Opera for People Who Hate Opera

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1The Valkyrie: Ride of the Valkyries
Orchester:
San Diego Symphony
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:50
2Pagliacci: "Vesti la giubba"
Tenor-Gesang [Canio]:
José Perez (Peruvian tenor)
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:25
3Cavalleria rusticana: Intermezzo
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
András Kórodi (conductor) und Anton Nanut (conductor)
recording of:
Cavalleria rusticana: Intermezzo
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:27
4The Barber of Seville Overture
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Philharmonisches Orchester Plovdiv), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raytchev, conductor) und Alfred Scholz
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Der Barbier von Sevilla (german lyrics)
Teil von:
Il barbiere di Siviglia
Teil von:
Le Barbier de Séville (french lyrics)
Teil von:
The Barber of Seville (english lyrics)
Gioachino Rossini47:46
5Highlights from Carmen: Prelude
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
Komponist(in):
Georges Bizet (French composer)
Teil von:
Carmen Suite no. 1
Georges Bizet1:22
6Highlights from Carmen: Aragonaise
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Teil von:
Carmen Suite no. 1
Georges Bizet2:13
7Highlights from Carmen: Seguedille
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
Teil von:
Carmen Suite no. 1
Georges Bizet1:53
8Highlights from Carmen: Bohemian Dance
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
Teil von:
Carmen Suite no. 2
Georges Bizet4:32
9Highlights from Carmen: The Toreador Song
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Teil von:
Carmen Suite no. 2
Georges Bizet2:41
10Prince Igor: Polovtsian Dances nos. 8 and 17
Orchester:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
recording of:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major
Orchestrator(in):
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) und Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Arrangement von:
Prince Igor: Act II. Dance of the Polovtsian Maidens
Teil von:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
Orchestrator(in):
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) und Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Arrangement von:
Prince Igor: Act II. Polovtsian Dance with Choir
Teil von:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Alexander Borodin13:52
11La forza del destino: "Pace, pace mio Dio"
Soprangesang:
Leontyne Price (soprano)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto IV
Giuseppe Verdi5:37
12The Marriage of Figaro: Overture
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart4:18
13The Tales of Hoffman: Barcarolle
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) und Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist) und Christian Rainer (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:19
14II trovatore: Gypsy Chorus
Chorgesang:
Bavarian Festival Chorus
Orchester:
Bavarian Festival Orchestra
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:59
15The Trojans: Royal Hunt and Storm
Orchester:
Helsinki Philharmonic Orchestra
recording of:
Les Troyens : Acte IV, no. 29. Chasse royale et orage – Pantomime (Chœur)
Komponist(in):
Hector Berlioz (French composer) (von 1856 bis 1858)
Teil von:
Les Troyens : Acte IV
Hector Berlioz9:54
16Gianni Schicchi: "O mio babbino caro"
Soprangesang:
Ljiljana Molnar‐Talajić (soprano)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:20
2▼CD: CH 1213B
Nr.TitelKünstlerBewertungLänge
1Light Cavalry Overture
Orchester:
Utah Symphony Orchestra
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
Komponist(in):
Franz von Suppé (Franz von Suppè, composer)
Teil von:
Leichte Kavallerie (Light Cavalry)
Franz von Suppé7:04
2Rigoletto: "Questo o quella"
Chorgesang:
Chor der Staatsoper München (Alfred Scholz related)
Tenor-Gesang [Duca]:
Juan Perez (Peruvian tenor)
Orchester:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi1:47
3Madame Butterfly: "Un bel dì"
Soprangesang:
Vanda Gerlovič (soprano)
Orchester:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:22
4La bohème: "Che gelida manina"
Tenor-Gesang [Rodolfo]:
José Perez (Peruvian tenor)
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini3:57
5La Belle Hélène: Ouverture
Orchester:
Utah Symphony
recording of:
La Belle Hélène: Ouverture
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Die schöne Helena
Teil von:
La Belle Hélène
Teil von:
La Belle Hélène (English lyrics)
Jacques Offenbach8:32
6Martha: "Ach so fromm…"
Tenor-Gesang [Lyonel]:
José Perez (Peruvian tenor)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Komponist(in):
Friedrich von Flotow (composer)
Librettist:
Friedrich Wilhelm Riese
Teil von:
Martha: Akt III
Friedrich von Flotow2:59
7Overture and Prelude to The Meistersingers of Nuremberg
Orchester:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
Komponist(in):
Richard Wagner (composer) (von 1863 bis 1867)
Teil von:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner12:26
8Tosca: "Vissi d'arte"
Soprangesang:
Leontyne Price (soprano)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:32
9Aida: Atto I, scena 1. “Celeste Aida”
Chorgesang:
Chorus of the Munich State Opera (Chorus of the Bavarian State Opera)
Soprangesang [Aida]:
Eva Illes (operatic soprano)
Tenor-Gesang [Radamès]:
Juan Perez (Peruvian tenor)
Orchester:
Milan Opera Orchestra, Nürnberger Symphoniker (Alfred Scholz pseudonym) und Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
teilweise recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi3:26
10Aida: Triumphal March
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
Giuseppe Verdi1:31
11Aida: Ballet Music
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi6:57
12The Viennese Musical Clock
Orchester:
Dallas Symphony Orchestra
recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto
Komponist(in):
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
Teil von:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:07
13Overture to Die Fledermaus
Orchester:
London Symphony Orchestra
recording of:
Die Fledermaus: Ouvertüre
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Die Fledermaus
Teil von:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
Teil von:
Die Fledermaus (English version, lyrics by Dietz)
Teil von:
Die Fledermaus (english; unknown version)
Johann Strauss II8:18
14H.M.S. Pinafore: "We sail the ocean blue"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act I, no. 1, Chorus, “We Sail the Ocean Blue” (Sailors)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act I
Gilbert & Sullivan2:14
15H.M.S. Pinafore: "I'm called Little Buttercup"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act I, Recitative and Song “Hail! Men-o’-War’s Men” / “I’m Called Little Buttercup” (Buttercup, Boatswain)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act I
Gilbert & Sullivan2:42
16H.M.S. Pinafore: "When I was a lad"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act I, no. 9, “When I Was a Lad” (Sir Joseph)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act I
Gilbert & Sullivan2:51
17H.M.S. Pinafore: "Never mind the why and wherefore"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
H.M.S. Pinafore: Act II, no. 16 “Never Mind the Why and Wherefore” (Josephine, Captain, Sir Joseph)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
H.M.S. Pinafore: Act II
Gilbert & Sullivan2:47
3▼CD: CH 1213C
Nr.TitelKünstlerBewertungLänge
1Rigoletto: "La donna e mobile"
Tenor-Gesang [Duca]:
José Perez (Peruvian tenor)
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:14
2Prelude to Act III of Lohengrin
Orchester:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Teil von:
Lohengrin, WWV 75: Akt III
Richard Wagner3:41
3Don Pasquale: Servants' Chorus
vocals:
Ljubljana Radio Chorus (probably Alfred Scholz pseudonym)
Orchester:
Ljubljana Radio Orchestra (name used by Alfred Scholz, may be incorrect)
recording of:
Don Pasquale: Atto III. “Che interminabile andirivieni” (Coro di Servi)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Gaetano Donizetti (Italian opera composer) und Giovanni Ruffini (librettist)
Teil von:
Don Pasquale: Atto III
Gaetano Donizetti4:04
4Samson and Delilah: "Mon cœur s'ouvre à ta voix"
contralto vocals:
Marijana Radev (contralto)
Orchester:
Zagreb Opera Orchestra
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:51
5The Gypsy Baron: Treasure Waltz
Orchester:
Vienna Folk Opera Orchestra
recording of:
Der Zigeunerbaron: Schatz-Walzer (The Gypsy Baron: Treasure Waltz)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Johann Strauss II8:38
6The Mikado: "A wand'ring minstrel"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Librettist:
William Gilbert (English dramatist, librettist, poet and illustrator)
Teil von:
The Mikado: Act I
Gilbert & Sullivan4:22
7The Mikado: "Three little maids"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Mikado: Act I
Gilbert & Sullivan1:24
8The Mikado: "Here's a how-de-do"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
The Mikado: Act II, no. 15. “Here’s a how-de-do” (Yum-Yum, Nanki-Poo and Ko-Ko)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Mikado: Act II
Gilbert & Sullivan1:27
9The Mikado: "Beauty in the bellow"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
The Mikado: Act II, no. 23. “There is beauty in the bellow of the blast” (Katisha and Ko-Ko)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Mikado: Act II
Gilbert & Sullivan2:11
10The Mikado: "He's gone and married Yum-Yum"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
Orchester:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
The Mikado: Act II, No 24. Finale “For He’s Gone and Married Yum-Yum…” (Ensemble)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Mikado: Act II
Gilbert & Sullivan1:51
11Overture to Fidelio
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1814)
Teil von:
Fidelio, op. 72 (1814 version)
Revision von:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:43
12Eugene Onegin: Waltz
Orchester:
Houston Symphony Orchestra
recording of:
Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz (Excerpt)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")
Tchaikovsky6:40
13Pagliacci: Peasants' Chorus
Chorgesang:
Nuremberg Symphony Chorus
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
recording of:
Pagliacci: Atto I. “I zampognari!” … “Don, din don, … din don, suona vespero” (Ragazzi, Coro di contadini e contadine)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:13
14Overture to The Jolly Robbers
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Banditenstreiche: Ouvertüre (Jolly Robbers: Overture)
Komponist(in):
Franz von Suppé (Franz von Suppè, composer) (in 1867)
Teil von:
Banditenstreiche (Jolly robbers)
Franz von Suppé6:32
15La traviata: "E strano!… E strano!"
Soprangesang und Soprangesang [Violetta]:
Biserka Cvejic (mezzo-soprano)
Orchester:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi8:56
16Overture to The Beautiful Galathea
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Die Schöne Galathée: Ouvertüre (The Beautiful Galatea: Overture)
Komponist(in):
Franz von Suppé (Franz von Suppè, composer) (in 1865)
Teil von:
Die Schöne Galathée (The Beautiful Galatea)
Franz von Suppé7:44
4▼CD
Nr.TitelKünstlerBewertungLänge
1Overture to Ruslan and Lyudmila
Orchester:
Utah Symphony
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
Komponist(in):
Mikhail Glinka (Russian composer) (von 1837 bis 1842)
Teil von:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:29
2Lohengrin: Bridal Chorus
Chorgesang:
Bavarian Festival Chorus, Belgrade National Opera Chorus (Choir of the Belgrad National Opera) und Chor des Slowenischen Rundfunks (RTV Slovenia Chamber Choir)
Orchester:
Bavarian Festival Orchestra und Symphonieorchester des Slowenischen Rundfunks (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor))
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Librettist:
Richard Wagner (composer)
Teil von:
Lohengrin, WWV 75: Akt III
Richard Wagner8:09
3William Tell Overture
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Alfred Scholz
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
Gioachino Rossini12:09
4Pirates of Penzance: "Pour, o pour the pirate sherry"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
recording of:
The Pirates of Penzance: Act I, no. 1. “Pour, oh pour, the pirate sherry” (Samuel, Pirates)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act I
Gilbert & Sullivan1:59
5Pirates of Penzance: "Oh, better far to live and die"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
recording of:
The Pirates of Penzance: Act I, no. 3. “Oh, better far to live and die” … “I am a pirate king!” (Pirate King, Pirates)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act I
Gilbert & Sullivan2:56
6Pirates of Penzance: "I am the very model of a modern Major-General"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
recording of:
The Pirates of Penzance: Act I, no. 13. “I am the very model of a modern Major-General” (Major-General, Chorus)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act I
Gilbert & Sullivan4:31
7Pirates of Penzance: "When the foeman bares his steel"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
recording of:
The Pirates of Penzance: Act II, no. 17. “When the foeman bares his steel” (Mabel, Edith, Sergeant, Policemen, Girls)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan4:44
8Pirates of Penzance: "With cat-like tread"
Chorgesang:
Rochester Philharmonic Orchestra Chorus
recording of:
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Pirates of Penzance: Act II
Gilbert & Sullivan2:41
9Porgy and Bess: Summertime
Soprangesang:
Leontyne Price (soprano)
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act I, Scene I
George Gershwin2:28
10Overture to The Bartered Bride
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture)
Komponist(in):
Bedřich Smetana (composer)
Teil von:
Die verkaufte Braut (The Bartered Bride)
Teil von:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:24
11The Barber of Seville: "Contro un cor"
Mezzosoprangesang:
Rita Noël (American operatic mezzo-soprano and trained violist)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto II
Gioachino Rossini7:51
12Overture to Orpheus in the Underworld
Orchester:
Royal Philharmonic Orchestra
recording of:
Orphée aux enfers : Ouverture (Orpheus in der Unterwelt: Ouvertüre)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
zusätzliche(r) Komponist(in):
Carl Binder (in 1860)
Teil von:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
Teil von:
Orphée aux Enfers (Orpheus in der Unterwelt, opéra bouffe in two acts, 1858)
Teil von:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
Teil von:
Orpheus in the Underworld
Jacques Offenbach10:13

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hergestellt von und vertrieben von:Intersound Inc.
urheberrechtlich geschützt (©) von:Intersound Inc. (in 1994)
phonographisches Urheberrecht (℗) von:Musikförderung (for copyrights use only) (in 1994)
ASIN:US: B000003QWI [Info]