Famous Overtures / Bassoon Concerto / Concerto in C major

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Annotation

Conductors and artists possibly wrong. Seems to be one of Alfred Scholz releases. In many cases the names are simply appropriated.

Annotation last modified on 2018-01-21 20:28 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Basson Concerto in B flat major, KV 191: I. Allegro
bassoon:
Klaus Hellman (bassoonist), Sabine Lenz (bassoonist) and Kamil Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
7:51
2Basson Concerto in B flat major, KV 191: II. Andante ma adagio
bassoon:
Klaus Hellman (bassoonist), Kamil Streter (an Alfred Scholz pseudonym) and Sabine Lenz (bassoonist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
47:23
3Basson Concerto in B flat major, KV 191: III. Rondo: Tempo di menuetto
bassoon:
Klaus Hellman (bassoonist), Sabine Lenz (bassoonist) and Kamil Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
14:29
4Concerto for Flute, Harp and Orchestra in C major, KV 299: I. Allegro
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist) and Peter Jancovic (flautist, an Alfred Scholz pseudonym)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym) and Renata Mordon (harpenist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
310:49
5Concerto for Flute, Harp and Orchestra in C major, KV 299: II. Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
58:40
6Concerto for Flute, Harp and Orchestra in C major, KV 299: III. Rondeau: Allegro
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist) and Peter Jancovic (flautist, an Alfred Scholz pseudonym)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym) and Renata Mordon (harpenist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
111:02
7Overture from »The magic Flute«
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:26
8Overture from »Titus«
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz), Anton Nanut (conductor), Kurt Redel (German flautist and conductor) and Alfred Scholz
recording of:
La clemenza di Tito, K. 621: Ouverture
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
4:42
9Overture from »The Abduction from the Seraglio«
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
5:33