The Early Music Sampler Vol. 2 (front cover in english)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Magnificat
conductor:
Paul McCreesh (conductor)
performer:
Gabrieli Consort & Players (UK early music ensemble)
Giovanni Antonio Rigatti7:51
2Proprium Missae in Dominica Resurrectionis: Introitus: Resurrexi
conductor:
Roman Bannwart
performer:
Choralschola des Klosters Maria Einsiedeln
[unknown]4:00
3Lasse! comment oublieray à 3
choir vocals:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
performer:
Early Music Consort of London
recording of:
Lasse! comment oublieray
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:07
4Hoquetus David à 3
choir vocals:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
performer:
Early Music Consort of London
recording of:
Hoquetus David
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:21
5Musikalische Exequien: Motette "Herr, wenn ich nur dich habe"
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (British early music group) (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur dich habe" (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 280)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz3:09
6La Sonnerie de Sainte Geneviève du Mont de Paris
orchestra and performer:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Sonnerie de Ste. Geneviève du Mont-de-Paris
composer:
Marin Marais (French composer) (in 1723)
Marin Marais7:54
7Dido and Aeneas: Aria "When I Am Laid in Earth"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989) and Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:17
8Dido and Aeneas: Final Chorus "With Drooping Wings"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:54
9Concerto in G Major, RV 151 "Alla Rustica": I. Presto
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1985-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: I. Presto (in 1985-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:08
10Concerto in G Major, RV 151 "Alla Rustica": II. Adagio
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1985-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: II. Adagio (in 1985-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:02
11Concerto in G Major, RV 151 "Alla Rustica": III. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1985-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: III. Allegro (in 1985-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:36
12Serenata di Moritzburg F-Dur
conductor:
Reinhard Goebel (violinist and conductor)
performer:
Musica Antiqua Köln (Musica Antiqua Cologne)
Johann David Heinichen3:06
13Cäcilien-Ode, HWV 76: Aria & Chorus "The Trumpet's Loud Clangor"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
trumpet [trumpet I]:
Michael Laird (classical trumpeter) (in 1985-12)
trumpet [trumpet II]:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1985-12)
choir vocals:
The English Concert Choir (in 1985-12)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
The English Concert (in 1985-12)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-12)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1985-12)
recording of:
Ode for St Cecilia's Day, HWV 76: V. Aria and Chorus "The trumpet's loud clangor" (tenor) (in 1985-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
Georg Friedrich Händel3:38
14Novelles Suites de Pièces de Clavecin: La Poule
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist)
recording of:
Nouvelles Suites de Pièces de Clavecin: La Poule
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor
Jean‐Philippe Rameau3:13
15Suite (Ouvertüre) No. 3 D-Dur, BWV 1068: Air
producer and balance engineer:
Wolfgang Mitlehner
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1985-05)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-05)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1985-05)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach54:42
16Präludium in a-moll, BWV 569
sound engineer and producer:
Heinz Wildhagen (engineer, producer)
executive producer:
Dr. Andreas Holschneider
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1982-05)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1982-05)
recording of:
Präludium a-Moll, BWV 569 (Prelude in A minor, BWV 569) (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 48) and Bach-Werke-Verzeichnis (number: BWV 569)
Johann Sebastian Bach3:51
17Weinachtsoratorium, BWV 248: Chor "Jauchzet, frohlocket, auf, preiset die Tage"
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:42