Cantates françaises

~ Release by Clérambault; Reinoud Van Mechelen, A Nocte Temporis (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Apollon: Simphonie
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: I. Simphonie (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault1:52
2Apollon: Récitatif “L’aurore alloit chasser les ombres de la nuit”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: II. Récitatif “L’aurore alloit chasser les ombres de la nuit” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault1:16
3Apollon: Air “Doux repos de l’indifference”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: III. Air “Doux repos de l’indifference” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault5:56
4Apollon: Récitatif “Le berger s’endormoit plein de sa resverie”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: IV. Récitatif “Le berger s’endormoit plein de sa resverie” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault2:07
5Apollon: Récitatif “De sa gloire environné”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: V. Récitatif “De sa gloire environné” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault0:31
6Apollon: Air “Ce n’est point pour servir les volages amours”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: VI. Air “Ce n’est point pour servir les volages amours” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault2:50
7Apollon: Récitatif “Alors le dieu sur un char préparé”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: VII. Récitatif “Alors le dieu sur un char préparé” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault1:11
8Apollon: Air “Heros des siecles passés”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Apollon: VIII. Air “Heros des siecles passés” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Apollon
Nicolas Clérambault4:09
9Le Jaloux: Air “Revien printems”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Le Jaloux: I. Air “Revien printems” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Le Jaloux
Nicolas Clérambault2:55
10Le Jaloux: Air “Je consens que la victoire”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Le Jaloux: II. Air “Je consens que la victoire” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Le Jaloux
Nicolas Clérambault2:15
11Le Jaloux: Récitatif “Helas ! Pour mon cœur allarmé”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Le Jaloux: III. Récitatif “Helas ! Pour mon cœur allarmé” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Le Jaloux
Nicolas Clérambault3:48
12Le Jaloux: Air “Dieu des amants prens ma deffence”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Le Jaloux: IV. Air “Dieu des amants prens ma deffence” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Le Jaloux
Nicolas Clérambault2:13
13Le Jaloux: Air “Amour venge toy, venge moy”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Le Jaloux: V. Air “Amour venge toy, venge moy” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Le Jaloux
Nicolas Clérambault1:11
14Le Jaloux: Air “Revien printems”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Le Jaloux: VI. Air “Revien printems” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
Le Jaloux
Nicolas Clérambault2:31
15L’Amour, guéri par l’amour: Récitatif “Pour oublier l’inconstante Climeine”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
L’Amour, guéri par l’amour: I. Récitatif “Pour oublier l’inconstante Climeine” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
L’Amour, guéri par l’amour
Nicolas Clérambault0:43
16L’Amour, guéri par l’amour: Air “Souffrez, plaintive Philomele”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
L’Amour, guéri par l’amour: II. Air “Souffrez, plaintive Philomele” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
L’Amour, guéri par l’amour
Nicolas Clérambault7:00
17L’Amour, guéri par l’amour: Récitatif “Ainsy de son tourment il se plaignoit sans cesse”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
L’Amour, guéri par l’amour: III. Récitatif “Ainsy de son tourment il se plaignoit sans cesse” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
L’Amour, guéri par l’amour
Nicolas Clérambault1:42
18L’Amour, guéri par l’amour: Air “Amour, sur un cœur trop fidélle”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
L’Amour, guéri par l’amour: IV. Air “Amour, sur un cœur trop fidélle” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
L’Amour, guéri par l’amour
Nicolas Clérambault3:08
19L’Amour, guéri par l’amour: Récitatif “Il dit, et penetré d’une douleur mortelle”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
L’Amour, guéri par l’amour: V. Récitatif “Il dit, et penetré d’une douleur mortelle” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
L’Amour, guéri par l’amour
Nicolas Clérambault1:44
20L’Amour, guéri par l’amour: Air “L’Absençe, d’une ardeur extrême”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
L’Amour, guéri par l’amour: VI. Air “L’Absençe, d’une ardeur extrême” (in 2017-03)
composer:
Louis‐Nicolas Clérambault
part of:
L’Amour, guéri par l’amour
Nicolas Clérambault4:14
21Pirame et Thisbé: Récitatif “Pirame, pour Tisbé, dès la plus tendre enfance”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: I. Récitatif “Pirame, pour Tisbé, dès la plus tendre enfance” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault2:24
22Pirame et Thisbé: Air “Si vôtre tendresse est extrême”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: II. Air “Si vôtre tendresse est extrême” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault2:39
23Pirame et Thisbé: Récitatif “Tisbé, pour résister à l’ardeur de ses vœux”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: III. Récitatif “Tisbé, pour résister à l’ardeur de ses vœux” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault0:48
24Pirame et Thisbé: Récitatif “Aux pieds de ces tombeux sacrés”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: IV. Récitatif “Aux pieds de ces tombeux sacrés” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault1:31
25Pirame et Thisbé: Récitatif “Bientôt au gré de leur impatience”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: V. Récitatif “Bientôt au gré de leur impatience” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault0:24
26Pirame et Thisbé: Air “Vole, vole, dit-elle amour”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: VI. Air “Vole, vole, dit-elle amour” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault1:19
27Pirame et Thisbé: Récitatif “Elle cherchoit l’amant qui la tient asservie”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: VII. Récitatif “Elle cherchoit l’amant qui la tient asservie” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault1:14
28Pirame et Thisbé: Plainte “Quoi ? Tisbé tu n’és plus”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: VIII. Plainte “Quoi ? Tisbé tu n’és plus” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault2:59
29Pirame et Thisbé: Prélude “Venez monstres affreux”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: IX. Prélude “Venez monstres affreux” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault0:36
30Pirame et Thisbé: “Aimable et cher objet ton trepas est mon crime”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: X. “Aimable et cher objet ton trepas est mon crime” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault1:51
31Pirame et Thisbé: Air “Amour, qui voudra desormais”
producer and editor:
Aline Blondiau (engineer / producer)
flute:
Anna Besson (French transverse flute player) (in 2017-03)
harpsichord:
Benjamin Alard (French harpsichordist & organist) (in 2017-03)
instruments:
a nocte temporis (Belgium-based classical music ensemble) (in 2017-03)
viola da gamba:
Myriam Rignol (French violist) (in 2017-03)
violin:
Emmanuel Resche (violinist) (in 2017-03)
tenor vocals:
Reinoud Van Mechelen (Belgian tenor) (in 2017-03)
recorded at:
Begijnhofkerk (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 2017-03)
recording of:
Pirame et Tisbé: XI. Air “Amour, qui voudra desormais” (in 2017-03)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Nicolas Clérambault3:05

Credits

Release

photography:Robbe Maes (photographer)
liner notes:Jean Saint-Arroman
liner notes translator:Silvia Berutti-Ronelt
Charles Johnston (liner notes author or English translator)
mastering:Aline Blondiau (engineer / producer)
design:Aurore Duhamel
Valérie Lagarde (designer)
purchase for download:https://itunes.apple.com/us/album/id1327824838 [info]
stream for free:https://open.spotify.com/album/7sMad8wTf5PBT8jbm9PvLm [info]
https://www.deezer.com/album/53823952 [info]