The Complete Reprise and Warner Albums

~ Release by Al Jarreau (see all versions of this release, 1 available)

Annotation

℗ & © «2019 Warner Music Group - X5 Music Group»

Countries excluded (Deezer + Spotify + iTunes)

(As of 2020-09-12).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg) 🇩🇴 Dominican Republic (do) 🇧🇸 Bahamas (bs) 🇹🇹 Trinidad and Tobago (tt)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc)
  • Polynesia: 🇨🇰 Cook Islands (ck)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotation last modified on 2020-09-12 03:43 UTC.

Tracklist

1Digital Media
#TitleRatingLength
1Spirit
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Spirit
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:12
2We Got By
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
additional keyboard:
Dave Grusin (American pianist and score composer)
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
We Got By
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:06
3Susan’s Song
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
additional keyboard:
Dave Grusin (American pianist and score composer)
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Susan’s Song
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:57
4You Don’t See Me
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
guitar:
Arthur Adams (US blues singer, guitarist & songwriter)
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
You Don’t See Me
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:57
5Lock All the Gates
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
additional keyboard:
Dave Grusin (American pianist and score composer)
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Lock All the Gates
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:35
6Raggedy Ann
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
additional keyboard:
Dave Grusin (American pianist and score composer)
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Raggedy Ann
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:04
7Letter Perfect
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Letter Perfect
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:18
8Sweet Potato Pie
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Sweet Potato Pie
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
33:14
9Aladdin’s Lamp
assistant engineer:
Linda Tyler (engineer)
engineer and producer:
Al Schmitt
additional keyboard:
Dave Grusin (American pianist and score composer)
bass guitar:
Paul Stallworth
drums (drum set):
Joe Correro
flute and percussion:
Al Jarreau
keyboard:
Tom Canning
vibraphone:
Larry Bunker
vocals:
Al Jarreau
brass [horns] arranger and strings arranger:
Dave Grusin (American pianist and score composer)
arranger:
Tom Canning and Al Jarreau
background vocals arranger:
Morgan Ames and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Aladdin’s Lamp
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:55
10Rainbow in Your Eyes
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Wilton Felder (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
percussion:
Steve Forman (US percussionist) (from 1976-02 until 1976-05)
synthesizer:
Larry Nash (piano) (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
vocals arranger:
Nick de Caro
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
recording of:
Rainbow in Your Eyes (from 1976-02 until 1976-05)
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416, Reservoir One America, Stuck On Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:07
11Your Song
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Willie Weeks (US bass player) (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
piano [acoustic piano]:
Joe Sample (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
cover recording of:
Your Song (from 1976-02 until 1976-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:37
12Agua de beber
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Wilton Felder (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
percussion:
Steve Forman (US percussionist) (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
recording of:
Água de beber (English translation) (from 1976-02 until 1976-05)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Butterfield Music Corp., Campidoglio Edizioni Musicali s.r.l., Corcovado Music Corp., New Thunder Music Co., V.M. Enterprises, Words West LLC, フジパシフィックミュージック (Fujipacific Music, Inc.) and 全音楽譜出版社 (Zen-On Music Company Ltd.)
translated version of:
Água de beber (Portuguese original)
3:57
13Have You Seen the Child
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Wilton Felder (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
organ:
Joe Sample (from 1976-02 until 1976-05)
tambourine:
Steve Forman (US percussionist) (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
recording of:
Have You Seen the Child (from 1976-02 until 1976-05)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:49
14Hold On Me
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
vocals:
Al Jarreau (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
recording of:
Hold On Me (from 1976-02 until 1976-05)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
1:47
15Fire and Rain
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Willie Weeks (US bass player) (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
percussion:
Ralph MacDonald (from 1976-02 until 1976-05)
piano:
Joe Sample (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
cover recording of:
Fire and Rain (from 1976-02 until 1976-05)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4:49
16Somebody’s Watching You
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Willie Weeks (US bass player) (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
percussion:
Ralph MacDonald (from 1976-02 until 1976-05)
synthesizer:
Larry Nash (piano) (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
cover recording of:
Somebody’s Watching You (from 1976-02 until 1976-05)
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:46
17Milwaukee
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Paul Stallworth (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
percussion:
Ralph MacDonald (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
recording of:
Milwaukee (from 1976-02 until 1976-05)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:55
18Glow
assistant engineer:
Don Henderson (engineer) and Linda Tyler (engineer)
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Willie Weeks (US bass player) (from 1976-02 until 1976-05)
drums (drum set):
Joe Correro (from 1976-02 until 1976-05)
electric piano:
Tom Canning (from 1976-02 until 1976-05)
guitar:
Larry Carlton (from 1976-02 until 1976-05)
percussion:
Ralph MacDonald (from 1976-02 until 1976-05)
conductor:
Dale Oehler (from 1976-02 until 1976-05)
strings arranger and synthesizer arranger:
Dale Oehler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976-05)
recording of:
Glow (from 1976-02 until 1976-05)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:28
19Letter Perfect (live, 1977)
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
Letter Perfect (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:29
20Rainbow in Your Eyes (live, 1977)
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live cover recording of:
Rainbow in Your Eyes (from 1977-01 until 1977-02)
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416, Reservoir One America, Stuck On Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
6:29
21One Good Turn (live, 1977)
6:59
22Could You Believe (live, 1977)
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
Could You Believe (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
6:55
23Burst In With the Dawn (live, 1977)
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live recording of:
Burst In With the Dawn (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
7:31
24Better Than Anything (live, 1977)
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1977-02 until 1977-03)
live cover recording of:
Better Than Anything (from 1977-01 until 1977-02)
writer:
Bill Loughborough and David Wheat
publisher:
Figs D Music, Inc., Sanga Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
5:18
25So Long Girl (live, 1977)
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
live recording of:
So Long Girl (from 1977-01 until 1977-02)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:09
26Look to the Rainbow (live, 1977)
recorded in:
Europe (from 1977-01 until 1977-02)
recording engineer and mixer:
Al Schmitt
assistant engineer:
Doug Hopkins (engineer), Don Henderson (engineer), Merryn (engineer?) and Tim Summerhayes
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma and Al Schmitt
bass guitar:
Abraham Laboriel (from 1977-01 until 1977-02)
drums (drum set):
Joe Correro (from 1977-01 until 1977-02)
keyboard:
Tom Canning (from 1977-01 until 1977-02)
vibraphone:
Lynn Blessing (from 1977-01 until 1977-02)
vocals:
Al Jarreau (from 1977-01 until 1977-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
live cover recording of:
Look to the Rainbow (from “Finian’s Rainbow”) (from 1977-01 until 1977-02)
lyricist:
EY. Harburg
composer:
Burton Lane
publisher:
Chappell & Co. and Glocca Morra Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Finian’s Rainbow (1947 Broadway musical)
8:10
27You Don’t See Me (live, 1977)
7:08
28Take Five (live, 1977)
7:32
29Loving You (live, 1977)
5:21
30We Got By (live, 1977)
8:22
31Thinkin’ About It Too
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Thinkin’ About It Too (from 1978-05 until 1978-06)
writer:
Tom Canning and Al Jarreau
publisher:
AlJarreau Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:22
32I’m Home
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
I’m Home (from 1978-05 until 1978-06)
lyricist:
Dave Frishberg
composer:
Greg Mathieson
publisher:
Kohaw Music Inc., Music Publishing Company of America, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Swiftwater Music
5:23
33Brite ’n’ Sunny Babe
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Brite ’n’ Sunny Babe (from 1978-05 until 1978-06)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:30
34I Do
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
I Do (from 1978-05 until 1978-06)
writer:
Tom Canning and Al Jarreau
publisher:
AlJarreau Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:28
35Fly
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Fly (from 1978-05 until 1978-06)
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
43:52
36Wait a Little While
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Wait a Little While (from 1978-05 until 1978-06)
lyricist:
Eva Ein and Ken Loggins
composer:
Ken Loggins
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Milk Money Music (in 1978)
3:40
37She’s Leaving Home
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
cover recording of:
She’s Leaving Home (from 1978-05 until 1978-06)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
7:06
38All
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
All (from 1978-05 until 1978-06)
writer:
Tom Canning and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:52
39(Sittin’ on) The Dock of the Bay
assistant engineer:
John Sands (engineer) and Linda Tyler (engineer)
engineer:
Hank Cicalo
producer:
Al Schmitt
mixer:
Rick Ruggieri
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06) and Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
additional synthesizer:
Jim Ryan (jazz pianist) (from 1978-05 until 1978-06)
bass guitar:
Reggie McBride (from 1978-05 until 1978-06)
drums (drum set):
Joe Correro (from 1978-05 until 1978-06)
flugelhorn:
Freddie Hubbard (from 1978-05 until 1978-06)
guitar:
Lee Ritenour (from 1978-05 until 1978-06)
keyboard:
Lynn Blessing (from 1978-05 until 1978-06) and Tom Canning (from 1978-05 until 1978-06)
organ and vibraphone:
Lynn Blessing (from 1978-05 until 1978-06)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-05 until 1978-06)
piano:
Tom Canning (from 1978-05 until 1978-06)
synthesizer:
Lynn Blessing (from 1978-05 until 1978-06), Tom Canning (from 1978-05 until 1978-06) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-05 until 1978-06)
vocals:
Al Jarreau (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1978-05 until 1978-06)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
cover recording of:
(Sittin’ on) the Dock of the Bay (from 1978-05 until 1978-06)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
44:02
40Never Givin’ Up
synthesizer programming and additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
classical guitar [gut guitar]:
Oscar Neves
drums (drum set):
Ralph Humphrey (American drummer and teacher)
electric guitar:
Jay Graydon
flugelhorn:
Jerry Hey
piano and synthesizer [strings]:
Greg Mathieson
background vocals, lead vocals and other vocals [scat]:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Tom Canning, Al Jarreau and Greg Mathieson
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Never Givin’ Up
writer:
Tom Canning and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:59
41Gimme What You Got
synthesizer programming and additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Carlos Vega
electric guitar:
Jay Graydon
flugelhorn:
Jerry Hey
piano:
David Foster (Canadian music producer, arranger and composer)
Rhodes piano:
Tom Canning
synthesizer [strings]:
Michael Omartian
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Gimme What You Got
writer:
Tom Canning and Al Jarreau
publisher:
AlJarreau Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:45
42Love Is Real
synthesizer programming and additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Carlos Vega
electric guitar:
Jay Graydon and Dean Parks (American session guitarist)
piano:
Tom Canning
Rhodes piano:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
synthesizer [strings]:
Greg Mathieson
trombone:
Bill Reichenbach (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals and lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Jay Graydon, Al Jarreau and Tom Kellock
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Love Is Real
writer:
Tom Canning, Al Jarreau and Tom Kellock
publisher:
AlJarreau Music, Hill Street Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:26
43Alonzo
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set) and percussion:
Ralph Humphrey (American drummer and teacher)
Rhodes piano:
Tom Canning
synthesizer [strings]:
Greg Mathieson
lead vocals and other vocals [scat]:
Al Jarreau
percussion [rhythm] arranger:
Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Alonzo
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:27
44(If I Could Only) Change Your Mind
synthesizer programming and additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Ralph Humphrey (American drummer and teacher)
electric guitar:
Jay Graydon and Dean Parks (American session guitarist)
piano and Rhodes piano:
Tom Canning
solo harmonica:
Les Thompson (harmonica player)
synthesizer [strings]:
Greg Mathieson
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
(If I Could Only) Change Your Mind
writer:
Tom Canning and Allee Willis
publisher:
Baby Shoes Music, Desperate Music (work publisher), Irving Music (BMI), Universal Music Careers, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:18
45Spain (I Can Recall)
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
Rhodes piano and synthesizer:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
vocals:
Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Spain (I Can Recall)
lyricist:
Al Jarreau and Artie Maren
composer:
Chick Corea (jazz pianist) and Joaquín Rodrigo (Spanish composer and virtuoso pianist)
publisher:
AlJarreau Music, Ediciones Joaquín Rodrigo, Litha Music Co., Pearly Sue Music, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
arrangement of:
Spain
version of:
Spain
6:36
46Distracted
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
flugelhorn:
Jerry Hey
Rhodes piano:
George Duke
solo saxophone:
Lon Price
synthesizer:
Steve George (US keyboardist for Mr. Mister & Pages)
trombone:
Bill Reichenbach (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals and lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Distracted
lyricist and composer:
Al Jarreau
publisher:
AlJarreau Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:53
47Your Sweet Love
synthesizer programming and additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
bell, piano and Rhodes piano:
Tom Canning
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
flugelhorn:
Jerry Hey
synthesizer:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
synthesizer [strings]:
Michael Omartian
vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Your Sweet Love
writer:
Tom Canning, Al Jarreau and Tom Kellock
publisher:
AlJarreau Music, Hill Street Music, Pearly Sue Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:15
48(A Rhyme) This Time
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
classical guitar [gut guitar]:
Earl Klugh
drums (drum set):
Ralph Humphrey (American drummer and teacher)
Rhodes piano:
David Foster (Canadian music producer, arranger and composer)
vocals:
Al Jarreau
percussion [rhythm] arranger:
Jay Graydon, Al Jarreau and Earl Klugh
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
(A Rhyme) This Time
writer:
Al Jarreau and Earl Klugh
publisher:
AlJarreau Music, EMI Unart Catalog Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:42
49Closer to Your Love
programming, producer and mixer:
Jay Graydon
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
bass guitar:
Abe LaBoriel
brass [horns]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
piano, Rhodes piano and synthesizer:
Tom Canning
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Closer to Your Love
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
3:57
50My Old Friend
programming:
Michael Boddicker and Jay Graydon
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon and Steve Lukather
flugelhorn:
Jerry Hey
piano and Rhodes piano:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
Tom Canning and David Foster (Canadian music producer, arranger and composer)
background vocals:
Steve George (US keyboardist for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
My Old Friend
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Entente Music (publisher; do NOT use as release label) (ended), Ali‐Aja Music, Indolent Sloth Music, Panola Park Music, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:28
51We’re in This Love Together
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
alto saxophone:
Lon Price
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon and Steve Lukather
Rhodes piano:
Michael Omartian
synthesizer:
Michael Boddicker and Michael Omartian
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
We’re in This Love Together
writer:
Roger Murrah (songwriter) and Keith Stegall (American country singer / songwriter and record producer)
publisher:
Blackwood Music, Inc. (1953-02-07–1987-12-30) (ended), EMI Blackwood Music Inc., Magic Castle Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:46
52Easy
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
percussion:
Robert Zimmitti
Rhodes piano:
Tom Canning
synthesizer:
Michael Boddicker, Tom Canning, Peter Robinson (English score composer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Easy
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
5:25
53Our Love
recording engineer:
Humberto Gatica
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
piano and Rhodes piano:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
Michael Boddicker and David Foster (Canadian music producer, arranger and composer)
background vocals:
Steve George (US keyboardist for Mr. Mister & Pages), Al Jarreau and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
strings arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Our Love
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
3:53
54Breakin’ Away
assistant engineer:
Mikey Davis (Audio engineer) and Csaba Petocz
engineer:
Larry Brown (US producer, engineer, drummer and percussionist)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
bass guitar:
Neil Stubenhaus
drums (drum set):
Jeff Porcaro
electric guitar:
Jay Graydon
piano and Rhodes piano:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
Michael Boddicker and David Foster (Canadian music producer, arranger and composer)
trombone:
Bill Reichenbach (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals and lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Pasha Music House in Hollywood, Los Angeles, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Breakin’ Away
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:14
55Roof Garden
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
Rhodes piano:
George Duke
trombone:
Bill Reichenbach (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals:
Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Al Jarreau and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Roof Garden
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
6:20
56(Round, Round, Round) Blue Rondo a la Turk
programming:
Michael Boddicker
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
piano:
Milcho Leviev
synthesizer:
Michael Boddicker and Tom Canning
lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Milcho Leviev
vocals arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
(Round, Round, Round) Blue Rondo a la Turk
lyricist:
Al Jarreau
composer:
Dave Brubeck
publisher:
AlJarreau Music, Derry Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:45
57Teach Me Tonight
recording engineer:
Humberto Gatica
additional engineer:
Jay Graydon
assistant engineer:
Debbie Thompson (engineer)
engineer:
Joe Bogan (Recording- and mixing engineer)
associate producer:
Tom Canning
producer and mixer:
Jay Graydon
alto saxophone:
Lon Price
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon and Dean Parks (American session guitarist)
Rhodes piano:
Tom Canning
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
strings arranger:
Billy Byers
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
cover recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
4:13
58Mornin’
recording engineer:
Eric Prestis
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Jeff Porcaro
guitar:
Jay Graydon
Rhodes piano and synthesizer:
David Foster (Canadian music producer, arranger and composer)
background vocals and lead vocals:
Al Jarreau
percussion [rhythm] arranger:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
strings arranger:
Jeremy Lubbock
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
additionally recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Mornin’
writer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Garden Rake Music, Inc. and Peermusic III, Ltd. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
54:18
59Boogie Down
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
drums (drum set):
Steve Gadd (drummer)
percussion:
Victor Feldman (jazz musician)
synthesizer:
Michael Omartian
trombone:
Bill Reichenbach (jazz trombonist) and Lew McCreary
trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
background vocals:
Bill Champlin, Vennette Gloud and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Boogie Down
writer:
Al Jarreau and Michael Omartian
publisher:
AlJarreau Music, See This House Music, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:13
60I Will Be Here for You (Nitakungodea Milele)
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
guitar:
Jay Graydon
percussion:
Victor Feldman (jazz musician)
Rhodes piano:
Robbie Buchanan (Canadian producer)
synthesizer:
Steve George (US keyboardist for Mr. Mister & Pages)
background vocals and lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
I Will Be Here for You (Nitakungodea Milele)
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Warner-Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:21
61Save Me
synthesizer programming:
Steve Porcaro
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
additional synthesizer:
Theophilus T. Blood
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
guitar:
Jay Graydon
piano, Rhodes piano and synthesizer:
David Foster (Canadian music producer, arranger and composer)
trombone:
Bill Reichenbach (jazz trombonist) and Lew McCreary
trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
background vocals and lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Save Me
writer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Foster Frees Music Inc., Garden Rake Music, Inc., Peermusic III, Ltd. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
6:35
62Step by Step
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Jeff Porcaro
percussion:
Victor Feldman (jazz musician)
Rhodes piano:
Michael Omartian
synthesizer:
Robbie Buchanan (Canadian producer), Tom Canning and Jay Graydon
trombone:
Bill Reichenbach (jazz trombonist) and Charlie Loper (American trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
background vocals and lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Step by Step
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:28
63Black and Blues
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set) and percussion:
Jeff Porcaro
guitar and solo guitar:
Jay Graydon
piano, solo synthesizer [harmonica] and synthesizer:
Tom Canning
trombone:
Bill Reichenbach (jazz trombonist) and Charlie Loper (American trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
background vocals and lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Black and Blues
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:52
64Trouble in Paradise
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Grey Trevorson
flugelhorn and trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
guitar:
Jay Graydon
piano and Rhodes piano:
Greg Mathieson
synthesizer:
Jay Graydon and Greg Mathieson
trombone:
Bill Reichenbach (jazz trombonist) and Charlie Loper (American trombonist)
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Jay Graydon and Greg Mathieson
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Trouble in Paradise
writer:
Jay Graydon, Greg Mathieson and Trevor Veitch
publisher:
Bravo and Encore Music, Garden Rake Music, Inc., Grow Your Own Music, Mighty Mathieson Music, Music Publishing Company of America, Slapshot Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Victor Music Arts, フジパシフィックミュージック (Fujipacific Music, Inc.) and 大洋音楽 (Taiyō Music)
3:49
65Not Like This
recording engineer:
Eric Prestis
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
Rhodes piano:
Jeremy Lubbock
lead vocals:
Al Jarreau
strings arranger:
Jeremy Lubbock
concertmaster:
Jerry Vinci (American violinist and strings conductor)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
additionally recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
cover recording of:
Not Like This
lyricist and composer:
Jeremy Lubbock
publisher:
Bravo and Encore Music, Hollysongs, Music Publishing Company of America and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
2:39
66Love Is Waiting
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
bass guitar:
Abe LaBoriel
drums (drum set):
Steve Gadd (drummer)
guitar:
Jay Graydon
piano, Rhodes piano and synthesizer:
Tom Canning
trombone:
Bill Reichenbach (jazz trombonist) and Charlie Loper (American trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Jerry Hey
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
percussion [rhythm] arranger:
Tom Canning, Jay Graydon and Al Jarreau
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Love Is Waiting
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
3:45
67I Keep Callin’
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2009)
recording of:
I Keep Callin’
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:52
68Raging Waters
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
bass guitar:
Bob Beats (bassist)
drums (drum set):
Skinsoh Umor
guitar:
Jay Graydon
synthesizer:
Robbie Buchanan (Canadian producer)
lead vocals:
Al Jarreau
arranger:
Robbie Buchanan (Canadian producer) and Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Raging Waters
writer:
Robbie Buchanan (Canadian producer), Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Garden Rake Music, Nanacub Music, Sony/ATV Tunes LLC (ASCAP), Welbeck Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:28
69Imagination
synthesizer [Fairlight] programming:
Gary Chang
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
bass guitar:
Nathan East
brass [horns]:
Bill Reichenbach (jazz trombonist), Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Jerry Hey and Charles Loper (American trombonist)
cymbal [symbolic crashes & lo-hat]:
Mike Baird (drummer)
drums (drum set):
Chip McSticks
guitar:
Jay Graydon
synthesizer:
Robbie Buchanan (Canadian producer) and Jay Graydon
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
arranger:
Glen Ballard, Jay Graydon, Al Jarreau and Clif Magness
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Imagination
writer:
Glen Ballard, Jay Graydon, Al Jarreau and Clif Magness
publisher:
AlJarreau Music, Garden Rake Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Yellowbrick Road Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:43
70Murphy’s Law
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
flugelhorn:
Gary Grant (brass) and Jerry Hey
guitar and synthesizer:
Jay Graydon
background vocals:
Al Jarreau and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Al Jarreau
arranger:
Paul Bliss, Jay Graydon and Steve Kipner
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Murphy’s Law
writer:
Paul Bliss, Al Jarreau and Steve Kipner
publisher:
AlJarreau Music, EMI April Music Inc., Paul Bliss Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Stephen A. Kipner Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
4:10
71Tell Me
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
bass guitar:
Jake Jugs
cymbal:
Mike Baird (drummer)
drums (drum set):
Tyrone B. Feedback
synthesizer:
Robbie Buchanan (Canadian producer), Jay Graydon and Greg Phillinganes
lead vocals:
Al Jarreau
arranger:
Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Tell Me
writer:
Jay Graydon, Al Jarreau and Greg Phillinganes
publisher:
AlJarreau Music, Garden Rake Music, Inc., King Arthur Music, Poopy’s Music, WB Music Corp. (1929–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
4:36
72After All
synthesizer [DX-1] programming:
Erich Bulling
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
drums (drum set):
Mike Baird (drummer)
guitar:
Jay Graydon
piano:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
Robbie Buchanan (Canadian producer) and David Foster (Canadian music producer, arranger and composer)
lead vocals:
Al Jarreau
arranger:
Robbie Buchanan (Canadian producer), David Foster (Canadian music producer, arranger and composer), Jay Graydon, Al Jarreau and Jeremy Lubbock
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
After All
writer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Foster Frees Music Inc., Garden Rake Music, Inc., Peermusic III, Ltd. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:20
73High Crime
synthesizer [DX-1] programming:
Bo Tomlin
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
guitar:
Jay Graydon and Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
piano:
Robbie Buchanan (Canadian producer)
synthesizer:
Jay Graydon and Bobby Lyle
background vocals:
Bill Champlin, Al Jarreau and Carmen Twillie
lead vocals:
Al Jarreau
arranger:
Jay Graydon and Bobby Lyle
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
High Crime
writer:
Jay Graydon, Al Jarreau and Bobby Lyle
publisher:
AlJarreau Music, Entente Music (publisher; do NOT use as release label), Garden Rake Music, New Warrior Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:32
74Let’s Pretend
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
drums (drum set):
O. Rapage and Rug Toupé
electronic drum set:
Pat Mastelotto
synthesizer:
Steve George (US keyboardist for Mr. Mister & Pages)
lead vocals:
Al Jarreau
arranger:
Steve George (US keyboardist for Mr. Mister & Pages), Jay Graydon and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Let’s Pretend
writer:
Steve George (US keyboardist for Mr. Mister & Pages), Jay Graydon, John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Garden Rake Music, Indolent Sloth Music, Panola Park Music, Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
4:01
75Sticky Wicket
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
brass:
Jerry Hey
brass [horns]:
Bill Reichenbach (jazz trombonist), Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass) and Charles Loper (American trombonist)
drums (drum set):
U. L. Blowby
guitar:
Jay Graydon and Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist)
synthesizer:
Greg Phillinganes
background vocals:
Bill Champlin, Siedah Garrett and Carmen Twillie
lead vocals:
Al Jarreau
brass [horns] arranger:
Jerry Hey
arranger:
Jay Graydon and Greg Phillinganes
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Sticky Wicket
writer:
Jay Graydon, Al Jarreau and Greg Phillinganes
publisher:
AlJarreau Music, Garden Rake Music, Inc., King Arthur Music, Poopy’s Music, WB Music Corp. (1929–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
4:20
76Love Speaks Louder Than Words
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
cymbal [crashes]:
Mike Baird (drummer)
drums (drum set):
Champ Time
guitar:
Jay Graydon
synthesizer:
Robbie Buchanan (Canadian producer)
background vocals:
Bill Champlin, Al Jarreau and Carmen Twillie
lead vocals:
Al Jarreau
arranger:
Bill Champlin, Richard Feldman and Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Love Speaks Louder Than Words
writer:
Bill Champlin, Richard Feldman and Glenn Friedman
publisher:
BMG VM Music Ltd., Embassy Music Corporation, Holland Hill Media Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), Nightworm Music, Orca Songs, Piccadilly Music Corporation, Sweet Glenn Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:57
77Fallin’
synthesizer [DX-1] programming:
Bo Tomlin
engineer:
Ian Eales and Jay Graydon
producer:
Jay Graydon
mixer:
Ian Eales, Jay Graydon and Michael Verdick
bass guitar:
Nathan East
drums (drum set):
Tubs Margranate
guitar:
Jay Graydon
synthesizer:
Jay Graydon and Greg Phillinganes
background vocals and lead vocals:
Al Jarreau
arranger:
Marcel East, Nathan East and Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984)
recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
mixed at:
Channel Recording in Burbank, California, United States and Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Fallin’
writer:
Marcel East, Nathan East, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Eastborn Music, Garden Rake Music, Inc., New East Music, Noted for the Record, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
4:55
78Raging Waters (live in London, 1984)
additional recording engineer:
Rick Ruggieri and Erik Zobler
recording engineer:
Mick McKenna
miscellaneous support:
Bobby Lyle (task: musical director)
synthesizer programming:
Michael Casey Young
producer:
Tommy LiPuma
assistant mixer:
Steve MacMillan and Mike Ross (engineer)
mixer:
Bill Schnee
bass:
Robbie Buchanan (Canadian producer) and Nathan East
drums (drum set) [drums]:
Ricky Lawson
flugelhorn:
Michael “Patches” Stewart (jazz trumpeter)
flute [flutes] and saxophone [saxophones]:
Michael Paulo
guitar:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus)
keyboard [keyboards]:
Bobby Lyle and James Studer
percussion:
Malando Gassama
synthesizer:
Robbie Buchanan (Canadian producer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
trumpet:
Jerry Hey and Michael “Patches” Stewart (jazz trumpeter)
lead vocals:
Al Jarreau
vocals:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus), Nathan East, Steve George (US keyboardist for Mr. Mister & Pages), Bobby Lyle, Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and James Studer
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
miscellaneous support:
Rolling Stone Mobile (task: recorded for)
additionally recorded at:
Bill Schnee Studio
recorded at:
Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1984-11)
mixed at:
Bill Schnee Studio and Ocean Way Recording in Hollywood, Los Angeles, California, United States
live recording of:
Raging Waters
writer:
Robbie Buchanan (Canadian producer), Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Garden Rake Music, Nanacub Music, Sony/ATV Tunes LLC (ASCAP), Welbeck Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
5:40
79Black and Blues (live in London, 1984)
additional recording engineer:
Rick Ruggieri and Erik Zobler
recording engineer:
Mick McKenna
miscellaneous support:
Bobby Lyle (task: musical director)
synthesizer programming:
Michael Casey Young
producer:
Tommy LiPuma
assistant mixer:
Steve MacMillan and Mike Ross (engineer)
mixer:
Bill Schnee
bass:
Robbie Buchanan (Canadian producer) and Nathan East
drums (drum set) [drums]:
Ricky Lawson
flugelhorn:
Michael “Patches” Stewart (jazz trumpeter)
flute [flutes] and saxophone [saxophones]:
Michael Paulo
guitar:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus)
keyboard [keyboards]:
Bobby Lyle and James Studer
percussion:
Malando Gassama
synthesizer:
Robbie Buchanan (Canadian producer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
trumpet:
Jerry Hey and Michael “Patches” Stewart (jazz trumpeter)
lead vocals:
Al Jarreau
vocals:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus), Nathan East, Steve George (US keyboardist for Mr. Mister & Pages), Bobby Lyle, Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and James Studer
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
miscellaneous support:
Rolling Stone Mobile (task: recorded for)
additionally recorded at:
Bill Schnee Studio
recorded at:
Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1984-11)
mixed at:
Bill Schnee Studio and Ocean Way Recording in Hollywood, Los Angeles, California, United States
live recording of:
Black and Blues
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:25
80I Will Be Here for You (Nitakungodea Milele) (live in London, 1984)
additional recording engineer:
Rick Ruggieri and Erik Zobler
recording engineer:
Mick McKenna
miscellaneous support:
Bobby Lyle (task: musical director)
synthesizer programming:
Michael Casey Young
producer:
Tommy LiPuma
assistant mixer:
Steve MacMillan and Mike Ross (engineer)
mixer:
Bill Schnee
bass:
Robbie Buchanan (Canadian producer) and Nathan East
drums (drum set) [drums]:
Ricky Lawson
flugelhorn:
Michael “Patches” Stewart (jazz trumpeter)
flute [flutes] and saxophone [saxophones]:
Michael Paulo
guitar:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus)
keyboard [keyboards]:
Bobby Lyle and James Studer
percussion:
Malando Gassama
synthesizer:
Robbie Buchanan (Canadian producer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
trumpet:
Jerry Hey and Michael “Patches” Stewart (jazz trumpeter)
lead vocals:
Al Jarreau
vocals:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus), Nathan East, Steve George (US keyboardist for Mr. Mister & Pages), Bobby Lyle, Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and James Studer
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
miscellaneous support:
Rolling Stone Mobile (task: recorded for)
additionally recorded at:
Bill Schnee Studio
recorded at:
Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1984-11)
mixed at:
Bill Schnee Studio and Ocean Way Recording in Hollywood, Los Angeles, California, United States
live recording of:
I Will Be Here for You (Nitakungodea Milele)
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Warner-Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:08
81Let’s Pretend (live in London, 1984)
additional recording engineer:
Rick Ruggieri and Erik Zobler
recording engineer:
Mick McKenna
miscellaneous support:
Bobby Lyle (task: musical director)
synthesizer programming:
Michael Casey Young
producer:
Tommy LiPuma
assistant mixer:
Steve MacMillan and Mike Ross (engineer)
mixer:
Bill Schnee
bass:
Robbie Buchanan (Canadian producer) and Nathan East
drums (drum set) [drums]:
Ricky Lawson
flugelhorn:
Michael “Patches” Stewart (jazz trumpeter)
flute [flutes] and saxophone [saxophones]:
Michael Paulo
guitar:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus)
keyboard [keyboards]:
Bobby Lyle and James Studer
percussion:
Malando Gassama
synthesizer:
Robbie Buchanan (Canadian producer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
trumpet:
Jerry Hey and Michael “Patches” Stewart (jazz trumpeter)
lead vocals:
Al Jarreau
vocals:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus), Nathan East, Steve George (US keyboardist for Mr. Mister & Pages), Bobby Lyle, Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and James Studer
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
miscellaneous support:
Rolling Stone Mobile (task: recorded for)
additionally recorded at:
Bill Schnee Studio
recorded at:
Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1984-11)
mixed at:
Bill Schnee Studio and Ocean Way Recording in Hollywood, Los Angeles, California, United States
live recording of:
Let’s Pretend
writer:
Steve George (US keyboardist for Mr. Mister & Pages), Jay Graydon, John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Garden Rake Music, Indolent Sloth Music, Panola Park Music, Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
5:42
82High Crime (live in London, 1984)
additional recording engineer:
Rick Ruggieri and Erik Zobler
recording engineer:
Mick McKenna
miscellaneous support:
Bobby Lyle (task: musical director)
synthesizer programming:
Michael Casey Young
producer:
Tommy LiPuma
assistant mixer:
Steve MacMillan and Mike Ross (engineer)
mixer:
Bill Schnee
bass:
Robbie Buchanan (Canadian producer) and Nathan East
drums (drum set) [drums]:
Ricky Lawson
flugelhorn:
Michael “Patches” Stewart (jazz trumpeter)
flute [flutes] and saxophone [saxophones]:
Michael Paulo
guitar:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus)
keyboard [keyboards]:
Bobby Lyle and James Studer
percussion:
Malando Gassama
synthesizer:
Robbie Buchanan (Canadian producer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
trumpet:
Jerry Hey and Michael “Patches” Stewart (jazz trumpeter)
lead vocals:
Al Jarreau
vocals:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus), Nathan East, Steve George (US keyboardist for Mr. Mister & Pages), Bobby Lyle, Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and James Studer
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
miscellaneous support:
Rolling Stone Mobile (task: recorded for)
additionally recorded at:
Bill Schnee Studio
recorded at:
Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1984-11)
mixed at:
Bill Schnee Studio and Ocean Way Recording in Hollywood, Los Angeles, California, United States
live recording of:
High Crime
writer:
Jay Graydon, Al Jarreau and Bobby Lyle
publisher:
AlJarreau Music, Entente Music (publisher; do NOT use as release label), Garden Rake Music, New Warrior Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:33
83Roof Garden (live in London, 1984)
additional recording engineer:
Rick Ruggieri and Erik Zobler
recording engineer:
Mick McKenna
miscellaneous support:
Bobby Lyle (task: musical director)
synthesizer programming:
Michael Casey Young
producer:
Tommy LiPuma
assistant mixer:
Steve MacMillan and Mike Ross (engineer)
mixer:
Bill Schnee
bass:
Robbie Buchanan (Canadian producer) and Nathan East
drums (drum set) [drums]:
Ricky Lawson
flugelhorn:
Michael “Patches” Stewart (jazz trumpeter)
flute [flutes] and saxophone [saxophones]:
Michael Paulo
guitar:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus)
keyboard [keyboards]:
Bobby Lyle and James Studer
percussion:
Malando Gassama
synthesizer:
Robbie Buchanan (Canadian producer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
trumpet:
Jerry Hey and Michael “Patches” Stewart (jazz trumpeter)
lead vocals:
Al Jarreau
vocals:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus), Nathan East, Steve George (US keyboardist for Mr. Mister & Pages), Bobby Lyle, Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and James Studer
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
miscellaneous support:
Rolling Stone Mobile (task: recorded for)
additionally recorded at:
Bill Schnee Studio
recorded at:
Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1984-11)
mixed at:
Bill Schnee Studio and Ocean Way Recording in Hollywood, Los Angeles, California, United States
live recording of:
Roof Garden
writer:
Tom Canning, Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:48
84Teach Me Tonight (live in London, 1984)
5:10
85We’re in This Love Together (live in London, 1984)
additional recording engineer:
Rick Ruggieri and Erik Zobler
recording engineer:
Mick McKenna
miscellaneous support:
Bobby Lyle (task: musical director)
synthesizer programming:
Michael Casey Young
producer:
Tommy LiPuma
assistant mixer:
Steve MacMillan and Mike Ross (engineer)
mixer:
Bill Schnee
bass:
Robbie Buchanan (Canadian producer) and Nathan East
drums (drum set) [drums]:
Ricky Lawson
flugelhorn:
Michael “Patches” Stewart (jazz trumpeter)
flute [flutes] and saxophone [saxophones]:
Michael Paulo
guitar:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus)
keyboard [keyboards]:
Bobby Lyle and James Studer
percussion:
Malando Gassama
synthesizer:
Robbie Buchanan (Canadian producer) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
trumpet:
Jerry Hey and Michael “Patches” Stewart (jazz trumpeter)
lead vocals:
Al Jarreau
vocals:
Charles "Icarus" Johnson (US jazz/funk guitarist aka Icarus), Nathan East, Steve George (US keyboardist for Mr. Mister & Pages), Bobby Lyle, Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and James Studer
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
miscellaneous support:
Rolling Stone Mobile (task: recorded for)
additionally recorded at:
Bill Schnee Studio
recorded at:
Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1984-11)
mixed at:
Bill Schnee Studio and Ocean Way Recording in Hollywood, Los Angeles, California, United States
live recording of:
We’re in This Love Together
writer:
Roger Murrah (songwriter) and Keith Stegall (American country singer / songwriter and record producer)
publisher:
Blackwood Music, Inc. (1953-02-07–1987-12-30) (ended), EMI Blackwood Music Inc., Magic Castle Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:08
86Tell Me What I Gotta Do
4:01
87L Is for Lover
recording of:
L Is for Lover
5:24
88Says
3:52
89Pleasure
4:01
90Golden Girl
5:51
91Across the Midnight Sky
5:35
92(We Got) Telepathy
4:26
93Give a Little More Lovin’
recording of:
Give a Little More Lovin’
lyricist:
Jonathan Butler (South African singer-songwriter and guitarist) and Simon May
composer:
Jonathan Butler (South African singer-songwriter and guitarist)
publisher:
Simon Supertunes Ltd., Universal Music–Z Tunes LLC and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:12
94No Ordinary Romance
3:33
95Real Tight
3:10
96All or Nothing at All
3:58
97So Good
4:40
98All of My Love
4:44
99Pleasure Over Pain
5:21
100Yo’ Jeans1:46
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