Bass on Top (mono)

~ Release by Paul Chambers Quartet (see all versions of this release, 33 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Yesterdays
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental cover recording of:
Yesterdays (on 1957-07-14)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Paul Chambers5:55
A2You'd Be So Nice to Come Home To
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1957-07-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Paul Chambers7:18
A3Chasin' the Bird
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
cover recording of:
Chasing the Bird (on 1957-07-14)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Paul Chambers6:20
B1Dear Old Stockholm
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
Dear Old Stockholm (on 1957-07-14)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
Paul Chambers6:45
B2The Theme
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
cover recording of:
The Theme (on 1957-07-14)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Paul Chambers6:15
B3Confessin'
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-07-14)
cover recording of:
I’m Confessin’ (That I Love You) (on 1957-07-14)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
Paul Chambers4:12