Mahler: Symphonies Nos. 1, 5, 6, 9 & Lieder

~ Release by Mahler; Sir John Barbirolli, Dame Janet Baker, Hallé Orchestra, Philharmonia Orchestra, Berliner Philharmoniker (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony No. 1 In D major: I. Langsam Schleppend
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (from 1957-06-11 until 1957-06-12)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-06-11 until 1957-06-12)
balance engineer:
John Mosely
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-06-11 until 1957-06-12)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (from 1957-06-11 until 1957-06-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler13:30
2Symphony No. 1 In D major: II. Kräftig bewegt, doch nicht zu schnell (Ländler: Scherzo)
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (from 1957-06-11 until 1957-06-12)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-06-11 until 1957-06-12)
balance engineer:
John Mosely
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-06-11 until 1957-06-12)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (from 1957-06-11 until 1957-06-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:19
3Symphony No. 1 In D major: III. Feierlich und gemessen, ohne zu schleppen
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (from 1957-06-11 until 1957-06-12)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-06-11 until 1957-06-12)
balance engineer:
John Mosely
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-06-11 until 1957-06-12)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (from 1957-06-11 until 1957-06-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:33
4Symphony No. 1 In D major: IV. Stürmisch bewegt
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (from 1957-06-11 until 1957-06-12)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-06-11 until 1957-06-12)
balance engineer:
John Mosely
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-06-11 until 1957-06-12)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (from 1957-06-11 until 1957-06-12)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler19:23
5Symphony No. 6 In A minor: I. Allegro energico, ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08-17 until 1967-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-08-17 until 1967-08-19)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (from 1967-08-17 until 1967-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-08-17 until 1967-08-19)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (from 1967-08-17 until 1967-08-19)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler21:20
2▼CD
#TitleArtistRatingLength
1Symphony No. 6 In A minor: II. Andante
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08-17 until 1967-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-08-17 until 1967-08-19)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (from 1967-08-17 until 1967-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-08-17 until 1967-08-19)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (from 1967-08-17 until 1967-08-19)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler15:59
2Symphony No. 6 In A minor: III. Scherzo (Wuchtig)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-08-16)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-08-16)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1967-08-16)
live recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (on 1967-08-16)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:57
3Symphony No. 6 In A minor: IV. Finale (Allegro moderato)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08-17 until 1967-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-08-17 until 1967-08-19)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (from 1967-08-17 until 1967-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-08-17 until 1967-08-19)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (from 1967-08-17 until 1967-08-19)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler32:48
3▼CD
#TitleArtistRatingLength
1Symphony No. 5 In C-Sharp minor: I. Trauermarsch (In gemessenem Schritt. Wie ein kondukt)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:47
2Symphony No. 5 In C-Sharp minor: II. Stürmisch bewegt (Mit größter Vehemenz)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:15
3Symphony No. 5 In C-Sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler18:04
4Symphony No. 5 In C-Sharp minor: IV. Adagietto (Sehr langsam)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:51
5Symphony No. 5 In C-Sharp minor: V. Rondo-Finale (Allegro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:32
4▼CD
#TitleArtistRatingLength
1Symphony No. 9 In D minor: I. Andante comodo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-01-10 until 1964-01-11) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-01-18, on 1986-01-14)
recording of:
Symphony no. 9 in D major: I. Andante comodo (from 1964-01-10 until 1964-01-18)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler26:51
2Symphony No. 9 In D minor: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-01-10 until 1964-01-11) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-01-18, on 1986-01-14)
recording of:
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb (from 1964-01-10 until 1964-01-18)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler14:53
3Symphony No. 9 In D minor: III. Rondo-Burleske (Allegro assai. Sehr trotzig)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-01-10 until 1964-01-11) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-01-18, on 1986-01-14)
recording of:
Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig (from 1964-01-10 until 1964-01-18)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler13:39
4Symphony No. 9 In D minor: IV. Adagio - Sehr langsam und noch zurückhaltend
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-01-10 until 1964-01-11, on 1964-01-14, on 1964-01-18)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-01-10 until 1964-01-11) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-01-18, on 1986-01-14)
recording of:
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend (from 1964-01-10 until 1964-01-18)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler23:03
5▼CD
#TitleArtistRatingLength
1Lieder Eines Fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:20
2Lieder Eines Fahrenden Gesellen: II. Ging heut' Morgen über's Feld
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:44
3Lieder Eines Fahrenden Gesellen: III. Ich hab' ein glühend Messer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:34
4Lieder Eines Fahrenden Gesellen: IV. Die zwei blauen Augen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1967-05-04)
orchestra:
Hallé Orchestra (on 1967-05-04)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-05-04)
balance engineer:
Neville Boyling (engineer) (on 1967-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-04)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (on 1967-05-04)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:08
5Rückert-Lieder: V. Ich bin der Welt abhanden gekommen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:58
6Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:58
7Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:13
8Kindertotenlieder: III. Wenn dein Mütterlein tritt zur Tür herein
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:21
9Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:09
10Kindertotenlieder: V. In diesem Wetter, in diesem Braus
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler7:45
11Rückert-Lieder: I. Blicke mir nicht in die Lieder!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 39)
part of:
Rückert-Lieder
Gustav Mahler1:35
12Rückert-Lieder: II. Ich atmet' einen linden Duft!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:42
13Rückert-Lieder: III. Um Mitternacht
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: IV. Um Mitternacht (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
Gustav Mahler5:53
14Rückert-Lieder: IV. Liebst du um Schönheit
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: V. Liebst du um Schönheit (from 1969-07-17 until 1969-07-18)
orchestrator:
Max Puttmann
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer) (in 1902-08)
premiered at:
[concert] (1907-02-08)
part of:
Gustav Mahler Werke (number: GMW 43)
part of:
Rückert-Lieder
Gustav Mahler2:27
15Rückert-Lieder: V. Ich bin der Welt abhanden gekommen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:50