Take Five

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Take Five
#TitleArtistRatingLength
1Take Five
cover recording of:
Take Five (original instrumental version)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
Hugo Strasser and His Hot Five44:38
2Let’s Do It
cover recording of:
Let’s Do It (Noël Coward version)
additional lyricist:
Noël Coward
lyricist and composer:
Cole Porter (composer)
version of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Toni Tennille43:46
3I’ve Got Five Dollars
cover recording of:
I’ve Got Five Dollars
lyricist:
Lorenz Hart (in 1931)
composer:
Richard Rodgers (composer) (in 1931)
Tony Bennett42:38
4How About You?
assistant engineer:
Judy Kirschner
engineer:
Peter Doell and Leslie Ann Jones (recording engineer)
producer:
John Oddo
mixer:
Leslie Ann Jones (recording engineer)
alto saxophone:
Brad Leali (from 1997-11 until 1998-06)
bass:
James Leary (bass) (from 1997-11 until 1998-06)
drums (drum set):
Butch Miles (from 1997-11 until 1998-06)
guitar:
Will Matthews (guitar) (from 1997-11 until 1998-06)
reeds:
Kenny Hing (from 1997-11 until 1998-06) and John Williams (saxophone & clarinet, Count Basie Orchestra) (from 1997-11 until 1998-06)
solo tenor saxophone:
Kenny Hing (from 1997-11 until 1998-06)
tenor saxophone:
Gary Foster (woodwind instrumentalist) (from 1997-11 until 1998-06)
trombone:
Clarence Banks (from 1997-11 until 1998-06), Bill Hughes (jazz trombonist) (from 1997-11 until 1998-06), David Keim (from 1997-11 until 1998-06) and Alvin Walker II (from 1997-11 until 1998-06)
trumpet:
Scotty Barnhart (from 1997-11 until 1998-06), Shawn Edmonds (from 1997-11 until 1998-06), Bob Ojeda (trumpeter) (from 1997-11 until 1998-06) and Mike Williams (US jazz trumpeter, of the Count Basie Orchestra) (from 1997-11 until 1998-06)
woodwind:
John Kelson (from 1997-11 until 1998-06) and Doug Miller (saxophone) (from 1997-11 until 1998-06)
guest vocals:
Barry Manilow (from 1997-11 until 1998-06)
vocals:
Rosemary Clooney (from 1997-11 until 1998-06)
conductor:
Grover Mitchell (trombone) (from 1997-11 until 1998-06)
recorded at:
Skywalker Sound in Nicasio, California, United States (from 1997-11 until 1998-06)
recording of:
How About You? (from 1997-11 until 1998-06)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
Rosemary Clooney and Barry Manilow43:07
5I’ve Never Been in Love Before
cover recording of:
I’ve Never Been in Love Before
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
Michael Feinstein42:56
6On the Street Where You Live
instrumental cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Peter Nero, Piano45:00
7Manhattan
cover recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tony Bennett43:21
8Poppa Don’t Preach to Me
Lena Horne42:20
9It Might as Well Be Spring
Stéphane Grappelli, His Violin and Orchestra23:35
10It’s De‐Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Rosemary Clooney43:11
11Nice Work If You Can Get It
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Charlie Byrd, His Guitar and Orchestra43:10
12Call Me Irresponsible
recording of:
Call Me Irresponsible
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Paramount Music Corporation
part of:
The 36th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1963 winner)
Helen Forrest with Harry James and His Orchestra43:09
13Pennies From Heaven
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
Mel Tormé44:29
14I Don’t Want to Walk Without You
Terry Harrington, His Clarinet and Orchestra43:05
15Mean to Me
engineer:
Thorne Nogar
producer:
Dave Pell
vocals:
Connie Haines
conductor:
Lew Raymond
arranger:
Lew Raymond
recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
Connie Haines43:33
16New York, New York (from “On the Town”)
assistant engineer:
Christina Paakkari and Dann Thompson (sound engineer)
engineer:
Leslie Ann Jones (recording engineer)
producer:
John Burk, Maynard Ferguson and Allen Sviridoff
alto saxophone:
Gary Foster (woodwind instrumentalist) (from 1999-08-02 until 1999-08-04)
baritone saxophone:
Sal Lozano (saxophonist) (from 1999-08-02 until 1999-08-04)
bass trombone:
Bryant Byers (from 1999-08-02 until 1999-08-04)
brass:
Maynard Ferguson (from 1999-08-02 until 1999-08-04) and Bobby Shew (from 1999-08-02 until 1999-08-04)
guitar:
Dennis Budimir (from 1999-08-02 until 1999-08-04)
percussion:
Larry Bunker (from 1999-08-02 until 1999-08-04)
piano:
Earl MacDonald (jazz pianist, composer) (from 1999-08-02 until 1999-08-04)
tenor saxophone:
Jim Brenan (from 1999-08-02 until 1999-08-04) and Dan Higgins (saxophonist and woodwind recording artist) (from 1999-08-02 until 1999-08-04)
trombone:
Tom Garling (from 1999-08-02 until 1999-08-04), Alex Iles (from 1999-08-02 until 1999-08-04) and Reggie Watkins (from 1999-08-02 until 1999-08-04)
trumpet:
Adolfo Acosta (from 1999-08-02 until 1999-08-04), Wayne Bergeron (from 1999-08-02 until 1999-08-04) and Brian Ploeger (from 1999-08-02 until 1999-08-04)
tuba:
Jim Self (tubist) (from 1999-08-02 until 1999-08-04)
phonographic copyright (℗) by:
Concord Records (imprint of Concord Records, Inc.)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-08-02 until 1999-08-04)
Michael Feinstein43:41
17Flamingo
Max Greger, His Saxophone and Orchestra42:40
18Satin Doll
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Maria Augusta42:11
19You Took Advantage of Me
cover recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
Tony Bennett42:19
2▼CD: I Got Rhythm
#TitleArtistRatingLength
1I Got Rhythm
assistant engineer:
Judy Kirschner
engineer:
Peter Doell and Leslie Ann Jones (recording engineer)
producer:
John Oddo
mixer:
Leslie Ann Jones (recording engineer)
alto saxophone and solo alto saxophone:
Brad Leali (from 1997-11 until 1998-06)
bass:
James Leary (bass) (from 1997-11 until 1998-06)
drums (drum set):
Butch Miles (from 1997-11 until 1998-06)
guitar:
Will Matthews (guitar) (from 1997-11 until 1998-06)
reeds:
Kenny Hing (from 1997-11 until 1998-06) and John Williams (saxophone & clarinet, Count Basie Orchestra) (from 1997-11 until 1998-06)
tenor saxophone:
Gary Foster (woodwind instrumentalist) (from 1997-11 until 1998-06)
trombone:
Clarence Banks (from 1997-11 until 1998-06), Bill Hughes (jazz trombonist) (from 1997-11 until 1998-06), David Keim (from 1997-11 until 1998-06) and Alvin Walker II (from 1997-11 until 1998-06)
trumpet:
Scotty Barnhart (from 1997-11 until 1998-06), Shawn Edmonds (from 1997-11 until 1998-06), Bob Ojeda (trumpeter) (from 1997-11 until 1998-06) and Mike Williams (US jazz trumpeter, of the Count Basie Orchestra) (from 1997-11 until 1998-06)
woodwind:
John Kelson (from 1997-11 until 1998-06) and Doug Miller (saxophone) (from 1997-11 until 1998-06)
vocals:
Rosemary Clooney (from 1997-11 until 1998-06)
conductor:
Grover Mitchell (trombone) (from 1997-11 until 1998-06)
recorded at:
Skywalker Sound in Nicasio, California, United States (from 1997-11 until 1998-06)
recording of:
I Got Rhythm (from 1997-11 until 1998-06)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Rosemary Clooney with The Count Basie Orchestra34:12
2Mame
Bob Crosby, His Trumpet and Orchestra43:05
3Ice Cream
Erik Jonghmans with Fapy Lafertin Quintet42:20
4The Lady Is a Tramp
engineer:
Frank Laico
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Tony Bennett42:33
5Anything Goes
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Rosemary Clooney43:04
6Johnny One Note
assistant engineer:
Christina Paakkari and Dann Thompson (sound engineer)
engineer:
Leslie Ann Jones (recording engineer)
producer:
John Burk, Maynard Ferguson and Allen Sviridoff
alto saxophone:
Gary Foster (woodwind instrumentalist) (from 1999-08-02 until 1999-08-04)
baritone saxophone:
Sal Lozano (saxophonist) (from 1999-08-02 until 1999-08-04)
bass trombone:
Bryant Byers (from 1999-08-02 until 1999-08-04)
brass:
Maynard Ferguson (from 1999-08-02 until 1999-08-04) and Bobby Shew (from 1999-08-02 until 1999-08-04)
guitar:
Dennis Budimir (from 1999-08-02 until 1999-08-04)
percussion:
Larry Bunker (from 1999-08-02 until 1999-08-04)
piano:
Earl MacDonald (jazz pianist, composer) (from 1999-08-02 until 1999-08-04)
tenor saxophone:
Jim Brenan (from 1999-08-02 until 1999-08-04) and Dan Higgins (saxophonist and woodwind recording artist) (from 1999-08-02 until 1999-08-04)
trombone:
Tom Garling (from 1999-08-02 until 1999-08-04), Alex Iles (from 1999-08-02 until 1999-08-04) and Reggie Watkins (from 1999-08-02 until 1999-08-04)
trumpet:
Adolfo Acosta (from 1999-08-02 until 1999-08-04), Wayne Bergeron (from 1999-08-02 until 1999-08-04) and Brian Ploeger (from 1999-08-02 until 1999-08-04)
tuba:
Jim Self (tubist) (from 1999-08-02 until 1999-08-04)
phonographic copyright (℗) by:
Concord Records (imprint of Concord Records, Inc.)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-08-02 until 1999-08-04)
Michael Feinstein42:30
7I’m, Coming, Virginia
instrumental recording of:
I’m Coming Virginia
lyricist:
Will Marion Cook
composer:
Donald Heywood
Stéphane Grappelli, His Violin and Orchestra42:55
8I Want to Be Happy
bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Monty Alexander
The Monty Alexander Trio42:39
9It Don’t Mean a Thing (If It Ain’t Got That Swing)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Roby Lakatos and His Gipsy Band34:56
10Back Beat Boogie
recording of:
Back Beat Boogie
composer:
Harry James (US big band leader, trumpeter & actor)
Harry James, His Trumpet and Orchestra42:35
11St. Louis Blues
Bill Ramsey45:22
12Chiclete com banana
Tania Maria46:02
13Java
recording of:
Java
composer:
Freddy Friday, Marilyn Schack, Allen Toussaint and Alvin “Red” Tyler (American jazz saxophonist)
publisher:
Edward Kassner Music Co. Ltd. and Tideland Music Publishing Corporation
Bob Crosby, His Trumpet and Orchestra41:58
14Goody Goody
recording of:
Goody Goody
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rosemary Clooney43:26
15Mountain Greenery
cover recording of:
Mountain Greenery
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
Tony Bennett42:59
16My Heart Belongs to Daddy
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Rosemary Clooney44:13
17Love Walked In
vocals:
Mel Tormé (“The Velvet Fog”)
orchestra:
Rob McConnell & The Boss Brass
Mel Tormé43:34
18Girl Talk
assistant engineer:
Christina Paakkari and Dann Thompson (sound engineer)
engineer:
Leslie Ann Jones (recording engineer)
producer:
John Burk, Maynard Ferguson and Allen Sviridoff
alto saxophone:
Gary Foster (woodwind instrumentalist) (from 1999-08-02 until 1999-08-04)
baritone saxophone:
Sal Lozano (saxophonist) (from 1999-08-02 until 1999-08-04)
bass trombone:
Bryant Byers (from 1999-08-02 until 1999-08-04)
brass:
Maynard Ferguson (from 1999-08-02 until 1999-08-04) and Bobby Shew (from 1999-08-02 until 1999-08-04)
guitar:
Dennis Budimir (from 1999-08-02 until 1999-08-04)
percussion:
Larry Bunker (from 1999-08-02 until 1999-08-04)
piano:
Earl MacDonald (jazz pianist, composer) (from 1999-08-02 until 1999-08-04)
tenor saxophone:
Jim Brenan (from 1999-08-02 until 1999-08-04) and Dan Higgins (saxophonist and woodwind recording artist) (from 1999-08-02 until 1999-08-04)
trombone:
Tom Garling (from 1999-08-02 until 1999-08-04), Alex Iles (from 1999-08-02 until 1999-08-04) and Reggie Watkins (from 1999-08-02 until 1999-08-04)
trumpet:
Adolfo Acosta (from 1999-08-02 until 1999-08-04), Wayne Bergeron (from 1999-08-02 until 1999-08-04) and Brian Ploeger (from 1999-08-02 until 1999-08-04)
tuba:
Jim Self (tubist) (from 1999-08-02 until 1999-08-04)
phonographic copyright (℗) by:
Concord Records (imprint of Concord Records, Inc.)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-08-02 until 1999-08-04)
Michael Feinstein45:10
19Midnight in Moscow
Kenny Ball42:55
20Jumpin’ at the Woodside
recording of:
Jumpin’ at the Woodside (original instrumental)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Hugo Strasser and His Hot Five43:48
21Fascinating Rhythm
recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Rosemary Clooney42:54
3▼CD: In a Sentimental Mood
#TitleArtistRatingLength
1Harlem Nocturne
instrumental recording of:
Harlem Nocturne (Mike Hammer)
lyricist:
Dick Rogers (singer, comedian, songwriter & pianist)
composer:
Earle Hagen (TV & film composer)
publisher:
Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Max Gregerm, His Saxophone and Orchestra43:02
2Come Rain or Come Shine
recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Johnny Mercer33:20
3Why Shouldn’t I?
recording of:
Why Shouldn’t I?
lyricist and composer:
Cole Porter (composer) (in 1935)
Rosemary Clooney44:46
4My Funny Valentine
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Peter Nero and Doc Severinsen45:05
5I Could Write a Book
cover recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
Tony Bennett42:57
6Misty
recording of:
Misty (original instrumental work)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Duke Ellington and His Orchestra43:26
7Daydream
cover recording of:
Day Dream
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
Toni Tennille34:38
8Petite Fleur
Maxim Saury, His Clarinet and Orchestra43:14
9September Song
producer:
John Oddo
cello:
Marisol Espada (cellist) and Julie Green (Cellist)
cornet:
Warren Vaché (trumpet, cornet, flugelhorn)
drums (drum set):
Jake Hanna (jazz drummer)
piano:
John Oddo
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist)
violin:
Laura Corcos, Richard Henrickson (violinist), Regis Iandiorio, Paul Peabody (violinist), Donna Tecco and Belinda Whitney-Barratt
vocals:
Rosemary Clooney
conductor:
John Oddo
remixer:
Phil Edwards (recording engineer)
arranger:
John Oddo
concertmaster:
Regis Iandiorio
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER (Hayward) in Hayward, California, United States
recording of:
Knickerbocker Holiday: September Song
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Rosemary Clooney34:19
10Stardust
Max Greger, His Saxophone and Orchestra43:14
11Stormy Weather
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Peter Nero, Piano, with Combo45:09
12Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Tony Bennett33:26
13In a Sentimental Mood
instrumental recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Max Greger, His Saxophone and Orchestra43:23
14Then I’ll Be Tired of You
Toni Tennille34:17
15Marina
Toots Thielemans, Mouth Organ, with Orchestra43:19
16The Man That Got Away
recording of:
The Man That Got Away (A Star Is Born)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
Rosemary Clooney45:59
17Far Away
vocals:
Astrud Gilberto
recording of:
Far Away
writer:
Astrud Gilberto and Hal Shaper
Astrud Gilberto and Chet Baker44:23

Credits

Release

ASIN:UK: B0054RH3DG [info]