The Great Composers IV

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

| |

1▼CD: CD 1: Georg Friedrich Händel
#	Title	Artist	Rating	Length
1	Concerto Grosso in a-moll, Op. 6, Nr. 4: Larghetto affettuoso cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra, Camerata Bratislava and Handel Festival Chamber Orchestra conductor: Pavol Bagin phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in A minor, op. 6 no. 4, HWV 322	Georg Friedrich Händel		2:44
2	Concerto Grosso in a-moll, Op. 6, Nr. 4: Allegro cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra, Camerata Bratislava and Handel Festival Chamber Orchestra conductor: Pavol Bagin phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in A minor, op. 6 no. 4, HWV 322	Georg Friedrich Händel		3:11
3	Concerto Grosso in a-moll, Op. 6, Nr. 4: Largo e piano cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra, Camerata Bratislava and Handel Festival Chamber Orchestra conductor: Pavol Bagin phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in A minor, op. 6 no. 4, HWV 322	Georg Friedrich Händel		2:07
4	Concerto Grosso in a-moll, Op. 6, Nr. 4: Allegro cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra, Camerata Bratislava and Handel Festival Chamber Orchestra conductor: Pavol Bagin phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in A minor, op. 6 no. 4, HWV 322	Georg Friedrich Händel		3:09
5	Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Camerata Bratislava conductor: Pavol Bagin recording of: Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo composer: George Frideric Handel (German‐British baroque composer) part of: Concerto grosso in B minor, op. 6 no. 12, HWV 330	Georg Friedrich Händel		3:07
6	Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Camerata Bratislava conductor: Pavol Bagin recording of: Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro composer: George Frideric Handel (German‐British baroque composer) part of: Concerto grosso in B minor, op. 6 no. 12, HWV 330	Georg Friedrich Händel		3:20
7	Concerto Grosso in h-moll, Op. 6, Nr. 12: Aria: Larghetto e piano cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Camerata Bratislava conductor: Pavol Bagin recording of: Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano composer: George Frideric Handel (German‐British baroque composer) part of: Concerto grosso in B minor, op. 6 no. 12, HWV 330	Georg Friedrich Händel		4:25
8	Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Camerata Bratislava conductor: Pavol Bagin recording of: Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo composer: George Frideric Handel (German‐British baroque composer) part of: Concerto grosso in B minor, op. 6 no. 12, HWV 330	Georg Friedrich Händel		1:10
9	Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Camerata Bratislava conductor: Pavol Bagin recording of: Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro composer: George Frideric Handel (German‐British baroque composer) part of: Concerto grosso in B minor, op. 6 no. 12, HWV 330	Georg Friedrich Händel		2:34
10	Aus: "Xerxes": Serse: "Ombra mai fu" mezzo-soprano vocals: Jennifer Lane (operatic mezzo‐soprano) orchestra: Kammerorchester Brewer conductor: Rudolph Palmer (conductor) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	Georg Friedrich Händel		3:35
11	Aus: "Xerxes": Rinaldo: "Laschia ch'io pianga" mezzo-soprano vocals: Madeleine Tsingopoulos (mezzo-soprano) orchestra: Kammerorchester Brewer conductor: Rudolph Palmer (conductor) recording of: Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) composer: George Frideric Handel (German‐British baroque composer) (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto II	Georg Friedrich Händel		4:33
12	Harfenkonzert in B-Dur, Op. 4, Nr. 6: Andante - Allegro harp: Marie-Claire Jamet (harpist) orchestra: Kammerorchester Paris conductor: Paul Kuentz (conductor) recording of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp) composer: George Frideric Handel (German‐British baroque composer) (in 1736) part of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294	Georg Friedrich Händel	2	6:08
13	Harfenkonzert in B-Dur, Op. 4, Nr. 6: Larghetto harp: Marie-Claire Jamet (harpist) orchestra: Kammerorchester Paris conductor: Paul Kuentz (conductor) recording of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp) composer: George Frideric Handel (German‐British baroque composer) (in 1736) part of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294	Georg Friedrich Händel		5:25
14	Harfenkonzert in B-Dur, Op. 4, Nr. 6: Allegro Moderato harp: Marie-Claire Jamet (harpist) orchestra: Kammerorchester Paris conductor: Paul Kuentz (conductor) recording of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp) composer: George Frideric Handel (German‐British baroque composer) (in 1736) part of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294	Georg Friedrich Händel		2:51
15	Orgelkonzert in d-moll, Op. 7/4, HWV 306: Adagio organ: Harald Feller (German organist) orchestra: Capella Istropolitana conductor: Paul Kantschieder (conductor) recording of: Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio composer: George Frideric Handel (German‐British baroque composer) version of: Organ Concerto Movement in D minor (with organ solo and organ ripieno) part of: Organ Concerto in D minor, op. 7 no. 4, HWV 309	Georg Friedrich Händel		6:29
16	Orgelkonzert in d-moll, Op. 7/4, HWV 306: Allegro organ: Harald Feller (German organist) orchestra: Capella Istropolitana conductor: Paul Kantschieder (conductor) recording of: Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro così così composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto in D minor, op. 7 no. 4, HWV 309	Georg Friedrich Händel		5:42
17	Orgelkonzert in d-moll, Op. 7/4, HWV 306: Organo ad libitum organ: Harald Feller (German organist) orchestra: Capella Istropolitana conductor: Paul Kantschieder (conductor) recording of: Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum) composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto in D minor, op. 7 no. 4, HWV 309	Georg Friedrich Händel		2:39
18	Orgelkonzert in d-moll, Op. 7/4, HWV 306: Allegro organ: Harald Feller (German organist) orchestra: Capella Istropolitana conductor: Paul Kantschieder (conductor) recording of: Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto in D minor, op. 7 no. 4, HWV 309	Georg Friedrich Händel		3:40
19	Aus dem "Messias": Hallelujah choir vocals: Pforzhelm Motet Choir (German chamber choir) conductor: Rolf Schweizer performer: Südwestdeutsche Barocksolisten recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		3:35

2▼CD: CD 2: Wolfgang Amadeus Mozart
#	Title	Artist	Rating	Length
1	Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Salzburg Mozarteum Orchestra and Slovenská filharmónia (Slovak Philharmonic) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Libor Pešek (conductor), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym) recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		11:24
2	Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile orchestra: Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym) recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		9:32
3	Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": III. Menuetto orchestra: Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym) recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		5:05
4	Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": IV. Molto allegro orchestra: Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym) recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		8:55
5	Klavierkonziert Nr. 22 Es-Dur, K. 482: I. Allegro piano: Carmen Piazzini (pianist) orchestra and performer: Leningrad Soloists conductor: Michael Gantvarg (Mikhail Gantvarg, violinist and conductor) recording of: Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1785-12) part of: Concerto for Piano no. 22 in E-flat major, K. 482	Wolfgang Amadeus Mozart		12:28
6	Klavierkonziert Nr. 22 Es-Dur, K. 482: II. Andante piano: Carmen Piazzini (pianist) orchestra and performer: Leningrad Soloists conductor: Michael Gantvarg (Mikhail Gantvarg, violinist and conductor) recording of: Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (in 1785-12) part of: Concerto for Piano no. 22 in E-flat major, K. 482	Wolfgang Amadeus Mozart		8:53
7	Klavierkonziert Nr. 22 Es-Dur, K. 482: III. Allegro piano: Carmen Piazzini (pianist) orchestra: Leningrad Soloists conductor: Michael Gantvarg (Mikhail Gantvarg, violinist and conductor) recording of: Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1785-12) part of: Concerto for Piano no. 22 in E-flat major, K. 482	Wolfgang Amadeus Mozart		10:57

3▼CD: CD 3: Ludwig van Beethoven
#	Title	Artist	Rating	Length
1	Klavierkonzert Nr. 5 Es-Dur, Op. 73 "Emperor": I. Allegro con brio piano: Peter Toperczer (Slavic pianist) orchestra: Slovenská filharmónia (Slovak Philharmonic) conductor: Libor Pešek (conductor) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		20:59
2	Klavierkonzert Nr. 5 Es-Dur, Op. 73 "Emperor": II. Adagio un poco mosso piano: Peter Toperczer (Slavic pianist) orchestra: Slovenská filharmónia (Slovak Philharmonic) conductor: Libor Pešek (conductor) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		8:17
3	Klavierkonzert Nr. 5 Es-Dur, Op. 73 "Emperor": III. Rondo. Allegro piano: Peter Toperczer (Slavic pianist) orchestra: Slovenská filharmónia (Slovak Philharmonic) conductor: Libor Pešek (conductor) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		10:46
4	Egmont-Ouvertüre, Op. 84 orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz and Peter Wohlert (conductor, Alfred Scholz related) recording of: Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro premiered in: Wien (Vienna), Austria (on 1810-06-15) composer: Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06) part of: Egmont, op. 84	Ludwig van Beethoven		8:25
5	Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio piano: Robert Taub (pianist) recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio composer: Ludwig van Beethoven (German composer) (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Ludwig van Beethoven		9:30
6	Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": II. Adagio cantabile piano: Robert Taub (pianist) recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile composer: Ludwig van Beethoven (German composer) (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Ludwig van Beethoven		5:28
7	Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro piano: Robert Taub (pianist) recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro composer: Ludwig van Beethoven (German composer) (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Ludwig van Beethoven		4:59

4▼CD: CD 4: Gioachino Rossini
#	Title	Artist	Rating	Length
1	Wilhelm Tell: Ouvertüre orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) conductor: Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Guillaume Tell : Ouverture (William Tell: Overture) composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini		12:11
2	Der Barbier von Sevilla: Ouvertüre orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Plovdiv Philharmonic Orchestra), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Anton Nanut (conductor), Rouslan Raychev (Rouslan Raichev, conductor) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Gioachino Rossini	4	7:46
3	Der Barbier von Sevilla: Largo al factotum recording engineer: Eric Tomlinson (British recording engineer) (from 1992-06-01 until 1992-06-02) and Daniel Gable (engineer) (from 1992-06-01 until 1992-06-02) producer: Christopher Todd Landor (producer / found of label Musical Concepts) mixer: Eric Tomlinson (British recording engineer) baritone vocals: Steven Page (opera baritone) (from 1992-06-01 until 1992-06-02) choir vocals: Pražský filharmonický sbor (Czech Philharmonic Chorus, Prague Philharmonic Choir) vocals: Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir) orchestra: Tschechisches Symphonieorchester and Czech Symphony Orchestra (The City of Prague Philharmonic Orchestra) (from 1992-06-01 until 1992-06-02) conductor: Julian Bigg (conductor) (from 1992-06-01 until 1992-06-02) phonographic copyright (℗) by: Christopher Todd Landor (producer / found of label Musical Concepts) (in 1992) recorded at: FHS Studios in Praha (Prague), Czechia (from 1992-06-01 until 1992-06-02) recording of: Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1992-06-01 until 1992-06-02) composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini		5:01
4	Cinderella: Non piú mesta mezzo-soprano vocals: Heather Johnson (mezzo-soprano) orchestra: Симфоничен оркестър на Българското национално радио (Bulgarian National Radio Symphony Orchestra, Bulgarian National Radio Symphony Orchestra) conductor: John Landor (conductor) recording of: La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) composer: Gioachino Rossini (composer) librettist: Jacopo Ferretti part of: La Cenerentola: Atto II	Gioachino Rossini		6:51
5	Die diebische Elster: Ouvertüre orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: La gazza ladra: Ouverture (The Thieving Magpie: Overture) composer: Gioachino Rossini (composer) (in 1817) librettist: Giovanni Gherardini part of: La gazza ladra part of: The Thieving Magpie (English version by Sams)	Gioachino Rossini		10:41
6	Eine Italienerin in Algier: Ouvertüre orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz recording of: L’italiana in Algeri: Sinfonia composer: Gioachino Rossini (composer) librettist: Angelo Anelli part of: L’italiana in Algeri	Gioachino Rossini		7:58
7	Variationen für Klarinette und Orchester clarinet: David Glazer (clarinetist) orchestra: Tiroler Symphonieorchester Innsbruck conductor: Robert Wagner (conductor)	Gioachino Rossini		14:05

5▼CD: CD 5: Frédéric Chopin
#	Title	Artist	Rating	Length
1	Ballade Nr. 4 in f-moll Op. 52 piano: Ivan Moravec (pianist) recording of: Ballade no. 4 in F minor, op. 52 composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1842) part of: Works of Fryderyk Chopin by opus number (number: op. 52) part of: Ballades (Chopin’s Four Ballades)	Frédéric Chopin		11:16
2	Grande Polonaise Brillante précédée d'un Andante spianato Op. 22: Andante spianato piano: Bianca Dommes (pianist, maiden name Bianca Sitzius) orchestra: Polska Filharmonia Kameralna recording of: Andante spianato et Grande polonaise brillante in E‐flat major, op. 22: I. Andante spianato composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1834) part of: Andante spianato et Grande polonaise brillante in E‐flat major, op. 22	Frédéric Chopin		4:48
3	Grande Polonaise Brillante précédée d'un Andante spianato Op. 22: Polonaise: Allegro molto piano: Bianca Dommes (pianist, maiden name Bianca Sitzius) orchestra: Polska Filharmonia Kameralna recording of: Andante spianato et Grande polonaise brillante in E‐flat major, op. 22: II. Grande polonaise brillante. Allegro molto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1831) part of: Andante spianato et Grande polonaise brillante in E‐flat major, op. 22	Frédéric Chopin		8:49
4	Nocturne in c-moll Op. 48 Nr. 1 piano: Peter Schmalfuss (pianist) recording of: Nocturne no. 13 in C minor, op. 48 no. 1: Lento composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: Nocturnes, op. 48	Frédéric Chopin		5:11
5	Etüde in Ges-Dur Op. 10 Nr. 5: Vivace piano: Abbey Simon (pianist) recording of: Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1830) part of: Études, op. 10	Frédéric Chopin		1:48
6	Etüde in As-Dur Op. 25 Nr. 1 "Æolsharfe" piano: Abbey Simon (pianist) recording of: Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1836) part of: Études, op. 25	Frédéric Chopin		2:32
7	Etüde in Ges-Dur Op. 25 Nr. 9 "Schmetterling" piano: Abbey Simon (pianist) recording of: Étude in G‐flat major, op. 25 no. 9 “Butterfly”: Allegro assai composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: Études, op. 25	Frédéric Chopin		1:07
8	Klaviersonate Nr. 2 in b-moll Op. 35: Grave - Doppio movimento piano: Bianca Dommes (pianist, maiden name Bianca Sitzius) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Sonata for Piano no. 2 in B‐flat minor, op. 35: I. Grave – Doppio movimento composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1839) part of: Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”	Frédéric Chopin		7:15
9	Klaviersonate Nr. 2 in b-moll Op. 35: Scherzo piano: Bianca Dommes (pianist, maiden name Bianca Sitzius) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Sonata for Piano no. 2 in B‐flat minor, op. 35: II. Scherzo composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1839) part of: Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”	Frédéric Chopin		6:20
10	Klaviersonate Nr. 2 in b-moll Op. 35: Marche funebre: Lento piano: Bianca Dommes (pianist, maiden name Bianca Sitzius) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1839) part of: Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”	Frédéric Chopin		9:20
11	Klaviersonate Nr. 2 in b-moll Op. 35: Finale: Presto piano: Bianca Dommes (pianist, maiden name Bianca Sitzius) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Sonata for Piano no. 2 in B‐flat minor, op. 35: IV. Finale. Presto composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1839) part of: Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”	Frédéric Chopin		1:34

6▼CD: CD 6: Anton Bruckner
#	Title	Artist	Rating	Length
1	Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Bewegt, nicht zu schnell orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11) recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: I. Bewegt, nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11) composer: Anton Bruckner (Austrian composer) (from 1873 until 1874) revised by: Anton Bruckner (Austrian composer) (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)	Anton Bruckner		17:27
2	Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Andante, quasi allegretto orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11) recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: II. Andante, quasi allegretto (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11) composer: Anton Bruckner (Austrian composer) (from 1873 until 1874) revised by: Anton Bruckner (Austrian composer) (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)	Anton Bruckner		14:45
3	Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Scherzo orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11) recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11) composer: Anton Bruckner (Austrian composer) (from 1873 until 1874) revised by: Anton Bruckner (Austrian composer) (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)	Anton Bruckner		11:02
4	Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Finale orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11) recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11) composer: Anton Bruckner (Austrian composer) (from 1873 until 1874) revised by: Anton Bruckner (Austrian composer) (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)	Anton Bruckner		19:21

7▼CD: CD 7: Johann Strauss II
#	Title	Artist	Rating	Length
1	Geschichten aus dem Wienerwald, Op. 325 orchestra: Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Alfred Scholz recording of: Geschichten aus dem Wienerwald, op. 325 (Tales From the Vienna Woods) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1868) part of: Works of Johann Strauss Jr. by opus number (number: op. 325)	Johann Strauss II		12:44
2	Die Fledermaus: Ouvertüre orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Orchester der Wiener Volksoper (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Igor Gogol (conductor, probably a pseudonym for Alfred Scholz) and Alfred Scholz recording of: Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Die Fledermaus part of: Die Fledermaus (English version, lyrics by Mandel/Sachs) part of: Die Fledermaus (English version, lyrics by Dietz) part of: Die Fledermaus (english; unknown version)	Johann Strauss II		8:19
3	Unter Donner und Blitz, schnelle Polka, Op. 316 violin: André Rieu orchestra: Orchester der Wiener Volksoper, Strauss-Orchester Wien and The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984) recording of: Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 324)	Johann Strauss II		3:17
4	Vergnügungszug, Polka schnell, Op. 281 orchestra: Strauss-Orchester (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Strauss Orchester conductor: Joseph Francek (conductor, pseudonym for Alfred Scholz) recording of: Vergnügungszug, op. 281 composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 281)	Johann Strauss II		2:55
5	Rosen aus dem Süden, Walzer, Op. 388 orchestra: Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Alfred Scholz recording of: Rosen aus dem Süden, op. 388 (Roses from the South) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 388)	Johann Strauss II		9:45
6	Liebeslieder, Op. 114 orchestra: Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Alfred Scholz recording of: Liebeslieder, op. 114 (Love Songs, Op. 114) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 114)	Johann Strauss II		9:48
7	Persischer Marsch, Op. 289 orchestra: Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Joseph Francek (conductor, pseudonym for Alfred Scholz) recording of: Persischer Marsch, op. 289 composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 289)	Johann Strauss II		2:24
8	Seid umschlungen, Millionen, Walzer, Op. 443 orchestra: Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) conductor: Alfred Scholz recording of: Seid umschlungen, Millionen, op. 443 composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 443)	Johann Strauss II		10:12
9	Wiener Blut, Walzer, Op. 354 orchestra: Orchester der Wiener Volksoper recording of: Wiener Blut, op. 354 (Vienna Blood, waltz) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 354)	Johann Strauss II		10:16

8▼CD: CD 8: Johannes Brahms
#	Title	Artist	Rating	Length
1	Sinfonie Nr. 2 in D-Dur, Op. 73: I. Allegro non troppo orchestra: Royal Philharmonic Orchestra conductor: Libor Pešek (conductor) recording of: Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo composer: Johannes Brahms (German composer) (in 1877) part of: Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)	Johannes Brahms		15:32
2	Sinfonie Nr. 2 in D-Dur, Op. 73: II. Adagio non troppo orchestra: Royal Philharmonic Orchestra conductor: Libor Pešek (conductor) recording of: Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo composer: Johannes Brahms (German composer) (in 1877) part of: Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)	Johannes Brahms		10:25
3	Sinfonie Nr. 2 in D-Dur, Op. 73: III. Allegretto grazioso (quasi andantino) orchestra: Royal Philharmonic Orchestra conductor: Libor Pešek (conductor) recording of: Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) composer: Johannes Brahms (German composer) (in 1877) part of: Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)	Johannes Brahms		5:15
4	Sinfonie Nr. 2 in D-Dur, Op. 73: IV. Allegro con spirito orchestra: Royal Philharmonic Orchestra conductor: Libor Pešek (conductor) recording of: Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito composer: Johannes Brahms (German composer) (in 1877) part of: Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)	Johannes Brahms		9:39
5	Violinsonate Nr. 2 in A-Dur, Op. 100: I. Allegro amabile piano: Hugh Sung violin: Aaron Rosand (violinist) recording of: Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun": I. Allegro amabile composer: Johannes Brahms (German composer) (in 1886) part of: Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun"	Johannes Brahms		8:14
6	Violinsonate Nr. 2 in A-Dur, Op. 100: II. Andante tranquillo piano: Hugh Sung violin: Aaron Rosand (violinist) recording of: Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun": II. Andante tranquillo - Vivace - Andante - Vivace di più - Andante - Vivace composer: Johannes Brahms (German composer) (in 1886) part of: Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun"	Johannes Brahms		6:37
7	Violinsonate Nr. 2 in A-Dur, Op. 100: III. Allegretto grazioso (quasi andante) piano: Hugh Sung violin: Aaron Rosand (violinist) recording of: Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun": III. Allegretto grazioso (quasi andante) composer: Johannes Brahms (German composer) (in 1886) part of: Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun"	Johannes Brahms		5:13

9▼CD: CD 9: Pjotr Iljitsch Tschaikowski
#	Title	Artist	Rating	Length
1	Symphonie No. 6 h-Moll, Op. 74 "Pathétique": I. Adagio - Allegro non troppo orchestra: Slovenská filharmónia (Slovak Philharmonic) conductor: Bystrík Režucha (conductor) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”	Pjotr Iljitsch Tschaikowski		17:52
2	Symphonie No. 6 h-Moll, Op. 74 "Pathétique": II. Allegro con grazia orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bystrík Režucha (conductor) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”	Pjotr Iljitsch Tschaikowski		8:03
3	Symphonie No. 6 h-Moll, Op. 74 "Pathétique": III. Allegro molto vivace orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bystrík Režucha (conductor) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”	Pjotr Iljitsch Tschaikowski		8:58
4	Symphonie No. 6 h-Moll, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bystrík Režucha (conductor) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”	Pjotr Iljitsch Tschaikowski		9:13
5	Serenade für Streichorchester in C-Dur Op. 48: I. Pezzo in forma di Sonatina orchestra: Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym) conductor: Conrad von der Goltz (violinist) recording of: Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880) part of: Serenade for Strings in C major, op. 48	Pjotr Iljitsch Tschaikowski		10:24
6	Serenade für Streichorchester in C-Dur Op. 48: II. Valse: Moderato orchestra: Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym) conductor: Conrad von der Goltz (violinist) recording of: Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880) part of: Serenade for Strings in C major, op. 48	Pjotr Iljitsch Tschaikowski		3:55
7	Serenade für Streichorchester in C-Dur Op. 48: III. Elegia: Larghetto orchestra: Kammerorchester Conrad von der Goltz (an Alfred Scholz pseudonym) conductor: Conrad von der Goltz (violinist) recording of: Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880) part of: Serenade for Strings in C major, op. 48 live recording of: Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880) part of: Serenade for Strings in C major, op. 48	Pjotr Iljitsch Tschaikowski		9:16
8	Serenade für Streichorchester in C-Dur Op. 48: IV. Finale: Andante - Allegro orchestra: Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym) conductor: Conrad von der Goltz (violinist) recording of: Serenade for Strings in C major, op. 48: IV. Finale. Tema russo composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880) part of: Serenade for Strings in C major, op. 48	Pjotr Iljitsch Tschaikowski		8:11

10▼CD: CD 10: Edvard Grieg
#	Title	Artist	Rating	Length
1	"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Prélude orchestra: Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic) conductor: Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor) recording of: Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra) composer: Edvard Grieg (composer) (in 1884) arrangement of: Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano) part of: Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)	Edvard Grieg		2:47
2	"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Sarabande orchestra: Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic) conductor: Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor) recording of: Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for piano) composer: Edvard Grieg (composer) (in 1884) part of: Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano) recording of: Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra) composer: Edvard Grieg (composer) (in 1884) part of: Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)	Edvard Grieg		4:11
3	"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Gavotte orchestra: Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic) conductor: Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor) recording of: Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) (for string orchestra) composer: Edvard Grieg (composer) (in 1884) part of: Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)	Edvard Grieg		3:10
4	"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Andante religioso orchestra: Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic) conductor: Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor) recording of: Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra) composer: Edvard Grieg (composer) (in 1884) part of: Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)	Edvard Grieg		5:37
5	"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Rigaudon orchestra: Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic) conductor: Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor) recording of: Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) (for string orchestra) composer: Edvard Grieg (composer) (in 1884) part of: Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)	Edvard Grieg		3:08
6	Lyrische Suite, Op. 54: Hirtenknabe orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Lyric Suite, op. 54: I. Shepherd Boy. Andantino espressivo orchestrator and composer: Edvard Grieg (composer) orchestration of: Lyriske stykker, hefte V, op. 54: No. 1: Gjætergut (Lyric Pieces, Book V, op. 54 no. 1: Shepherd's Boy) part of: Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)	Edvard Grieg		5:03
7	Lyrische Suite, Op. 54: Gangar - Norwegischer Marsch orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Lyric Suite, op. 54: II. Norwegian March. Allegretto marcato (orch. Seidl, revised Grieg) orchestrator: Anton Seidl composer: Edvard Grieg (composer) revised by: Edvard Grieg (composer) (in 1905) orchestration of: Lyriske stykker, hefte V, op. 54: No. 2: Gangar (Lyric Pieces, Book V, op. 54 no. 2: Gangar) part of: Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)	Edvard Grieg		4:10
8	Lyrische Suite, Op. 54: Notturno orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Lyric Suite, op. 54: III. Notturno. Andante (orch. Seidl, revised Grieg) orchestrator: Anton Seidl composer: Edvard Grieg (composer) revised by: Edvard Grieg (composer) (in 1905) orchestration of: Lyriske stykker, hefte V, op. 54: No. 4: Notturno (Lyric Pieces, Book V, op. 54 no. 4: Nocturne, original for piano) part of: Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)	Edvard Grieg		4:11
9	Lyrische Suite, Op. 54: Zug der Zwerge orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Lyric Suite, op. 54: IV. March of the Dwarfs. Allegro marcato (orch. Seidl, revised Grieg) orchestrator: Anton Seidl composer: Edvard Grieg (composer) revised by: Edvard Grieg (composer) (in 1905) orchestration of: Lyriske stykker, hefte V, op. 54: No. 3: Troldtog (Lyric Pieces, Book V, op. 54 no. 3: March of the Dwarfs) part of: Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)	Edvard Grieg		3:38
10	Hochzeitstag auf Troldhaugen, Op. 65 orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Lyriske stykker, op. 65 no. 6: Bryllupsdag på Troldhaugen (for orchestra) composer: Edvard Grieg (composer) orchestration of: Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano)	Edvard Grieg		5:21
11	Sigurd Jorsalfar, Op. 56: In der Königshalle orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: I. Prelude: I kongens hall composer: Edvard Grieg (composer) version of: Sigurd Jorsalfar, op. 22: III. Ved mannjevningen part of: Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")	Edvard Grieg		3:52
12	Sigurd Jorsalfar, Op. 56: Borghilds Traum orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: II. Intermezzo: Borhilds Drøm composer: Edvard Grieg (composer) version of: Sigurd Jorsalfar, op. 22: II. Borghilds drøm (Intermezzo) part of: Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")	Edvard Grieg		3:07
13	Sigurd Jorsalfar, Op. 56: Huldigungsmarsch orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: III. Hyldningsmarsj (3 Orchestral Pieces from "Sigurd Jorsalfar": III. Homage March) composer: Edvard Grieg (composer) version of: Sigurd Jorsalfar, op. 22: V. Hyldningsmarsj part of: Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")	Edvard Grieg		8:22
14	Elegische Melodien für Klavier Op. 34: Herzwunden piano: Stefan Jeschko (pianist) orchestra: Štátna filharmónia Košice (Slovak State Philharmonic Orchestra, Košice) recording of: To elegiske melodier, op. 34: No. 1. Hjertesår (for piano) composer: Edvard Grieg (composer) part of: To elegiske melodier, op. 34 (Two elegiac melodies, op. 34, for piano) recording of: To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings) orchestrator and composer: Edvard Grieg (composer) orchestration of: To elegiske melodier, op. 34: No. 1. Hjertesår (for piano) part of: To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)	Edvard Grieg		2:28
15	Elegische Melodien für Klavier Op. 34: Letzter Frühling piano: Stefan Jeschko (pianist) recording of: To elegiske melodier, op. 34: No. 2. Våren (for piano) composer: Edvard Grieg (composer) part of: To elegiske melodier, op. 34 (Two elegiac melodies, op. 34, for piano)	Edvard Grieg		5:21
16	An der Wiege "Bådnlåt", Op. 68, Nr. 5 orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Two Lyric Pieces from op. 68: At the Cradle (for orchestra) orchestrator and composer: Edvard Grieg (composer) orchestration of: Lyriske stykker, hefte IX, op. 68: No. 5. Bådnlåt (Lyric pieces, op. 68, no. 5: At the cradle (Lullaby)) part of: Two Lyric Pieces from op. 68 (Two Lyric Pieces, op. 68, for orchestra)	Edvard Grieg		2:42

11▶CD: CD 11: Gustav Mahler

12▶CD: CD 12: George Gershwin

Credits

Release

ASIN:	DE: B003OFHHJU [info]

The Great Composers IV

Tracklist

Credits

Release

Release information

Additional details

Labels

Release events

Release group rating

Release group reviews

Tags

Genres

Other tags

External links

Editing

Collections