Gentlemen of Swing Nr.2

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Made exclusive for Tchibo

Annotation last modified on 2018-11-11 18:12 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (southern gospel group) (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
recording of:
Love Me, Love Me
writer:
George Richey and Glenn Sutton (US songwriter and producer)
Elvis Presley42:46
2Saturday Night (Is the Loneliest Night in the Week)
recording of:
Saturday Night (Is the Loneliest Night in the Week)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WC Music Corp., フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra2:47
3Somethin’ Stupid
cover recording of:
Somethin’ Stupid
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
recording of:
Somethin’ Stupid
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
Andy Williams2:58
4Begin the Beguine
cover recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Tony Bennett3:27
5On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Nat King Cole2:31
6Let’s Face the Music and Dance
recorded in:
Los Angeles, California, United States (on 1936-01-30)
vocals:
Fred Astaire (on 1936-01-30)
orchestra:
Johnny Green and His Orchestra (on 1936-01-30)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1936-01-30)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Fred Astaire2:28
7Singing the Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 37)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Guy Mitchell2:27
8I’m Coming Virginia
recording of:
I’m Coming Virginia
lyricist:
Will Marion Cook
composer:
Donald Heywood
Jimmy Rushing2:19
9Jumpin’ Jive
recording of:
(Hep‐Hep!) The Jumpin’ Jive
writer:
Cab Calloway, Frank Froeba and Jack Palmer (Jazz pianist and composer)
publisher:
EMI Music Publishing France and Francis, Day & Hunter Ltd.
Cab Calloway42:49
10Let’s Fall in Love
Vic Damone2:01
11The More I See You
recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
George Maharis3:03
12Mr. Kicks
recording of:
Mr. Kicks
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Oscar Brown Jr.2:07
13After You’ve Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Count Basie & His Orchestra2:37
14Your Feet’s Too Big
recording of:
Your Feet’s Too Big
lyricist:
Ada Benson
composer:
Fred Fisher (in 1936)
Fats Waller3:06
15Ain’t Misbehavin’
Johnnie Ray2:39
16Mack the Knife
Louis Armstrong & His All‐Stars3:22
2▼CD
#TitleArtistRatingLength
1In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
The Glenn Miller Orchestra43:30
2Patience and Fortitude
recording of:
Patience and Fortitude
composer:
Billy Moore, Jr. (40s American jazz pianist/arranger/composer) and Blackie Warren
Count Basie & His Orchestra3:20
3Strangers in the Night
recording of:
Strangers in the Night
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow3:06
4Mister Five by Five
recording of:
Mister Five by Five
writer:
Gene de Paul and Don Raye
Jimmy Rushing2:02
5I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Mel Tormé2:54
6Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Tony Bennett2:15
7It Had to Be You
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Vic Damone3:35
8Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) and The Ray Charles Singers (in 1957)
orchestra:
Mitchell Ayres and His Orchestra (in 1957)
performer:
Mitchell Ayres and His Orchestra (in 1957) and Perry Como (US pop singer & TV personality, 1912–2001) (in 1957)
arranger:
Joe Reisman
phonographic copyright (℗) by:
BMG Entertainment (in 1958)
recording of:
Magic Moments (in 1957)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Music Publishing Ltd. and MCA Music Ltd.
Perry Como3.152:44
9One Mint Julep
cover recording of:
One Mint Julep
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music (BMI) and Unichappell Music
Louis Prima / Keely Smith2:46
10April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Joe Williams5:14
11Wonderful Wonderful
recording of:
Wonderful, Wonderful
lyricist:
Ben Raleigh
composer:
Sherman Edwards
Johnny Mathis2:50
12In the Land of Oo‐Bla‐Dee
recording of:
In the Land of Oo-Bla-Dee
composer:
Milt Orent and Mary Lou Williams (American jazz pianist and composer)
Dizzy Gillespie and His Orchestra2:39
13Put on a Happy Face
cover recording of:
Put On a Happy Face (Bye Bye Birdie)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.)
part of:
Bye Bye Birdie
Tony Bennett2:40
14It’s Only a Paper Moon
recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole1:12
15Tainted Love
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Paul Young3:26
16Dance With Me Tonight
additional programming:
Steve Fitzmaurice (Irish mixer, songwriter and producer) and Darren Heelis (music engineer, producer, programming, additional production)
programming:
Darren Lewis and Iyiola Babalola (drum n bass producer Iyiola Babalola)
producer:
Future Cut and Steve Robson (English songwriter, record producer & multi-instrumentalist)
assistant mixer:
Darren Heelis (music engineer, producer, programming, additional production)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
guitar and keyboard:
Darren Lewis
other instruments [all other instruments]:
Steve Robson (English songwriter, record producer & multi-instrumentalist)
percussion and synthesizer [synths]:
Iyiola Babalola (drum n bass producer Iyiola Babalola)
background vocals [backing vocals]:
Claude Kelly
mixed for:
365 Artists at the Pierce Rooms
music videos:
Dance With Me Tonight by Olly Murs
recording of:
Dance With Me Tonight
writer:
Claude Kelly, Oliver Murs and Stephen Robson (English songwriter, record producer & multi-instrumentalist)
publisher:
Concord Simp Ltd., Imagem CV, Salli Isaak Music Publishing Ltd. (publisher; do NOT use as release label), Studio Beast Music (publishing company linked to Claude Kelly) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Olly Murs2.53:23