Favourite Wedding Classics

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Air from Suite no. 3 in D
organ:
Noel Rawsthorne (British organist)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:29
2Air from Water Music Suite No.1 in F Major
continuum:
Stanislav Bogunia (pianist and conductor)
horn:
Rudolf Beránek (Czech hornist) and Zdeněk Tylšar (hornist)
oboe:
Jiří Kaniak (oboist)
recorder:
Karel Klement and Miloslav Klement
trumpet:
Maurice André (French trumpeter), Vladislav Kozderka and Stanislav Sejpal, Jr.
orchestra:
Prague Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:57
3Adagio in G Minor
trumpet:
Maurice André (French trumpeter)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:30
4Canon in D Major
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:00
5Bridal Chorus from Lohengrin, Act 3
organ:
Frederic Bayco
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner1:51
6Trumpet Voluntary (The Prince of Denmark's March)
organ:
Jane Parker‐Smith (organist)
trumpet:
Maurice André (French trumpeter)
arranger:
Jean‐Michel Defaye (French composer, conductor and pianist)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements)
composer:
Jeremiah Clarke (English baroque composer and organist)
arrangement of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:53
7Prélude to Te Deum
orchestra:
Academy of St.‐Martin‐in‐the‐Fields (Academy of St Martin in the Fields)
conductor:
David Willcocks (UK composer, organist, choral conductor) and Philip Ledger
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:49
8Trumpet Tune
organ:
Jane Parker‐Smith (organist)
trumpet:
Maurice André (French trumpeter)
John Stanley2:53
9Ave Maria
organ:
Philip Ledger
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod3:14
10Jesu, Joy of Man's Desiring
oboe:
Léon Goossens (oboist)
organ:
Sir George Thomas Thalben-Ball
choir vocals:
Temple Church Choir
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach2:57
11The Call from Five Mystical Songs
orchestra:
English Chamber Orchestra
recording of:
Five Mystical Songs: No. 4. The Call
lyricist:
George Herbert (Church poet)
composer:
Ralph Vaughan Williams (English composer)
part of:
Five Mystical Songs
Ralph Vaughan Williams2:11
12Spring (1st Movement) from The Four Seasons
orchestra:
Polish Chamber Orchestra
conductor:
Jerzy Maksymiuk (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:22
13Ave Maria
soprano vocals:
Anneliese Rothenberger (soprano)
orchestra:
Kurt Graunke Symphony Orchestra (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert4:27
14Largo from Serse
organ:
Jane Parker‐Smith (organist) (in 1977-05)
trumpet:
Maurice André (French trumpeter) (in 1977-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1977-05)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1977-05)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:17
15Panis Angelicus
choir vocals:
Hallé Choir
orchestra:
Hallé Orchestra
conductor and chorus master:
Maurice Handford (hornist/conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:57
16Wedding March from A Midsummer Night's Dream
organ:
Noel Rawsthorne (British organist)
arranger:
Noel Rawsthorne (British organist)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:50
17The Arrival of the Queen of Sheba from Solomon
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel42:50
18Now Thank We All Our God
organ:
Philip Ledger
recording of:
66 Choral-Improvisationen, op. 65: No. 59. Marche triomphale über “Nun danket alle Gott”
composer:
Sigfrid Karg‐Elert (German organist and composer)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
66 Choral-Improvisationen, op. 65
Sigfrid Karg-Elert3:35
19Rejouissance from Royal Fireworks Music
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Rudolf Kempe (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:51
20Toccata from Organ Symphony no. 5
organ:
Jane Parker‐Smith (organist)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:05

Credits

Release

ASIN:UK: B0007S67M0 [info]