Matthäus-Passion

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt (see all versions of this release, 3 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Chorus: Kommt Ihr Toechter helft mir klagen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach57:29
2Matthäus-Passion, BWV 244: Evangelista: Da Jesus diese Rede vollendet hatte
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
3Matthäus-Passion, BWV 244: Choral: Herzliebster Jesu, was hast du verbrochen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1970-09)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
4Matthäus-Passion, BWV 244: Evangelista: Da versammelten sich die Hohepriester
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:29
5Matthäus-Passion, BWV 244: Chorus: Ja nicht auf das Fest
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:17
6Matthäus-Passion, BWV 244: Evangelista: Da nun Jesus war zu Bethanien
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:27
7Matthäus-Passion, BWV 244: Chorus: Wozu dient siser Unrat
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:30
8Matthäus-Passion, BWV 244: Evangelista: Da das Jesus merkete, sprach er zu ihnen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:40
9Matthäus-Passion, BWV 244: Recitativo: Du lieber Heiland du
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
10Matthäus-Passion, BWV 244: Aria: Busz und Reu
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals and countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:18
11Matthäus-Passion, BWV 244: Evangelista: Da ging der zwoelfen einer hin
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:32
12Matthäus-Passion, BWV 244: Aria: Blute nur, du liebes Herz
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:55
13Matthäus-Passion, BWV 244: Evangelista: Aber am ersten Tag der suessen Brot
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:15
14Matthäus-Passion, BWV 244: Chorus1: Wo willst Du, dass wir Dir bereiten
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:25
15Matthäus-Passion, BWV 244: Evangelista: Er sprach
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach1:38
16Matthäus-Passion, BWV 244: Chorus: Herr bin ich's
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:12
17Matthäus-Passion, BWV 244: Choral: Ich bin's, ich sollte buessen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:49
18Matthäus-Passion, BWV 244: Evangelista: Er antwortete und sprach
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:16
19Matthäus-Passion, BWV 244: Recitativo: Wiewohl mein Herz in Traenen schwimmt
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:27
20Matthäus-Passion, BWV 244: Aria: Ich will dir mein Herze schenken
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:48
21Matthäus-Passion, BWV 244: Evangelista: Und da sie den Lobgesang gesprochen hatten
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:13
22Matthäus-Passion, BWV 244: Choral: Erkenne mich mein Hueter
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
23Matthäus-Passion, BWV 244: Evangelista: Petrus aber antwortete
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:08
24Matthäus-Passion, BWV 244: Choral: Ich will hier bei dir stehen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:06
25Matthäus-Passion, BWV 244: Evangelista: Da kam Jesus mit Ihnen zu einem Hofe
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:43
26Matthäus-Passion, BWV 244: Recitativo: O Schmerz! / Chorus: Was ist die Ursach?
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:52
27Matthäus-Passion, BWV 244: Aria: Ich will bei meinem Jesu wachen / Chorus: So schlafen unsere Suenden ein
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals:
Nigel Rogers (tenor) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:18
2▼CD
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Evangelista: Und ging hin ein wenig
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:49
2Matthäus-Passion, BWV 244: Recitativo: Der Heiland faellt vor seinem Vater nieder
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:16
3Matthäus-Passion, BWV 244: Aria: Gerne will ich mich bequemen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals:
Max van Egmond (bass-baritone) (in 1970-09)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:11
4Matthäus-Passion, BWV 244: Evangelista: Und er kam zu seinen Juengern
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
5Matthäus-Passion, BWV 244: Choral: Was mein Gott eill
recorded in:
Wien (Vienna), Austria (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
6Matthäus-Passion, BWV 244: Evangelista: Und er kam und fand sie aber schlafend
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:41
7Matthäus-Passion, BWV 244: Aria: So ist mein Jesus nun gefangen / Chorus: Lasst ihn! Haltet! BIndet nicht!
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
countertenor vocals [Altus]:
Tom Sutcliffe (Counter-tenor, Critic) (in 1970-09)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder, Einstudierung [Sopransolo]: Hans Gillesberger and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIa. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach3:53
8Matthäus-Passion, BWV 244: Chorus: Sind Blitze, sind Donner
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach1:11
9Matthäus-Passion, BWV 244: Evangelista: Und siehe einer aus denen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:35
10Matthäus-Passion, BWV 244: Choral: O MNenschm bewein' dein Suende gross
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:21
11Matthäus-Passion, BWV 244: Aria: Ach! Nun ist mein Jesus hin!
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals:
Choir of King’s College, Cambridge (in 1970-09) and Paul Esswood (countertenor) (in 1970-09)
bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:21
12Matthäus-Passion, BWV 244: Evangelista: Die aber Jesum gegriffen hatten
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
13Matthäus-Passion, BWV 244: Choral: Mir hat die Welt trueglich gericht't
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1970-09)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:50
14Matthäus-Passion, BWV 244: Evangelista: Und wiewohl viel falsche Zeugen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:07
15Matthäus-Passion, BWV 244: Recitativo: Mein Jesus Schweigt zu falschen Luegen stille
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor II]:
Nigel Rogers (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
16Matthäus-Passion, BWV 244: Aria: Geduld!
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals and tenor vocals [Tenor II]:
Nigel Rogers (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:31
17Matthäus-Passion, BWV 244: Evangelista: Und der Hohepriester antwortete
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:24
18Matthäus-Passion, BWV 244: Chorus: Er ist des Todes schuldig
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:12
19Matthäus-Passion, BWV 244: Evangelista: Da speieten sie aus
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:16
20Matthäus-Passion, BWV 244: Chorus: Weissage uns Christe!
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:22
21Matthäus-Passion, BWV 244: Choral: Wer hat dich so geschlagen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
22Matthäus-Passion, BWV 244: Evangelista: Petrus aber sass draussen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:53
23Matthäus-Passion, BWV 244: Chorus: Wharlich, du bist auch einer von denen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:11
24Matthäus-Passion, BWV 244: Evangelista: Da hub er an sich zu verfluchen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:20
25Matthäus-Passion, BWV 244: Aria: Erbarme DIch mein Gott
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals and countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1970-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:14
26Matthäus-Passion, BWV 244: Choral: BIn ich gleich vin Dir gewichen
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1970-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
27Matthäus-Passion, BWV 244: Evangelista: Des Morgens aber
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:55
28Matthäus-Passion, BWV 244: Chorus - Was gehet uns das an
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:09
29Matthäus-Passion, BWV 244: Evangelista: Und er warf die Silberlinge
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:40
30Matthäus-Passion, BWV 244: Aria: Gebt mir meinen Jesum wieder
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals:
Max van Egmond (bass-baritone) (in 1970-09)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:03
31Matthäus-Passion, BWV 244: Evangelista: Sie hielten aber einen Rat
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:11
32Matthäus-Passion, BWV 244: Choral: Befiehl du deine Wege
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
3▶CD

Credits

Release

conductor:Nikolaus Harnoncourt (conductor)
ASIN:UK: B000000SBE [info]