Ich mag keine Klassik, aber das gefällt mir!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Also sprach Zarathustra, Op. 30: Sonnenaufgang
recording engineer:
Leslie Chase (am 1954-03-08)
Produzent(in):
John Pfeiffer (producer and engineer)
Orchester:
Chicago Symphony Orchestra (am 1954-03-08)
conductor:
Fritz Reiner (conductor) (am 1954-03-08)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (am 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang) (am 1954-03-08)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss, Fritz Reiner & Chicago Symphony Orchestra1:29
2Carmina Burana: Fortuna imperatrix mundi: O Fortuna
recording engineer:
Michael Gray (UK classical recording engineer)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Paul Goodman (engineer)
Chorgesang:
London Symphony Chorus (von 1980-12-15 bis 1980-12-17)
Orchester:
London Symphony Orchestra (von 1980-12-15 bis 1980-12-17)
conductor:
Eduardo Mata (conductor) (von 1980-12-15 bis 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (von 1980-12-15 bis 1980-12-17)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1980-12-15 bis 1980-12-17)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (von 1980-12-15 bis 1980-12-17)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff, Eduardo Mata, London Symphony Chorus, London Symphony Orchestra & St Paul’s Cathedral Choir2:47
3Die Walküre, WWV 86B: Walkürenritt
Orchester:
Orchester der Tiroler Festspiele
conductor:
Gustav Kuhn (Austrian conductor, stage director)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Carl Orff; Richard Wagner, Gustav Kuhn & Festspielorchester Göttingen5:16
4Mandolin Concerto in C Major, RV 425: I. Allegro
Mandoline:
Nigel Woodhouse (mandolist and guitarist)
Orchester:
London Musici
conductor:
Mark Stephenson (conductor/producer)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (Mandolinenkonzert C-Dur, RV 425: I. Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi, London Musici, Mark Stephenson & Nigel Woodhouse2:43
5Requiem in D Minor, K. 626: III. Dies irae
recording engineer:
Peter Jütte (von 1991-03-12 bis 1991-03-15)
Produzent(in):
Wolfram Graul (Conductor, engineer, producer)
Chorgesang:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (von 1991-03-12 bis 1991-03-15)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (von 1991-03-12 bis 1991-03-15)
conductor:
Sir Colin Davis (English conductor) (von 1991-03-12 bis 1991-03-15)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (von 1991-03-12 bis 1991-03-15)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (von 1991-03-12 bis 1991-03-15)
Orchestrator(in):
Franz Xaver Süßmayr
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
zusätzliche(r) Komponist(in):
Joseph Leopold Eybler (Austrian composer)
Teil von:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart, Sir Colin Davis, Bavarian Radio Chorus & Bavarian Radio Symphony Orchestra1:45
6Suite No. 2 for Jazz Orchestra: VII. Waltz II
Orchester:
Radio-Sinfonie-Orchester Frankfurt (Frankfurt Radio Symphony)
conductor und Interpret(in):
Dmitri Kitaenko (Dmitri Kitayenko, Soviet, Russian conductor b. 1940)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Teil von:
Suite for Variety Orchestra
Dmitri Shostakovich; Dmitri Kitayenko, hr‐Sinfonieorchester, Radio-Sinfonie-Orchester Frankfurt3:50
7Hungarian Dances, WoO 1: No. 1 in G Minor
Orchester:
Orchestra filarmonică „George Enescu” (George Enescu Philharmonic Orchestra)
conductor:
Christian Mandael
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration)
Orchestrator(in):
Johannes Brahms (German composer) (in 1873)
Komponist(in):
Johannes Brahms (German composer)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
Teil von:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms, Cristian Mandeal & Orchestra filarmonică „George Enescu”3:10
8L'invitation au château, FP 138: Acte 2: Tango
Geige / Violine:
Kolja Blacher (violinist)
Klarinette:
Paul Meyer (clarinetist and conductor)
Klavier:
Éric Le Sage (French pianist)
recording of:
L'Invitation au Château : Tango
Komponist(in):
Francis Poulenc (French composer and pianist)
Teil von:
L'Invitation au château, FP 138
teilweise recording of:
L'Invitation au château, FP 138
Komponist(in):
Francis Poulenc (French composer and pianist)
Teil von:
Francis Poulenc’s works (FP) (Nummer: FP 138)
Francis Poulenc, Eric Le Sage, Paul Meyer & Kolja Blacher1:44
9Gitanerías
Orchester:
Morton Gould and His Orchestra und Morton Gould's Symphonic Band
conductor:
Morton Gould (American composer and conductor)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (von 1955-09-29 bis 1955-10-11)
recording of:
Andalucía (Suite española): IV. Gitanerías
Komponist(in):
Ernesto Lecuona
Teil von:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona, Morton Gould & Morton Gould Orchestra1:46
10Requiem: Dies Irae
Chorgesang:
Chicago Symphony Chorus
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra & Chicago Symphony Chorus2:00
11Gayane Suite No. 3: 5. Sabre Dance
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
Komponist(in):
Արամ Խաչատրյան (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Version von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Teil von:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian, Arthur Fiedler & Boston Pops Orchestra2:24
12Má vlast, JB 1:112: II. Vltava, "The Moldau"
Orchester:
Bamberger Symphoniker
conductor:
Gustav Kuhn (Austrian conductor, stage director)
teilweise recording of:
Má vlast: II. Vltava, JB 1:112/2 (Mein Vaterland JB 1:112: II. Vltava - Die Moldau, Die Moldau)
Komponist(in):
Bedřich Smetana (composer) (von 1874-11-20 bis 1874-12-08)
Teil von:
B. number catalogue by František Bartoš (Nummer: B. 111)
basiert auf:
La Mantovana
Teil von:
Má vlast, JB 1:112 (Mein Vaterland, My Country / My Fatherland)
Bedřich Smetana, Gustav Kuhn & Bamberg Symphony2:59
13Lakmé, Act 1: Dôme épais le jasmin "Flower Duet"
Mezzosoprangesang [Mallika]:
Ruby Philogene (mezzo-soprano)
Soprangesang [Lakmé]:
Janice Watson (soprano)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene & The King's Division Normandy Band1:31
14Canon & Gigue in D Major, P. 37: Canon
Johann Pachelbel, Ettore Stratta & Baroque Chamber Orchestra4:47
15La Traviata: Noi siamo zingarelle
Chorgesang:
Coro della RCA Italiana (in 1967)
Orchester:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1967)
conductor:
Georges Prêtre (French conductor) (in 1967)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (in 1967)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi, RCA Italiana Opera Chorus, Georges Prêtre, RCA Italiana Opera Orchestra, Thomas Jamerson & Harold Enns2:54
16Masquerade Suite: I. Waltz
recording engineer:
Lewis Layton (engineer)
Produzent(in):
Richard Mohr (producer)
Orchester:
RCA Victor Symphony Orchestra (am 1958-10-30)
conductor:
Кирилл Кондрашин (Kirill Kondrashin, conductor) (am 1958-10-30)
aufgenommen bei:
Manhattan Center in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1958-10-30)
recording of:
Masquerade Suite, op. 48a: I. Waltz (am 1958-10-30)
Komponist(in):
Արամ Խաչատրյան (Aram Chatschaturjan, Soviet-Armenian composer) (in 1944)
Teil von:
Masquerade Suite, op. 48a
Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra & Oscar Shumsky4:27
17Die Zauberflöte, K. 620: Act II: Der Hölle Rache
Produzent(in):
Niels Høirup (in 1970)
Soprangesang, Soprangesang [Die Königin der Nacht] und Soprangesang [Königin der Nacht]:
Sỳlvia Geszty (soprano)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1970)
conductor:
Otmar Suitner (conductor) (in 1970)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart, Otmar Suitner, Sỳlvia Geszty & Staatskapelle Dresden2:48
18Tsar Saltan, Op. 57: Flight of the Bumblebee
recording engineer:
K. E. Wilkinson (engineer) (von 1968-04-04 bis 1968-04-05)
Produzent(in):
Peter Dellheim (producer for RCA)
Orchester:
London Symphony Orchestra (von 1968-04-04 bis 1968-04-05)
conductor:
André Previn (pianist, conductor, composer, arranger) (von 1968-04-04 bis 1968-04-05)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1968-04-04 bis 1968-04-05)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (von 1968-04-04 bis 1968-04-05)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (von 1899 bis 1900)
Teil von:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov, André Previn & London Symphony Orchestra1:24
19Il barbiere di Siviglia: Io sono docile
Soprangesang:
Roberta Peters (soprano)
Orchester:
Metropolitan Opera Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra & Metropolitan Opera Chorus3:53
20Pavane in F-Sharp Minor, Op. 50
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
Texter:
Robert de Montesquiou
Komponist(in):
Gabriel Fauré (French composer) (in 1887)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré, Charles Gerhardt & National Philharmonic Orchestra5:42
21The Carnival of the Animals, R. 125: VII. Aquarium
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (Der Karneval der Tiere: VII. Das Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns, Arthur Fiedler, Boston Pops Orchestra & Hugh Downs2:25
22Madama Butterfly: Act II: Un bel di vedremo
Soprangesang:
Leontyne Price (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Edward Downes (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini, Leontyne Price, Sir Edward Downes & Philharmonia Orchestra4:22
23Cavalleria rusticana: Act I: Intermezzo sinfonico
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
Interpret(in):
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1979)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1978)
recording of:
Cavalleria rusticana: Intermezzo (in 1978)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni, James Levine & National Philharmonic Orchestra4:05
24Trois Gymnopédies: Gymnopédie No. 1 in D Major: Lent et douloureux
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Komponist(in):
Erik Satie (French composer) (von 1888-02 bis 1888-04)
Teil von:
Classic 100: Piano (2004) (Nummer: 4)
Teil von:
Gymnopédies
Erik Satie, Charles Gerhardt, National Philharmonic Orchestra, David Watkins, William Bennett, David Theodore, Tom Kelly & James Brown3:47
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Le Quattro Stagioni: Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto
Geige / Violine:
Vladimir Spivakov (Russian violinist/conductor)
Orchester und Interpret(in):
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi, Vladimir Spivakov & Moscow Virtuosi2:37
2La Traviata: Act I: Libiamo ne' lieti calici
Chorgesang:
Coro della RCA Italiana (in 1967)
Soprangesang [Violetta]:
Montserrat Caballé (soprano) (in 1967)
Tenor-Gesang [Alfredo]:
Carlo Bergonzi (tenor) (in 1967)
Orchester:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1967)
conductor:
Georges Prêtre (French conductor) (in 1967)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1967)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Fernando Iacopucci, Dorothy Krebill, Harold Enns, Gene Boucher, Sherrill Milnes, Thomas Jamerson, Nancy Stokes, Camillo Sforza, Franco Ruta & Sharia Tasin3:05
3Carmen, WD 31: Overture
Orchester:
Wiener Philharmoniker (in 1963)
conductor:
Herbert von Karajan (conductor) (in 1963)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1963)
recording of:
Carmen : Prélude (in 1963)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen (Italian lyrics)
Teil von:
Carmen (German translation, Julius Hopp)
Teil von:
Carmen (english lyrics, David Parry)
Teil von:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet, Herbert von Karajan & Wiener Philharmoniker3:25
4The Nutcracker, Op. 71: No. 12, Divertissement: Dance of the Flutes
Techniker(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1989-05)
Produzent(in):
Michael Woolcock (producer)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1989-05)
conductor:
Marc Ermler (Mark Ermler, conductor) (in 1989-05)
phonographisches Urheberrecht (℗) von:
Conifer Records Ltd. (not for release label use!) (in 1989)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1989-05)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (in 1989-05)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden & Mark Ermler2:33
5Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)
Chorgesang:
Robert Shaw Chorale
vocals:
Renato Cellini (conductor)
Orchester:
RCA Victor Orchestra
conductor:
Renato Cellini (conductor) und Robert Shaw (conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (vom 1972 bis heute)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi, Renato Cellini, RCA Victor Orchestra & Robert Shaw Chorale4:52
6Coppélia: Coppélia, Act I: Valse Lente
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Марк Эрмлер (Mark Ermler, conductor)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
Komponist(in):
Léo Delibes (French composer) (in 1870)
Teil von:
Coppélia : Tableau I
Léo Delibes, Orchestra of the Royal Opera House, Covent Garden Sinfonia & Mark Ermler2:07
7Suite for Orchestra No. 3 in D Major, BWV 1068: II. Air
Johann Sebastian Bach, Rudolf Baumgartner & Lucerne Festival Strings5:13
8Requiem in D Minor, K. 626: VIII. Lacrimosa
Chorgesang:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks)
conductor:
Sir Colin Davis (English conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis, Uwe Heilmann, Jan‐Hendrik Rootering, Marjana Lipovšek & Angela Maria Blasi3:15
9Suite Bergamasque, L. 75: III. Clair de lune
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Arrangement von:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy, Arthur Fiedler & Boston Pops Orchestra4:28
10Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII: Andante Cantabile
Klavier:
Leonard Pennario (pianist / composer)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Teil von:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler & Boston Pops Orchestra2:40
11Tales of Hoffmann: Barcarolle
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Librettist:
Jules Barbier
Teil von:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach, Arthur Fiedler & Boston Pops Orchestra3:35
12William Tell Overture
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Gioachino Rossini, Arthur Fiedler & Boston Pops Orchestra3:04
13Il Trovatore: Vedi! Le fosche
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
Produzent(in):
Richard Mohr (producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1970)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi, Zubin Mehta, Ambrosian Opera Chorus & New Philharmonia Orchestra2:52
14Romeo and Juliet, Op. 64: No. 13 Dance of the Knights
assistierende(r) Techniker(in):
Geoff Miles (editor and engineer) (in 1993-11) und Emma Stocker (in 1993-11)
Produzent(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
Editing:
Marian Freeman
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
Tonmeister(in):
Andrew Hallifax (in 1993-11) und Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1993-11)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden & Mark Ermler5:43
15Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
Orchester:
Festival Strings Lucerne
conductor:
Rudolf Baumgartner (conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach, Rudolf Baumgartner & Lucerne Festival Strings4:49
16Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale
assistierende(r) Techniker(in):
Andrew Hallifax
Produzent(in):
Michael Woolcock (producer) (in 1989-04)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1989-04, von 1989-04 bis 1989-05)
conductor:
Mark Ermler (conductor) (in 1989-04) und Марк Эрмлер (Mark Ermler, conductor) (von 1989-04 bis 1989-05)
Tonmeister(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
phonographisches Urheberrecht (℗) von:
Conifer Records Ltd. (not for release label use!) (in 1989)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1989-04, von 1989-04 bis 1989-05)
recording of:
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso (in 1989-04)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Swan Lake, op. 20: Act IV
Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden & Mark Ermler5:12
17Rigoletto: Scorrende unite
Chorgesang:
Coro della RCA Italiana
Orchester:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra)
conductor:
Sir Georg Solti (conductor)
teilweise recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto II
Giuseppe Verdi, Sir Georg Solti, RCA Italiana Opera Chorus & RCA Italiana Opera Orchestra1:46
18Le Quattro Stagioni: Violin Concerto No. 4 in F Minor, RV 297 "L'Inverno": I. Allegro non molto
Orchester:
Виртуозы Москвы (Moscow Virtuosi)
conductor:
Владимир Спиваков (Vladimir Spivakov, Russian violinist/conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi, Vladimir Spivakov & Moscow Virtuosi3:28
19L'Arlésienne Suite No. 2: Farandole
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet, Arthur Fiedler, Boston Pops Orchestra & Ernest Guiraud2:51
20Orchestral Suite No. 2 in B Minor, BWV 1067: Menuet and Badinerie
flute:
James Galway (flautist)
Orchester:
Zagrebački solisti (Zagreb Soloists)
conductor:
James Galway (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Johann Sebastian Bach, James Galway, I Solisti di Zagreb & Boston Pops Orchestra2:41
21Gnossienne No. 1
Klavier:
William Masselos (pianist)
recording of:
Gnossienne no. 1
Komponist(in):
Erik Satie (French composer) (in 1890)
Teil von:
Trois Gnossiennes
Erik Satie & William Masselos2:45

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