Four Classic Albums

~ Release by Stan Getz (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Billie’s Bounce
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
live recording of:
Billie’s Bounce (on 1957-10-19)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
9:48
2My Funny Valentine
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
live recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-10-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
48:11
3Crazy Rhythm
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
7:55
4It Never Entered My Mind
3:31
5Blues in the Closet
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-19)
drums (drum set):
Connie Kay (on 1957-10-19)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-19)
tenor saxophone:
Stan Getz (on 1957-10-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-19)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Chicago Opera House in Chicago, Illinois, United States (on 1957-10-19)
live recording of:
Blues in the Closet (on 1957-10-19)
composer:
Oscar Pettiford
9:05
6Billie’s Bounce
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
8:00
7My Funny Valentine
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-10-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
8:30
8Crazy Rhythm
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
7:50
9Yesterdays
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Yesterdays (on 1957-10-25)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:45
10It Never Entered My Mind
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
It Never Entered My Mind (on 1957-10-25)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:55
11Blues in the Closet
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Blues in the Closet (on 1957-10-25)
composer:
Oscar Pettiford
6:18
2▼CD
#TitleRatingLength
1Desafinado
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Norman Granz and Creed Taylor
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
bass guitar:
Gene “Joe” Byrd (jazz lyrical bassist)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
45:51
2Samba Dees Days
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
recording of:
Samba Dees Days (on 1962-02-13)
composer:
Charlie Byrd
3:35
3O Pato
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
O pato (The Duck) (on 1962-02-13)
lyricist, writer and composer:
Jayme Silva and Neuza Teixeira
2:32
4Samba Triste
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass and guitar and bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set) and percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Billy Bianco and Baden Powell
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
cover recording of:
Samba triste (on 1962-02-13)
composer:
Billy Blanco and Baden Powell
4:46
5Samba de Una Nota So
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass and double bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental recording of:
One Note Samba (on 1962-02-13)
lyricist:
Jon Hendricks and Newton Mendonça
composer:
Antônio Carlos Jobim and Newton Mendonça
translator:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Samba de uma nota só
part of:
The Real Book (compilation of jazz standards, Volume I)
6:13
6E Luxo So
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
cover recording of:
É luxo só (on 1962-02-13)
writer:
Ary Barroso and Luís Peixoto
3:43
7Bala
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Bahia (on 1962-02-13)
composer:
Ary Barroso
version of:
Na baixa do sapateiro
6:41
8Manha de Carnaval
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass:
Tommy Williams (jazz bassist) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28), Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Bob Brookmeyer (on 1962-08-28), Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28), Tony Studd (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28), Clark Terry (American swing trumpeter) (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Luiz Bonfá and Gary McFarland
instrumental recording of:
Manhã de Carnaval (on 1962-08-28)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
5:50
9Balanco No Samba
conductor:
Gary McFarland
arranger:
Gary McFarland
3:00
10Melancholico
conductor:
Gary McFarland
arranger:
Gary McFarland
4:43
11Entre Amigos
conductor:
Gary McFarland
arranger:
Gary McFarland
3:00
12Chega de Saudade
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28) and Arthur Clarke (baritone saxophonist) (on 1962-08-28)
double bass [bass]:
Tommy Williams (jazz bassist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flugelhorn:
Clark Terry (American swing trumpeter) (on 1962-08-28)
flute:
Jerry Sanfino (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trumpet:
Bernie Glow (on 1962-08-28) and Doc Severinsen (on 1962-08-28)
valve trombone:
Bob Brookmeyer (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Antônio Carlos Jobim, Gary McFarland and Vinicius de Moraes (O poetinha)
instrumental recording of:
Chega de saudade (on 1962-08-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
4:11
13Noite Triste
conductor:
Gary McFarland
arranger:
Gary McFarland
4:58
14Samba de Una Nota So
conductor:
Gary McFarland
arranger:
Gary McFarland
3:28
15Bim Bom
conductor:
Gary McFarland
arranger:
Gary McFarland
4:31

Credits

Release

ASIN:UK: B087DY6GP6 [info]