Mahler’s Decade in Vienna

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |

1▼CD
#	Title	Artist	Rating	Length
1	Mignon: Je suis Titania soprano vocals: Irene Abendroth (Polish soprano) recording of: Mignon : Acte II, no. 12ter. Polonaise « Oui ! Pour ce soir » ... « Je suis Titania, la blonde » (Philine) composer: Ambroise Thomas (opera composer) part of: Mignon : Acte II. Un boudoir élégant / Un coin du parc	Ambroise Thomas		3:01
2	Vergebliches Ständchen soprano vocals: Irene Abendroth (Polish soprano) recording of: 5 Romanzen und Lieder, op. 84: Nr. 4. Vergebliches Ständchen lyricist: [traditional] (special purpose artist) composer: Johannes Brahms (German composer) part of: 5 Romanzen und Lieder, op. 84	Johannes Brahms		1:55
3	Oberon: Ozean du Ungeheuer recorded in: Wien (Vienna), Austria (in 1904) soprano vocals: Anna Bahr-Mildenburg (in 1904) recording of: Oberon, J. 306: Act II, Scene III. Recitative and Aria "Ozean, du Ungeheuer!" (Rezia) (in 1904) composer: Carl Maria von Weber (composer) part of: Oberon, J. 306: Act II	Carl Maria von Weber		2:34
4	M'ama, non m'ama soprano vocals: Lola Beeth (Austrian soprano) recording of: M'ama…non m'ama composer: Pietro Mascagni (composer & conductor) (in 1884)	Pietro Mascagni		2:56
5	Das Rheingold: Abendlich Strahlt baritone vocals: Theodor Bertram (German baritone) recording of: Das Rheingold: Scene IV composer: Richard Wagner (composer) (from 1853-11-01 until 1854-09-25) librettist: Richard Wagner (composer) part of: Das Rheingold, WWV 86A	Richard Wagner		2:48
6	Aida: O patria mia soprano vocals: Elsa Bland (Austrian soprano) recording of: Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Ghislanzoni part of: Aida: Atto III	Giuseppe Verdi		3:04
7	Die Zauberflöte: Zum Leiden bin ich auserkoren soprano vocals: Hermine Bosetti partial recording of: Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1906) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt I	Wolfgang Amadeus Mozart		3:24
8	Coppelia: Valse soprano vocals: Ellen Brandt-Forster (Austrian soprano) recording of: Coppélia: Valse lente (catch-all for arrangements) composer: Léo Delibes (French composer) (in 1870) arrangement of: Coppélia : Tableau I, no. 1b. Valse (Valse lente)	Léo Delibes		1:58
9	Le nozze di Figaro: Crudel perchè finora baritone vocals: Leopold Demuth (baritone) soprano vocals: Ellen Brandt-Forster (Austrian soprano) recording of: Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)	Wolfgang Amadeus Mozart		2:12
10	Siegried: Als züllendes Kind tenor vocals: Hans Breuer (German tenor) recording of: Siegfried, WWV 86C: Akt I, Scene I "Zwangvolle Plage! Müh’ ohne Zweck!" composer: Richard Wagner (composer) (from 1856-09 until 1869-02-23) librettist: Richard Wagner (composer) part of: Siegfried, WWV 86C: Akt I	Richard Wagner		2:09
11	Carmen: Habanera contralto vocals: Sara Cahier recording of: Habanera (from Carmen) (catch-all for arrangements) composer: Georges Bizet (French composer) arrangement of: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) is based on: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)	Georges Bizet		2:49
12	Carmen: Air des cartes contralto vocals: Sara Cahier partial recording of: Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) composer: Georges Bizet (French composer) part of: Carmen : Acte III	Georges Bizet		2:46
13	Die drei Pintos: Ein Mädchen Verloren baritone vocals: Leopold Demuth (baritone) partial recording of: Die drei Pintos additional composer: Gustav Mahler (composer) composer: Carl Maria von Weber (composer) librettist: Theodor Hell part of: Gustav Mahler Werke (number: GMW B60) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. Anh. 5)	Carl Maria von Weber		3:47
14	Pikovaya dama: Ja vas lyublyu baritone vocals: Leopold Demuth (baritone) recording of: Пиковая дама, op. 68: Действие II, картина 3, no. 12. Ария Кназя Елецкого "Я вас люблю, люблю безмерно" (Prince Yeletsky's Aria "Ya vas lyublyu, lyublyu bezmerno") lyricist: Модест Ильич Чайковский (Modest Ilyich Tchaikovsky, librettist) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: Пиковая дама, op. 68: Действие II (The Queen of Spades, op. 68: Act II)	Pyotr Ilyich Tchaikovsky		3:47
15	Les Huguenots: Plus blanche que la blanche hermine tenor vocals: Andreas Dippel (German tenor) recording of: Les Huguenots : Acte I. Romance « Plus blanche que la blanche hermine » composer: Giacomo Meyerbeer (composer) part of: Les Huguenots: Acte I, Scène II	Giacomo Meyerbeer		2:11
16	Die Königin von Saba: Lockruf soprano vocals: Elise Elizza (Austrian soprano) partial recording of: Die Königin von Saba: Akt II composer: Karl Goldmark (composer) librettist: Salomon Hermann Mosenthal part of: Die Königin von Saba	Karl Goldmark		2:28
17	Die Königin von Saba: Der Freund ist dein soprano vocals: Elise Elizza (Austrian soprano) partial recording of: Die Königin von Saba: Akt I composer: Karl Goldmark (composer) librettist: Salomon Hermann Mosenthal part of: Die Königin von Saba	Karl Goldmark		3:16
18	Non t'amo più baritone vocals: Benedikt Felix (baritone) recording of: Non t'amo più lyricist: Luigi de Giorgi composer: Luigi Denza (composer)	Luigi Denza		2:54
19	Samson et Dalila: Printemps qui commence contralto vocals: Ottilie Fellwock (Austrian alto singer) recording of: Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) composer: Camille Saint‐Saëns (composer) part of: Samson et Dalila : Acte I	Camille Saint‐Saëns		4:29
20	Mignon: Connais-tu le pays? soprano vocals: Frieda Felser recording of: Mignon : Acte I, no. 4. Romance « Connais-tu le pays ? » (Mignon) composer: Ambroise Thomas (opera composer) part of: Mignon : Acte I. Dans la cour de quelque auberge	Ambroise Thomas		3:29
21	Der Freischütz: Kommt ein schlanker Bursch' gegangen soprano vocals: Grete Forst (Austrian soprano) recording of: Der Freischütz: Akt II. Nr. 7. Ariette „Kommt ein schlanker Bursch gegangen“ (Ännchen) composer: Carl Maria von Weber (composer) librettist: Johann Friedrich Kind (German dramatist) part of: Der Freischütz: Akt II	Carl Maria von Weber		3:02
22	Faust: Air des bijoux soprano vocals: Gertrude Förstel (German soprano) recording of: Faust (Margarethe): Juwelenarie (in 1904) composer: Charles Gounod (French composer) translated version of: Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)	Charles‐François Gounod		3:37
23	Prodaná nevesta: Ten lasky sen soprano vocals: Berta Förster-Lauterer partial recording of: Prodaná nevěsta: Act III composer: Bedřich Smetana (composer) librettist: Karel Sabina part of: Prodaná nevěsta (The Bartered Bride)	Bedřich Smetana		2:46
24	Lohengrin: Das süsse Lied verhallt soprano vocals: Berta Förster-Lauterer tenor vocals: Leo Slezak (Austrian tenor) recording of: Lohengrin, WWV 75: Akt III, Scene II. “Das süsse Lied verhallt; wir sind allein” composer: Richard Wagner (composer) (from 1846 until 1848) librettist: Richard Wagner (composer) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		4:05
25	Prinz Eugen bass vocals: Moritz Frauscher (Austrian bass singer) recording of: Prinz Eugen der edle Ritter, op. 92 lyricist: Ferdinand Freiligrath composer: Carl Loewe (composer) part of: Works of Carl Loewe by opus number (number: op. 92)	Carl Loewe		3:03
26	Die lustigen Weiber von Windsor: Nun eilt herbei soprano vocals: Marie Gutheil-Schoder recording of: Die lustigen Weiber von Windsor: Akt I. Nr. 3. „Nun eilt herbei“ … „Ha, ha, ha, er wird mir glauben“ composer: Otto Nicolai (composer and conductor) librettist: Salomon Hermann Mosenthal part of: Die lustigen Weiber von Windsor: Akt I	Otto Nicolai		2:53

2▼CD
#	Title	Artist	Rating	Length
1	Das Rheingold: Alberichs Fluch bass-baritone vocals: Alexander Haydter (Austrian bass-baritone) recording of: Das Rheingold: Scene IV composer: Richard Wagner (composer) (from 1853-11-01 until 1854-09-25) librettist: Richard Wagner (composer) part of: Das Rheingold, WWV 86A	Richard Wagner		3:21
2	Evgenij Onegin: Lyubvi fse vozrastï pokornï bass vocals: Wilhelm Hesch (bass) recording of: Евгений Онегин, op. 24: Действие III, картина 1, no. 20a. Ария князя Гремина “Любви все возрасты покорны” (Prince Gremin’s Aria “Lyubvi vse vozrasty pokorny”) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)	Pyotr Ilyich Tchaikovsky		3:37
3	Les Huguenots: Dans la nuit toute seule bass vocals: Wilhelm Hesch (bass) soprano vocals: Betty Schubert (soprano) partial recording of: Les Huguenots composer: Giacomo Meyerbeer (composer) librettist: Émile Deschamps (poet) and Eugène Scribe	Giacomo Meyerbeer		3:45
4	Träume vocals: Laura Hilgermann (Austrian soprano / contralto) recording of: Wesendonck-Lieder: V. Träume (for voice and piano) lyricist: Mathilde Wesendonck composer: Richard Wagner (composer) part of: Wesendonck-Lieder (for voice and piano)	Richard Wagner		3:00
5	Tannhäuser: Dich teure Halle vocals: Laura Hilgermann (Austrian soprano / contralto) recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth) composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II	Richard Wagner		2:58
6	Djamileh: Nour-Eddin, roi de Lahore [Ghazel] contralto vocals: Hermine Kittel (Austrian contralto) partial recording of: Djamileh, WD 27 composer: Georges Bizet (French composer) (in 1871) librettist: Louis Gallet part of: Hugh Macdonald Catalogue (Bizet GB #s) (number: GB 8) and Winton Dean Catalogue (Bizet WD #s) (number: WD 27)	Georges Bizet		3:08
7	Djamileh: Sans doute l'heure est prochaine [Lamento] contralto vocals: Hermine Kittel (Austrian contralto) partial recording of: Djamileh, WD 27 composer: Georges Bizet (French composer) (in 1871) librettist: Louis Gallet part of: Hugh Macdonald Catalogue (Bizet GB #s) (number: GB 8) and Winton Dean Catalogue (Bizet WD #s) (number: WD 27)	Georges Bizet		3:16
8	Faust: Faites-lui mes aveux soprano vocals: Berta Kiurina (soprano) recording of: Faust : Acte III. Couplets « Faites-lui mes aveux » (Siébel) (in 1906) composer: Charles Gounod (French composer) additional librettist: Michel Carré (librettist) librettist: Jules Barbier part of: Faust : Acte III	Charles‐François Gounod		2:53
9	Lohengrin: Das süsse Lied verhallt soprano vocals: Berta Kiurina (soprano) tenor vocals: Hubert Leuer (German tenor) recording of: Lohengrin, WWV 75: Akt III, Scene II. “Das süsse Lied verhallt; wir sind allein” composer: Richard Wagner (composer) (from 1846 until 1848) librettist: Richard Wagner (composer) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		3:15
10	Faust: Ne permettrez-vous pas soprano vocals: Selma Kurz (Austrian soprano) recording of: Faust : Acte II. « Ne permettrez-vous pas ma belle demoiselle » (Faust, Marguerite, Siébel, Méphistophélès, Chœur) composer: Charles Gounod (French composer) additional librettist: Michel Carré (librettist) librettist: Jules Barbier part of: Faust : Acte II	Charles‐François Gounod		1:31
11	Ernani: Ernani involami soprano vocals: Selma Kurz (Austrian soprano) recording of: Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) composer: Giuseppe Verdi (Italian opera composer) part of: Ernani: Atto I (Il bandito)	Giuseppe Verdi		3:16
12	Un ballo in maschera: Saper vorreste soprano vocals: Selma Kurz (Austrian soprano) recording of: Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Somma part of: Un ballo in maschera: Atto III	Giuseppe Verdi		2:03
13	Le donne curiose: Aria di Florindo tenor vocals: Georg Maikl (Austrian tenor) partial recording of: Le donne curiose composer: Ermanno Wolf‐Ferrari (Italian composer) librettist: Luigi Sugana	Ermanno Wolf‐Ferrari		2:26
14	La Juive: Si la rigueur et la vengeance bass vocals: Richard Mayr (Austrian bass-baritone) recording of: La Juive : Acte I. « Si la rigueur et la vengeance » composer: Fromental Halévy (French composer) part of: La Juive: Acte I	Fromental Halévy		4:02
15	Tannhäuser: O kehr' zurück, du kühner Sänger baritone vocals: Hans Melms (German baritone) partial recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug I, Scene III. "Frau Holda kam aus dem Berg hervor" composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug I	Richard Wagner		2:57
16	Der dot Mon: Ich hab' dich so lieb soprano vocals: Margarethe Michalek (soprano) partial recording of: Der dot Mon composer: Josef Forster (Austrian composer)	Josef Forster		2:06
17	Es blinkt der Tau soprano vocals: Margarethe Michalek (soprano) recording of: Es blinkt der Tau, op. 72 no. 1 lyricist: Gustav von Boddien composer: Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer) part of: 6 Lieder, op. 72	Anton Rubinstein		2:47
18	Soldatenart baritone vocals: Anton Moser (Austrian baritone) recording of: Soldatenart, op. 204 no. 3 lyricist: August Kopisch (German poet and painter) composer: Franz Abt part of: 3 Lieder, op. 204	Franz Abt		3:07
19	Così fan tutte: Un aura amorosa tenor vocals: Franz Naval (Austrian tenor) recording of: Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart		3:13
20	La Dame blanche: Cene main si jolie recorded in: Wien (Vienna), Austria (in 1902) soprano vocals: Marie Gutheil-Schoder (in 1902) tenor vocals: Franz Naval (Austrian tenor) (in 1902) recording of: La Dame Blanche : Acte II. « Ce domaine est celui des comtes d’Avenel » (recitative) (in 1902) composer: François‐Adrien Boïeldieu librettist: Eugène Scribe part of: La Dame blanche	François‐Adrien Boïeldieu		3:15
21	Der fliegende Holländer: Mit Gewitter und Sturm tenor vocals: Franz Pácal (Czech tenor) recording of: Der fliegende Holländer, WWV 63: Akt I, Nr. 3. Scene, Duett und Chor "He! Holla! Steuermann!" composer: Richard Wagner (composer) (from 1840 until 1841) librettist: Richard Wagner (composer) part of: Der fliegende Holländer, WWV 63: Akt I	Richard Wagner		2:49
22	Frühlingszeit tenor vocals: Franz Pácal (Czech tenor) recording of: Frühlingszeit, op. 3 no. 3 lyricist: Friedrich von Bodenstedt composer: Reinhold Becker part of: 3 Lieder, op. 3	Reinhold Becker		2:55
23	Le Prophète: Ah mon fils! contralto vocals: Josie Petru (alto) recording of: Le Prophète: Acte II No. 10 Arioso “Ah! mon fils, sois béni” (Fidès) composer: Giacomo Meyerbeer (composer) (until 1849-04-16) librettist: Eugène Scribe (until 1849-04-16) part of: Le Prophète: Acte II	Giacomo Meyerbeer		3:14
24	Die Rose vom Liebesgarten: Arioso contralto vocals: Josie Petru (alto) soprano vocals: Berta Kiurina (soprano) partial recording of: Die Rose vom Liebesgarten composer: Hans Pfitzner (German composer) librettist: James Grun (librettist)	Hans Pfitzner		2:18
25	Die Rose vom Liebesgarten: Duett contralto vocals: Josie Petru (alto) soprano vocals: Berta Kiurina (soprano) partial recording of: Die Rose vom Liebesgarten composer: Hans Pfitzner (German composer) librettist: James Grun (librettist)	Hans Pfitzner		2:32
26	Das Rheingold: Rheintöchter Terzett contralto vocals: Hermine Kittel (Austrian contralto) soprano vocals: Elise Elizza (Austrian soprano) and Jenny Pohlner (Czech soprano) partial recording of: Das Rheingold, WWV 86A composer and librettist: Richard Wagner (composer) premiered at: Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1869-09-22) part of: Wagner-Werk-Verzeichnis (number: 86a) part of: Der Ring des Nibelungen, WWV 86	Richard Wagner		2:40
27	Die Entführung aus dem Serail: Frisch zum Kampfe tenor vocals: Arthur Preuss (German tenor) recording of: Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) composer: Wolfgang Amadeus Mozart (classical composer) additional librettist: Johann Gottlieb Stephanie ('The Younger') librettist: Christoph Friedrich Bretzner part of: Die Entführung aus dem Serail, K. 384: Akt II	Wolfgang Amadeus Mozart		2:28

3▼CD
#	Title	Artist	Rating	Length
1	Ernani: Che mai vegg’io…Infelice! E tu credevi bass vocals: Carl Reich (Czech bass-baritone) recording of: Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva) composer: Giuseppe Verdi (Italian opera composer) part of: Ernani: Atto I (Il bandito)	Giuseppe Verdi		3:21
2	Manon: Voyons, Manon soprano vocals: Frances Saville (Australian soprano) recording of: Manon : Acte I. « Voyons, Manon, plus de chiméres ! » (Manon) composer: Jules Massenet (French Romantic composer) librettist: Philippe Gille and Henri Meilhac part of: Manon : Acte I	Jules Massenet		3:20
3	Morgen send’ ich dir die Veilchen soprano vocals: Frances Saville (Australian soprano) recording of: Morgens send' ich dir die Veilchen, op. 61 no. 2 lyricist: Heinrich Heine (German poet) composer: Erik Meyer-Helmund	Erik Meyer-Helmund		3:10
4	En Drøm tenor vocals: Erik Schmedes (Danish tenor) recording of: En drøm, op. 48 no. 6 composer: Edvard Grieg (composer) translated version of: Sechs Lieder, op. 48: No. 6. Ein Traum (original, for voice and piano) part of: 6 songs, op. 48 (Norwegian lyrics)	Edvard Grieg		2:01
5	Tristand und Isolde: O sink’ hernieder soprano vocals: Elsa Bland (Austrian soprano) tenor vocals: Erik Schmedes (Danish tenor) partial recording of: Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" composer: Richard Wagner (composer) (from 1857-10 until 1859-08) librettist: Richard Wagner (composer) (from 1857-08-20 until 1857-09-18) part of: Tristan und Isolde, WWV 90: Akt II	Richard Wagner		3:06
6	Tristan und Isolde: So stürben wir soprano vocals: Elsa Bland (Austrian soprano) tenor vocals: Erik Schmedes (Danish tenor) recording of: Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" composer: Richard Wagner (composer) (from 1857-10 until 1859-08) librettist: Richard Wagner (composer) (from 1857-08-20 until 1857-09-18) part of: Tristan und Isolde, WWV 90: Akt II	Richard Wagner		2:35
7	Die Meistersinger: Am Jordan tenor vocals: Fritz Schrödter (German tenor) recording of: Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene I. "Gleich, Meister! Hier!" composer: Richard Wagner (composer) (from 1863 until 1867) librettist: Richard Wagner (composer) (in 1862) part of: Die Meistersinger von Nürnberg, WWV 96: Akt III	Richard Wagner		1:49
8	Die Fledermaus: Brüderlein und Schwesterlein tenor vocals: Fritz Schrödter (German tenor) partial recording of: Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Die Fledermaus: Akt II	Johann Strauss II		2:06
9	Don Giovanni: Or sai che l’onore soprano vocals: Sophie Sedlmair (German soprano) recording of: Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart		2:55
10	Le nozze di Figaro: Voi che sapete soprano vocals: Sophie Sedlmair (German soprano) recording of: Le nozze di Figaro: Canzona “Voi che sapete che cosa è amor” (catch-all for arrangements) composer: Wolfgang Amadeus Mozart (classical composer) arrangement of: Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)	Wolfgang Amadeus Mozart		3:11
11	Norma: Casta Diva…Ah, bello, a me ritorna soprano vocals: Charlotte von Seebeök (soprano) recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831) part of: Norma: Atto I	Vincenzo Bellini		4:07
12	La Dame blanche: Viens, gentille dame tenor vocals: Johannes Sembach (German tenor) recording of: La Dame blanche : Acte II. « Maintenant, observons » … « Viens, gentille dame » (Georges Brown) composer: François‐Adrien Boïeldieu part of: La Dame blanche	François‐Adrien Boïeldieu		2:24
13	Ungeduld tenor vocals: Leo Slezak (Austrian tenor) recording of: Die schöne Müllerin, D. 795: Nr. 7. Ungeduld lyricist: Wilhelm Müller (German poet) composer: Franz Schubert (composer) (in 1823) part of: Die schöne Müllerin, D. 795	Franz Schubert		2:22
14	Guillaume Tell: Ses jours qu’il sont osé proscrire tenor vocals: Leo Slezak (Austrian tenor) partial recording of: Guillaume Tell composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy premiered at: Salle Le Peletier (1821-1873) in Paris, Île-de-France, France (on 1829-08-03)	Gioachino Rossini		3:35
15	Cavalleria rusticana: Siciliana tenor vocals: Julius Spielmann (tenor) recording of: Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”) composer: Pietro Mascagni (composer & conductor) (in 1890) librettist: Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.) part of: Cavalleria rusticana	Pietro Mascagni		2:24
16	Tannhäuser: Blick’ ich umher baritone vocals: Gerhard Stehmann (German baritone) partial recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste) composer: Richard Wagner (composer) (from 1843 until 1845-04-13) librettist: Richard Wagner (composer) (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II	Richard Wagner		3:21
17	Les Berceaux tenor vocals: Ernest van Dyck (Belgian 19/20th century tenor) recording of: Les Berceaux, op. 23 no. 1 lyricist: Sully Prudhomme composer: Gabriel Fauré (French composer) (in 1879) part of: 3 Songs, op. 23	Gabriel Fauré		2:23
18	Les Roses d’Ispahan tenor vocals: Ernest van Dyck (Belgian 19/20th century tenor) recording of: Les Roses d'lspahan, op. 39 no. 4 lyricist: Leconte de Lisle composer: Gabriel Fauré (French composer) (in 1884) part of: 4 Songs, op. 39	Gabriel Fauré		2:44
19	Le Prophète: Scène de la prison vocals: Edyth Walker (American mezzo-soprano) partial recording of: Le Prophète composer: Giacomo Meyerbeer (composer) librettist: Eugène Scribe	Giacomo Meyerbeer		2:19
20	Serse: Ombra mai fu vocals: Edyth Walker (American mezzo-soprano) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	George Frideric Handel		2:49
21	Die Zauberflöte: Papagena, Papagena! baritone vocals: Friedrich Weidemann (German baritone) recording of: Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		3:16
22	Fidelio: Abscheulicher! …Komm’ Hoffnung soprano vocals: Lucie Weidt (Austrian soprano) recording of: Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) composer: Ludwig van Beethoven (German composer) (in 1814) part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		5:48
23	Die Meistersinger: Preislied tenor vocals: Hermann Winkelmann (German tenor) recording of: Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Morgenlich leuchtend" (Preislied) composer: Richard Wagner (composer) part of: Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"	Richard Wagner		2:37
24	Dalibor: Slysel’s to, priteli tenor vocals: Hermann Winkelmann (German tenor) partial recording of: Dalibor: Act I composer: Bedřich Smetana (composer) librettist: Josef Wenzig translator: Ervin Špindler part of: Dalibor, B. 133, JB 1:101, T 96 (1870 revision)	Bedřich Smetana		3:14
25	Martha: Trinklied bass vocals: Wilhelm Wissiak (Czech bass singer) recording of: Martha: Akt III. „Laßt mich euch fragen“ (Plumkett, Landleute) composer: Friedrich von Flotow (composer) part of: Martha: Akt III	Friedrich von Flotow		2:00
26	Tristand und Isolde: Liebestod soprano vocals: Lilli Lehmann (German soprano) (in 1907) recording of: Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (in 1907) composer: Richard Wagner (composer) (from 1857-10 until 1859-08) librettist: Richard Wagner (composer) (from 1857-08-20 until 1857-09-18) part of: Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"	Richard Wagner		5:26

Credits

Release

Discogs:	https://www.discogs.com/release/14360391 [info]
ASIN:	US: B002MZWGTY [info]
discography entry:	https://www.marstonrecords.com/collections/singer/products/mahler [info]

Mahler’s Decade in Vienna

Tracklist

Credits

Release

Release information

Additional details

Labels

Release events

Release group rating

Release group reviews

Tags

Genres

Other tags

External links

Editing

Collections