You’d Be So Nice to Come Home To

~ Release by Alexis Cole with One for All (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Golden Earrings
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
Golden Earrings (in 2010-04)
lyricist:
Ray Evans (American songwriter) and Jay Livingston
composer:
Victor Young (American composer, arranger, violinist & conductor)
4:22
2I Will Wait for You
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
I Will Wait for You (in 2010-04)
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
publisher:
Universal Music Publishing MGB France and Warner Chappell Music France
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 2)
translated version of:
Les Parapluies de Cherbourg: Devant le garage (aka “Les Parapluies de Cherbourg”)
5:36
3Moon River
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
Moon River (in 2010-10)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
25:36
4Delilah
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
The Song of Delilah
lyricist:
Ray Evans (American songwriter) and Jay Livingston
composer:
Victor Young (American composer, arranger, violinist & conductor)
6:11
5Cry Me a River
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
Cry Me a River (in 2010-04)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
5:23
6Alone Together
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
Alone Together (in 2010-04)
lyricist:
Howard Dietz (librettist)
writer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively))
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:43
7A Beautiful Friendship
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
A Beautiful Friendship (in 2010-04)
lyricist:
Stanley Styne
composer:
Donald Kahn
5:20
8All the Things You Are
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
All the Things You Are (from “Very Warm for May”) (in 2010-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:52
9So in Love
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
So in Love (from Kiss Me, Kate) (in 2010-04)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
4:49
10You’ve Changed
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
You’ve Changed (in 2010-04)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
5:19
11You’d Be So Nice to Come Home To
engineer:
Katherine Miller
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Tetsuo Hara (jazz producer / Venus Records founder)
bass:
John Webber (bass) (from 2010-04-28 until 2010-04-29)
drums (drum set):
Joe Farnsworth (from 2010-04-28 until 2010-04-29)
piano:
David Hazeltine (from 2010-04-28 until 2010-04-29)
tenor saxophone:
Eric Alexander (US jazz saxophonist) (from 2010-04-28 until 2010-04-29)
trombone:
Steve Davis (jazz trombonist) (from 2010-04-28 until 2010-04-29)
trumpet:
Jim Rotondi (from 2010-04-28 until 2010-04-29)
vocals:
Alexis Cole (from 2010-04-28 until 2010-04-29)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2010-04-28 until 2010-04-29)
cover recording of:
You’d Be So Nice to Come Home To (in 2010-04)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:36