Jazz Standards

~ Release by Mark Murphy (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Come and Get Me
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
Come And Get Me
lyricist and composer:
Mark Murphy (US jazz singer)
publisher:
Orpheum Music
3:26
2Gee, Baby, Ain’t I Good to You
engineer:
George Klabin (engineer and producer)
producer:
Helen Keane and David Matthews (US jazz/bop keyboardist, pianist, and arranger)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set) and percussion:
Jimmy Madison
guitar:
Sam Brown (jazz guitarist)
piano:
Pat Rebillot
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Basement Studios (American studio) in United States (from 1972-11-20 until 1972-11-21)
recording of:
Gee, Baby Ain’t I Good to You
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3:01
3Maiden Voyage
producer:
Helen Keane
alto saxophone:
David Sanborn
double bass:
Harvie Swartz
drums (drum set):
Jimmy Madison
guitar:
Joe Puma
keyboard:
Don Grolnick
percussion:
Sue Evans
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
recorded at:
Basement Studio, New York City, New York (New York) in New York, New York, United States (from 1975-06-17 until 1975-06-19)
recording of:
Maiden Voyage
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
recording of:
Maiden Voyage (English language version)
lyricist:
Jean Hancock
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music
version of:
Maiden Voyage
5:25
4Sly
engineer:
Elvin Campbell
producer:
Mitch Farber and production coordinator
alto saxophone:
Richie Cole
double bass:
Chuck Metcalf
drums (drum set):
Vince Lateano (drummer)
electric bass guitar:
Jim Nichols (jazz guitarist & bassist)
percussion:
Jack Gobbetti
piano:
Smith Dobson (pianist)
trombone:
Mark Levine (US jazz pianist, trombonist, composer, author and educator)
trumpet:
Warren Gale
vocals:
Mark Murphy (US jazz singer)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (on 1978-06-01)
recording of:
Sly
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
4:14
5Effendi
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Steve LaSpina
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
Effendi [Lyrics] (English language version)
lyricist:
Mark Murphy (US jazz singer)
composer:
Wayne Shorter (US jazz saxophonist and composer)
version of:
Effendi
4:40
6Naima
producer:
Helen Keane
alto saxophone:
David Sanborn
double bass:
Harvie Swartz
drums (drum set):
Jimmy Madison
guitar:
Joe Puma
keyboard:
Don Grolnick
percussion:
Sue Evans
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trumpet:
Randy Brecker
recorded at:
Basement Studio, New York City, New York (New York) in New York, New York, United States (from 1975-06-17 until 1975-06-19)
recording of:
Naima (English lyrics by Mark Murphy)
lyricist:
Mark Murphy (US jazz singer)
composer:
John Coltrane
version of:
Naima (original instrumental version)
4:53
7Waltz for Debby
engineer:
Malcolm Addey
producer:
Mitch Farber
alto saxophone:
Richie Cole
baritone saxophone:
Ronnie Cuber
double bass:
Mark Egan (US jazz bassist & trumpeter)
drums (drum set):
Jimmy Madison
instruments:
Gene Bertoncini (guitar player)
piano:
Mike Renzi
trombone:
Slide Hampton
trumpet:
Tom Harrell
vocals:
Mark Murphy (US jazz singer)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1979-11-21 to present)
recording of:
Waltz for Debby (instrumental)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:43
8Trilogy for Kids
recorded in:
Sear Sound, NYC, New York, United States (from 1982-04-02 until 1982-04-03)
engineer:
Chuck Irwin
producer:
Dave Matthews (recording engineer)
drums (drum set):
Jimmy Madison
electric bass guitar:
Mark Egan (US jazz bassist & trumpeter)
flugelhorn and trumpet:
Tom Harrell
guitar:
Gene Bertoncini (guitar player)
instruments:
Ben Aronov (Benjamin James Aronov; American jazz pianist, Born October 16, 1932 in Gary, Indiana. Died May 23, 2015 in Aux-en-Provence, France.)
percussion:
Sue Evans
saxophone:
Gerry Niewood
vocals:
Mark Murphy (US jazz singer) (from 1982-04-02 until 1982-04-03)
arranger:
Dave Matthews (jazz saxophonist)
recording of:
Triology for Kids: Babe's Blues, Little Niles, Dat Dere
medley of:
Babe's Blues
medley of:
Little Niles
medley of:
Dat Dere
5:12
9Ceora Lives
engineer:
Jay Messina
producer:
Larry Fallon
bass:
Francisco Centeno (in 1990-09)
vocals:
Mark Murphy (US jazz singer) (in 1990-09)
arranger:
Larry Fallon
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (in 1990-09)
recording of:
Ceora Lives [Lyrics] (English language version of Ceora by Lee Morgan)
lyricist:
Mark Murphy (US jazz singer)
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
EMI Unart Catalog Inc.
version of:
Ceora
4:10
10Saxophone Joe
engineer:
Jay Messina
producer:
Larry Fallon
bass:
Francisco Centeno (in 1990-09)
vocals:
Mark Murphy (US jazz singer) (in 1990-09)
arranger:
Larry Fallon
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (in 1990-09)
3:35
11Doxy
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Steve LaSpina
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
Doxy
composer:
Sonny Rollins (American saxophonist)
6:44
12If You Could See Me Now
engineer:
Tim Geelan
producer:
Bill Mays
bass:
Steve LaSpina
drums (drum set):
Adam Nussbaum
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Mays
phonographic copyright (℗) by:
Muse Records
recorded at:
Hillside Sound Studio in Englewood, New Jersey, United States (in 1986-11)
recording of:
If You Could See Me Now (jazz standard)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
6:46
13Lush Life
recording of:
Lush Life
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:21
2▼CD
#TitleRatingLength
1The Lady Who Sang the Blues
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Michael Formanek (US jazz bassist)
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
The Lady Who Sang the Blues
lyricist and composer:
Edwin Duff
5:30
2Memphis Blues
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Michael Formanek (US jazz bassist)
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
The Memphis Blues
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
6:12
3Charleston Alley
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
drums (drum set):
Ed Caccavale (drummer) (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
recording of:
Charleston Alley
writer:
Hamish Henderson, Jon Hendricks and Leroy Kirkland
2:42
4Farmer’s Market
engineer:
Elvin Campbell
producer:
Mitch Farber and production coordinator
alto saxophone:
Richie Cole
double bass:
Chuck Metcalf
drums (drum set):
Vince Lateano (drummer)
guitar:
Jim Nichols (jazz guitarist & bassist)
percussion:
Jack Gobbetti
piano:
Smith Dobson (pianist)
trombone:
Mark Levine (US jazz pianist, trombonist, composer, author and educator)
trumpet:
Warren Gale
vocals:
Mark Murphy (US jazz singer)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (on 1978-06-01)
recording of:
Farmer's Market
composer:
Art Farmer and Annie Ross
2:53
5Bijou
engineer:
Malcolm Addey
producer:
Mitch Farber
alto saxophone:
Richie Cole
baritone saxophone:
Ronnie Cuber
double bass:
Mark Egan (US jazz bassist & trumpeter)
drums (drum set):
Jimmy Madison
instruments:
Gene Bertoncini (guitar player)
piano:
Mike Renzi
trombone:
Slide Hampton
trumpet:
Tom Harrell
vocals:
Mark Murphy (US jazz singer)
arranger:
Steve Bramson (soundtrack composer)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1979-11-21 to present)
recording of:
Bijou
lyricist:
Jon Hendricks
composer:
Ralph Burns
3:33
6Misty/Midnight Sun
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
bass:
Jimmy Lewis (jazz bassist)
drums (drum set):
Grady Tate (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Grady Tate and Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
medley including a recording of:
Midnight Sun (in 1984-12)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
medley including a recording of:
Misty (in 1984-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
6:02
7Living Room
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
drums (drum set):
Ed Caccavale (drummer) (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
recording of:
Living Room (in 1984-12)
writer:
Abbey Lincoln and Max Roach (20th century US jazz drummer & composer)
5:36
8Along Came Betty
engineer:
Tim Geelan and A.T. Michael MacDonald (engineer)
executive producer:
Joe Fields (American jazz producer)
producer:
Bill Mays
double bass:
Steve LaSpina
drums (drum set):
Joey Baron (American jazz drummer)
flugelhorn and trumpet:
Brian Lynch (American jazz trumpeter)
keyboard:
Bill Mays
violin:
Lou Lausche
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Mays
arranger:
Bill Mays
recorded at:
Classic Sound Studio in New York, New York, United States (from 1985-09-10 until 1985-09-11)
recording of:
Along Came Betty
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
4:46
9I Remember Clifford
recorded in:
Sear Sound, NYC, New York, United States (from 1982-04-02 until 1982-04-03)
engineer:
Chuck Irwin
producer:
Dave Matthews (recording engineer)
drums (drum set):
Jimmy Madison
flugelhorn and trumpet:
Tom Harrell
guitar:
Gene Bertoncini (guitar player)
instruments:
Ben Aronov (Benjamin James Aronov; American jazz pianist, Born October 16, 1932 in Gary, Indiana. Died May 23, 2015 in Aux-en-Provence, France.)
percussion:
Sue Evans
saxophone:
Gerry Niewood
vocals:
Mark Murphy (US jazz singer) (from 1982-04-02 until 1982-04-03)
arranger:
Dave Matthews (jazz saxophonist)
recording of:
I Remember Clifford
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
version of:
I Remember Clifford (instrumental original)
3:39
10Goodbye Porkpie Hat
engineer:
Jim Mooney
producer:
Bill Mays
guitar:
Bruce Forman (on 1981-03-12)
keyboard:
Bill Mays (on 1981-03-12)
percussion:
Michael Spiro (percussion) (on 1981-03-12)
saxophone:
Richie Cole (on 1981-03-12)
vocals:
Mark Murphy (US jazz singer) (on 1981-03-12)
conductor:
Bill Mays (on 1981-03-12)
arranger:
Bill Mays
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (on 1981-03-12)
recording of:
Goodbye Porkpie Hat (Joni Mitchell lyrics)
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1979) and Jazz Workshop, Inc. (in 1979)
version of:
Goodbye Pork Pie Hat (instrumental)
4:52
11Ask Me Now
engineer:
Tim Geelan
producer:
Bill Mays
bass:
John Goldsby
drums (drum set):
Adam Nussbaum
vocals:
Mark Murphy (US jazz singer)
arranger:
Bill Mays
phonographic copyright (℗) by:
Muse Records
recorded at:
Hillside Sound Studio in Englewood, New Jersey, United States (in 1986-11)
recording of:
Ask Me Now (English language version)
lyricist:
Ben Sidran
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (publisher, affiliated to BMI)
version of:
Ask Me Now
3:39
12The Bird/Tribute (Quasimodo)/Embraceable You
engineer:
Michael MacDonald (Producer & Engineer from Aberdeen, Scotland)
producer:
Sheila Jordan and Mark Murphy (US jazz singer)
double bass:
Harvie Swartz
drums (drum set):
Ben Riley (American jazz drummer)
piano:
Kenny Barron and Bill Mays
synthesizer:
Bill Mays
vocals:
Sheila Jordan and Mark Murphy (US jazz singer)
recorded at:
Sear Sound in New York, New York, United States (on 1991-09-24)
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
recording of:
Quasimodo
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
7:07
13Ain’t Nobody Here but Us Chickens
engineer:
Rudy van Gelder (from 1984-12-20 until 1984-12-21)
producer:
David Braham (keyboards) and Mark Murphy (US jazz singer)
drums (drum set):
Grady Tate (in 1984-12)
flugelhorn and trumpet:
Ted Curson (in 1984-12)
flute and tenor saxophone:
Gerry Niewood (in 1984-12)
guitar:
Harry Leahey (in 1984-12)
keyboard:
David Braham (keyboards) (in 1984-12)
percussion:
Lawrence Killian (percussionist) (in 1984-12)
vocals:
Mark Murphy (US jazz singer) (in 1984-12)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1984-12-20 until 1984-12-21)
cover recording of:
Ain’t Nobody Here but Us Chickens (in 1984-12)
writer:
Alex Kramer and Joan Whitney
5:22