Breakin' The Ice: The Early Years, Part 1 (1934-1935)

~ Release by Fats Waller and His Rhythm (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleRatingLength
1A Porter’s Love Song to a Chambermaid
recorded in:
New York, New York, United States (on 1934-05-16)
clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set) and vibraphone:
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
A Porter's Love Song to a Chambermaid (on 1934-05-16)
lyricist:
Andy Razaf
composer:
James P. Johnson
3:22
2I Wish I Were Twins
recorded in:
New York, New York, United States (on 1934-05-16)
clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set):
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
I Wish I Were Twins (on 1934-05-16)
lyricist:
Eddie DeLange
composer:
Frank Loesser and Joseph Meyer (US songwriter)
2:40
3Armful o’ Sweetness
recorded in:
New York, New York, United States (on 1934-05-16)
alto saxophone and clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set):
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
Armful o’ Sweetness (on 1934-05-16)
lyricist and composer:
Alex Hill (20th century US jazz pianist)
3:02
4Do Me a Favor
recorded in:
New York, New York, United States (on 1934-05-16)
clarinet:
Ben Whitted (on 1934-05-16)
double bass:
Billy Taylor (jazz bassist) (on 1934-05-16)
drums (drum set):
Harry Dial (on 1934-05-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-05-16)
piano:
Fats Waller (on 1934-05-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-05-16)
vocals:
Fats Waller (on 1934-05-16)
recording of:
Do Me a Favor (on 1934-05-16)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
3:10
5Georgia May
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Georgia May (on 1934-08-17)
lyricist:
Andy Razaf (in 1934)
composer:
Paul Denniker (in 1934)
2:37
6Then I’ll Be Tired of You
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Then I’ll Be Tired of You (on 1934-08-17)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
3:10
7Don’t Let It Bother You
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
additional spoken vocals:
Harry Dial (on 1934-08-17) and Fats Waller (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Don’t Let It Bother You (on 1934-08-17)
writer:
Mack Gordon and Harry Revel (British-born American composer)
2:51
8Have a Little Dream on Me
recorded in:
New York, New York, United States (on 1934-08-17)
double bass:
Billy Taylor (jazz bassist) (on 1934-08-17)
drums (drum set):
Harry Dial (on 1934-08-17)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-08-17)
piano:
Fats Waller (on 1934-08-17)
tenor saxophone:
Gene Sedric (on 1934-08-17)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-08-17)
vocals:
Fats Waller (on 1934-08-17)
recording of:
Have a Little Dream on Me (on 1934-08-17)
writer:
Phil Baxter (US songwriter, singer and band leader), Jack Murray (US songwriter) and Billy Rose (lyricist and Broadway producer)
2:45
9Serenade for a Wealthy Widow (instrumental)
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set) and vibraphone:
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano and spoken vocals:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
instrumental recording of:
Serenade for a Wealthy Widow (on 1934-09-28)
composer:
Reginald Foresythe
2:38
10How Can You Face Me?
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
How Can You Face Me? (on 1934-09-28)
lyricist:
Andy Razaf
composer:
Fats Waller
2:46
11Sweetie Pie
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
Sweetie Pie (on 1934-09-28)
lyricist and composer:
John Jacob Loeb
3:05
12Mandy
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
Mandy (1919 song) (on 1934-09-28)
lyricist and composer:
Irving Berlin (in 1919)
publisher:
Francis, Day & Hunter Ltd.
2:31
13Let's Pretend There’s a Moon
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
Let’s Pretend There’s a Moon (on 1934-09-28)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Grace Hamilton and Jack Stern (US songwriter and bandleader, active 1930s)
3:28
14You’re Not the Only Oyster in the Stew
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
You’re Not the Only Oyster in the Stew (on 1934-09-28)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Harold Spina (composer/conductor)
3:12
15Honeysuckle Rose
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
double bass [bass]:
Bill Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
Honeysuckle Rose (on 1934-11-07)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
2:39
16Believe It, Beloved
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
Believe it, Beloved (on 1934-11-07)
lyricist:
Nat Schwartz (Early 20th century composer?) and George A. Whiting (popular songwriter)
composer:
J.C. Johnson
2:41
17Dream Man (Make Me Dream Some More)
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
Dream Man (on 1934-11-03)
lyricist:
Joe Young (US lyricist)
composer:
Milton Ager
2:59
18I’m Growing Fonder of You
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
drums (drum set) and vibraphone:
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
I’m Growing Fonder of You (on 1934-11-07)
writer:
George W. Meyer (Tin Pan Alley songwriter), Pete Wendling (American composer) and Joe Young (US lyricist)
3:19
19If It Isn’t Love
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet and tenor saxophone:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
If It Isn't Love (on 1934-11-07)
writer:
Val Burton (Isadore Harry Burns) and Will Jason
2:55
20Breakin’ the Ice
recorded in:
New York, New York, United States (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
tenor saxophone:
Gene Sedric (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
Looks Like I’m Breakin’ the Ice (on 1934-11-07)
writer:
James Cavanaugh, Charles McCarthy (Composer and lyricist) and Frank Weldon
3:16
21I’m a Hundred Percent for You
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
piano:
Fats Waller (on 1935-01-05)
reeds and tenor saxophone:
Gene Sedric (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
vocals:
Fats Waller (on 1935-01-05)
recording of:
I’m a Hundred Percent for You (on 1935-01-05)
writer:
Irving Mills, Ben Oakland and Mitchell Parish
3:07
22I’m a Hundred Percent for You (instrumental)
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
piano:
Fats Waller (on 1935-01-05)
tenor saxophone:
Gene Sedric (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
instrumental recording of:
I’m a Hundred Percent for You (on 1935-01-05)
writer:
Irving Mills, Ben Oakland and Mitchell Parish
3:04
2▼CD
#TitleRatingLength
1Baby Brown
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
piano:
Fats Waller (on 1935-01-05)
reeds and tenor saxophone:
Gene Sedric (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
vocals:
Fats Waller (on 1935-01-05)
recording of:
Baby Brown (on 1935-01-05)
lyricist and composer:
Alex Hill (20th century US jazz pianist)
3:13
2Baby Brown (instrumental)
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
piano:
Fats Waller (on 1935-01-05)
tenor saxophone:
Gene Sedric (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
instrumental recording of:
Baby Brown (on 1935-01-05)
lyricist and composer:
Alex Hill (20th century US jazz pianist)
2:34
3Night Wind
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
organ:
Fats Waller (on 1935-01-05)
tenor saxophone:
Gene Sedric (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
vocals:
Fats Waller (on 1935-01-05)
recording of:
Night Wind (on 1935-01-05)
writer:
Bob Rothberg (tin-pan alley songwriter)
composer:
Dave Pollock
3:22
4Because of Once Upon a Time
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
piano:
Fats Waller (on 1935-01-05)
tenor saxophone:
Gene Sedric (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
vocals:
Fats Waller (on 1935-01-05)
recording of:
Because of Once Upon a Time (on 1935-01-05)
lyricist:
Joe Young (US lyricist)
composer:
Harry Stride
3:13
5I Believe in Miracles
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
clarinet and tenor saxophone:
Gene Sedric (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
organ:
Fats Waller (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
vocals:
Fats Waller (on 1935-01-05)
recording of:
I Believe in Miracles (on 1935-01-05)
writer:
Sam M. Lewis (1930s lyricist), George W. Meyer (Tin Pan Alley songwriter) and Pete Wendling (American composer)
2:54
6You Fit Into the Picture
recorded in:
Camden, New Jersey, United States (on 1935-01-05)
clarinet:
Gene Sedric (on 1935-01-05)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-01-05)
drums (drum set):
Harry Dial (on 1935-01-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-01-05)
piano:
Fats Waller (on 1935-01-05)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1935-01-05)
vocals:
Fats Waller (on 1935-01-05)
recording of:
You Fit Into the Picture (on 1935-01-05)
writer:
Bud Green and Jesse Greer
2:29
7Louisiana Fairy Tale
recorded in:
New York, New York, United States (on 1935-03-06)
clarinet:
Rudy Powell (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
piano:
Fats Waller (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
Louisiana Fairy Tale (on 1935-03-06)
lyricist:
Haven Gillespie and Mitchell Parish
composer:
J. Fred Coots
3:28
8I Ain’t Got Nobody (And Nobody Cares for Me)
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone, clarinet and reeds:
Rudy Powell (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
piano:
Fats Waller (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
I Ain’t Got Nobody (on 1935-03-06)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:50
9I Ain’t Got Nobody (instrumental)
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
piano:
Fats Waller (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
instrumental recording of:
I Ain’t Got Nobody (on 1935-03-06)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:51
10Whose Honey Are You?
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
piano:
Fats Waller (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
Whose Honey Are You? (on 1935-03-06)
writer:
J. Fred Coots and Haven Gillespie
2:37
11Whose Honey Are You? (instrumental)
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
celesta and piano:
Fats Waller (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
instrumental recording of:
Whose Honey Are You? (on 1935-03-06)
writer:
J. Fred Coots and Haven Gillespie
3:08
12Rosetta
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
celesta and piano:
Fats Waller (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
Rosetta (on 1935-03-06)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
2:59
13Rosetta (instrumental)
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
celesta and piano:
Fats Waller (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
instrumental recording of:
Rosetta (on 1935-03-06)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
2:48
14Pardon My Love
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
piano:
Fats Waller (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
Pardon My Love (on 1935-03-06)
lyricist:
Milton Drake
composer:
Oscar Levant
3:06
15What’s the Reason (I’m Not Pleasin’ You)
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
piano:
Fats Waller (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
What’s the Reason I’m Not Pleasing You (on 1935-03-06)
writer:
Jimmie Grier (US jazz clarinetist), Earl Hatch (classical composer), Coy Poe (Songwriter) and Pinky Tomlin (singer, actor, songwriter, and bandleader)
2:50
16What’s the Reason (instrumental)
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
celesta and piano:
Fats Waller (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
instrumental recording of:
What’s the Reason I’m Not Pleasing You (on 1935-03-06)
writer:
Jimmie Grier (US jazz clarinetist), Earl Hatch (classical composer), Coy Poe (Songwriter) and Pinky Tomlin (singer, actor, songwriter, and bandleader)
2:49
17Cinders
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
celesta and piano:
Fats Waller (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
Cinders (on 1935-03-06)
writer:
Lou Holzer and Harry Kogen
2:59
18(Oh Suzannah) Dust Off That Old Pianna
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
celesta and piano:
Fats Waller (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
(Oh Suzanna) Blow Off That Old Pianna (on 1935-03-06)
lyricist:
Irving Caesar
composer:
Sammy Lerner and Gerald Marks
2:34
19Lulu’s Back in Town
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone and clarinet:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
cover recording of:
Lulu’s Back in Town (on 1935-05-08)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
2:37
20Sweet and Slow
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone, clarinet and reeds:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
recording of:
Sweet and Slow (on 1935-05-08)
lyricist and composer:
Fats Waller
writer:
Al Dubin and Harry Warren (US composer and lyricist)
3:31
21You’ve Been Taking Lessons in Love (From Somebody New)
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone, clarinet and reeds:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
recording of:
You've Been Taking Lessons in Love (From Somebody New) (on 1935-05-08)
writer:
Winston Collins Tharp and Grady Watts
3:07
22You’re the Cutest One
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone and clarinet:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
3:22

Credits

Release

ASIN:DE: B000002WTX [info]