5 Classic Swingin’ Albums

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

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1CD: A Swingin’ Affair! (1957 Capitol)
#TitleRatingLength
1Night and Day
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-11-26)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:03
2I Wish I Were in Love Again
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
2:32
3I Got Plenty o' Nuttin'
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
cover recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (on 1956-11-15)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:13
4I Guess I'll Have to Change My Plans2:26
5Nice Work If You Can Get It
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-20)
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-20)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-20)
conductor:
Nelson Riddle (on 1956-11-20)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
Nice Work If You Can Get It (on 1956-11-20)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:25
6Stars Fell on Alabama
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
Stars Fell on Alabama (on 1956-11-15)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:41
7No One Ever Tells You3:29
8I Won't Dance
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle (on 1956-11-15)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-11-15)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:27
9Lonesome Road3:58
10At Long Last Love
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
At Long Last Love (on 1956-11-20)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
42:27
11You'd Be So Nice to Come Home To
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:07
12I Got It Bad and That Ain't Good
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
I Got It Bad (and That Ain’t Good) (on 1956-11-28)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:25
13From This Moment On
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:56
14If I Had You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
cover recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:40
15Oh! Look at Me Now
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
Oh! Look at Me Now (on 1956-11-28)
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
recording of:
Oh! Look at Me Now
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
2:50
2CD: Sinatra’s Swingin’ Session!!! (1961 Capitol)
#TitleRatingLength
1When You're Smiling (The Whole World Smiles With You)
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle (on 1960-08-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1960-08-22)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
2:02
2Blue Moon
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist) (on 1960-09-01), Armand Kaproff (on 1960-09-01) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-09-01)
drums (drum set):
Irving Cottler (on 1960-09-01)
guitar:
Al Viola (on 1960-09-01)
harp:
Kathryn Julye (on 1960-09-01)
percussion:
Emil Richards (on 1960-09-01)
piano:
Bill Miller (pianist) (on 1960-09-01)
reeds:
Buddy Collette (on 1960-09-01), Chuck Gentry (on 1960-09-01), William Green (woodwind) (on 1960-09-01), Plas Johnson (on 1960-09-01) and Wilbur Schwartz (on 1960-09-01)
trombone:
George Arus (on 1960-09-01), Gail Martin (on 1960-09-01), Tom Shepard (trombonist) (on 1960-09-01) and Tommy Pederson (on 1960-09-01)
trumpet:
Clarence "Shorty" Sherock (on 1960-09-01), Carroll Lewis (trumpeter) (on 1960-09-01), George Seaberg (on 1960-09-01) and Vito "Mickey" Mangano (on 1960-09-01)
viola:
Alvin Dinkin (on 1960-09-01) and Stan Harris (US big band viola player) (on 1960-09-01)
violin:
Victor Bay (on 1960-09-01), Alex Beller (on 1960-09-01), Kurt Dieterle (on 1960-09-01), Jacques Gasselin (on 1960-09-01), Joseph Livoti (violinist) (on 1960-09-01), Louis Kaufman (violinist) (on 1960-09-01), Murray Kellner (on 1960-09-01), Mischa Russell (violinist) (on 1960-09-01), Gerald Vinci (American violinist and strings conductor) (on 1960-09-01) and William Weiss (violinist) (on 1960-09-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-09-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-09-01)
conductor:
Nelson Riddle (on 1960-09-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-09-01)
cover recording of:
Blue Moon (on 1960-09-01)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:52
3S'posin'
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
cover recording of:
S’posin’ (on 1960-08-22)
lyricist:
Andy Razaf
composer:
Paul Denniker
publisher:
Mayfair Music Corp.
1:48
4It All Depends on You
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recording of:
It All Depends on You (on 1960-08-23)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Ross Jungnickel, Inc.
2:03
5It's Only a Paper Moon
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) and Paul Shure
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-31)
conductor:
Nelson Riddle (on 1960-08-31)
arranger:
Nelson Riddle
recording of:
It’s Only a Paper Moon (on 1960-08-31)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:20
6My Blue Heaven
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-23)
recording of:
My Blue Heaven (on 1960-08-23)
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
2:04
7Should I
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
Should I (on 1960-08-22)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
1:31
8September in the Rain
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) and Paul Shure
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-31)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-31)
conductor:
Nelson Riddle (on 1960-08-31)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-31)
cover recording of:
September in the Rain (on 1960-08-31)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
2:59
9Always
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-23)
cover recording of:
Always (on 1960-08-23)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:17
10I Can't Believe that You're in Love With Me
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Ronny Lang
trombone:
Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Ben Gill, Murray Kellner, Dan Lube, Nathan Ross, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-23)
conductor:
Nelson Riddle (on 1960-08-23)
arranger:
Nelson Riddle
cover recording of:
I Can’t Believe That You’re in Love With Me (on 1960-08-23)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:25
11I Concentrate on You
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
I Concentrate on You (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:23
12You Do Something to Me
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Harry Klee, Ronny Lang and Champ Webb
trombone:
Gail Martin, Pullman “Tommy” Pederson, Jimmy Priddy and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Harold Dicterow, Ben Gill, Murray Kellner, Dan Lube, Felix Slatkin and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
1:33
3CD: Come Swing With Me! (1961 Capitol)
#TitleRatingLength
1Day by Day
double bass:
Joe Comfort (on 1961-03-20)
drums (drum set):
Irv Cottler (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
piano:
Bill Miller (pianist) (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (trombone) (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (60s pop/soul) (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Billy May (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Day by Day (on 1961-03-20)
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
2:41
2Sentimental Journey
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (jazz trumpeter) (on 1961-03-20)
piano:
Bill Miller (pianist) (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (trombone) (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (60s pop/soul) (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Sentimental Journey (on 1961-03-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:26
3Almost Like Being in Love
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (French hornist) (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (pianist) (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (trombone) (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (trombonist) (on 1961-03-22), Ken Shroyer (trombonist) (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (60s pop/soul) (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Billy May (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1961-03-22)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:03
4Five Minutes More
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (French hornist) (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (pianist) (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (trombone) (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (trombonist) (on 1961-03-22), Ken Shroyer (trombonist) (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (60s pop/soul) (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Billy May (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Five Minutes More (on 1961-03-22)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Melrose Music Corp.
2:37
5American Beauty Rose
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (French hornist) (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (US horn player) (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (pianist) (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (trombone) (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (trombonist) (on 1961-03-21), Ken Shroyer (trombonist) (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Heine Beau (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
American Beauty Rose (on 1961-03-21)
writer:
Arthur Altman, Hal David and Redd Evans
publisher:
Jefferson Music Corp.
2:23
6Yes Indeed!
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (French hornist) (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (US horn player) (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (pianist) (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (trombone) (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (trombonist) (on 1961-03-21), Ken Shroyer (trombonist) (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Billy May (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Yes Indeed (on 1961-03-21)
lyricist and composer:
Sy Oliver
2:37
7On the Sunny Side of the Street
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (jazz trumpeter) (on 1961-03-20)
piano:
Bill Miller (pianist) (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (trombone) (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (60s pop/soul) (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
On the Sunny Side of the Street (on 1961-03-20)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
recording of:
On the Sunny Side of the Street (on 1961-03-20)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
2:43
8Don't Take Your Love From Me
double bass:
Joe Comfort (on 1961-03-20)
French horn:
James Craas (on 1961-03-20), William Culley (on 1961-03-20), Fred Fox (on 1961-03-20) and Gale H. Robinson (on 1961-03-20)
guitar:
Tony Rizzi (on 1961-03-20)
harp:
Kathryn Julye (on 1961-03-20)
instruments:
Johnny Best (jazz trumpeter) (on 1961-03-20)
piano:
Bill Miller (pianist) (on 1961-03-20)
trombone:
C. E. Carpenter (on 1961-03-20), James Henderson (trombone) (on 1961-03-20), Richard Kenney (on 1961-03-20), Lew McCreary (on 1961-03-20), Barrett O'Hara (on 1961-03-20), Jimmy Priddy (on 1961-03-20) and Kenneth Trimble (on 1961-03-20)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-20), Conrad Gozzo (on 1961-03-20), Joe Graves (60s pop/soul) (on 1961-03-20), Maurice Harris (on 1961-03-20), Manny Klein (on 1961-03-20), Vito N. Mangano (on 1961-03-20), James Salko (on 1961-03-20), Shorty Sherock (on 1961-03-20) and Rubin "Zeke" Zarchy (on 1961-03-20)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-20)
orchestra:
Billy May & His Orchestra (on 1961-03-20)
conductor:
Billy May (on 1961-03-20)
arranger:
Heine Beau (on 1961-03-20)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Don’t Take Your Love From Me (on 1961-03-20)
lyricist, writer and composer:
Henry Nemo
publisher:
Indano Music Co.
2:00
9That Old Black Magic
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (French hornist) (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (US horn player) (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (pianist) (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (trombone) (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (trombonist) (on 1961-03-21), Ken Shroyer (trombonist) (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Heine Beau (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
That Old Black Magic (on 1961-03-21)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:06
10Lover
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (French hornist) (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (pianist) (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (trombone) (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (trombonist) (on 1961-03-22), Ken Shroyer (trombonist) (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (60s pop/soul) (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Heine Beau (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
recording of:
Lover (on 1961-03-22)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
1:54
11Paper Doll
double bass:
Joe Comfort (on 1961-03-22)
drums (drum set):
Irv Cottler (on 1961-03-22)
French horn:
James Decker (French hornist) (on 1961-03-22), Vincent DeRosa (on 1961-03-22), Fred Fox (on 1961-03-22) and Richard Perissi (on 1961-03-22)
guitar:
Bobby Gibbons (on 1961-03-22)
harp:
Kathryn Julye (on 1961-03-22)
piano:
Bill Miller (pianist) (on 1961-03-22)
trombone:
C. E. Carpenter (on 1961-03-22), James Henderson (trombone) (on 1961-03-22), Lew McCreary (on 1961-03-22), Frank Rosolino (on 1961-03-22), Tommy Shepard (trombonist) (on 1961-03-22), Ken Shroyer (trombonist) (on 1961-03-22) and Kenneth Trimble (on 1961-03-22)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-22), Conrad Gozzo (on 1961-03-22), Joe Graves (60s pop/soul) (on 1961-03-22), Manny Klein (on 1961-03-22), Vito N. Mangano (on 1961-03-22), Shorty Sherock (on 1961-03-22), Ray Triscari (on 1961-03-22), Stu Williamson (on 1961-03-22) and Rubin "Zeke" Zarchy (on 1961-03-22)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-22)
orchestra:
Billy May & His Orchestra (on 1961-03-22)
conductor:
Billy May (on 1961-03-22)
arranger:
Billy May (on 1961-03-22)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
Paper Doll (on 1961-03-22)
lyricist and composer:
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:09
12I've Heard That Song Before
double bass:
Joe Comfort (on 1961-03-21)
drums (drum set):
Irv Cottler (on 1961-03-21)
French horn:
James Decker (French hornist) (on 1961-03-21), Wally Linder (on 1961-03-21), Arthur Maebe (US horn player) (on 1961-03-21) and Claude Sherry (on 1961-03-21)
guitar:
Bobby Gibbons (on 1961-03-21)
harp:
Veryle Brilhart (on 1961-03-21)
piano:
Bill Miller (pianist) (on 1961-03-21)
trombone:
C. E. Carpenter (on 1961-03-21), James Henderson (trombone) (on 1961-03-21), Lew McCreary (on 1961-03-21), Frank Rosolino (on 1961-03-21), Tommy Shepard (trombonist) (on 1961-03-21), Ken Shroyer (trombonist) (on 1961-03-21) and Kenneth Trimble (on 1961-03-21)
trumpet:
Johnny Best (jazz trumpeter) (on 1961-03-21), Conrad Gozzo (on 1961-03-21), Manny Klein (on 1961-03-21), Vito N. Mangano (on 1961-03-21), Shorty Sherock (on 1961-03-21), Ray Triscari (on 1961-03-21) and Stu Williamson (on 1961-03-21)
tuba:
Phil Stephens (bass and tuba player) (on 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-21)
orchestra:
Billy May & His Orchestra (on 1961-03-21)
conductor:
Billy May (on 1961-03-21)
arranger:
Billy May (on 1961-03-21)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1961-03)
cover recording of:
I’ve Heard That Song Before (on 1961-03-21)
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
recording of:
I’ve Heard That Song Before (on 1961-03-21)
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
2:32
4CD: Swing Along With Me (1961 Reprise)
#TitleRatingLength
1Falling in Love With Love
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Falling in Love With Love (on 1961-05-19)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
1:53
2The Curse of an Aching Heart
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
The Curse of an Aching Heart (on 1961-05-18)
lyricist:
Henry Fink
composer:
Al Piantadosi
publisher:
EMI Feist Catalog Inc.
2:09
3Don't Cry Joe
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
recording of:
Don’t Cry Joe (Let Her Go, Let Her Go, Let Her Go) (on 1961-05-23)
lyricist and composer:
Joe Marsala
publisher:
Harms, Inc. (in 1949)
3:08
4Please Don't Talk About Me When I'm Gone
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Please Don’t Talk About Me When I’m Gone (on 1961-05-18)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
2:59
5Love Walked In
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (on 1961-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:22
6Granada
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Joe Comfort (, on 1961-05-23)
bass trombone:
Ken Shroyer (trombonist) (, on 1961-05-23)
cello:
Justin Ditullio (, on 1961-05-23), Ossip Giskin (cellist) (, on 1961-05-23), Armand Kaproff (, on 1961-05-23) and Margaret Aue-Van Wyck (Cellist) (, on 1961-05-23)
drums (drum set):
Irv Cottler (, on 1961-05-23)
guitar:
Al Viola (, on 1961-05-23)
harp:
Verlye Mills (, on 1961-05-23)
percussion:
Larry Bunker (, on 1961-05-23) and Emil Richards (, on 1961-05-23)
piano:
Bill Miller (pianist) (, on 1961-05-23)
saxophone:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player) (, on 1961-05-23), Ed Kusby (, on 1961-05-23) and Pullman “Tommy” Pederson (, on 1961-05-23)
trumpet:
Frank Beach (trombone, trumpet) (, on 1961-05-23), Conrad Gozzo (, on 1961-05-23), Vito N. Mangano (, on 1961-05-23) and Shorty Sherock (, on 1961-05-23)
tuba:
Phil Stephens (bass and tuba player) (, on 1961-05-23)
viola:
Alvin Dinkin (, on 1961-05-23), Stanley Harris (US big band viola player) (, on 1961-05-23), Alexander Neiman (violist) (, on 1961-05-23) and Paul Robyn (, on 1961-05-23)
violin:
Victor Arno (, on 1961-05-23), Israel Baker (American violinist) (, on 1961-05-23), Herman Clebanoff (, on 1961-05-23), Jacques Gasselin (, on 1961-05-23), James Getzoff (American concertmaster and violinist) (, on 1961-05-23), Lou Klass (, on 1961-05-23), Marvin Limonick (, on 1961-05-23), Leonard Malarsky (, on 1961-05-23), Nathan Ross (, on 1961-05-23), Marshall Sosson (, on 1961-05-23), Arnold Sukonick (violinist) (, on 1961-05-23) and Gerald Vinci (American violinist and strings conductor) (, on 1961-05-23)
woodwind:
Gene Cipriano (, on 1961-05-23), Buddy Collette (, on 1961-05-23), Chuck Gentry (, on 1961-05-23), Harry Klee (, on 1961-05-23) and Ted Nash (40s-80s US swing reedman, uncle of the other) (, on 1961-05-23)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May (, on 1961-05-23)
arranger:
Billy May
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (on 1961-05-23)
cover recording of:
Granada (English version, lyrics by Dorothy Dodd) (on 1961-05-23)
lyricist:
Dorothy Dodd
composer:
Agustín Lara
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
translated version of:
Granada (original Spanish version)
3:41
7I Never Knew
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
I Never Knew (on 1961-05-19)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
recording of:
I Never Knew (on 1961-05-19)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
2:18
8Don't Be That Way
recorded in:
Los Angeles, California, United States (on 1961-05-19)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Don’t Be That Way (on 1961-05-19)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
2:45
9Moonlight on the Ganges
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Moonlight on the Ganges (on 1961-05-23)
lyricist:
Huntley Trevor and Chester Wallace
composer:
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
3:23
10It's a Wonderful World
recorded in:
Hollywood, Los Angeles, California, United States (in 1961-05)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
John Markham
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock and Jimmy Zito
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Billy May
recording of:
It’s a Wonderful World (on 1961-05-19)
lyricist:
Harold Adamson
composer:
Jan Savitt (in 1939) and John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:26
11Have You Met Miss Jones?
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1961-05-18)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:35
12You're Nobody 'til Somebody Loves You
recorded in:
Los Angeles, California, United States (on 1961-05-23)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff and Margaret Aue-Van Wyck (Cellist)
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Verlye Mills
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Joe Howard (american trombone player), Ed Kusby and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
You’re Nobody Till Somebody Loves You (on 1961-05-23)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:11
5CD: Sinatra and Swingin’ Brass (1962 Reprise)
#TitleRatingLength
1Goody Goody
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Goody Goody (on 1962-04-11)
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:50
2They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1962-04-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
42:43
3At Long Last Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
At Long Last Love (on 1962-04-11)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
2:16
4I'm Beginning to See the Light
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I’m Beginning to See the Light (on 1962-04-10)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
2:37
5Don'cha Go 'way Mad
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Don’cha Go ’Way Mad (on 1962-04-11)
lyricist:
Al Stillman
composer:
Illinois Jacquet and Jimmy Mundy
publisher:
Advanced Music corp. and Rytvoc, Inc. (ASCAP)
version of:
Black Velvet
3:15
6I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1963-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
43:16
7Tangerine
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Tangerine (1941 song) (on 1962-04-11)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:06
8Love Is Just Around the Corner
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Love Is Just Around the Corner (on 1962-04-10)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Lewis E. Gensler
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
2:30
9Ain't She Sweet
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Ain’t She Sweet (on 1962-04-10)
lyricist:
Jack Yellen
composer:
Milton Ager
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music (do not use as release label! this is a music publisher), Lawrence Wright Music Co., Ltd., Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:10
10Serenade in Blue
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Serenade in Blue (on 1962-04-11)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc.
3:01
11I Love You
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I Love You (on 1962-04-10)
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
cover recording of:
I Love You (Mexican Hayride musical) (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:19
12Pick Yourself Up
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Pick Yourself Up (from “Swing Time”) (on 1962-04-11)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
2:35