The Ultimate Jazz Archive, Set 31: Swing to Bebop, Modern Jazz

~ Release by Lou Donaldson, Art Farmer, Tal Farlow, Charles Mingus (see all versions of this release, 44 available)

Tracklist

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1▼CD: Lou Donaldson
#TitleArtistRatingLength
1Roccus
recording of:
Roccus
composer:
Horace Silver
Lou Donaldson3:25
2Lou’s Blues
Lou Donaldson3:45
3Cheek to Cheek
Lou Donaldson3:01
4The Things We Did Last Summer
Lou Donaldson3:20
5Sweet Juice
Lou Donaldson3:28
6Down Home
Lou Donaldson3:19
7The Best Things in Life Are Free
Lou Donaldson3:23
8If I Love Again
Lou Donaldson2:38
9Caracas
Lou Donaldson6:00
10The Stroller
Lou Donaldson5:37
11Moe’s Bluff
Lou Donaldson5:09
12After You’ve Gone
Lou Donaldson4:36
13Blues
Lou Donaldson8:38
14Split Kick
Lou Donaldson8:34
2▼CD: Art Farmer
#TitleArtistRatingLength
1Mau Mau
Art Farmer5:16
2Work of Art
Art Farmer5:46
3The Little Bandmaster
Art Farmer4:06
4Up in Quincy’s Room
recording of:
Up in Quincy's Room
composer:
Gigi Gryce
Art Farmer4:01
5Wild Wood
Art Farmer2:56
6Evening in Paris
Art Farmer2:41
7Elephant Walk
Art Farmer3:25
8Tia Juana
Art Farmer2:52
9When Your Lover Has Gone
Art Farmer5:10
3▼CD: Tal Farlow
#TitleArtistRatingLength
1Strike Up the Band
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (in 1954-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
Tal Farlow3:28
2Skylark
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1951-10-16)
guitar:
Tal Farlow (jazz guitarist) (on 1951-10-16)
vibraphone:
Red Norvo (on 1951-10-16)
instrumental recording of:
Skylark (on 1951-10-16)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Tal Farlow3:18
3Have You Met Miss Jones
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
bass and double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (in 1954-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Tal Farlow4:58
4Tenderly
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1952-07-01)
guitar:
Tal Farlow (jazz guitarist) (on 1952-07-01)
vibraphone:
Red Norvo (on 1952-07-01)
instrumental recording of:
Tenderly (on 1952-07-01)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Tal Farlow2:53
5And She Remembers Me
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
Tal Farlow4:24
6My Old Flame
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
My Old Flame (on 1954-06-02)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Tal Farlow3:34
7Cherokee
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Cherokee (in 1954-11)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Tal Farlow4:52
8Autumn in New York
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1954-11-15 until 1954-11-16)
drums (drum set):
Chico Hamilton (from 1954-11-15 until 1954-11-16)
electric guitar [guitar]:
Tal Farlow (jazz guitarist) (from 1954-11-15 until 1954-11-16)
piano:
Gerald Wiggins (from 1954-11-15 until 1954-11-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Autumn in New York (1934) (from 1954-11-15 until 1954-11-16)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Tal Farlow5:03
9Tal’s Blues
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
Tal Farlow5:11
10I Like to Recognize the Tune
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
I Like to Recognize the Tune (in 1954-11)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
Tal Farlow3:11
11There Will Never Be Another You
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
instrumental recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Tal Farlow3:48
12Just One of Those Things
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Just One of Those Things (on 1955-01-17)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Tal Farlow3:03
13Tenderly (2)
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Tenderly (on 1955-01-17)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Tal Farlow4:37
14It’s You or No One
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
It’s You or No One (on 1955-01-17)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
Tal Farlow3:24
4▼CD: Charles Mingus
#TitleArtistRatingLength
1What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Charles Mingus8:00
2Spur of the Moment
recorded in:
New York, New York, United States (in 1954-12)
alto saxophone:
John LaPorta (in 1954-12)
double bass and piano:
Charles Mingus (in 1954-12)
drums (drum set) and tambourine:
Clem DeRosa (in 1954-12)
tenor saxophone:
Teo Macero (American jazz saxophonist and composer) (in 1954-12)
trumpet:
Thad Jones (American jazz trumpeter) (in 1954-12)
Charles Mingus8:30
3Thrice Upon a Theme
recording of:
Thrice Upon a Theme
composer:
Charles Mingus
Charles Mingus6:34
4Four Hands
recording of:
Four Hands
composer:
John LaPorta and Charles Mingus
Charles Mingus8:44
5Minor Intrusions
recording of:
Minor Intrusion
composer:
Charles Mingus
Charles Mingus10:02