Exclusively for My Friends

~ Release by Oscar Peterson (see all versions of this release, 5 available)

Annotation

Countries excluded (Deezer + Spotify)

(As of 2022-04-22).

  • Caribbean: 🇨🇼 Curaçao (cw)
Annotation last modified on 2022-04-22 07:20 UTC.

Tracklist

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1▼Digital Media
#TitleRatingLength
1At Long Last Love (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1964-05)
double bass [bass]:
Ray Brown (jazz bassist) (in 1964-05)
drums (drum set):
Ed Thigpen (in 1964-05)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1964-05)
live instrumental recording of:
At Long Last Love (in 1964-05)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
4:56
2Easy Walker (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1964-05)
double bass [bass]:
Ray Brown (jazz bassist) (in 1964-05)
drums (drum set):
Ed Thigpen (in 1964-05)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1964-05)
live recording of:
Easy Walker (in 1964-05)
composer:
Billy Taylor (jazz/bop pianist)
9:42
3Tin Tin Deo (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1964-05)
double bass [bass]:
Ray Brown (jazz bassist) (in 1964-05)
drums (drum set):
Ed Thigpen (in 1964-05)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1964-05)
live recording of:
Tin Tin Deo (in 1964-05)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
recording of:
Tin Tin Deo
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
5:35
4I’ve Got a Crush on You (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1963-11)
double bass [bass]:
Ray Brown (jazz bassist) (in 1963-11)
drums (drum set):
Ed Thigpen (in 1963-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-11)
live instrumental recording of:
I’ve Got a Crush on You (in 1963-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
5:15
5A Foggy Day (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1963-11)
double bass [bass]:
Ray Brown (jazz bassist) (in 1963-11)
drums (drum set):
Ed Thigpen (in 1963-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-11)
live instrumental recording of:
A Foggy Day (in London Town) (in 1963-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
4:31
6Like Someone in Love (live)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1963-11)
double bass [bass]:
Ray Brown (jazz bassist) (in 1963-11)
drums (drum set):
Ed Thigpen (in 1963-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-11)
live instrumental recording of:
Like Someone in Love (in 1963-11)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
11:16
7On a Clear Day (You Can See Forever)
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
bass:
Sam Jones (US jazz bassist)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1967-11)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:22
8I’m in the Mood for Love
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1966-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1966-11)
drums (drum set):
Louis Hayes (in 1966-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1966-11)
live instrumental recording of:
I’m in the Mood for Love (in 1966-11)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
cover recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
17:16
9Girl Talk
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live instrumental recording of:
Girl Talk (in 1967-11)
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
cover recording of:
Girl Talk
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
recording of:
Girl Talk
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
5:34
10I Concentrate on You / Moon River
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live medley including a instrumental recording of:
I Concentrate on You (in 1967-11)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
live medley including a instrumental recording of:
Moon River (in 1967-11)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
6:25
11Robbin’s Nest
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1965-11)
double bass [bass]:
Ray Brown (jazz bassist) (in 1965-11)
drums (drum set):
Louis Hayes (in 1965-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1965-11)
live instrumental recording of:
Robbins’ Nest (in 1965-11)
composer:
Illinois Jacquet (in 1947) and Sir Charles Thompson (jazz) (in 1947)
instrumental recording of:
Robbins’ Nest
composer:
Illinois Jacquet (in 1947) and Sir Charles Thompson (jazz) (in 1947)
recording of:
Robbins’ Nest
composer:
Illinois Jacquet (in 1947) and Sir Charles Thompson (jazz) (in 1947)
6:17
12Waltzing Is Hip
recording of:
Waltzing Is Hip
composer:
Ray Brown (jazz bassist)
6:08
13Satin Doll
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
9:58
2▼Digital Media
#TitleRatingLength
1Love Is Here to Stay
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live instrumental recording of:
Love Is Here to Stay (in 1967-11)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
4:47
2Sandy’s Blues
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live recording of:
Sandy's Blues (in 1967-11)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Sandy's Blues
composer:
Oscar Peterson (Canadian jazz pianist and composer)
9:28
3Alice in Wonderland
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live instrumental recording of:
Alice in Wonderland (main theme of Alice in Wonderland, 1951 film) (in 1967-11)
lyricist:
Bob Hilliard
composer:
Sammy Fain
part of:
Alice in Wonderland (1951 Disney animated film)
4:42
4Noreen’s Nocturne
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live recording of:
Noreen’s Nocturne (in 1967-11)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Noreen’s Nocturne
composer:
Oscar Peterson (Canadian jazz pianist and composer)
5:17
5Someone to Watch Over Me
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
4:13
6Perdido
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
6:12
7Body and Soul
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:32
8Who Can I Turn To
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
4:56
9Bye Bye Blackbird
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
live recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
4:52
10I Should Care
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
4:45
11Lulu’s Back in Town
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
live recording of:
Lulu’s Back in Town
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
recording of:
Lulu’s Back in Town
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
2:05
12Little Girl Blue
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
6:04
13Take the “A” Train
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
2:38
3▼Digital Media
#TitleRatingLength
1In a Mellotone
recording of:
In a Mellow Tone
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
6:02
2Nica’s Dream
recording of:
Nica’s Dream
composer:
Horace Silver
publisher:
Ecaroh Music, Inc., Universal Music Publishing MGB France and フジパシフィックミュージック (Fujipacific Music, Inc.)
7:52
3Green Dolphin Street
recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
6:22
4Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:25
5Sometimes I’m Happy
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
5:06
6Who Can I Turn To (When Nobody Needs Me)
6:23
7Travelin’ On
2:31
8Emily
10:22
9Quiet Nights of Quiet Stars
7:27
10Sax No End
recording of:
Sax No End
6:01
11When Lights Are Low
recording of:
When Lights Are Low
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
10:59