The Black Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Memphis Soul Stew
recorded in:
Memphis, Tennessee, United States (on 1967-07-05)
producer:
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (on 1967-07-05)
bass guitar [bass]:
Tommy Cogbill (on 1967-07-05)
drums (drum set) [drums]:
Gene Chrisman (on 1967-07-05)
guitar:
R.F. Taylor (guitarist) (on 1967-07-05) and Reggie Young (guitarist and songwriter) (on 1967-07-05)
organ:
Bobby Emmons (on 1967-07-05)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1967-07-05)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-07-05), King Curtis (saxophonist) (on 1967-07-05) and Jimmy Mitchell (saxophone) (on 1967-07-05)
trumpet:
Bowlegs Miller (American trumpeter) (on 1967-07-05)
vocals:
King Curtis (saxophonist) (on 1967-07-05)
recording of:
Memphis Soul Stew (on 1967-07-05)
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music (publisher)
King Curtis2:56
2I Feel for You
bass, drum machine and guitar:
Reggie Griffin (in 1984)
chromatic harmonica:
Stevie Wonder (in 1984)
drums (drum set):
Steve Ferrone (in 1984)
keyboard and synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984)
background vocals and lead vocals:
Chaka Khan (in 1984)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 395)
cover recording of:
I Feel for You (in 1984)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:48
3Papa Was Too
Joe Tex2:54
4It’s a Cold, Cold World
Club Nouveau4:36
5Treat Her Right
recording of:
Treat Her Right
writer:
Roy Head and Gene Kurtz
Otis Redding2:07
6Caught Up in the RaptureAnita Baker5:16
7Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:37
8Oh, People
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
Robbie Buchanan (Canadian producer) and Paul Fox (Producer)
additional engineer:
Glen Holguin (engineer), John Boghosian and Thom Panunzio
assistant engineer:
Glen Holguin (engineer), Julie Last and Kraig Miller
producer:
Richard Perry (producer)
bass guitar:
Nathan East
guitar:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
solo piano [acoustic piano]:
Andy Goldmark
synthesizer:
Robbie Buchanan (Canadian producer) and Paul Fox (Producer)
background vocals:
Carla Benson, Evette Benton and Barbara Ingram
lead vocals:
Patti LaBelle
remixer:
Bill Schnee
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1986)
recording of:
Oh, People
writer:
Andrew Goldmark and Bruce Roberts (American singer-songwriter)
Patti LaBelle5:17
9If You Need Me
cover recording of:
If You Need Me
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
Solomon Burke2:32
10Oh SheilaReady for the World44:02
11I’m Gonna Cry
Wilson Pickett2:19
12Always
recording of:
Always
writer:
Keith Diamond and James Ingram (R&B singer)
James Ingram4:16
13Talk to the Man
Sam & Dave3:03
14The Morning After
Curtis Hairston5:11
15Just Out of Reach
Percy Sledge3:32
16Seeekret
Kleeer6:13
17Tell the Truth
cover recording of:
Tell the Truth
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
Ray Charles3:09
2CD
#TitleArtistRatingLength
1Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:20
2Killing Me Softly
Al B. Sure!4:49
3Supernatural Thing (Part I)
Ben E. King44:08
4Nameless
Colonel Abrams55:35
5Love Overboard
recording of:
Love Overboard
writer:
Reggie Calloway
Gladys Knight & the Pips5:26
6You Are Not My Kind of Girl
New Edition4:00
7Don’t Play That Song (You Lied)
recorded in:
New York, New York, United States (on 1962-03-03)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
Jack Lesberg (on 1962-03-03)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1962-03-03)
guitar:
Al Caiola (on 1962-03-03), Charles Macey (on 1962-03-03) and Art Ryerson (on 1962-03-03)
piano:
Robert Mosely (US rhythm & blues singer/songwriter) (on 1962-03-03)
strings [eight strings] and background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-03)
trombone:
Eddie Bert (on 1962-03-03)
vocals:
Ben E. King (on 1962-03-03)
conductor:
Jimmy Haskell (on 1962-03-03)
arranger:
Jimmy Haskell
recording of:
Don’t Play That Song (You Lied) (on 1962-03-03)
writer:
Ahmet Ertegun (US American Songwriter, producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
Aretha Franklin52:48
8Roni
assistant recording engineer:
Don Emerson and John Guggenheim
recording engineer and editor:
Jon Gass
producer:
Babyface (R&B musician Kenny Edmonds) and L.A.
assistant mixer:
Toni Greene (engineer) and Fred Howard (engineer)
mixer:
Babyface (R&B musician Kenny Edmonds), Jon Gass and L.A.
instruments:
Babyface (R&B musician Kenny Edmonds) and L.A.
background vocals:
Babyface (R&B musician Kenny Edmonds), Bobby Brown (R&B singer, New Edition member), Kayo (Kevin Roberson), Daryl Simmons and Karyn White
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
recorded at:
Silverlake Studios in Hollywood, Los Angeles, California, United States
mixed at:
Elumba Recording in Hollywood, Los Angeles, California, United States
recording of:
Roni
writer:
Babyface (R&B musician Kenny Edmonds) and Darnell Bristol (R&B songwriter and producer)
publisher:
Chappell Music Ltd., Hip Chic Music, Hip Trip Music (publisher) and Kear Music (publisher)
Bobby Brown55:58
9Let’s Do It Again
engineer:
Roger Anfinsen and Fred Breitberg
producer:
Curtis Mayfield
arranger:
Gil Askey and Richard Tufo
recorded at:
Curtom Studios in Chicago, Illinois, United States
edit of:
Let’s Do It Again (long version) by The Staple Singers
recording of:
Let’s Do It Again
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
The Staple Singers53:28
10See‐Saw
Don Covay2:57
11Roses Are Red
recording of:
Roses Are Red (Mac Band)
writer:
Antonio Reid and Kenneth Edmonds (R&B musician Kenny Edmonds)
Mac Band5:47
12I Must Be Dreaming
double bass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (in 1955)
drums (drum set):
Jesse Sailes (in 1955)
guitar:
Barney Kessel (in 1955)
piano:
Mike Stoller (in 1955)
tenor saxophone:
Gil Bernal (in 1955)
vocals:
Carl Gardner (in 1955), Bobby Nunn (US doo‐wop/R&B bass vocalist) (in 1955), Billy Richard (of The Robins) (in 1955), Roy Richard (from The Robins) (in 1955) and Ty Terrell (in 1955)
arranger:
Mike Stoller
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (in 1955)
The Coasters2:15
13Girlfriend
recording of:
Girlfriend
writer:
Antonio M. Reid and Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles36:43
14On Broadway
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Jorge Dalto (from 1977-09-30 until 1977-10-02) and Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
vocals:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
live cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (from 1977-09-30 until 1977-10-02)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
George Benson10:03
15The Last Unbroken Heart
performer:
Bill Champlin
Patti LaBelle & Bill Champlin3:53
16I Want Your Love
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic3:28