Meister Singer

~ Release by Reinhard J. Brembeck (see all versions of this release, 1 available)

Annotation

ISBN: 978-3-86615-741-5

Annotation last modified on 2011-09-05 19:39 UTC.

Tracklist

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1▼CD: Lebenswelten
#TitleArtistRatingLength
1"Sérénade"
piano:
Francis Poulenc (French composer and pianist) (in 1945)
baritone vocals:
Pierre Bernac (French baritone) (in 1945)
recording of:
Sérénade (in 1945)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Charles Gounod (French composer) (in 1855)
Charles‐François Gounod4:13
2Das Lied von der Erde, Nr. 1: "Das Trinklied vom Jammer der Erde"
tenor vocals:
Julius Patzak (tenor) (in 1952)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1952)
conductor:
Bruno Walter (conductor) (in 1952)
recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows) (in 1952)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:36
3Carmen, Akt I. "Habanera"
mezzo-soprano vocals:
Conchita Supervía (Spanish mezzo-soprano) (in 1930)
conductor:
Gustave Cloëz (French conductor) (in 1930)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1930)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:13
4Lucrezia Borgia: Akt III. "Brindisi"
alto vocals:
Ernestine Schumann‐Heink (contralto) (in 1906)
recording of:
Lucrezia Borgia: Akt II. "Brindisi" (Il segreto per esser felici) (in 1906)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucrezia Borgia: Atto II
Gaetano Donizetti2:52
5La damnation de Faust, Teil III. "Devant la maison"
bass vocals:
Pol Plançon (operatic bass) (in 1904)
recording of:
La Damnation de Faust : Troisième Partie : Scène 12. Sérénade de Méphistophélès « Devant la maison » (Méphistophélès, Chœur) (in 1904)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz1:43
6Qui veut chasser une migraine
lute:
Anthony Bailes (lutenist)
tenor vocals:
Nigel Rogers (tenor) (in 1979)
recording of:
Air à boire for voice and lute: “Qui veut chasser une migraine” (in 1979)
composer:
Gabriel Bataille (French composer & lutenist, c. 1574-1630)
Gabriel Bataille2:36
7Danse macabre op. 40
piano:
Jean‐Philippe Collard (French classical pianist) (in 1993)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1993)
recording of:
Danse macabre (song for voice and piano) (in 1993)
lyricist:
Henri Cazalis (a.k.a. Jean Caselli/Lahor)
composer:
Camille Saint‐Saëns (composer)
Camille Saint‐Saëns2:08
8Don Giovanni: Akt I. "Finch’han dal vino"
bass vocals:
Ezio Pinza (operatic bass) (in 1930)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1930)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:15
9Don Quichotte à Dulcinée: "Chanson romanesque"
baritone vocals:
Martial Singher (baritone) (in 1934)
conductor:
Piero Coppola (in 1934)
recording of:
Don Quichotte à Dulcinée : No. 1. Chanson romanesque (in 1934)
lyricist:
Paul Morand
composer:
Maurice Ravel (French composer) (from 1932 until 1933)
part of:
Don Quichotte à Dulcinée (Chant pour baryton avec orchestre)
Maurice Ravel2:07
10Don Quichotte à Dulcinée: "Chanson épique"
baritone vocals:
Martial Singher (baritone) (in 1934)
conductor:
Piero Coppola (in 1934)
recording of:
Don Quichotte à Dulcinée : No. 2. Chanson épique (in 1934)
lyricist:
Paul Morand
composer:
Maurice Ravel (French composer) (from 1932 until 1933)
part of:
Don Quichotte à Dulcinée (Chant pour baryton avec orchestre)
Maurice Ravel3:02
11Don Quichotte à Dulcinée: "Chanson à boire"
baritone vocals:
Martial Singher (baritone) (in 1934)
conductor:
Piero Coppola (in 1934)
recording of:
Don Quichotte à Dulcinée : No. 3. Chanson à boire (in 1934)
lyricist:
Paul Morand
composer:
Maurice Ravel (French composer) (from 1932 until 1933)
part of:
Don Quichotte à Dulcinée (Chant pour baryton avec orchestre)
Maurice Ravel1:42
12Zueignung, op.10 Nr. 1
piano:
Richard Strauss (German composer) (in 1919, in 1921)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1919, in 1921)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1921)
recording of:
Zueignung, op. 10 no. 1 (for voice and piano) (in 1919)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss1:38
13Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès"
guitar:
Davis Joachim (in 1995)
tenor vocals:
John Mark Ainsley (tenor) (in 1995)
recording of:
Huit scènes de Faust: No. 8. Sérénade de Méphistophélès "Maintenant que le ciel brille" / "Devant la maison" (in 1995)
composer:
Hector Berlioz (French composer)
part of:
Huit scènes de Faust
Hector Berlioz2:04
14Il barbiere di Siviglia: Akt I. "Ecco ridente"
tenor vocals:
Fernando De Lucia (in 1904)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (in 1904)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:16
15À sa guitare
piano:
Gabriel Tacchino (pianist) (from 1984 until 1986)
soprano vocals:
Mady Mesplé (soprano) (from 1984 until 1986)
recording of:
À sa guitare, FP 79 (from 1984 until 1986)
lyricist:
Pierre de Ronsard (French poet)
composer:
Francis Poulenc (French composer and pianist) (in 1935)
part of:
Francis Poulenc’s works (FP) (number: FP 79)
Francis Poulenc3:15
16I vespri siciliani: Akt V. "Mercé, dilette amiche"
soprano vocals:
Luisa Tetrazzini (soprano) (in 1914)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (Siciliana) (in 1914)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto V
Giuseppe Verdi3:40
17Lieder und Tänze des Todes: "Trepak"
bass vocals:
Борис Христов (Boris Christoff, Bulgarian bass) (from 1957-03-27 until 1957-03-30)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1957-03-27 until 1957-03-30)
conductor:
Georges Tzipine (from 1957-03-27 until 1957-03-30)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1957-03-27 until 1957-03-30)
recording of:
Lieder und Tänze des Todes: Trepak (from 1957-03-27 until 1957-03-30)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
Модест Петрович Мусоргский5:35
18Lieder und Tänze des Todes: "Wiegenlied"
bass vocals:
Борис Христов (Boris Christoff, Bulgarian bass) (in 1957)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1957)
conductor:
Georges Tzipine (in 1957)
recording of:
Lieder und Tänze des Todes: Wiegenlied (in 1957)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
Модест Петрович Мусоргский5:31
19Lieder und Tänze des Todes: "Serenade"
bass vocals:
Борис Христов (Boris Christoff, Bulgarian bass) (in 1957)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1957)
conductor:
Georges Tzipine (in 1957)
recording of:
Lieder und Tänze des Todes: Ständchen (in 1957)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
Модест Петрович Мусоргский5:11
20Lieder und Tänze des Todes: "Der Feldherr"
bass vocals:
Борис Христов (Boris Christoff, Bulgarian bass) (in 1957)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1957)
conductor:
Georges Tzipine (in 1957)
recording of:
Lieder und Tänze des Todes: Der Feldherr (in 1957)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
Модест Петрович Мусоргский6:03
21La calesera
piano:
Alfredo Barili (in 1906)
soprano vocals:
Adelina Patti (in 1906)
recording of:
La calesera (in 1906)
composer:
Sebastián Iradier (Best know for “La paloma”)
Sebastián Yradier2:45
2▼CD: Möglichkeiten
#TitleArtistRatingLength
1Cantigas de Santa María, Nr. 10: "Rosa das rosas"
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974)
recording of:
Cantiga de Santa María no. 10 "Rosa das rosas e Fror das frores" (in 1974)
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 10)
part of:
Cantigas de Santa María
Alfonso X el Sabio2:41
2Récitation 13
soprano vocals:
Martine Viard (in 1995)
recording of:
Récitation 13 (in 1995)
composer:
Georges Aperghis (Greek-French composer) (from 1977 until 1978)
Georges Aperghis2:31
3Tannhäuser, Akt I: "Dir töne Lob"
tenor vocals:
Lauritz Melchior (tenor) (in 1929)
orchestra:
London Symphony Orchestra (in 1929)
conductor:
Sir John Barbirolli (conductor and cellist) (in 1929)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug I, Scene II. "Geliebter, sag, wo weilt dein Sinn?" (in 1929)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug I
Richard Wagner3:26
4Madonna, il tuo bel viso
tar:
Peter Croton (in 1992)
countertenor vocals:
Derek Lee Ragin (countertenor) (in 1992)
recording of:
Madonna il tuo bel viso (for voice & lute, Willaert) (in 1992)
composer:
Philippe Verdelot (French Renaissance composer)
arranger:
Adriaan Willaert (Adrian Willaert, Flemish Renaissance composer)
arrangement of:
Madonna il tuo bel viso
Philippe Verdelot2:39
5Pierrot Lunaire op. 21 Nr. 19: "Serenade"
soprano vocals:
Christine Schäfer (soprano) (in 1997)
conductor:
Pierre Boulez (composer and conductor) (in 1997)
performer:
Ensemble intercontemporain (in 1997)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 19. „Serenade“ (in 1997)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg2:17
6Winterreise, Nr. 24: "Der Leiermann"
recording engineer:
Kenneth Wilkinson (engineer) (in 1963-10)
producer:
John Culshaw
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1963, in 1963-10)
tenor vocals:
Peter Pears (tenor) (in 1963, in 1963-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-10)
recording of:
Winterreise, op. 89, D. 911: XXIV. Der Leiermann (in 1963-10)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827)
part of:
Winterreise, op. 89, D. 911
recording of:
Winterreise, op. 89, D. 911: XXIV. Der Leiermann (in 1963)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827)
part of:
Winterreise, op. 89, D. 911
Franz Schubert3:11
7Tosca, Akt II: "Vissi d’arte"
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:15
8I Pagliacci, Akt I: "Vesti la giubba"
piano:
Salvatore Cottone (pianist) (on 1902-11-30)
tenor vocals:
Enrico Caruso (tenor) (on 1902-11-30)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (on 1902-11-30)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:11
9Anna ke’av zedoni
other vocals:
Isaac Algazi (in 1920)
recording of:
Anna ke’av zedoni
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
[unknown]3:00
10Orfeo, Akt III: "Possente spirto"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985)
vocals:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-12) and His Majesties Sagbutts & Cornetts (British early music group) (in 1985-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1985, in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto terzo. A lei volt'ho il cammin per l'aer cieco (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Non vivo io, no, che poi di vita è priva (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Orfeo son io, che d'Euridice i passi (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Possente spirto (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ritornello (preceding 'Non vivo io ...') (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ritornello (preceding 'A lei volt'ho ...') (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ritornello (preceding 'Orfeo son io ...') (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Sol tu, nobile Dio, puoi darmi aita (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi8:23
11Kafka-Fragmente, IV/6: "In memoriam Joannis Pilinszky"
violin:
András Keller (violinist and conductor) (in 1990)
soprano vocals:
Adrienne Csengery (soprano) (in 1990)
recording of:
Kafka-Fragmente, op. 24: Teil IV. Im Memoriam Joannis Pilinszky (in 1990)
lyricist:
Franz Kafka
composer:
György Kurtág (composer) (from 1985 until 1987)
part of:
Kafka-Fragmente, op. 24
György Kurtág2:41
12Orfeo ed Euridice, Akt II: "Chi mai dell’Erebo"
alto vocals:
Kathleen Ferrier (contralto) (in 1951)
choir vocals:
Koor van De Nationale Opera (in 1951)
orchestra:
Orchester De Nationale Opera (The Dutch Opera Orchestra) (in 1951)
conductor:
Charles Bruck (French-American conductor) (in 1951)
live recording of:
Orfeo ed Euridice, Wq. 30: Atto II. “Chi mai dell’Erebo” (Coro) (in 1951)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck9:06
13Don Giovanni, Akt II: "Deh, vieni alla finestra"
bass vocals:
Ezio Pinza (operatic bass) (on 1930-03-28)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1930-03-28)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (on 1930-03-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:34
14Dichterliebe op. 48: "Im wunderschönen Monat Mai"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:21
15Dichterliebe op. 48: "Aus meinen Tränen sprießen"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: II. Aus meinen Tränen sprießen (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
version of:
Aus meinen Thränen sprießen
part of:
Dichterliebe, op. 48
Robert Schumann0:35
16Dichterliebe op. 48: "Die Rose, die Lilie, die Taube, die Sonne"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann0:30
17Dichterliebe op. 48: "Wenn ich in deine Augen seh’"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:28
18Dichterliebe op. 48: "Ich will meine Seele tauchen"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: V. Ich will meine Seele tauchen (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann0:50
19Dichterliebe op. 48: " Rhein, im heiligen Strome"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:53
20Dichterliebe op. 48: "Ich grolle nicht"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:29
21Dichterliebe op. 48: "Und wüssten’s die Blumen, die kleinen"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:12
22Dichterliebe op. 48: "Das ist ein Flöten und Geigen"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:20
23Dichterliebe op. 48: "Hör’ ich das Liedchen klingen"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:38
24Dichterliebe op. 48: "Ein Jüngling liebt ein Mädchen"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
is based on:
Ein Jüngling liebt ein Mädchen
part of:
Dichterliebe, op. 48
Robert Schumann0:50
25Dichterliebe op. 48: "Am leuchtenden Sommermorgen"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:45
26Dichterliebe op. 48: "Ich hab’ im Traum geweinte"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: XIII. Ich hab' im Traum geweinet (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:42
27Dichterliebe op. 48: "Allnächtlich im Traume seh’ ich dich"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: XIV. Allnächtlich im Traume (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:21
28Dichterliebe op. 48: "Aus alten Märchen winkt es"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: XV. Aus alten Märchen winkt es (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:17
29Dichterliebe op. 48: "Die alten, bösen Lieder"
piano:
Alfred Cortot (French pianist) (from 1935-06-17 until 1935-06-18)
baritone vocals:
Charles Panzéra (from 1935-06-17 until 1935-06-18)
recording of:
Dichterliebe, op. 48: XVI. Die alten, bösen Lieder (from 1935-06-17 until 1935-06-18)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
is based on:
Die alten, bösen Lieder
part of:
Dichterliebe, op. 48
Robert Schumann4:08
30Stripsody
mezzo-soprano vocals:
Cathy Berberian (mezzo‐soprano) (in 1970)
live recording of:
Stripsody (in 1970)
composer:
Cathy Berberian (mezzo‐soprano) (in 1966)
Cathy Berberian4:33
3▼CD: Frauenbilder
#TitleArtistRatingLength
1Die Zauberflöte, Akt I: "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:37
2Psyché
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (in 1993)
orchestra:
Orquestra de Cambra Teatre Lliure (in 1993)
conductor:
Josep Pons (conductor) (in 1993)
recording of:
Psyché (in 1993)
lyricist:
Georges Jean-Aubry
composer:
Manuel de Falla (Spanish composer) (in 1924)
Manuel de Falla5:54
3An Silvia
piano:
George Reeves (pianist, 1893-1960) (on 1956-11-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-11-25)
live recording of:
An Sylvia, D. 891 (for voice and piano) (in 1956)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert2:44
4Rigoletto, Akt III: "La donna è mobile"
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:19
5Manon, Akt I: "Je suis encore tout étourdie"
soprano vocals:
Germaine Féraldy (soprano) (from 1928-12 until 1929-03)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1928-12 until 1929-03)
conductor:
Élie Cohen (conductor) (from 1928-12 until 1929-03)
recording of:
Manon : Acte I. « Je suis encore tout étourdie » (Manon) (Air d'entrée de Manon) (from 1928-12 until 1929-03)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
Jules Massenet3:21
6Lulu, Akt II: "Lied der Lulu"
soprano vocals:
Ilona Steingruber (in 1959)
orchestra:
Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan) (in 1959)
conductor:
Bruno Maderna (Italian composer and conductor) (in 1959)
live recording of:
Lulu, Act II, Scene 1. "Lied der Lulu" (in 1959)
composer:
Alban Berg (Austrian composer)
part of:
Lulu: Akt II
Alban Berg2:17
7Médée, Akt III: "Quel prix de mon amour"
soprano vocals:
Lorraine Hunt (American soprano / mezzo) (in 1994)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1994)
conductor:
William Christie (harpsichordist and conductor) (in 1994)
recording of:
Médée: Acte III, Scène III. "Quel prix de mon amour" (in 1994)
composer:
Marc‐Antoine Charpentier (composer) (in 1693)
part of:
Médée, H. 491
Marc‐Antoine Charpentier4:56
8Die 7 Todsünden, Prolog: "Meine Schwester und ich"
other vocals:
Lotte Lenya (in 1956)
conductor:
Wilhelm Brückner-Rüggeberg (German conductor) (in 1956)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (in 1956)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:46
9Griselda, Akt II: "Mi rivedi, o selva ombrosa"
soprano vocals:
Dorothea Röschmann (soprano) (in 2003)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2003)
conductor:
René Jacobs (conductor) (in 2003)
recording of:
Griselda, Act II, Scene 1. Aria "Mi rivedi, o selva ombrosa" (Griselda) (in 2003)
composer:
Alessandro Scarlatti (composer) (in 1721)
part of:
Griselda: Act II
Alessandro Scarlatti4:48
10Las mujeres y cuerdas
guitar:
José Miguel Moreno (Spanish lutenist and guitarist) (from 1994 until 1995)
soprano vocals:
Marta Almajano (soprano) (from 1994 until 1995)
recording of:
12 Seguidillas: No. 11. Las mujeres y cuerdas
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:00
11Eugen Onegin, Akt I: "Briefszene der Tatjana"
soprano vocals and soprano vocals [Tatiana]:
Галина Вишневская (Galina Vishnevskaya, soprano) (in 1955)
orchestra:
Симфонический оркестр Большого театра (Bolshoi Theatre Symphony Orchestra) (in 1955)
conductor:
Борис Хайкин (Boris Khaikin, Soviet Russia conductor, 1904-1978) (in 1955)
recording of:
Евгений Онегин, op. 24: Действие I, картина 2, no. 9. Сцена письма “Пускай погибну я, но прежде” (Eugene Onegin: Act I, Scene 2, no. 9. Letter scene "Let me die, but first...", Letter Scene “Puskay pogibnu ya, no prezhde”) (in 1955)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
librettist:
Константин Шиловский (Konstantin Shilovsky) and Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие первое (Eugene Onegin, op. 24: Act I)
Пётр Ильич Чайковский12:51
12Armide, Akt II: "Enfin il est en ma puissance"
soprano vocals:
Véronique Gens (soprano) (in 2005)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (in 2005)
conductor:
Christophe Rousset (French harpsichordist & conductor) (in 2005)
recording of:
Armide, Act II Scene 5. Monologue "Enfin il est en ma puissance" (Armide) (in 2005)
composer:
Jean‐Baptiste Lully (composer)
librettist:
Philippe Quinault
Jean‐Baptiste Lully4:17
13Carmina burana: "Stetit puella"
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:01
14Stabat mater, 1. Satz: "Largo"
engineer:
Emmanuelle Bailliet (engineer)
producer:
Julien Azaïs (pianist)
countertenor vocals:
Andreas Scholl (countertenor) (in 1995-06)
orchestra:
Ensemble 415 (Swiss Baroque ensemble) (in 1995-06)
conductor:
Chiara Banchini (violinist and conductor) (in 1995-06)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (in 1995-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi2:53
15Trois chansons de Bilitis: "La flûte de Pan"
piano:
Guido Agosti (Italian pianist) (in 1950)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (in 1950)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (in 1950)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:22
16Trois chansons de Bilitis: "La chevelure"
piano:
Guido Agosti (Italian pianist) (in 1950)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (in 1950)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (in 1950)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:07
17Trois chansons de Bilitis: "Le tombeau des naïades"
piano:
Guido Agosti (Italian pianist) (in 1950)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (in 1950)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (in 1950)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:32
18Medea, Akt III: "E che? Io son Medea"
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III: Finale “E che? Io son Medea!” (Neris, Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini11:09
4▼CD: Leidenschaft
#TitleArtistRatingLength
1Rigoletto, Akt III: "Bella figlia dell’amore"
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
mezzo-soprano vocals:
Flora Perini (mezzo-soprano) (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1917-01-25)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:59
2Château de l’âme, Nr. 1: "La Liane"
engineer:
Heikki Hölttä (from 2000-06-01 until 2000-06-02) and Risto Räti (from 2000-06-01 until 2000-06-02)
producer:
David Mottley (producer)
editor:
Matthew Cocker (editor)
choir vocals:
Women Members of the Finnish Radio Chamber Choir (Helsinki Chamber Choir) (from 2000-06-01 until 2000-06-02)
soprano vocals:
Dawn Upshaw (soprano) (in 2000, from 2000-06-01 until 2000-06-02)
orchestra:
Radion sinfoniaorkesteri (Finnish Radio Symphony Orchestra) (in 2000)
conductor:
Esa‐Pekka Salonen (conductor and composer) (in 2000, from 2000-06-01 until 2000-06-02)
recorded at:
Yle in Finland (from 2000-06-01 until 2000-06-02)
recording of:
Château de l'âme: I. La liane (from 2000-06-01 until 2000-06-02)
composer:
Kaija Saariaho (Finnish composer) (in 1996)
part of:
Château de l'âme
recording of:
Château de l'âme: I. La liane (in 2000)
composer:
Kaija Saariaho (Finnish composer) (in 1996)
part of:
Château de l'âme
Kaija Saariaho5:53
3Don Giovanni, Akt I: "Madamina, il catalogo è questo"
baritone vocals:
Salvatore Baccaloni (operatic bass) (in 1936)
orchestra:
Glyndebourne Festival Opera Company (in 1936)
conductor:
Fritz Busch (conductor) (in 1936)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1936)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:42
4Folksongs II: "Il est quelqu’un sur terre"
piano:
Bengt Forsberg (pianist) (in 1998)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1998)
recording of:
Folksong Arrangements, Volume II: 6. Il est quelqu’un sur terre (Il est quelqu’un sur terre) (in 1998)
composer:
[traditional] (special purpose artist)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Folksong Arrangements, Volume II: France, for voice & piano
Benjamin Britten5:59
5Gretchen am Spinnrade
piano:
George Reeves (pianist, 1893-1960) (in 1956)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1956)
live recording of:
Gretchen am Spinnrade, D. 118 (in 1956)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:55
6La Bohème, Akt I: "O soave fanciulla"
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
edit of:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) by Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:12
7I puritani, Akt I: "Son vergin vezzosa"
soprano vocals:
Montserrat Caballé (soprano) (in 1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
recording of:
I Puritani: Atto I. N°9a. Finale I. Polacca “Son vergin vezzosa” (Elvira, Arturo, Enrichetta, Giorgio) (in 1979)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini5:21
8Ariadne auf Naxos: "Großmächtige Prinzessin"
soprano vocals:
Maria Ivogün (soprano) (in 1931)
recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta) (in 1931)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:54
9Le nozze di Figaro, Akt II: "Voi che sapete"
producer:
Walter Legge (British classical producer)
soprano vocals:
Sena Jurinac (soprano) (in 1950, from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:40
10La traviata, Akt I: "È strano/Ah, fors’è lui/Follie!/Sempre libera"
soprano vocals:
Magda Olivero (soprano) (in 1940)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1940)
conductor:
Ugo Tansini (conductor) (in 1940)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (in 1940)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (in 1940)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (in 1940)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (in 1940)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi8:28
11Salome: "Ah! Du wolltest mich nicht deinen Mund küssen lassen"
soprano vocals:
Ljuba Welitsch (soprano) (in 1949)
orchestra:
Metropolitan Opera Orchestra (in 1949)
conductor:
Fritz Reiner (conductor) (in 1949)
live recording of:
Salome: Vierte Szene. "Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan" (Salome) (in 1949)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss17:19
5▼CD: Schurken
#TitleArtistRatingLength
1La juive, Akt IV: "Rachel, quand du Seigneur"
tenor vocals:
Enrico Caruso (tenor) (on 1920-09-14)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1920-09-14)
conductor:
Josef Pasternack (conductor) (on 1920-09-14)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar) (on 1920-09-14)
composer:
Fromental Halévy (French composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Jacques Fromental Halévy4:26
2Giulio Cesare, Akt I: "Va tacito"
instruments:
Concerto Köln
contralto vocals:
Jennifer Larmore (mezzo-soprano)
mezzo-soprano vocals:
Jennifer Larmore (mezzo-soprano) (in 1991)
orchestra:
Concerto Köln (in 1991)
conductor:
René Jacobs (conductor) (in 1991)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare) (in 1991)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Georg Friedrich Händel7:09
3Otello, Akt III: "Non arrestare il colpo"
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (in 1978)
tenor vocals:
José Carreras (Spanish tenor) (in 1978)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978)
conductor:
Jesús López Cobos (conductor) (in 1978)
recording of:
Otello: Atto III. Duetto: “Non arrestar il colpo …” (Desdemona, Otello) (in 1978)
composer:
Gioachino Rossini (composer)
part of:
Otello: Atto III
Gioachino Rossini2:52
4Otello, Akt III: "Notte per me funesta"
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (in 1978)
tenor vocals:
José Carreras (Spanish tenor) (in 1978)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1978)
conductor:
Jesús López Cobos (conductor) (in 1978)
recording of:
Otello: Atto III. Stretta “Notte per me funesta” (Otello, Desdemona) (in 1978)
composer:
Gioachino Rossini (composer)
part of:
Otello: Atto III
Gioachino Rossini2:24
5Die Zauberflöte, Akt II: "Der Hölle Rache"
soprano vocals:
Frieda Hempel (German soprano singer) (in 1911)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1911)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
6Kirchenszene aus Faust, Akt IV: "Seigneur, daignez permettre"
bass vocals:
Ezio Pinza (operatic bass) (in 1943)
soprano vocals:
Licia Albanese (soprano) (in 1943)
orchestra:
London Metropolitan Orchestra (in 1943)
conductor:
Sir Thomas Beecham (conductor) (in 1943)
live recording of:
Faust : Acte IV. No. 21 Scène de l’église “Seigneur, daignez permettre…” (Marguerite, Méphistophélès, Chœur) (in 1943)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles‐François Gounod8:34
7L’étoile, Akt I: "Couplet du pal"
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1941)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1941)
conductor:
Ernest Ansermet (conductor) (in 1941)
recording of:
L’Étoile: Acte I. Couplets du Pal (in 1941)
composer:
Emmanuel Chabrier (composer)
part of:
L’Étoile: Acte I
Emmanuel Chabrier1:54
8La forza del destino, Akt IV: "Non imprecare"
bass vocals [Guardiano]:
Ezio Pinza (operatic bass) (on 1928-01-18)
soprano vocals [Leonora]:
Rosa Ponselle (soprano) (on 1928-01-18)
tenor vocals [Alvaro]:
Giovanni Martinelli (tenor) (on 1928-01-18)
conductor:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1928-01-18)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-01-18)
recording of:
La forza del destino: Atto IV, scena 2. “Non imprecare, umiliati a Lui ch'è giusto e santo” (Leonora, Alvaro, Guardiano) (on 1928-01-18)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi4:39
9Die Entführung aus dem Serail, Akt II: "Martern aller Arten"
producer:
Walter Legge (British classical producer)
soprano vocals and soprano vocals [Konstanze]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1946-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1946-10)
conductor:
Herbert von Karajan (conductor) (in 1946-10)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1946-10)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1946-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:48
10Erlkönig
piano:
Celius Dougherty (in 1939)
bass vocals:
Alexander Kipnis (operatic bass) (in 1939)
recording of:
Erlkönig, D. 328 (in 1939)
lyricist:
Johann Wolfgang von Goethe (in 1782)
composer:
Franz Schubert (composer) (in 1815)
publisher:
Cappi & Diabelli (in 1821)
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1821-03-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328)
is based on:
Erlkönig (Goethe’s poem)
Franz Schubert3:48
11Rigoletto, Akt II: "Povero Rigoletto"
baritone vocals:
Pasquale Amato (Italian operatic baritone) (in 1911)
choir vocals:
Metropolitan Opera Chorus (in 1911)
orchestra:
Metropolitan Opera Orchestra (in 1911)
conductor:
Giulio Setti (conductor) (in 1911)
recording of:
Rigoletto: Atto II. "Povero Rigoletto!" (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio) (in 1911)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi8:17
12Fidelio, Akt I: "Ha, welch ein Augenblick"
bass-baritone vocals:
Friedrich Schorr (bass-baritone) (in 1922)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1922)
conductor:
Albert Coates (conductor) (in 1922)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1922)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:35
13Don Giovanni, Akt II: "Il mio tesoro"
tenor vocals:
John McCormack (tenor) (in 1916)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1916)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:10
14Guglielmo Tell, Akt IV: "Non mi lasciare"
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (in 2006)
recording of:
Guglielmo Tell: Atto IV, scena 1. “Non mi lasciare, o speme di vendetta” (in 2006)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:34
15Guglielmo Tell, Akt IV: "O muto asil"
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (in 2006)
recording of:
Guglielmo Tell: Atto IV, scena 2. “O muto asil del pianto” (in 2006)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:28
16Guglielmo Tell, Akt IV: "Vendetta!"
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (in 2006)
recording of:
Guglielmo Tell: Atto IV. "Vendetta!" (in 2006)
composer:
Gioachino Rossini (composer)
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:11
17Guglielmo Tell, Akt IV: "Carriam! voliam!"
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (in 2006)
recording of:
Guglielmo Tell: Atto IV. “Corriam! voliam!” (in 2006)
composer:
Gioachino Rossini (composer)
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:20
6▶CD: Außenseiter
7▶CD: Landschaften
8▶CD: Liebesnächte
9▶CD: Bekenntnisse
10▶CD: Visionen
11▶CD: Todesahnung
12▶CD: Grenzerfahrung
13▶CD: Gegenspieler
14▶CD: Paare
15▶CD: Reisen
16▶CD: Gewässer
17▶CD: Verwirrung
18▶CD: Abschied

Credits

Release group

creative direction:Stefan Dimitrov (operatic bass)
Eberhard Wolf