The Complete Studio Recordings 1949-1969

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

| |
1▼Digital Media: The First Recordings (1949)
#TitleArtistRatingLength
1Tristano e Isotta: Liebestod, Atto III. “Dolce e calmo”
soprano vocals:
Maria Callas (soprano) (from 1949-11-08 until 1949-11-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1949-11-08 until 1949-11-10)
conductor:
Arturo Basile (Italian opera conductor) (from 1949-11-08 until 1949-11-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1949-11-08 until 1949-11-10)
recording of:
Tristan und Isolde: “Dolce e calmo” (Morte di Isotta) (on 1949-11-09)
composer:
Richard Wagner (composer)
translated version of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
Richard Wagner7:45
2Norma: Atto I. “Casta Diva”
soprano vocals [Norma]:
Maria Callas (soprano) (from 1949-11-08 until 1949-11-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1949-11-08 until 1949-11-10)
conductor:
Arturo Basile (Italian opera conductor) (from 1949-11-08 until 1949-11-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1949-11-08 until 1949-11-10)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1949-11-08 until 1949-11-10)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:49
3Norma: Atto I. “Ah! bello a me ritorna”
soprano vocals:
Maria Callas (soprano) (from 1949-11-08 until 1949-11-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1949-11-08 until 1949-11-10)
conductor:
Arturo Basile (Italian opera conductor) (from 1949-11-08 until 1949-11-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1949-11-08 until 1949-11-10)
recording of:
Norma: Atto I, scena 1. Cabaletta “Ah! bello a me ritorna” (Norma, Oroveso, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini2:15
4I puritani: Atto II. “O rendetemi la speme”
soprano vocals:
Maria Callas (soprano) (from 1949-11-08 until 1949-11-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1949-11-08 until 1949-11-10)
conductor:
Arturo Basile (Italian opera conductor) (from 1949-11-08 until 1949-11-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1949-11-08 until 1949-11-10)
recording of:
I puritani: Atto II. N°16a “O rendetemi la speme” (Elvira, Riccardo, Giorgio) (from 1949-11-08 until 1949-11-10)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini1:07
5I puritani: Atto II. “Qui la voce sua soave”
soprano vocals:
Maria Callas (soprano) (from 1949-11-08 until 1949-11-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1949-11-08 until 1949-11-10)
conductor:
Arturo Basile (Italian opera conductor) (from 1949-11-08 until 1949-11-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1949-11-08 until 1949-11-10)
recording of:
I puritani: Atto II. N°16b “Qui la voce sua soave” (Elvira, Riccardo, Giorgio) (on 1949-11-10)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini3:42
6I puritani: Atto II. “Vien, diletto, è in ciel la luna”
soprano vocals:
Maria Callas (soprano) (from 1949-11-08 until 1949-11-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1949-11-08 until 1949-11-10)
conductor:
Arturo Basile (Italian opera conductor) (from 1949-11-08 until 1949-11-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1949-11-08 until 1949-11-10)
recording of:
I puritani: Atto II. N°16d Cabaletta “Vien, diletto, è in ciel la luna!” (Elvira, Giorgio, Riccardo) (from 1949-11-08 until 1949-11-10)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini2:26
2▼Digital Media: Amilcare Ponchielli: La Gioconda (Act 1) (1952)
#TitleArtistRatingLength
1La Gioconda: Preludio (Orchestra)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Preludio (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda, op. 9
Amilcare Ponchielli5:06
2La Gioconda: Atto I. “Feste e pane!” (Coro, Barnaba)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Feste e pane!” (Coro, Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli2:56
3La Gioconda: Atto I. “E cantan su lor tombe!” (Barnaba, Gioconda)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “E cantan su lor tombe!” (Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli2:02
4La Gioconda: Atto I. “Figlia, che reggi il tremulo piè” (Cieca, Gioconda, Barnaba)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Figlia, che reggi il tremulo piè” (La cieca, Gioconda, Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli3:34
5La Gioconda: Atto I. “L'ora non giunse ancor del vespro santo” (Gioconda, Barnaba, Cieca, Coro)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “L’ora non giunse ancor del vespro santo” (Gioconda, Barnaba, la cieca) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli2:56
6La Gioconda: Atto I. “Polso di cerro!” (Coro, Barnaba, Zuàne Cieca, Isèpo)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
bass vocals [Zuàne]:
Piero Poldi (bass vocalist) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Isèpo]:
Armando Benzi (operatic tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Polso di cerro!” … “Gloria a chi vince” (Coro, Barnaba, Zuàne, la cieca) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli3:43
7La Gioconda: Atto I. “Suo covo è un tugurio” (Barnaba, Coro, Isèpo, Zuàne, Cieca, Gioconda, Enzo, Laura)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
bass vocals [Zuàne]:
Piero Poldi (bass vocalist) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
tenor vocals [Isèpo]:
Armando Benzi (operatic tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Suo covo è un tugurio” … “Assassini” (Barnaba, coro, Isèpo, Zuàne, la cieca, Laura, Enzo) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli3:16
8La Gioconda: Atto I. “Che? La plebe or qui si arroga” (Alvise, Coro, Gioconda, Laura, Barnaba, Enzo)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Ribellion! Che? La plebe or qui si arroga” (Alvise, coro, Gioconda, Laura, Barnaba, Enzo) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli4:16
9La Gioconda: Atto I. “Voce di donna o d'angelo” (Cieca, Laura, Enzo, Gioconda, Alvise, Barnaba, Coro)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Voce di donna o d’angelo” (La cieca, Alvise, Barnaba, Enzo, Laura, la Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli5:28
10La Gioconda: Atto I. “Enzo Grimaldo, Principe di Santafior, che pensi?” (Barnaba, Enzo)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Enzo Grimaldo, Principe di Santafior, che pensi?” (Enzo, Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli3:00
11La Gioconda: Atto I. “O grido di quest'anima” (Barnaba, Enzo)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “O grido di quest’anima” (Enzo, Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli2:50
12La Gioconda: Atto I. “Maledici? Sta ben…l'amor t'accieca” (Barnaba, Isèpo, Gioconda)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Isèpo]:
Armando Benzi (operatic tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Maledici? Sta ben…l’amor t’accieca” (Barnaba, Isèpo, Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli2:16
13La Gioconda: Atto I. “O monumento!” (Barnaba)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “O monumento!” (Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli3:47
14La Gioconda: Atto I. “Carneval! Baccanal!” (Coro)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Carneval! Baccanal!” (Coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli2:40
15La Gioconda: Atto I. “Angele Dei” (Coro, Barnaba, Gioconda, Cieca)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto I. “Angele Dei … Tramonta il sol … Tradita! Ahimè” (Coro, un barnabotto, Gioconda, la cieca) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli6:32
3▼Digital Media: Amilcare Ponchielli: La Gioconda (Act 2) (1952)
#TitleArtistRatingLength
1La Gioconda: Atto II. “Ho! He! Ho! He! Fissa il timone!!” (Coro)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Ho! He! Ho! He! Fissa il timone!” (Coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:04
2La Gioconda: Atto II. “Pescator, affonda l'esca” (Barnaba, Pilota, Coro)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
partial recording of:
La Gioconda: Atto II. “Pescator, affonda l’esca” (Pilota, Barnaba, coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:27
3La Gioconda: Atto II. “Pescator, affonda l'esca” (Barnaba, Coro)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
partial recording of:
La Gioconda: Atto II. “Pescator, affonda l’esca” (Pilota, Barnaba, coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:36
4La Gioconda: Atto II. “Sia gloria ai canti dei naviganti!” (Enzo, Coro)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Sia gloria ai canti dei naviganti!” (Enzo, coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:20
5La Gioconda: Atto II. “Cielo e mar!” (Enzo)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:33
6La Gioconda: Atto II. “Ma chi vien?” (Enzo, Barnaba, Laura)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Ma chi vien?” (Enzo, Barnaba, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:27
7La Gioconda: Atto II. “Laggiù nelle nebbie remote” (Enzo, Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Laggiù nelle nebbie remote” (Enzo, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:33
8La Gioconda: Atto II. “E il tuo nocchiere or la fuga t'appresta” (Enzo, Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “E il tuo nocchiere or la fuga t’appresta” (Enzo, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli0:44
9La Gioconda: Atto II. “Stella del marinar!” (Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Stella del marinar!” (Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:13
10La Gioconda: Atto II. “È un anatema!” (Gioconda, Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “È un anatèma!” (Gioconda, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli0:34
11La Gioconda: Atto II. “Là attesi e il tempo colsi” (Gioconda, Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Là attesi e il tempo colsi” (Gioconda, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:11
12La Gioconda: Atto II. “L'amo come il fulgor del creato!” (Gioconda, Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “L’amo come il fulgor del creato!” (Laura, Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:04
13La Gioconda: Atto II. “Il mio braccio t'afferra!” (Gioconda, Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Il mio braccio t’afferra!” (Gioconda, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:35
14La Gioconda: Atto II. “Maledizion! Ha preso il vol!” (Barnaba, Gioconda, Enzo)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Maledizion! Ha preso il vol!” (Barnaba, Gioconda, Enzo) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:39
15La Gioconda: Atto II. “Vedi là, nel canal morto” (Gioconda, Enzo, Coro)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto II. “Laura, Laura! Ove sei?” … “Vedi là, nel canal morto” (Gioconda, Enzo, coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli3:01
4▼Digital Media: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1952)
#TitleArtistRatingLength
1La Gioconda: Atto III, scena 1. “Sì! morir ella de'!” (Alvise)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 1. “Sì! morir ella de’!” (Alvise) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:39
2La Gioconda: Atto III, scena 1. “Ombre di mia prosapia” (Alvise)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 1. “Ombre di mia prosapia” (Alvise) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:27
3La Gioconda: Atto III, scena 1. “Qui chiamata m'avete?…Bella così, madonna”
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 1. “Qui chiamata m’avete?…Bella così, madonna” (Laura, Alvise) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli3:15
4La Gioconda: Atto III, scena 1. “Morir! è troppo orribile!” (Laura, Alvise)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 1. “Morir! è troppo orribile!” (Laura, Alvise) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:57
5La Gioconda: Atto III, scena 1. “La gaia canzone” (Coro, Alvise, Gioconda, Laura)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 1. “La gaia canzone” (Coro, Alvise, Gioconda, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli3:19
6La Gioconda: Atto III, scena 1. “O madre mia, nell'isola fatale” (Gioconda)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 1. “O madre mia, nell'isola fatale” (Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:06
7La Gioconda: Atto III, scena 2. “Benvenuti messeri! Andrea Sagredo!” (Alvise, Coro)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 2. “Benvenuti messeri! Andrea Sagredo!” (Alvise, coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli4:04
8La Gioconda: Atto III, scena 2. “Grazie vi rendo per le vostre laudi” (Alvise)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 2. “Grazie vi rendo per le vostre laudi” (Alvise) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli1:32
9La Gioconda: Atto III, scena 2. “Prodigio! Incanto!” (Coro)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli9:26
10La Gioconda: Atto III, La danza delle ore. “Vieni!…Lasciami!” (Barnaba, Cieca, Coro, Alvise, Enzo, Gioconda)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 2. “Vieni!…Lasciami!” (Barnaba, la cieca, Alvise, coro, Gioconda, Enzo) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli3:12
11La Gioconda: Atto III, La danza delle ore. “Già ti veggo immota e smorta” (Barnaba, Cieca, Coro, Alvise, Enzo, Gioconda)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
bass vocals [Alvise Badoero]:
Giulio Neri (operatic bass) (from 1952-09-06 until 1952-09-10)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [La Cieca]:
Maria Amadini (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto III, scena 2. “Già ti veggo immota e smorta” (Enzo, Gioconda, Barnaba, la cieca, Alvise, coro) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli5:20
12La Gioconda: Atto IV. “Nessun v'ha visto?” (Gioconda, Cantore)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “Nessun v'ha visto?” (Gioconda, un cantante) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli5:30
13La Gioconda: Atto IV. “Suicidio!” (Gioconda)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Sinfonie‐Orchester der RAI Turin (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
phonographic copyright (℗) by:
Nuova Fonit Cetra S.p.A. (company credits only; do NOT use as release label) (in 1953)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli4:39
14La Gioconda: Atto IV. “Ecco, il velen di Laura” (Gioconda, Prima voce, Seconda voce, Enzo)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “Ecco, il velen di Laura” (Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli5:05
15La Gioconda: Atto IV. “Ridarti il sol, la vita!” (Gioconda, Enzo)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “Enzo! Sei tu?” … “Ridarti il sol, la vita!” (Gioconda, Enzo) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli2:51
16La Gioconda: Atto IV. “O furibonda jena” (Enzo, Gioconda, Laura)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “O furibonda jena” (Enzo, Gioconda, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli2:43
17La Gioconda: Atto IV. “Ten va serenata” (Coro, Gioconda, Enzo, Laura)
choir vocals:
Coro Cetra (from 1952-09-06 until 1952-09-10)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
chorus master:
Giulio Mogliotti (chorus master) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “Ten va serenata” (Coro, Gioconda, Enzo, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli1:08
18La Gioconda: Atto IV. “La barca s'avvicina” (Gioconda)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “La barca s’avvicina” (Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli2:00
19La Gioconda: Atto IV. “Quest'ultimo bacio che il pianto” (Gioconda, Laura, Enzo)
mezzo-soprano vocals [Laura Adorno]:
Fedora Barbieri (mezzo-soprano) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
tenor vocals [Enzo Grimaldo]:
Gianni Poggi (tenor) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “A te questo rosario” … “Quest’ultimo bacio che il pianto” (Gioconda, Enzo, Laura) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli4:49
20La Gioconda: Atto IV. “Ora posso morir. Tutto è compiuto” (Gioconda, Barnaba)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “Ora posso morir. Tutto è compiuto” (Gioconda, Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli3:47
21La Gioconda: Atto IV. “Vo' farmi più gaia, più fulgida ancora” (Gioconda, Barnaba)
baritone vocals [Barnaba]:
Paolo Silveri (baritone) (from 1952-09-06 until 1952-09-10)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Orchestra Sinfonica di Torino della RAI (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. “Si, il patto mantengo” …“Vo’ farmi più gaia, più fulgida ancora” (Gioconda, Barnaba) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli3:09
5▼Digital Media: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1953)
#TitleArtistRatingLength
1Lucia di Lammermoor: Preludio (Orchestra)
producer:
Dino Olivieri (Italian musician, conductor and composer)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:12
2Lucia di Lammermoor: Atto I, scena 1. “Percorrete…Percorriamo le spiagge vicine” (Normanno, Coro)
producer:
Dino Olivieri (Italian musician, conductor and composer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:26
3Lucia di Lammermoor: Atto I, scena 1. “Tu sei turbato!…E n'ho ben d'onde” (Normanno, Enrico, Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:11
4Lucia di Lammermoor: Atto I, scena 1. “Cruda, funesta smania” (Normanno, Enrico, Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:20
5Lucia di Lammermoor: Atto I, scena 1. “Il tuo dubbio è omai certezza…Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:09
6Lucia di Lammermoor: Atto I, scena 1. “La pietade in suo favore” (Enrico, Raimondo, Coro)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:38
7Lucia di Lammermoor: Atto I, scena 2. “Ancor non giunse?” (Lucia, Alisa)
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:12
8Lucia di Lammermoor: Atto I, scena 2. “Regnava nel silenzio alta la notte e bruna” (Lucia, Alisa)
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:00
9Lucia di Lammermoor: Atto I, scena 2. “Quando rapito in estasi” (Lucia, Alisa)
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-01-29 until 1953-01-30)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-02-03 until 1953-02-04)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (on 1953-02-06)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:59
10Lucia di Lammermoor: Atto I, scena 2. “Egli s'avanza…LUcia, poerdona se ad ora inusitata” (Alisa, Edgardo, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:38
11Lucia di Lammermoor: Atto I, scena 2. “Sulla tomba che rinserra il tradito genitore” (Edgardo, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:57
12Lucia di Lammermoor: Atto I, scena 2. “Qui di sposa eterna fede…Ah, soltanto il nostro foco” (Edgardo, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:34
13Lucia di Lammermoor: Atto I, scena 2. “Ah, talor del tuo pensiero venga un foglio messaggero” (Edgardo, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti0:46
14Lucia di Lammermoor: Atto I, scena 2. “Verranno a te sull'aure i miei sospiri ardenti” (Edgardo, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:19
6▼Digital Media: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1953)
#TitleArtistRatingLength
1Lucia di Lammermoor: Atto II, scena 1. “Lucia fra poco a te verrà…Tremante l'aspetto” (Normanno, Enrico)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:14
2Lucia di Lammermoor: Atto II, scena 1. “Appressati, Lucia…Il pallor funesta, orrendo” (Enrico, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti5:06
3Lucia di Lammermoor: Atto II, scena 1. “Soffriva nel pianto…Un folle t'accese” (Enrico, Lucia)
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals:
Maria Callas (soprano)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:22
4Lucia di Lammermoor: Atto II, scena 1. “Che fia?…Suonar di giubilo” (Enrico, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:24
5Lucia di Lammermoor: Atto II, scena 1. “Se tradirmi tu potrai…Tu che vedi il pianto mio” (Enrico, Lucia)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:59
6Lucia di Lammermoor: Atto II, scena 2. “Per te d'immenso giubilo…Per poco fra le tenebre sparì la vostra stella” (Coro, Arturo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:39
7Lucia di Lammermoor: Atto II, scena 2. “Dov'è Lucia?…Qui giungere or la vedrem” (Arturo, Enrico, Coro)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:50
8Lucia di Lammermoor: Atto II, scena 2. “Piange la madre estinta” (Enrico, Lucia, Arturo, Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:19
9Lucia di Lammermoor: Atto II, scena 2. “Chi mi frena in tal momento” (Edgardo, Enrico, Lucia, Raimondo, Arturo, Alisa, Coro)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:33
10Lucia di Lammermoor: Atto II, scena 2. “T'allontana, sciagurato…Rispettate in me di Dio” (Arturo, Enrico, Coro, Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:07
11Lucia di Lammermoor: Atto II, scena 2. “Sconsigilato! In queste porte chi ti guida?” (Enrico, Edgardo, Raimondo, Lucia, Coro)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:07
12Lucia di Lammermoor: Atto II, scena 2. “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:23
13Lucia di Lammermoor: Atto III, scena 1. “D'immenso giubilo s'innalzi un grido” (Coro, Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:27
14Lucia di Lammermoor: Atto III, scena 1. “Dalle stanze ove Lucia tratta avea col suo consorte” (Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:42
15Lucia di Lammermoor: Atto III, scena 1. “Oh! Qual funesto avvenimento!” (Coro, Raimondo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:15
16Lucia di Lammermoor: Atto III, scena 1. “Il dolce suono mi colpì di sua voce!…Ardon gli incensi” (Lucia, Raimondo, Normanno, Coro)
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer) and Dino Olivieri (Italian musician, conductor and composer)
bass vocals:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom and Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-01-29 until 1953-02-06, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (on 1953-02-03)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti11:49
17Lucia di Lammermoor: Atto III, scena 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico)
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:48
18Lucia di Lammermoor: Atto III, scena 2. “Tombe degli avi miei” (Edgardo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:07
19Lucia di Lammermoor: Atto III, scena 2. “Fra poco a me ricovero darà negletto avello” (Edgardo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:29
20Lucia di Lammermoor: Atto III, scena 2. “Oh, meschina! Oh, fato orrendo!” (Coro, Edgardo)
producer:
Dino Olivieri (Italian musician, conductor and composer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:07
21Lucia di Lammermoor: Atto III, scena 2. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro)
producer:
Dino Olivieri (Italian musician, conductor and composer)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:17
7▶Digital Media: Vincenzo Bellini: I puritani (Act 1) (1953)
8▶Digital Media: Vincenzo Bellini: I puritani (Acts 2 & 3) (1953)
9▶Digital Media: Pietro Mascagni: Cavalleria rusticana (1953)
10▶Digital Media: Giacomo Puccini: Tosca (Act 1) (1953)
11▶Digital Media: Giacomo Puccini: Tosca (Acts 2 & 3) (1953)
12▶Digital Media: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (1953)
13▶Digital Media: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (1953)
14▶Digital Media: Norma: Act 1, Scene 1 (1954)
15▶Digital Media: Vincenzo Bellini: Norma (Act 1, Scene 2) (1954)
16▶Digital Media: Vincenzo Bellini: Norma (Act 2) (1954)
17▶Digital Media: Ruggero Leoncavallo: I pagliacci (1954)
18▶Digital Media: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (1954)
19▶Digital Media: Giuseppe Verdi: La forza del destino (Act 3) (1954)
20▶Digital Media: Giuseppe Verdi: La forza del destino (Act 4) (1954)
21▶Digital Media: Gioachino Rossini: Il turco in Italia (Act 1) (1954)
22▶Digital Media: Gioachino Rossini: Il turco in Italia (Act 2) (1954)
23▶Digital Media: Puccini Arias (1954)
24▶Digital Media: Lyric and Coloratura Arias (1954)
25▶Digital Media: Callas at La Scala (1955)
26▶Digital Media: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (1955)
27▶Digital Media: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (1955)
28▶Digital Media: Giuseppe Verdi: Aida (Acts 1 & 2) (1955)
29▶Digital Media: Giuseppe Verdi: Aida (Acts 3 & 4) (1955)
30▶Digital Media: Giuseppe Verdi: Rigoletto (Act 1) (1955)
31▶Digital Media: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (1955)
32▶Digital Media: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (1956)
33▶Digital Media: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (1956)
34▶Digital Media: Giacomo Puccini: La bohème (Acts 1 & 2) (1956)
35▶Digital Media: Giacomo Puccini: La bohème (Acts 3 & 4) (1956)
36▶Digital Media: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (1956)
37▶Digital Media: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (1956)
38▶Digital Media: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (1957)
39▶Digital Media: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (1957)
40▶Digital Media: Vincenzo Bellini: La sonnambula (Act 1) (1957)
41▶Digital Media: Vincenzo Bellini: La sonnambula (Act 2) (1957)
42▶Digital Media: Giacomo Puccini: Turandot (Acts 1 & 2) (1957)
43▶Digital Media: Giacomo Puccini: Turandot (Acts 3) (1957)
44▶Digital Media: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (1957)
45▶Digital Media: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (1957)
46▶Digital Media: Luigi Cherubini: Medea (Act 1) (1957)
47▶Digital Media: Luigi Cherubini: Medea (Acts 2 & 3) (1957)
48▶Digital Media: Callas Portrays Verdi Heroines (Verdi Arias I) (1958)
49▶Digital Media: Mad Scenes (1958)
50▶Digital Media: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1959)
51▶Digital Media: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1959)
52▶Digital Media: Amilcare Ponchielli: La Gioconda (Act 1) (1959)
53▶Digital Media: Amilcare Ponchielli: La Gioconda (Act 2) (1959)
54▶Digital Media: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1959)
55▶Digital Media: Vincenzo Bellini: Norma (Act 1 beginning) (1960)
56▶Digital Media: Vincenzo Bellini: Norma (Act 1 conclusion) (1960)
57▶Digital Media: Vincenzo Bellini: Norma (Act 2) (1960)
58▶Digital Media: Great Arias from French Opera (Callas à Paris I) (1961)
59▶Digital Media: More Arias from French Opera (Callas à Paris II) (1963)
60▶Digital Media: Mozart, Beethoven, Weber Recital (1963 & 1964)
61▶Digital Media: Verdi Arias II (1963 & 1964)
62▶Digital Media: Rossini & Donizetti Arias (1963 & 1964)
63▶Digital Media: Georges Bizet: Carmen (Act 1, Act 2 beginning) (1964)
64▶Digital Media: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (1964)
65▶Digital Media: Giacomo Puccini: Tosca (Act 1) (1964 & 1965)
66▶Digital Media: Giacomo Puccini: Tosca (Acts 2 & 3) (1964 & 1965)
67▶Digital Media: Verdi Arias III (1965 & 1969)
68▶Digital Media: The Callas Rarities (1953-1969) (1953, 1958, 1960 & 1961)
69▶Digital Media: The Callas Rarities (1953-1969) (1962, 1964, 1965 & 1969)

Credits

Release group

includes:Aida (1955 studio cast) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Callas à Paris (Album II) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Callas à Paris I by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
Callas at La Scala by Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Callas sings Rossini and Donizetti Arias by Rossini (composer), Donizetti (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Callas Sings Verdi Arias by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Carmen (1964 studio cast) by Georges Bizet (French composer); Maria Callas (soprano), Nicolai Gedda (tenor), Andréa Guiot (soprano), Robert Massard (baritone), Nadine Sautereau (French soprano), Jane Berbié (mezzo-soprano), Claude Calès (French baritone), Chœurs René Duclos, Chœurs d’enfants Jean Pesneaud, Orchestre du Théâtre national de l’Opéra de Paris, Georges Prêtre (French conductor)
Cavalleria rusticana (1953 EMI recording) by Pietro Mascagni (composer & conductor); Maria Callas (soprano) - Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
I puritani (1953 Milan studio cast) by Vincenzo Bellini (Sicilian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Nicola Rossi‐Lemeni (operatic bass), Rolando Panerai (baritone), Coro & Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Il barbiere di Siviglia (1957 studio recording) by Rossini (composer); Maria Callas (soprano), Tito Gobbi (baritone), Alva (tenor), Carturan (mezzo-soprano), Ollendorff (operatic bass), Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Alceo Galliera (organist, conductor and composer)
Il trovatore (1956 recording) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
La bohème (1956 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Anna Moffo (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
La forza del destino (1954 Milan recording) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Richard Tucker (tenor), Carlo Tagliabue (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
La Gioconda (1959 recording) by Ponchielli (composer); Callas (soprano), Cossotto (mezzo-soprano), Companeez (mezzo-soprano / contralto), Vinco (operatic bass), Ferraro (tenor), Cappuccilli (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La Gioconda (1952 recording) by Amilcare Ponchielli (composer); Maria Callas (soprano), Fedora Barbieri (mezzo-soprano), Giulio Neroni, Maria Amadini (mezzo-soprano), Gianni Poggi (tenor), Paolo Silveri (baritone), Piero Poldi (bass vocalist), Armando Benzi (operatic tenor), Orchestra Sinfonica di Torino della RAI, Antonino Votto (conductor)
La sonnambula (1957 studio cast) by Vincenzo Bellini (Sicilian opera composer); Nicola Zaccaria (operatic bass), Fiorenza Cossotto (mezzo-soprano), Maria Meneghini Callas (soprano), Eugenia Ratti (soprano), Nicola Monti (tenor), Giuseppe Morresi (operatic bass), Franco Ricciardi (Italian tenor), Coro e Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La traviata (1953 studio recording) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Francesco Albanese (tenor), Ugo Savarese (Italian baritone), Coro Cetra, Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan), Gabriele Santini (conductor)
Lucia di Lammermoor (1959 London Recording) by Donizetti (Italian opera composer); Maria Callas (soprano), Ferruccio Tagliavini (tenor), Piero Cappuccilli (baritone), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Tullio Serafin (conductor)
Lucia di Lammermoor (1953 Florence Recording) by Gaetano Donizetti (Italian opera composer); Maria Callas (soprano), Tullio Serafin (conductor)
Lyric and Coloratura Arias by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Manon Lescaut (1957 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Maria Meneghini Callas Sings Arias From Tristano e Isotta, Norma, I puritani by Wagner (Richard Wagner, composer), Bellini (Sicilian opera composer); Maria Meneghini Callas (soprano), Orchestra Sinfonica di Torino della RAI, Arturo Basile (Italian opera conductor)
Maria Meneghini Callas Sings Operatic Arias by Puccini by Puccini (Italian composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Medea (1957 Milan recording) by Luigi Cherubini (composer); Maria Callas (soprano), Renata Scotto (operatic soprano), Miriam Pirazzini (mezzo soprano), Mirto Picchi (tenor), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Mozart, Beethoven & Weber Arias by Mozart (Wolfgang Amadeus Mozart, classical composer), Beethoven (Ludwig van Beethoven, German composer), Weber (composer); Maria Callas (soprano), Paris Conservatoire Orchestra, Nicola Rescigno (conductor)
Norma (1960 studio cast) by Bellini (Sicilian opera composer); Maria Callas (soprano), Franco Corelli (tenor), Christa Ludwig (mezzo-soprano), Nicola Zaccaria (operatic bass), Piero de Palma (tenor), Edda Vincenzi (soprano), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Norma (1954 studio cast) by Bellini (Sicilian opera composer); Maria Callas (soprano), Mario Filippeschi (tenor), Ebe Stignani (mezzo soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Pagliacci (1954 Scala cast) by Leoncavallo (composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Rolando Panerai (baritone), Nicola Monti (tenor), Orchestra (Orchestra of La Scala, Milan) and Chorus of La Scala, Milan, Tullio Serafin (conductor)
Rigoletto (1955 studio cast) by Giuseppe Verdi (Italian opera composer); Giuseppe di Stefano (tenor), Tito Gobbi (baritone), Maria Meneghini Callas (soprano), Nicola Zaccaria (operatic bass), Adriana Lazzarini (mezzo-soprano), Giuse Gerbino (Italian mezzo-soprano), Plinio Clabassi (operatic bass), William Dickie (british bass-baritone), Renato Ercolani (tenor), Carlo Forti (operatic bass), Elvira Galassi (soprano / mezzo-soprano), Tullio Serafin (conductor), Norberto Mola (chorus master), L'Ente Autonomo del Teatro alla Scala (Orchestra of La Scala, Milan)
The Callas Rarities
Tosca (1964 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Carlo Bergonzi (tenor), Tito Gobbi (baritone), Chœurs du Théâtre National de l'Opéra de Paris (Paris National Opera Chorus), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Turandot (1957 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Eugenio Fernandi (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nicola Zaccaria (operatic bass), Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Un ballo in maschera (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Fedora Barbieri (mezzo-soprano), Eugenia Ratti (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
Verdi Arias I by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
Verdi Arias III by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre de l'Opéra National de Paris, Nicola Rescigno (conductor)