Kindertotenlieder

~ Release by Mahler; Kathleen Ferrier (see all versions of this release, 4 available)

Annotation

mx. CDH 7 61003 2 AR @ 2:2:14 . +
Title from spine

Annotation last modified on 2024-07-05 06:50 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Kindertotenlieder: Nun will die Sonn’so hell aufgeh’n
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:52
2Kindertotenlieder: Nun seh’ich wohl, warum so dunkle Flammen
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:40
3Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:32
4Kindertotenlieder: Oft denk’ich, sie sind nur ausgegangen
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler2:55
5Kindertotenlieder: In diesem Wetter, in diesem Braus
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:28
6Orfeo ed Euridice: Act I. “Chiamo il mio ben così” (Orfeo)
producer:
Klaas A. Posthuma
contralto vocals:
Kathleen Ferrier (contralto) (in 1951-01)
orchestra:
Orchestra of the Netherlands Opera (The Dutch Opera Orchestra) (in 1951-01) and Orchester De Nationale Opera (The Dutch Opera Orchestra) (on 1951-07-10)
conductor:
Charles Bruck (French-American conductor) (in 1951-01, on 1951-07-10)
balance engineer:
Maarten Proost (Dutch recording engineer) (in 1951-01)
recorded at:
Municipal Theatre, Amsterdam in Netherlands, Kingdom of the Netherlands (from 1951 to present) and Stadsschouwburg (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1951-01, on 1951-07-10)
recording of:
Orfeo ed Euridice, Wq. 30: Atto I, Scena 1. Aria: “Chiamo il mio ben così” (Orfeo) (in 1951-01)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto I (Italian version)
Christoph Willibald Gluck7:33
7Orfeo ed Euridice: Act II. “Deh! placatevi con me” (Orfeo)
producer:
Klaas A. Posthuma
choir vocals:
Chorus of the Netherlands Opera (in 1951-01)
contralto vocals:
Kathleen Ferrier (contralto) (in 1951-01)
orchestra:
Orchestra of the Netherlands Opera (The Dutch Opera Orchestra) (in 1951-01)
conductor:
Charles Bruck (French-American conductor) (in 1951-01)
balance engineer:
Maarten Proost (Dutch recording engineer) (in 1951-01)
recorded at:
Stadsschouwburg (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1951-01)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. “Deh! Placatevi con me” (Orfeo) (in 1951-01)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck7:32
8Orfeo ed Euridice: Act II. “Che puro ciel!”
producer:
Klaas A. Posthuma
contralto vocals:
Kathleen Ferrier (contralto) (in 1951-01)
soprano vocals:
Kathleen Ferrier (contralto) (on 1951-07-10)
orchestra:
Orchestra of the Netherlands Opera (The Dutch Opera Orchestra) (in 1951-01) and Orchester De Nationale Opera (The Dutch Opera Orchestra) (on 1951-07-10)
conductor:
Charles Bruck (French-American conductor) (in 1951-01, on 1951-07-10)
balance engineer:
Maarten Proost (Dutch recording engineer) (in 1951-01)
recorded at:
Municipal Theatre, Amsterdam in Netherlands, Kingdom of the Netherlands (from 1951 to present) and Stadsschouwburg (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1951-01, on 1951-07-10)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version) (in 1951-01)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck5:38
9Orfeo ed Euridice: Act III. “Che ho fatto, ohimè … Che farò senza Euridice”
producer:
Klaas A. Posthuma
contralto vocals:
Kathleen Ferrier (contralto) (in 1951-01)
orchestra:
Orchestra of the Netherlands Opera (The Dutch Opera Orchestra) (in 1951-01)
conductor:
Charles Bruck (French-American conductor) (in 1951-01)
balance engineer:
Maarten Proost (Dutch recording engineer) (in 1951-01)
recorded at:
Stadsschouwburg (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1951-01)
recording of:
Orfeo ed Euridice: Act III. "Che ho fatto, ohimè" / "Che farò senza Euridice" (in 1951-01)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck6:08
10Ode for Queen Mary: Sound the trumpet. “Come Ye Sons of Art”
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1945-09-21)
contralto vocals:
Kathleen Ferrier (contralto) (on 1945-09-21)
soprano vocals:
Isobel Baillie (soprano) (on 1945-09-21)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-09-21)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (on 1945-09-21)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:04
11The Indian Queen: “Let Us Wander Not Unseen”
piano:
Gerald Moore (pianist)
soprano vocals:
Isobel Baillie (soprano) and Kathleen Ferrier (contralto)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
Let us wander not unseen
lyricist:
John Milton (English poet; composer of Paradise Lost)
composer:
Henry Purcell (Baroque composer)
Henry Purcell3:08
12Ottone: Spring Is Coming
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1945-04-20)
contralto vocals:
Kathleen Ferrier (contralto) (on 1945-04-20)
soprano vocals:
Isobel Baillie (soprano) (on 1945-04-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-04-20)
recording of:
Ottone: "Spring is coming" (arr. Somervell) (on 1945-04-20)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Arthur Somervell (composer)
part of:
Ottone, re di Germania, HWV 15 (catch-all for arrangements)
Georg Friedrich Haendel3:54
13Ottone: Come to Me, Soothing Sleep
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1945-04-20)
contralto vocals:
Kathleen Ferrier (contralto) (on 1945-04-20)
soprano vocals:
Isobel Baillie (soprano) (on 1945-04-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-04-20)
recording of:
Ottone: "Come to me, soothing sleep" (arr. Somervell) (on 1945-04-20)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Arthur Somervell (composer)
part of:
Ottone, re di Germania, HWV 15 (catch-all for arrangements)
Georg Friedrich Haendel4:18
14O Praise the Lord
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1944-09-30)
contralto vocals:
Kathleen Ferrier (contralto) (on 1944-09-30)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1944-09-30)
recording of:
O Praise the Lord (arr. Roper) (on 1944-09-30)
composer:
Maurice Green (baroque composer)
Maurice Green1:50
15I Will Lay Me Down in Peace
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1944-09-30)
contralto vocals:
Kathleen Ferrier (contralto) (on 1944-09-30)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1944-09-30)
recording of:
O God of My Righteousness "I will lay me down in peace" (arr. Roper) (on 1944-09-30)
composer:
Maurice Green (baroque composer)
Maurice Green3:49
16I Would That My Love, op. 63 no. 1
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1945-09-21)
contralto vocals:
Kathleen Ferrier (contralto) (on 1945-09-21)
soprano vocals:
Isobel Baillie (soprano) (on 1945-09-21)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1945-09-21)
recording of:
Ich wollt', meine Lieb' ergösse sich, op. 63 no. 1 (on 1945-09-21)
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV J 5)
part of:
6 Duets, op. 63
Felix Mendelssohn2:43