The Best of Dance '97: The Years Greatest Dance Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1Kassette
Nr.TitelKünstlerBewertungLänge
1Sunchyme (radio edit)
Produzent(in):
Dario G
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) und Warner Music UK Ltd. (not for release label use!) (in 1997)
Samples:
Life in a Northern Town von The Dream Academy
recording of:
Sunchyme
Verfasser(in):
Dario G, Gilbert Gabriel und Nick Laird-Clowes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music Ltd (no slash; used 1988–1996)
basiert auf:
Life in a Northern Town
Dario G3:39
2Stay (original single edit)
Produzent(in):
Sash! (German DJ/production team) und Tokapi
vocals:
La Trec
phonographisches Urheberrecht (℗) von:
Polydor GmbH (do not use as a release label, for company-type relationships only), Multiply Records (in 1997) und Step By Step (publisher) (in 1997)
produced at:
Peak Top Studios D'Orf in Düsseldorf, Nordrhein-Westfalen, Deutschland
recording of:
Stay
Texter:
Thomas Alisson, Ralf Kappmeier, Sascha Lappessen (German DJ and producer) und Frankie McCoy
Komponist(in):
Thomas Alisson, Ralf Kappmeier und Sascha Lappessen (German DJ and producer)
publisher:
Step By Step (publisher) und Strongsongs
Sash! feat. La Trec43:29
3Professional Widow (Armand’s Star Trunk Funkin’ mix) (radio edit)
sonstige Unterstützung:
Johnny “D” De Mairo (US electro/breaks DJ aka "Johnny D")
drum machine-Programmierung:
Alan Friedman
Programmierung:
Alan Friedman
Mastering:
Jon Astley
Produzent(in):
Tori Amos und Ian Stanley
zusätzliche(r) Produzent(in):
Armand van Helden
Bassgitarre:
George Porter, Jr.
Gitarre:
Steve Caton
Schlagzeug:
Manu Katché
vocals:
Tori Amos
remixer:
Armand van Helden
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
gemixt für und produced for:
X-Mix Productions
recording of:
Professional Widow
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.153:43
4You’re Not Alone (radio edit)
assistierende(r) Techniker(in):
James McNicol
Techniker(in):
Squadron Leader David F Revill
Produzent(in):
Tim Kellett und Robin Taylor-Firth
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland (for © & ℗ copyright use only; file no releases here!) (in 1996)
produced for:
Black Olive
recording of:
You’re Not Alone
Texter:
Tim Kellett
Komponist(in):
Tim Kellett und Robin Taylor-Firth
publisher:
BMG Music Publishing Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Olive3:56
5Breathe (edit)
Gitarre:
Jim Davies (The Prodigy studio guitarist)
phonographisches Urheberrecht (℗) von:
XL Recordings (in 1996)
recording of:
Breathe
Verfasser(in):
Keith Flint (vocalist in The Prodigy), Liam Howlett und Keith Palmer (English singer‐songwriter and MC)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd., EMI Virgin Music Ltd (do not use this as a release label!) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Prodigy3:44
6Freed From Desire (radio edit)
Produzent(in) und Mix:
DJ Molella (Italian DJ and producer Maurizio Molella) und Phil Jay
vocals:
Gala (Italian singer & dance act)
phonographisches Urheberrecht (℗) von:
Big Life Records (Company behind the "Big Life" imprint) und Do It Yourself SAS (Italian company, active until 1997) (in 1996)
mixed at:
Planet -MI-
produced at:
Planet -MI-
recording of:
Freed From Desire
Verfasser(in):
Filippo Carmeni (Italian producer Phil Jay), Gala Rizzatto (Italian singer & dance act) und Maurizio Molella (Italian DJ and producer Maurizio Molella)
publisher:
Baby Angel Music S.r.l., Do It Yourself SAS (Italian company, active until 1997), Grand H. Music und Mollyville Publishing S.r.l.
Gala3:16
7Closer Than Close (Mentor original radio edit)
Techniker(in):
Rosie Gaines, Mark Mendoza (trance/house remixer/producer) und Hippie Torrales Jr
Produzent(in):
Rosie Gaines, Mark Mendoza (trance/house remixer/producer), Mentor (trance/house duo) und Hippie Torrales Jr
remixer:
Rosie Gaines, Mark Mendoza (trance/house remixer/producer), Hippie Torrales Jr und Hippie Torrales
phonographisches Urheberrecht (℗) von:
Bigbang Records Ltd. (in 1996) und Bing Bang Records Ltd. (in 1996)
gemixt für und produced for:
Mentor Productions
sonstige Unterstützung:
Mentor Productions (Aufgabe: engineered for)
recording of:
Closer Than Close
Verfasser(in):
Dana Bailey, Rosie Gaines und Francis Jules
publisher:
Dredlix Music, Inc., Motown Songs, PolyGram Music Publishing Ltd und Songs of PolyGram International Inc.
Rosie Gaines33:43
8Remember Me (Sure Is Pure 7″ edit)
zusätzliche(r) Produzent(in):
D Spencer (UK acid house producer) und K Andrews
phonographisches Urheberrecht (℗) von:
Guidance Records und Pharmrecords (in 1997)
Samples:
Woman of the Ghetto von Marlena Shaw
recording of:
Remember Me
Verfasser(in):
Lex Blackmore, Richard Evans (US jazz/soul bassist, composer, arranger and producer), Bobby Miller (US songwriter & record producer) und Marlena Shaw
publisher:
EMI Music Publishing Ltd (PRS‐affiliated)
quotes lyrics from:
Woman of the Ghetto
The Blueboy3:27
9Fix (main mix feat. Slash and Ol' Dirty Bastard)
Produzent(in):
Teddy Riley (US R&B singer & producer)
Gast-Interpret(in):
Ol’ Dirty Bastard (Wu‐Tang founder, NYC rapper/producer) und Slash (Guns N’ Roses guitarist)
phonographisches Urheberrecht (℗) von:
Interscope Records, Inc. (not for release label use!) (in 1997)
recording of:
Fix
Verfasser(in):
Chauncey Hannibal, Markell Riley und Teddy Riley (US R&B singer & producer)
publisher:
Chauncey Black Music, Dik Hayd Music, Donril Music, Smokin' Sounds, Tadey Music, Wu‐Tang Publishing, Inc. und Zomba Enterprises Inc
basiert auf:
Let's Have Some Fun
Blackstreet4:20
10Ooh La La (radio edit)
Produzent(in):
Oji Pierce
phonographisches Urheberrecht (℗) von:
Tommy Boy Music Ltd. (in 1997)
produced for:
Adwin Productions
recording of:
Ooh La La
Verfasser(in):
Artis Ivey (US rapper, actor, chef & record producer), Lowell “Sly” Dunbar, Grace Jones, Dana Manno, Oji Pierce, Robert “Robbie” Shakespeare und Diane Warren (US songwriter)
publisher:
Boo Daddy Publ., Chenana Music Publishing, Grace Jones Enterprises, IQ Music Ltd, Island Music Ltd, Ixat Music, Oji Music, Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998), T-Boy Music Publishing und Warner Chappell Music Ltd (1996–2019)
Coolio3:44
11Samba De Janeiro
phonographisches Urheberrecht (℗) von:
Dance Street Germany (German electronic ZYX imprint), Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1997) und Stip Records (in 1997)
recording of:
Samba de Janeiro
Verfasser(in):
Gottfried Engels, Airto Moreira (percussionist) und Ramon Zenker
publisher:
BMG (imprint of BMG Rights Management, 2008–present), Bug Music (music publishing), Gang Go, Good Morning Music und Upright Songs
basiert auf:
Celebration Suite
recording of:
Samba de Janeiro
Verfasser(in):
A.Moreira
Carrilio2:48
12Ready or Not
Produzent(in):
Keep On
phonographisches Urheberrecht (℗) von:
The Brothers Organisation (Early UK House Label) (in 1997)
recording of:
Ready or Not
Verfasser(in):
Thom Bell (keyboards, songwriter, producer), William Hart (of The Delfonics), Lauryn Hill, N. Jean (Haitian rapper, musician and actor) und S. Michel (Pras, American rapper, member of The Fugees)
publisher:
EMI Songs Ltd, International Music Network, Nickel Shoe Co Inc., Observe Creation Music, Sony ATV Tunes LLC (ASCAP), Tete San-Ko Publishing, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner-Tamerlane Publishing Corporation (publisher; do NOT use as release label)
basiert auf:
Boadicea
basiert auf:
Ready or Not Here I Come (Can't Hide From Love)
The Course3:22
13Joy (Mondo’s Topless vocal)
Produzent(in):
S Thorne und T Jones ("Tuff")
zusätzliche(r) Produzent(in):
Mondo (United Kingdom composer/sound designer/DJ)
remixer:
Mondo (Alias of DJ Deep)
phonographisches Urheberrecht (℗) von:
Champion Records Ltd. (in 1997)
recording of:
Joy
Verfasser(in):
Tom Jones ("Tuff") und Simon Thorne
publisher:
Polygram Music
Staxx3:32
14Get Up! Go Insane! (The Terrace edit)
Produzent(in):
Stretch Silvester und Jules Vern
phonographisches Urheberrecht (℗) von:
PolyGram Licensing Division, FFRR (in 1997) und Spot On (in 1997)
recording of:
Get Up! Go Insane!
Verfasser(in):
Stretch Silvester und Jules Vern
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Stretch 'N' Vern3:29
15Don’t Give Up (M & S 7″ radio edit)
Techniker(in):
Spag
Produzent(in):
Ricky Morrison und Fran Sidoli
Editing:
Bill Padley
Bass:
Richie Bad Boy Ramsay
zusätzlich Keyboard [keys]:
Rev James Fowler
phonographisches Urheberrecht (℗) von:
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (in 1997)
produced for:
Slam Jam Productions
edited at:
Wise Buddah in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t Give Up
Verfasser(in):
Rev James Fowler, Ricky Morrison, Richie Ramsay, Fran Sidoli und Michelle Weeks
publisher:
19 Music, BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) und Weeksworld
Michelle Weeks3:27
16On & On (club mix)
Produzent(in):
Bob Powers und JaBorn Jamal
zusätzliche(r) Produzent(in):
Bill Esses und Sir Charles
remixer:
Bill Esses und Sir Charles
phonographisches Urheberrecht (℗) von:
Kedar Entertainment (in 1997) und Universal (plain logo “Universal” used by Universal Music and Universal Pictures) (in 1997)
recording of:
On & On
Verfasser(in):
Erykah Badu und JaBorn Jamal
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music Ltd
Erykah Badu3:44
17We Come to Party (radio edit)
Programmierung, Produzent(in) und Mix:
Ian Copeland Green (singer, songwriter, producer, and musician; of Auerbach & Green/A & G Division)
Techniker(in):
Tim Russell (UK engineer)
andere Instrumente [special fx], Bass, Keyboard [keyboards] und Schlagzeug [drums]:
Ian Copeland Green (singer, songwriter, producer, and musician; of Auerbach & Green/A & G Division)
vocals arranger:
Ian Copeland Green (singer, songwriter, producer, and musician; of Auerbach & Green/A & G Division)
phonographisches Urheberrecht (℗) von:
Telstar Records Plc (in 1997)
gemixt für, arranged for und produced for:
Bamn Management
recording of:
We Come to Party
Verfasser(in):
Ian Copeland Green (singer, songwriter, producer, and musician; of Auerbach & Green/A & G Division), Michelle Lewis (singer-songwriter), N-Tyce (UK four-piece R&B/pop girl group) und Phoebe 1
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
N-Tyce3:17
18Deep in You (Cutfather & Joe remix)
Produzent(in):
Visnadi
zusätzliche(r) Produzent(in):
Cutfather und Joe
vocals:
Tameka Star
remixer:
Cutfather und Joe
arranger:
Visnadi
phonographisches Urheberrecht (℗) von:
Undiscovered Records UK (in 1997)
gemixt für und produced for:
X.L. Talent
produced at:
"77 Studio" Mestre in Venezia (Venice), Venezia, Veneto, Italien
arrangiert bei:
"77 Studio" Mestre in Venezia (Venice), Venezia, Veneto, Italien
recording of:
Deep in You
Texter:
Doris Diggs
Komponist(in):
Gianni Visnadi
publisher:
MCA Music Ltd und Undiscovered Publishing Ltd
Livin’ Joy3:36
19My Father’s Son (Brooklyn Funk R&B mix)
Produzent(in):
Grant Mitchell (musician, record producer and arranger)
zusätzliche(r) Produzent(in):
YSAE (Leroy Southwell)
remixer:
YSAE (Leroy Southwell)
phonographisches Urheberrecht (℗) von:
Wildstar Records Ltd. (in 1997)
gemixt für und produced for:
Blacksmith Productions (related to Brooklyn Funk) und Brooklyn Funk
recording of:
My Father’s Son
Verfasser(in):
Graham Lyle und Conner Reeves
publisher:
Goodsingle Ltd (publisher), Hornall Brothers Music Ltd (limited company) und Rondor Music (London) Ltd
Conner Reeves4:07
20Tremendous (original clean mix) (radio edit)
Produzent(in):
Curt Cazal
Mix:
Curt Cazal und Q-Ball (US bay area rapper)
phonographisches Urheberrecht (℗) von:
Multiply Records (in 1997)
produced for:
Force Productions
Samples:
No One Else von Total (American R&B group) feat. Da Brat
recording of:
Tremendous
Verfasser(in):
Keisha Adams, Jean-Claude Olivier (French Guitarist), Jack M. Robinson, Terri E. Robinson (Songwriter/Composer), Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Curtis Small
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd (PRS‐affiliated), Gambi Music Inc, IQ Music Ltd und Warner Chappell Music Ltd (no slash; used 1988–1996)
Mama Mystique3:47
21Oh La La La
Produzent(in):
Brunetti, Crotti und Ricco
phonographisches Urheberrecht (℗) von:
edel records GmbH (in 1997)
recording of:
Oh La La La
Verfasser(in):
Piero Brunetti, Amadeus Crotti und Luigi Ricco
publisher:
LR und Warner Chappell Music (Warner/Chappell Music, Inc.)
quotes music from:
Gypsy Woman (She’s Homeless) (a.k.a. “Gypsy Woman (la da dee la da da)”)
2 Eivissa3:30
22Offshore ’97 (Anthony Pappa Bootleg edit)
Mix:
Anthony Pappa
phonographisches Urheberrecht (℗) von:
Edel (UK) Records Ltd.
gemixt für:
DMC UK
recording of:
Offshore 97
Texter:
Nick Bracegirdle (British composer, songwriter, producer, and DJ), Louise Burton (vocals on “Offshore ’97”), Graham Dear, Leo Elstob und Richard Sullivan (member of Power Circle)
Komponist(in):
Nick Bracegirdle (British composer, songwriter, producer, and DJ), Louise Burton (vocals on “Offshore ’97”) und Leo Elstob
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Power Circle Music
Revision von:
Offshore
Chicane with Power Circle3:47
2Kassette
Nr.TitelKünstlerBewertungLänge
1Encore Une Fois (Blunt radio edit)
Produzent(in):
Sash! (German DJ/production team) und Tokapi
phonographisches Urheberrecht (℗) von:
Multiply Records (in 1997)
produced at:
Peak Top Studios D'Orf in Düsseldorf, Nordrhein-Westfalen, Deutschland
recording of:
Encore une fois
Verfasser(in):
Thomas Alisson, Ralf Kappmeier und Sascha Lappessen (German DJ and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Sash!3:47
2Belissima
Produzent(in):
Tommaso De Donatis und Orhan Terzi
phonographisches Urheberrecht (℗) von:
Lina Music (in 1996), Underdog (German trance) (in 1996) und Dos or Die Recordings (in 1997)
recording of:
Bellissima
Verfasser(in):
Tommaso De Donatis und Orhan Terzi
publisher:
Lina Music und Musikverlag David Haid
DJ Quicksilver33:13
3Da Ya Think I’m Sexy? (radio edit)
Techniker(in):
Nobby (alias of Martin Neary)
Produzent(in):
Curds und Whey
Gast vocals:
Rod Stewart
phonographisches Urheberrecht (℗) von:
AATW (in 1997)
Samples:
Da Ya Think I’m Sexy? von Rod Stewart
cover recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
N‐Trance feat. Rod Stewart3.654:19
4Everybody (Backstreet’s Back) (7″ version)
sonstige Unterstützung:
Bonnie Brewster (Aufgabe: girl crowd), Andrea M. Majied (Aufgabe: girl crowd) und Susan McCall (Aufgabe: girl crowd)
assistierende(r) Techniker(in):
Tommie Hicks, Jr.
Techniker(in):
Joe Smith (US recording/mixing engineer)
leitende(r) Produzent(in):
Louis J Pearlman
Produzent(in):
Max Martin (Swedish record producer) und Denniz PoP
Editing:
Chaz Harper
Interpret(in):
A.J. (US singer, songwriter, actor, dancer & model), Brian (from the Backstreet Boys), Howie D. (from the Backstreet Boys), Kevin (from the Backstreet Boys) und Nick (US pop singer & Backstreet Boy)
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
produced for:
Cheiron Productions
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Parc Studios in Orlando, Florida, Vereinigte Staaten
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
edited at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten
recording of:
Everybody (Backstreet’s Back)
Verfasser(in):
Max Martin (Swedish record producer) und Denniz PoP
publisher:
Maratone AB (beendet), MXM Music AB (beendet), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys3.153:43
5U Sexy Thing (radio mix)
leitende(r) Produzent(in):
P Pritchard (UK house/hard-house/trance producer)
Produzent(in):
Clock (euro house duo Stu Allan & Peter Pritchard)
phonographisches Urheberrecht (℗) von:
Media Records Ltd. (in 1997)
recording of:
U Sexy Thing
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
RAK Publishing Ltd
Clock3:37
6You Got the Love (Now Voyager radio edit)
Produzent(in):
John Truelove
phonographisches Urheberrecht (℗) von:
React Music Ltd.
recording of:
You Got the Love
Verfasser(in):
John Bellamy, Arnecia Michelle Harris, John Rush und Anthony B. Stephens
publisher:
PolyGram Music Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
basiert auf:
You Got the Love
The Source feat. Candi Staton3:29
7Get Up (Everybody) (radio edit)
leitende(r) Produzent(in):
Mike Weiss
Produzent(in):
Paul Simpson (house artist/producer) und Zack Toms
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd (London) (for copyrights use only) (in 1997)
recording of:
Get Up (Everybody)
Verfasser(in):
Paul Simpson (house artist/producer), Byron Stingily und Zack Toms
publisher:
EMI Music (Publishers) Ltd. (PRS‐affiliated), EMI Publishing und Sorted Music Inc
Byron Stingily3:18
8People Hold On (Dirty radio mix)
Produzent(in):
Ian Devaney
zusätzliche(r) Produzent(in):
Dan Bewick (United Kingdom composer/sound designer/DJ) und Matt Frost (The Dirty Rotten Scoundrels)
vocals:
Lisa Stansfield
remixer:
Dan Bewick (United Kingdom composer/sound designer/DJ) und Matt Frost (The Dirty Rotten Scoundrels)
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Limited (in 1996)
recording of:
People Hold On (in 1997)
Verfasser(in):
Matthew Cohn (British DJ and one half of Coldcut), Jonathan More (of Coldcut) und Lisa Stansfield
publisher:
Big Life Music Ltd und BMG Publishing Ltd
Lisa Stansfield33:39
9James Bond Theme (Moby’s Re-version)
recording engineer und Produzent(in):
Moby (electronic musician Richard Melville Hall)
Mix:
Daniel Miller (British music producer and founder of Mute Records) und Alan Moulder (producer and engineer)
Posaune:
Greg Robinson
Saxophon:
Rob Hardt (American saxophonist and clarinetist) und Alexander McCabe
Trompete:
Osho Endo
Sprecher:
Pierce Brosnan, Sean Connery und Gert Fröbe
Interpret(in):
Moby (electronic musician Richard Melville Hall)
phonographisches Urheberrecht (℗) von:
Metro-Goldwin-Mayer Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (in 1997)
recording of:
James Bond Theme (Moby version) (Moby arrangement)
Komponist(in):
Monty Norman
arranger:
Richard Melville Hall
Arrangement von:
James Bond Theme
Moby2.53:10
10I Love You…Stop! (radio version)
Produzent(in) und Mix:
Thomas Kukula (German trance DJ/producer)
vocals:
Maxine Harvey
phonographisches Urheberrecht (℗) von:
Multiply Records (in 1997)
recording of:
I Love You… Stop!
Verfasser(in):
Thomas Kukula (German trance DJ/producer)
publisher:
Sony/ATV Music Publishing LLC (1995–2020)
Red 53:32
11Flash
Produzent(in):
Emmanuel Top
phonographisches Urheberrecht (℗) von:
Triangle (Belgian techno/trance) (in 1997)
recording of:
Flash
Verfasser(in):
Bruno Quartier und Bruno Sanchioni (Italo-Franco-Belgian producer)
publisher:
Emmanuel Top Editions
BBE23:56
12Nightmare
phonographisches Urheberrecht (℗) von:
Dancework Records Srl
recording of:
Nightmare
Verfasser(in):
Alberto Bertapelle
publisher:
Dancework
Brainbug3:26
13Plastic Dreams (Revisited)
Produzent(in):
Robin "Jaydee" Albers
zusätzliche(r) Produzent(in):
David Morales (US DJ/producer)
remixer:
David Morales (US DJ/producer)
phonographisches Urheberrecht (℗) von:
R & S Records (Belgian electronic dance label) (in 1992)
recording of:
Plastic Dreams
Verfasser(in):
Robin Albers
publisher:
First Impression (Record label started by Robin Albers (aka Jaydee) in 1991; sublable of Antler-Subway) und TBM
Jaydee3:31
14Gabrielle (live Garage edit)
Produzent(in):
Peven Everett und Roy Davis Jr
phonographisches Urheberrecht (℗) von:
Large Records (in 1996) und XL-Recordings (in 1996)
recording of:
Gabrielle
Verfasser(in):
Peven Everett und Roy Davis Jr
publisher:
EMI Music (do not use as release label! this is a music publisher), P.E. Music und Umosia Music
Roy Davis Jr. feat. Peven Everett3:51
15One & One (radio version)
Produzent(in):
Robert Miles (Swiss‐Italian producer, composer, musician and DJ)
zusätzliche(r) Produzent(in):
Robin Hancock (UK music engineer/remixer/producer)
Mix:
Robin Hancock (UK music engineer/remixer/producer)
vocals und Interpret(in):
Maria Nayler
arranger:
Robert Miles (Swiss‐Italian producer, composer, musician and DJ)
phonographisches Urheberrecht (℗) von:
Deconstruction Ltd (in 1996) und Motor Music GmbH (in 1996)
gemixt für und produced for:
Sarm Productions (production company founded by Sarm Studios)
recording of:
One & One
Verfasser(in):
Rick Nowels, Marie‐Claire D’Ubaldo und William Steinberg
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd, EMI Virgin Music Ltd (do not use this as a release label!), Future Furniture Music und Hit & Run Music (Publishing) Ltd
Robert Miles2.53:55
16Flylife (Brix radio edit)
Produzent(in) und Mix:
Basement Jaxx
vocals:
Corrina Joseph und Glamma Kid
phonographisches Urheberrecht (℗) von:
Multiply Records (in 1997)
gemixt für und produced for:
Atlantic Jaxx Recordings
recording of:
Fly Life
Verfasser(in):
Felix Buxton und Simon Ratcliffe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Basement Jaxx4:01
17Show Me Love (Stonebridge edit)
Produzent(in):
Allen George (Songwriter - producer - keyboards player) und Fred McFarlane
zusätzliche(r) Produzent(in):
Nick Nice und StoneBridge (Swedish producer Sten Hallström)
remixer:
Nick Nice und StoneBridge (Swedish producer Sten Hallström)
phonographisches Urheberrecht (℗) von:
Champion Records Ltd. (in 1997)
gemixt für:
SweMix Productions
recording of:
Show Me Love
Verfasser(in):
Allen George (Songwriter - producer - keyboards player) und Fred McFarlane
publisher:
Champion Music und Son-A-Tron Music
Robin S3:03
18Just Gets Better (TJR dub radio edit)
Produzent(in):
Catch Productions, Karl "Tuff Enuff" Brown (founder of 2tuf 4u Records), Matt "Jam" Lamont, Gavin "DJ Face" Mills, Brian Thorne und Xavier (UK garage vocalist Xavier Barnett)
phonographisches Urheberrecht (℗) von:
Multiply Records (in 1997)
recording of:
Just Gets Better
Verfasser(in):
Xavier Barnett, Karl “Tuff Enuff” Brown (founder of 2tuf 4u Records), Catch Productions, Matt ‘Jam’ Lamont, Gavin "DJ Face" Mills und Brian Thorne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Matt Jam Music, Mo's Music und One Tuff Music
TJR feat. Xavier3:18
19Oh Boy (Ramsey & Fen remix)
Techniker(in):
Paul Jay Kay und Olly M
Produzent(in):
Fen (UK garage producer), Paul Jay Kay und Olly M
zusätzliche(r) Produzent(in):
M.J. Cole und Ramsey (UK Garage producer)
remixer:
Fen (UK garage producer), M.J. Cole und Ramsey (UK Garage producer)
phonographisches Urheberrecht (℗) von:
Multiply Records (in 1997)
gemixt für und produced for:
R.A.F.M.A.T. Productions
Samples:
Hurt You So (Alright) (The 'Full' mix) von Jonny L (UK drum n bass producer Jon Lisners)
recording of:
Oh, Boy
Verfasser(in):
Jon Lisners
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Fabulous Baker Boys3:35
20Fired Up! (club 69 edit)
Techniker(in):
Carlos Santos (Miami producer/engineer aka "Deep")
leitende(r) Produzent(in):
Rob Di Stefano
Produzent(in) und Mix:
Ralph Falcon und Oscar Gaetan
Editing:
Rob Di Stefano
vocals:
Pamela Williams
phonographisches Urheberrecht (℗) von:
Twisted Records (in 1996)
gemixt für und produced for:
Murk Productions
recording of:
Fired Up!
Verfasser(in):
Ralph Falcon
publisher:
Murk Publishing
Funky Green Dogs3:43
21Amour (C’Mon) (radio edit)
Mix:
The Porn Kings
phonographisches Urheberrecht (℗) von:
AATW (in 1997)
recording of:
Amour (C'mon)
Verfasser(in):
Kenny Hayes, David O'Connor und Paul Rowland
publisher:
Bucks Music und Penny Street Music
Porn Kings3:24
22Ain’t Talkin’ ’Bout Dub
vocals:
Mary Mary (performance name of Ian Hoxley)
arranger:
Noko (Norman Fisher Jones)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
Samples:
Ain’t Talkin’ ’Bout Love von Van Halen (American hard rock band)
cover recording of:
Ain’t Talkin’ ’Bout Love
Texter und Komponist(in):
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth und Alex Van Halen
publisher:
Iconic Roth Anthems, Mugambi Publishing, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Diamond Dave Music (in 1978), Van Halen Music (in 1978) und WC Music Corp. (vom 2019-05-28 bis heute)
Apollo 4403.653:55