King Arthur (highlights)

~ Release by Purcell; Jennifer Smith, Gillian Fisher, Elisabeth Priday, Gill Ross, Ashley Stafford, Paul Elliott, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1King Arthur, Z. 628: Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:47
2King Arthur, Z. 628: Air
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:30
3King Arthur, Z. 628: Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene I, 3. Overture (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:18
4King Arthur, Z. 628, Act 1: "Woden, first to thee"
producer:
Yolanta Skura
alto vocals:
Ashley Stafford (alto / counter-tenor) (from 1983-01-10 until 1983-01-27)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell3:39
5King Arthur, Z. 628, Act 1: "Brave souls"
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell2:21
6King Arthur, Z. 628, Act 1: Symphony - "Come if you dare"
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell3:41
7King Arthur, Z. 628, Act 2: "Hither, this way"
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
soprano vocals [Philidel]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:12
8King Arthur, Z. 628, Act 2: "Come, follow me"
producer:
Yolanta Skura
baritone vocals [Spirits]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
countertenor vocals [Spirits]:
Ashley Stafford (alto / counter-tenor) (from 1983-01-10 until 1983-01-27)
soprano vocals [Philidel]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
soprano vocals [Spirits]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27), Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27), Gill Ross (soprano) (from 1983-01-10 until 1983-01-27) and Jennifer Smith (soprano) (from 1983-01-10 until 1983-01-27)
tenor vocals [Spirits]:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:26
9King Arthur, Z. 628, Act 2: "How blest are shepherds"
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
tenor vocals [One Shepherd]:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell6:36
10King Arthur, Z. 628, Act 2: Second Act Tune - Air
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell0:56
11King Arthur, Z. 628, Act 3: Prelude - "What ho! thou genius of this isle"
producer:
Yolanta Skura
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:22
12King Arthur, Z. 628, Act 3: "What power art thou"
producer:
Yolanta Skura
baritone vocals [Cold Genius]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:51
13King Arthur, Z. 628, Act 3: Dance - "See, see, we assemble"
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (from 1983-01-10 until 1983-01-27)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell3:26
14King Arthur, Z. 628, Act 3: Ritornello - 'Tis I that have warm'd ye 'Tis Love that has warm'd us"
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:01
15King Arthur, Z. 628, Act 3: "Sound a parley, ye fair, and surrender"
producer:
Yolanta Skura
baritone vocals [Cold Genius]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell3:44
16King Arthur, Z. 628, Act 3: Third act tune - Hornpipe
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:38
17King Arthur, Z. 628, Act 4: "Two daughters of this aged stream are we"
producer:
Yolanta Skura
soprano vocals [1st Siren]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
soprano vocals [2nd Siren]:
Jennifer Smith (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 29. “Two daughters of this aged stream are we” (Sirens) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell2:41
18King Arthur, Z. 628, Act 4: Passacaglia - "How happy the lover" ; Ritornello "For love ev'ry creature"
producer:
Yolanta Skura
baritone vocals [A Man]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
countertenor vocals [A Man]:
Ashley Stafford (alto / counter-tenor) (from 1983-01-10 until 1983-01-27)
soprano vocals [1st Nymph]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
soprano vocals [2nd Nymph]:
Jennifer Smith (soprano) (from 1983-01-10 until 1983-01-27)
soprano vocals [3rd Nymph]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
tenor vocals and tenor vocals [A Man]:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell6:10
19King Arthur, Z. 628, Act 5: Trumpet tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell0:46
20King Arthur, Z. 628, Act 5: Ritornello - "Your hay it is mow'd"
producer:
Yolanta Skura
baritone vocals [A Man]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
countertenor vocals [A Man]:
Ashley Stafford (alto / counter-tenor) (from 1983-01-10 until 1983-01-27)
tenor vocals [Comus]:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:00
21King Arthur, Z. 628, Act 5: "Fairest isle"
producer:
Yolanta Skura
soprano vocals [Venus]:
Gill Ross (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell4:07
22King Arthur, Z. 628, Act 5: Trumpet tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act V, Scene II, 40. Trumpet Tune (Warlike Consort) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell0:35
23King Arthur, Z. 628, Act 5: St George - "Our natives not alone appear"
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
soprano vocals [Honour]:
Jennifer Smith (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:01
24King Arthur, Z. 628, Act 5: Chaconne
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:29

Credits

Release group

excerpt from:King Arthur by Purcell (Baroque composer); Jennifer Smith (soprano), Gillian Fisher (soprano), Elisabeth Priday (soprano), Gill Ross (soprano), Ashley Stafford (alto / counter-tenor), Paul Elliott (US tenor vocalist, member of Theatre of Voices), Stephen Varcoe (bass-baritone), Monteverdi Choir (English vocal Baroque ensemble), English Baroque Soloists (The English Baroque Soloists), John Eliot Gardiner