US session keyboardist & guitarist)
guitar:
Peter Frampton and Bob Mayo (US session keyboardist & guitarist)
talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) and Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographic copyright (℗) by:
A&M Records (in 1975) and A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Peter Frampton3.654:40
8You Wear It Well
producer:
Rod Stewart
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
recording of:
You Wear It Well
writer:
Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4.54:20
9When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:12
10Wonderwall
part of:
New York Post: 100 Greatest Covers (2007) (number: 28) and The Downloader’s Music Source Book (number: 197)
cover recording of:
Wonderwall
lyricist and composer:
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Ryan Adams34:07
11Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.855:11
12Secret Smile
recording of:
Secret Smile
lyricist and composer:
Dan Wilson (American singer/songwriter)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Semisonic23:43
13Leader of the PackThe Shangri‐Las4.52:48
14I Love Your SmileShanice44:18
15Your Lies
recording of:
Your Lies
writer:
Bill Bottrell and Shelby Lynne
Shelby Lynne2:54
16Run, Baby, Run
engineer:
Blair Lamb
producer:
Bill Bottrell
recording of:
Run, Baby, Run
writer:
David Baerwald, Bill Bottrell and Sheryl Crow (American singer-songwriter and musician)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Reservoir One America and Zen of Iniquity
Sheryl Crow3.254:53
17Kiss Me Honey, Honey Kiss Me
vocals:
Shirley Bassey (Welsh singer) (in 1958)
orchestra:
Wally Stott & His Orchestra & Chorus (in 1958)
recording of:
Kiss Me, Honey Honey, Kiss Me (in 1958)
writer:
Michael Julien (British songwriter) and Albon Timothy (jazz and calypso musician and songwriter)
Shirley Bassey2:25
18Be Still My Heart
recording of:
Be Still My Heart
lyricist and composer:
Mike McGurk and Silje Nergaard
Silje Nergaard4:58
19The Tracks of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears (on 1965-05-19)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson4.252:59
5Digital Media
#TitleArtistRatingLength
1Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
2All I Ever Need Is You
cover recording of:
All I Ever Need Is You
writer:
Jimmy Holiday (American singer, songwriter, producer) and Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
All I Ever Need Is You
writer:
Jimmy Holiday (American singer, songwriter, producer) and Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sonny & Cher52:37
3The Girl From Ipanema
Stan Getz3:39
4Higher Love
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America and Willin' David Music
Steve Winwood54:03
5Too Lost in You
recording of:
Too Lost in You
lyricist and composer:
Diane Warren (US songwriter)
Sugababes3.53:33
6Sowing the Seeds of Love
producer:
David Bascombe and Tears for Fears
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1989)
edit of:
Sowing the Seeds of Love by Tears for Fears
recording of:
Sowing the Seeds of Love
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears4.55:42
7My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.52:39
8Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:37
9Reach Out, I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops42:57
10There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:40
11Love Me for a ReasonThe Osmonds4:01
12Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (lead singer for The Platters)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters3.752:36
13Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:35
14You’re the Best Thing
drums (drum set) [drums] programming:
Peter Wilson (UK Producer)
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
additional keyboard [keyboards] and bass synthesizer [bass synth]:
Mick Talbot (from 1983-10 until 1984-01)
guitar [guitars] and synthesizer [synths]:
Paul Weller (English singer‐songwriter and musician) (from 1983-10 until 1984-01)
vocals:
Mick Talbot (from 1983-10 until 1984-01) and Paul Weller (English singer‐songwriter and musician) (from 1983-10 until 1984-01)
additionally recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recording of:
You’re the Best Thing (from 1983-10 until 1984-01)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and Universal Music Publishing MGB Australia
The Style Council25:39
15The Sun Ain’t Gonna Shine Anymore
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1966) and PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music and Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:00
16A Thousand Miles
additional recording engineer:
Bill Schnee
recording engineer:
Tal Herzberg and Michael C. Ross (US engineer, active 1980s–present)
engineer:
Tal Herzberg
producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
mixer:
Jack Joseph Puig
piano and lead vocals:
Vanessa Carlton
conductor:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
concertmaster:
Endre Granat (Hungarian violinist)
music videos:
A Thousand Miles by Vanessa Carlton
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 94)
recording of:
A Thousand Miles
lyricist and composer:
Vanessa Carlton
Vanessa Carlton3.73:57
17Save the Best for Last
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
additional arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
Save the Best for Last
writer:
Phil Galdston, Jon Lind and Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:39
18Pale Blue Eyes
producer:
The Velvet Underground (Lou Reed’s seminal rock band)
lead vocals:
Lou Reed
arranger:
The Velvet Underground (Lou Reed’s seminal rock band)
recording of:
Pale Blue Eyes
lyricist and composer:
Lou Reed
The Velvet Underground45:38
19Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:52
20If I Can’t Have You
producer:
Freddie Perren
bass:
Scott Edwards (bassist)
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
keyboard and synthesizer:
Freddie Perren
percussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) and Freddie Perren
piano:
Sonny Burke (soul/jazz/funk keyboardist)
background vocals [additional background vocals] and lead vocals:
Yvonne Elliman
background vocals [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters and Maxine Waters
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 343)
recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:55

Credits

Release

ASIN:UK: B0036FCDMY [info]

Release group

part of:100 Classics (order: 2)