The Chronological Classics: Billy Eckstine and His Orchestra 1944-1945

~ Veröffentlichung von Billy Eckstine and His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1I’ve Got a Date With Rhythm
recorded in:
New York, New York, Vereinigte Staaten (am 1944-04-13)
alto saxophone:
Albert "Budd" Johnson (am 1944-04-13) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1944-04-13)
baritone saxophone:
Elman "Rudy" Rutherford (saxophone/clarinet) (am 1944-04-13)
Gitarre:
Connie Wainwright (am 1944-04-13)
Klavier:
Clyde Hart (am 1944-04-13)
Kontrabass:
Oscar Pettiford (am 1944-04-13)
Posaune:
Claude Jones (am 1944-04-13), Howard Scott (trombonist active in the 1940s/50s) (am 1944-04-13) und Trummy Young (am 1944-04-13)
Schlagzeug:
Rossiere "Shadow" Wilson (am 1944-04-13)
Tenorsaxophon:
Thomas Crump (am 1944-04-13) und Wardell Gray (am 1944-04-13)
Trompete:
Al Killian (am 1944-04-13) und Freddie Webster (am 1944-04-13)
vocals:
Billy Eckstine (am 1944-04-13)
Interpret(in):
Billy Eckstein With Deluxe All Star Band (am 1944-04-13)
2:59
2I Stay in the Mood for You
recorded in:
New York, New York, Vereinigte Staaten (am 1944-04-13)
alto saxophone:
Albert "Budd" Johnson (am 1944-04-13), Jimmy Powel (am 1944-04-13) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1944-04-13)
baritone saxophone:
Elman "Rudy" Rutherford (saxophone/clarinet) (am 1944-04-13)
Gitarre:
Connie Wainwright (am 1944-04-13)
Klavier:
Clyde Hart (am 1944-04-13)
Kontrabass:
Oscar Pettiford (am 1944-04-13)
Posaune:
Claude Jones (am 1944-04-13), Howard Scott (trombonist active in the 1940s/50s) (am 1944-04-13) und Trummy Young (am 1944-04-13)
Schlagzeug:
Rossiere "Shadow" Wilson (am 1944-04-13)
Tenorsaxophon:
Wardell Gray (am 1944-04-13) und Tommy Crump (am 1944-04-13)
Trompete:
Dizzy Gillespie (am 1944-04-13), Al Killian (am 1944-04-13), Shorty McConnell (am 1944-04-13), Freddie Webster (am 1944-04-13) und Freddy Webster (am 1944-04-13)
Sologesang:
Billy Eckstine (am 1944-04-13)
vocals und conductor:
Billy Eckstine (am 1944-04-13)
Orchester:
Billy Eckstine With Deluxe All Stars (am 1944-04-13)
Interpret(in):
Billy Eckstein With Deluxe All Star Band (am 1944-04-13)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
3:01
3Good Jelly Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1944-04-13)
alto saxophone:
Albert "Budd" Johnson (am 1944-04-13), Jimmy Powel (am 1944-04-13) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1944-04-13)
baritone saxophone:
Elman "Rudy" Rutherford (saxophone/clarinet) (am 1944-04-13)
Gitarre:
Connie Wainwright (am 1944-04-13)
Klavier:
Clyde Hart (am 1944-04-13)
Kontrabass:
Oscar Pettiford (am 1944-04-13)
Posaune:
Claude Jones (am 1944-04-13), Howard Scott (trombonist active in the 1940s/50s) (am 1944-04-13) und Trummy Young (am 1944-04-13)
Schlagzeug:
Rossiere "Shadow" Wilson (am 1944-04-13)
Tenorsaxophon:
Thomas Crump (am 1944-04-13) und Wardell Gray (am 1944-04-13)
Trompete:
Dizzy Gillespie (am 1944-04-13), Al Killian (am 1944-04-13), Shorty McConnell (am 1944-04-13), Freddie Webster (am 1944-04-13) und Freddy Webster (am 1944-04-13)
vocals und conductor:
Billy Eckstine (am 1944-04-13)
Orchester:
Billy Eckstine With Deluxe All Stars (am 1944-04-13)
Interpret(in):
Billy Eckstein With Deluxe All Star Band (am 1944-04-13)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
2:56
4If That’s the Way You Feel
recorded in:
New York, New York, Vereinigte Staaten (am 1944-09-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (am 1944-09-05) und John Jackson (American jazz saxophonist) (am 1944-09-05)
baritone saxophone:
Leo Parker (am 1944-09-05)
Gitarre:
Connie Wainwright (am 1944-09-05)
Klavier:
John Malachi (am 1944-09-05)
Kontrabass:
Tommy Potter (am 1944-09-05)
Posaune:
Alfred “Chippy” Outcalt (am 1944-09-05), Taswell Baird (am 1944-09-05), Howard Scott (trombonist active in the 1940s/50s) (am 1944-09-05) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1944-09-05)
Schlagzeug:
Art Blakey (am 1944-09-05)
Tenorsaxophon:
Gene Ammons (am 1944-09-05), Taswell Baird (am 1944-09-05) und Dexter Gordon (am 1944-09-05)
Trompete:
Boonie Haze (am 1944-09-05), Gail Brockman (Jazz trumpet player) (am 1944-09-05), Dizzy Gillespie (am 1944-09-05) und Shorty McConnell (am 1944-09-05)
vocals:
Billy Eckstine (am 1944-09-05) und Sarah Vaughan (am 1944-09-05)
Orchester:
Billy Eckstine and His Orchestra (am 1944-09-05)
conductor:
Billy Eckstine (am 1944-09-05)
arranger:
Tadd Dameron
2:43
5I Want to Talk About You
recorded in:
New York, New York, Vereinigte Staaten (am 1944-09-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (am 1944-09-05) und John Jackson (American jazz saxophonist) (am 1944-09-05)
baritone saxophone:
Leo Parker (am 1944-09-05)
Gitarre:
Connie Wainwright (am 1944-09-05)
Klavier:
John Malachi (am 1944-09-05)
Kontrabass:
Tommy Potter (am 1944-09-05)
Posaune:
Alfred “Chippy” Outcalt (am 1944-09-05), Taswell Baird (am 1944-09-05), Howard Scott (trombonist active in the 1940s/50s) (am 1944-09-05) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1944-09-05)
Schlagzeug:
Art Blakey (am 1944-09-05)
Tenorsaxophon:
Gene Ammons (am 1944-09-05), Taswell Baird (am 1944-09-05) und Dexter Gordon (am 1944-09-05)
Trompete:
Boonie Haze (am 1944-09-05), Gail Brockman (Jazz trumpet player) (am 1944-09-05), Dizzy Gillespie (am 1944-09-05) und Shorty McConnell (am 1944-09-05)
vocals und conductor:
Billy Eckstine (am 1944-09-05)
Orchester:
Billy Eckstine and His Orchestra (am 1944-09-05)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
2:41
6Blowing the Blues Away
recorded in:
New York, New York, Vereinigte Staaten (am 1944-09-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (am 1944-09-05) und John Jackson (American jazz saxophonist) (am 1944-09-05)
baritone saxophone:
Leo Parker (am 1944-09-05)
Gitarre:
Connie Wainwright (am 1944-09-05)
Klavier:
John Malachi (am 1944-09-05)
Kontrabass:
Tommy Potter (am 1944-09-05)
Posaune:
Alfred “Chippy” Outcalt (am 1944-09-05), Taswell Baird (am 1944-09-05), Howard Scott (trombonist active in the 1940s/50s) (am 1944-09-05) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1944-09-05)
Schlagzeug:
Art Blakey (am 1944-09-05)
Tenorsaxophon:
Gene Ammons (am 1944-09-05), Taswell Baird (am 1944-09-05) und Dexter Gordon (am 1944-09-05)
Trompete:
Boonie Haze (am 1944-09-05), Gail Brockman (Jazz trumpet player) (am 1944-09-05), Dizzy Gillespie (am 1944-09-05) und Shorty McConnell (am 1944-09-05)
vocals und conductor:
Billy Eckstine (am 1944-09-05)
Orchester:
Billy Eckstine and His Orchestra (am 1944-09-05)
arranger:
Gerald Valentine (trombone, aka Jerry Valentine)
recording of:
Blowing the Blues Away (am 1944-09-05)
Texter:
Billy Eckstine
Komponist(in):
Jerry Valentine (trombone, aka Jerry Valentine)
3:14
7Opus X
recorded in:
New York, New York, Vereinigte Staaten (am 1944-12-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (am 1944-12-05) und John Jackson (American jazz saxophonist) (am 1944-12-05)
baritone saxophone:
Leo Parker (am 1944-12-05)
Gitarre:
Connie Wainwright (am 1944-12-05)
Klavier:
John Malachi (am 1944-12-05)
Kontrabass:
Tommy Potter (am 1944-12-05)
Posaune:
Alfred “Chippy” Outcalt (am 1944-12-05), Taswell Baird (am 1944-12-05), Howard Scott (trombonist active in the 1940s/50s) (am 1944-12-05) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1944-12-05)
Schlagzeug:
Art Blakey (am 1944-12-05)
Tenorsaxophon:
Gene Ammons (am 1944-12-05), Taswell Baird (am 1944-12-05) und Dexter Gordon (am 1944-12-05)
Trompete:
Boonie Hazel (am 1944-12-05), Gail Brockman (Jazz trumpet player) (am 1944-12-05), Dizzy Gillespie (am 1944-12-05) und Shorty McConnell (am 1944-12-05)
vocals und conductor:
Billy Eckstine (am 1944-12-05)
Orchester:
Billy Eckstine and His Orchestra (am 1944-12-05)
2:40
8I’ll Wait and Pray
recorded in:
New York, New York, Vereinigte Staaten (am 1944-12-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (am 1944-12-05) und John Jackson (American jazz saxophonist) (am 1944-12-05)
baritone saxophone:
Leo Parker (am 1944-12-05)
Gitarre:
Connie Wainwright (am 1944-12-05)
Klavier:
John Malachi (am 1944-12-05)
Kontrabass:
Tommy Potter (am 1944-12-05)
Posaune:
Alfred “Chippy” Outcalt (am 1944-12-05), Taswell Baird (am 1944-12-05), Howard Scott (trombonist active in the 1940s/50s) (am 1944-12-05) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1944-12-05)
Schlagzeug:
Art Blakey (am 1944-12-05)
Tenorsaxophon:
Gene Ammons (am 1944-12-05), Taswell Baird (am 1944-12-05) und Dexter Gordon (am 1944-12-05)
Trompete:
Boonie Hazel (am 1944-12-05), Gail Brockman (Jazz trumpet player) (am 1944-12-05), Dizzy Gillespie (am 1944-12-05) und Shorty McConnell (am 1944-12-05)
vocals und conductor:
Billy Eckstine (am 1944-12-05)
Orchester:
Billy Eckstine and His Orchestra (am 1944-12-05)
2:59
9The Real Thing Happened to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1944-12-05)
alto saxophone:
Bill Frazier (jazz saxophonist) (am 1944-12-05) und John Jackson (American jazz saxophonist) (am 1944-12-05)
baritone saxophone:
Leo Parker (am 1944-12-05)
Gitarre:
Connie Wainwright (am 1944-12-05)
Klavier:
John Malachi (am 1944-12-05)
Kontrabass:
Tommy Potter (am 1944-12-05)
Posaune:
Alfred “Chippy” Outcalt (am 1944-12-05), Taswell Baird (am 1944-12-05), Howard Scott (trombonist active in the 1940s/50s) (am 1944-12-05) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1944-12-05)
Schlagzeug:
Art Blakey (am 1944-12-05)
Tenorsaxophon:
Gene Ammons (am 1944-12-05), Taswell Baird (am 1944-12-05) und Dexter Gordon (am 1944-12-05)
Trompete:
Boonie Hazel (am 1944-12-05), Gail Brockman (Jazz trumpet player) (am 1944-12-05), Dizzy Gillespie (am 1944-12-05) und Shorty McConnell (am 1944-12-05)
vocals und conductor:
Billy Eckstine (am 1944-12-05)
Orchester:
Billy Eckstine and His Orchestra (am 1944-12-05)
2:45
10Lonesome Lover Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (am 1945-05-02) und Sonny Stitt (am 1945-05-02)
baritone saxophone:
Leo Parker (am 1945-05-02)
Gitarre:
Connie Wainwright (am 1945-05-02)
Klavier:
John Malachi (am 1945-05-02)
Kontrabass:
Tommy Potter (am 1945-05-02)
Posaune:
Alfred “Chippy” Outcalt (am 1945-05-02), Taswell Baird (am 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (am 1945-05-02) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1945-05-02)
Schlagzeug:
Art Blakey (am 1945-05-02)
Tenorsaxophon:
Gene Ammons (am 1945-05-02), Taswell Baird (am 1945-05-02) und Dexter Gordon (am 1945-05-02)
Trompete:
“Shorty” Connel (am 1945-05-02), Boonie Hazel (am 1945-05-02), Gail Brockman (Jazz trumpet player) (am 1945-05-02) und Fats Navarro (am 1945-05-02)
Ventilposaune:
Billy Eckstine (am 1945-05-02)
vocals und conductor:
Billy Eckstine (am 1945-05-02)
Orchester:
Billy Eckstine and His Orchestra (am 1945-05-02)
recording of:
Lonesome Lover Blues
Texter und Komponist(in):
Billy Eckstine
2:51
11A Cottage for Sale
recorded in:
New York, New York, Vereinigte Staaten (am 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (am 1945-05-02) und Sonny Stitt (am 1945-05-02)
baritone saxophone:
Leo Parker (am 1945-05-02)
Gitarre:
Connie Wainwright (am 1945-05-02)
Klavier:
John Malachi (am 1945-05-02)
Kontrabass:
Tommy Potter (am 1945-05-02)
Posaune:
Alfred “Chippy” Outcalt (am 1945-05-02), Taswell Baird (am 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (am 1945-05-02) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1945-05-02)
Schlagzeug:
Art Blakey (am 1945-05-02)
Tenorsaxophon:
Gene Ammons (am 1945-05-02), Taswell Baird (am 1945-05-02) und Dexter Gordon (am 1945-05-02)
Trompete:
“Shorty” Connel (am 1945-05-02), Boonie Hazel (am 1945-05-02), Gail Brockman (Jazz trumpet player) (am 1945-05-02) und Fats Navarro (am 1945-05-02)
Ventilposaune:
Billy Eckstine (am 1945-05-02)
vocals und conductor:
Billy Eckstine (am 1945-05-02)
Orchester:
Billy Eckstine and His Orchestra (am 1945-05-02)
cover recording of:
A Cottage for Sale (am 1945-05-02)
Texter:
Larry Conley (jazz bandleader/songwriter/trombonist)
Komponist(in):
Willard Robison
publisher:
Chappell & Co.
2:50
12I Love the Rhythm in a Riff
recorded in:
New York, New York, Vereinigte Staaten (am 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (am 1945-05-02) und Sonny Stitt (am 1945-05-02)
baritone saxophone:
Leo Parker (am 1945-05-02)
Gitarre:
Connie Wainwright (am 1945-05-02)
Klavier:
John Malachi (am 1945-05-02)
Kontrabass:
Tommy Potter (am 1945-05-02)
Posaune:
Alfred "Chippy" Outcalt (am 1945-05-02), Taswell Baird (am 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (am 1945-05-02) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1945-05-02)
Schlagzeug:
Art Blakey (am 1945-05-02)
Tenorsaxophon:
Gene Ammons (am 1945-05-02), Taswell Baird (am 1945-05-02) und Dexter Gordon (am 1945-05-02)
Trompete:
“Shorty” Connel (am 1945-05-02), Boonie Hazel (am 1945-05-02), Gail Brockman (Jazz trumpet player) (am 1945-05-02) und Fats Navarro (am 1945-05-02)
Ventilposaune:
Billy Eckstine (am 1945-05-02)
vocals und conductor:
Billy Eckstine (am 1945-05-02)
Orchester:
Billy Eckstine and His Orchestra (am 1945-05-02)
2:53
13Last Night
recorded in:
New York, New York, Vereinigte Staaten (am 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (am 1945-05-02) und Sonny Stitt (am 1945-05-02)
baritone saxophone:
Leo Parker (am 1945-05-02)
Gitarre:
Connie Wainwright (am 1945-05-02)
Klavier:
John Malachi (am 1945-05-02)
Kontrabass:
Tommy Potter (am 1945-05-02)
Posaune:
Alfred “Chippy” Outcalt (am 1945-05-02), Taswell Baird (am 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (am 1945-05-02) und Gerald Valentine (trombone, aka Jerry Valentine) (am 1945-05-02)
Schlagzeug:
Art Blakey (am 1945-05-02)
Tenorsaxophon:
Gene Ammons (am 1945-05-02), Taswell Baird (am 1945-05-02) und Dexter Gordon (am 1945-05-02)
Trompete:
“Shorty” Connel (am 1945-05-02), Boonie Hazel (am 1945-05-02), Gail Brockman (Jazz trumpet player) (am 1945-05-02) und Fats Navarro (am 1945-05-02)
Ventilposaune:
Billy Eckstine (am 1945-05-02)
vocals und conductor:
Billy Eckstine (am 1945-05-02)
Orchester:
Billy Eckstine and His Orchestra (am 1945-05-02)
3:04
14My Deep Blue Dream
recorded in:
New York, New York, Vereinigte Staaten (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) und John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
Gitarre:
Connie Wainwright (in 1945-09)
Klavier:
Richard Ellington (in 1945-09)
Kontrabass:
Tommy Potter (in 1945-09)
Posaune:
Alfred “Chippy” Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
Schlagzeug:
Art Blakey (in 1945-09)
Tenorsaxophon:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) und Arthur Simmons (in 1945-09)
Trompete:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) und Raymond Orr (in 1945-09)
vocals und conductor:
Billy Eckstine (in 1945-09)
Orchester:
Billy Eckstine and His Orchestra (in 1945-09)
recording of:
My Deep Blue Dream
Texter:
Spence Andrews
Komponist(in):
Dave Rivera (jazz pianist)
publisher:
Colgems-EMI Music Inc.
3:02
15Prisoner of Love
recorded in:
New York, New York, Vereinigte Staaten (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) und John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
Gitarre:
Connie Wainwright (in 1945-09)
Klavier:
Richard Ellington (in 1945-09)
Kontrabass:
Tommy Potter (in 1945-09)
Posaune:
Alfred “Chippy” Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
Schlagzeug:
Art Blakey (in 1945-09)
Tenorsaxophon:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) und Arthur Simmons (in 1945-09)
Trompete:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) und Raymond Orr (in 1945-09)
vocals und conductor:
Billy Eckstine (in 1945-09)
Orchester:
Billy Eckstine and His Orchestra (in 1945-09)
2:57
16A Penny for Your Thoughts
recorded in:
New York, New York, Vereinigte Staaten (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) und John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
Gitarre:
Connie Wainwright (in 1945-09)
Klavier:
Richard Ellington (in 1945-09)
Kontrabass:
Tommy Potter (in 1945-09)
Posaune:
Alfred “Chippy” Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
Schlagzeug:
Art Blakey (in 1945-09)
Tenorsaxophon:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) und Arthur Simmons (in 1945-09)
Trompete:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) und Raymond Orr (in 1945-09)
vocals und conductor:
Billy Eckstine (in 1945-09)
Orchester:
Billy Eckstine and His Orchestra (in 1945-09)
2:59
17I Ain’t Like That No More
recorded in:
New York, New York, Vereinigte Staaten (in 1945-09)
alto saxophone:
Albert "Budd" Johnson (in 1945-09) und John Cobbs (in 1945-09)
baritone saxophone:
Teddy Cypron (in 1945-09)
Gitarre:
Connie Wainwright (in 1945-09)
Klavier:
Richard Ellington (in 1945-09)
Kontrabass:
Tommy Potter (in 1945-09)
Posaune:
Alfred "Chippy" Outcalt (in 1945-09), Walter Knox (in 1945-09), Howard Scott (trombonist active in the 1940s/50s) (in 1945-09), Gerald Valentine (in 1945-09) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-09)
Schlagzeug:
Art Blakey (in 1945-09)
Tenorsaxophon:
Gene Ammons (in 1945-09), Arthur Sammons (in 1945-09) und Arthur Simmons (in 1945-09)
Trompete:
Boonie Hazel (in 1945-09), Shorty McConnell (in 1945-09), Fats Navarro (in 1945-09) und Raymond Orr (in 1945-09)
vocals und conductor:
Billy Eckstine (in 1945-09)
Orchester:
Billy Eckstine and His Orchestra (in 1945-09)
2:55
18I’m in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) und John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
Gitarre:
Connie Wainwright (in 1945-10)
Klavier:
Richard Ellington (in 1945-10)
Kontrabass:
Tommy Potter (in 1945-10)
Posaune:
Alfred “Chippy” Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
Schlagzeug:
Art Blakey (in 1945-10)
Tenorsaxophon:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) und Arthur Simmons (in 1945-10)
Trompete:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) und Raymond Orr (in 1945-10)
vocals und conductor:
Billy Eckstine (in 1945-10)
Orchester:
Billy Eckstine and His Orchestra (in 1945-10)
cover recording of:
I’m in the Mood for Love (in 1945-10)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:58
19You Call It Madness
recorded in:
New York, New York, Vereinigte Staaten (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) und John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
Gitarre:
Connie Wainwright (in 1945-10)
Klavier:
Richard Ellington (in 1945-10)
Kontrabass:
Tommy Potter (in 1945-10)
Posaune:
Alfred “Chippy” Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
Schlagzeug:
Art Blakey (in 1945-10)
Tenorsaxophon:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) und Arthur Simmons (in 1945-10)
Trompete:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) und Raymond Orr (in 1945-10)
vocals und conductor:
Billy Eckstine (in 1945-10)
Orchester:
Billy Eckstine and His Orchestra (in 1945-10)
3:04
20All I Sing Is the Blues
recorded in:
New York, New York, Vereinigte Staaten (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) und John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
Gitarre:
Connie Wainwright (in 1945-10)
Klavier:
Richard Ellington (in 1945-10)
Kontrabass:
Tommy Potter (in 1945-10)
Posaune:
Alfred "Chippy" Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
Schlagzeug:
Art Blakey (in 1945-10)
Tenorsaxophon:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) und Arthur Simmons (in 1945-10)
Trompete:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) und Raymond Orr (in 1945-10)
vocals und conductor:
Billy Eckstine (in 1945-10)
Orchester:
Billy Eckstine and His Orchestra (in 1945-10)
2:52
21Long Long Journey
recorded in:
New York, New York, Vereinigte Staaten (in 1945-10)
alto saxophone:
Albert "Budd" Johnson (in 1945-10) und John Cobbs (in 1945-10)
baritone saxophone:
Teddy Cypron (in 1945-10)
Gitarre:
Connie Wainwright (in 1945-10)
Klavier:
Richard Ellington (in 1945-10)
Kontrabass:
Tommy Potter (in 1945-10)
Posaune:
Alfred “Chippy” Outcalt (in 1945-10), Walter Knox (in 1945-10), Howard Scott (trombonist active in the 1940s/50s) (in 1945-10), Gerald Valentine (in 1945-10) und Gerald Valentine (trombone, aka Jerry Valentine) (in 1945-10)
Schlagzeug:
Art Blakey (in 1945-10)
Tenorsaxophon:
Gene Ammons (in 1945-10), Arthur Sammons (in 1945-10) und Arthur Simmons (in 1945-10)
Trompete:
Boonie Hazel (in 1945-10), Shorty McConnell (in 1945-10), Fats Navarro (in 1945-10) und Raymond Orr (in 1945-10)
vocals und conductor:
Billy Eckstine (in 1945-10)
Orchester:
Billy Eckstine and His Orchestra (in 1945-10)
3:08

Nennungen

Veröffentlichung

ASIN:FR: B00007GXEU [Info]

Veröffentlichungsgruppe

Teil von:The Chronological Classics (Nummer: 914) (Reihenfolge: 423)
Discogs:https://www.discogs.com/master/2704805 [Info]