Close Up

~ Release by Elvis Presley (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1(There’ll Be) Peace in the Valley (for Me) (master, take 9)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
cover recording of:
There’ll Be Peace in the Valley for Me (on 1957-01-13)
publisher:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (on 1939-01-25)
lyricist and composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:29
2I Beg of You (take 11)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
cover recording of:
I Beg of You (on 1957-01-13)
writer:
Rose Marie McCoy and Kelly Owens (US pianist and organist)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
1:58
3That’s When Your Heartaches Begin (take 2)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
cover recording of:
That’s When Your Heartaches Begin (on 1957-01-13)
writer:
Fred Fisher, Billy Hill (US songwriter) and William Raskin
publisher:
Fred Fisher Music Co., Inc. and Sony/ATV Tunes LLC (ASCAP)
3:45
4It Is No Secret (What God Can Do) (master, take 13)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-19)
cover recording of:
It Is No Secret (on 1957-01-19)
lyricist and composer:
Stuart Hamblen
publisher:
Duchess Music Corporation (BMI-affiliated), Hamblen Music, MCA Music Ltd. and Songs of Universal, Inc. (BMI)
3:56
5Blueberry Hill (master, take 9)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-19)
cover recording of:
Blueberry Hill (on 1957-01-19)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
2:41
6Have I Told You Lately That I Love You (master, take 15)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-19)
cover recording of:
Have I Told You Lately That I Love You? (on 1957-01-19)
lyricist and composer:
Scott Wiseman (in 1945)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Leeds Music Ltd. (in 1982)
2:36
7Is It So Strange (master, take 12)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-19)
cover recording of:
Is It So Strange (on 1957-01-19)
lyricist and composer:
Faron Young
publisher:
Chappell & Co., Inc. (USA), Elvis Presley Music, Elvis Presley Music Inc., Johnny Bienstock Music and Unichappell Music
2:34
8Loving You (fast version, take 5)
engineer:
Thorne Nogar
phonographic copyright (℗) by:
BMG Heritage
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-02-14)
cover recording of:
Loving You (on 1957-02-14)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
1:38
9Loving You (fast version, take 15)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-02-14)
cover recording of:
Loving You (on 1957-02-14)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
1:36
10Jailhouse Rock (master)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-04-30)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
3:21
11Treat Me Nice (first movie version, take 19)
engineer:
Thorne Nogar
phonographic copyright (℗) by:
BMG Heritage
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-04-30)
recording of:
Treat Me Nice (on 1957-04-30)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:12
12Young and Beautiful (record master, takes 21, 22)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-04-30)
cover recording of:
Young and Beautiful (on 1957-04-30)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) and Rachel’s Own Music
3:27
13Young and Beautiful (solo master, take 3)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-04-30)
cover recording of:
Young and Beautiful (on 1957-04-30)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) and Rachel’s Own Music
1:32
14Young and Beautiful (nightclub master, take 7)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-04-30)
cover recording of:
Young and Beautiful (on 1957-04-30)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) and Rachel’s Own Music
1:06
15I Want to Be Free (movie version, take 11)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-05-03)
cover recording of:
I Want to Be Free (on 1957-05-03)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
2:15
16I Want to Be Free (record master, take 11)
engineer:
Thorne Nogar
piano:
Mike Stoller (on 1957-05-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-05-03)
cover recording of:
I Want to Be Free (on 1957-05-03)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
2:18
17Treat Me Nice (second movie version, take 13)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-05-03)
recording of:
Treat Me Nice (on 1957-05-03)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:41
18Don’t Leave Me Now (Elvis piano version, first version)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-05-03)
cover recording of:
Don’t Leave Me Now (on 1957-05-03)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
1:47
19Don’t Leave Me Now (movie version, second version)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-05-03)
cover recording of:
Don’t Leave Me Now (on 1957-05-03)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
2:00
20(You’re So Square) Baby I Don’t Care (take 1)
engineer:
Thorne Nogar
bass and piano:
Elvis Presley (“The King of Rock and Roll”) (on 1957-05-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-05-03)
cover recording of:
(You’re So Square) Baby I Don’t Care (on 1957-05-03)
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:15
2▼CD: Unreleased Movie Gems
#TitleRatingLength
1G.I. Blues (take 6)
engineer:
Al Schmitt
drums (drum set):
Frank Bode (drums) (on 1960-04-27)
phonographic copyright (℗) by:
BMG Heritage
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1960-04-27)
recording of:
G.I. Blues (on 1960-04-27)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Cherry Lane Music Publishing Company Inc. and Chrysalis Music (music publisher, ASCAP-affiliated)
2:49
2Doin’ the Best I Can (takes 10, 11, 12)
engineer:
Al Schmitt
drums (drum set):
Frank Bode (drums) (on 1960-04-27)
phonographic copyright (℗) by:
BMG Heritage
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1960-04-27)
cover recording of:
Doin’ the Best I Can (on 1960-04-27)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Chrysalis Songs and R&H Music
4:35
3Wooden Heart (take 1)
engineer:
Al Schmitt
drums (drum set):
Frank Bode (drums) (on 1960-04-28)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1960-04-28)
recording of:
Wooden Heart (on 1960-04-28)
lyricist:
Ben Weisman and Fred Wise
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter) and Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
2:09
4Pocketful of Rainbows (takes 15, 16)
engineer:
Al Schmitt
drums (drum set):
Frank Bode (drums) (on 1960-04-28)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1960-04-28)
recording of:
Pocketful of Rainbows (on 1960-04-28)
lyricist and composer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co. and Spirit Two Music Inc.
3:42
5Shoppin’ Around (takes 4, 5)
engineer:
Thorne Nogar
drums (drum set):
Bernie Mattinson (on 1960-05-06)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-06)
cover recording of:
Shoppin’ Around (on 1960-05-06)
writer:
Roy C. Bennett (US songwriter), Aaron Schroeder (1950s~1960s US songwriter) and Sid Tepper
publisher:
Holly-Hill Music Publishing Co. and Rachel’s Own Music
2:48
6Frankfort Special (takes 4, 5)
engineer:
Thorne Nogar
drums (drum set):
Bernie Mattinson (on 1960-05-06)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-06)
cover recording of:
Frankfort Special (on 1960-05-06)
writer:
Sherman Edwards and Sid Wayne
publisher:
Chrysalis Songs
4:29
7Big Boots (fast version, take 1)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-06)
recording of:
Big Boots (on 1960-05-06)
writer:
Sherman Edwards and Sid Wayne
publisher:
Holly-Hill Music Publishing Co.
1:10
8Tonight’s All Right for Love (takes 14, 15)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-05-06)
recording of:
Tonight Is So Right for Love (on 1960-05-06)
writer:
Abner Silver and Sid Wayne
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music and Holly-Hill Music Publishing Co.
1:54
9Summer Kisses, Winter Tears (take 2)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-08-08)
cover recording of:
Summer Kisses, Winter Tears (on 1960-08-08)
writer:
Jack Lloyd (songwriter), Ben Weisman and Fred Wise
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Spirit Two Music Inc.
2:43
10Flaming Star (take 2)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-10-07)
recording of:
Flaming Star (on 1960-10-07)
lyricist:
Sid Wayne
composer:
Sherman Edwards
publisher:
Holly-Hill Music Publishing Co. and Gladys Music Inc. (from 1960 to present)
2:30
11Lonely Man (solo version, take 3)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-07)
cover recording of:
Lonely Man (on 1960-11-07)
writer:
Bennie Benjamin and Sol Marcus
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
2:10
12In My Way (take 2)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-07)
recording of:
In My Way (on 1960-11-07)
writer:
Ben Weisman and Fred Wise
publisher:
Erika Publishing, Gladys Music and Spirit Two Music Inc.
1:28
13Forget Me Never (take 1)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-07)
recording of:
Forget Me Never (on 1960-11-07)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co., Chrysalis Music (music publisher, ASCAP-affiliated) and Williamson Music Company
1:33
14Wild in the Country (takes 1, 14)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-07)
cover recording of:
Wild in the Country (on 1960-11-07)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Carlin Music Corporation and The Songwriters Guild
2:57
15Lonely Man (take 1)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-07)
cover recording of:
Lonely Man (on 1960-11-07)
writer:
Bennie Benjamin and Sol Marcus
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
3:27
16I Slipped, I Stumbled, I Fell (takes 14, 15, 16)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1960-11-08)
cover recording of:
I Slipped, I Stumbled, I Fell (on 1960-11-08)
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co., Inc. (USA), Spirit Two Music Inc. and Williamson Music Company
2:59
17Aloha oe (take 1)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-21)
cover recording of:
Aloha ʻOe (on 1961-03-21)
composer:
Liliʻuokalani (Hawaiian Queen)
publisher:
Elvis Presley Music
1:16
18Hawaiian Sunset (take 3)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-21)
recording of:
Hawaiian Sunset (on 1961-03-21)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
3:04
19Ku‐U‐I‐Po (takes 6, 7)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-21)
cover recording of:
Ku u i po (on 1961-03-21)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Abilene Music Inc. and The Songwriters Guild
2:59
20No More (take 11)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-21)
cover recording of:
No More (on 1961-03-21)
writer:
Hal Blair and Don Robertson (composer & instrumentalist)
composer:
Sebastián Iradier (Best know for “La paloma”)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Don Robertson Music Corp. and Gladys Music Inc.
translated version of:
La paloma (Spanish original)
2:25
21Slicin’ Sand (takes 6, 7)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-21)
cover recording of:
Slicin’ Sand (on 1961-03-21)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
3:09
22Steppin’ Out of Line (take 15)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-22)
recording of:
Steppin’ Out of Line (on 1961-03-22)
writer:
Dolores Fuller, Ben Weisman and Fred Wise
publisher:
Bienstock Publishing Company (ASCAP affiliated), Chappell & Co., Erika Publishing, Gladys Music Inc. and Spirit Two Music Inc.
1:57
23Almost Always True (take 3)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-22)
recording of:
Almost Always True (on 1961-03-22)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co. and Spirit Two Music Inc.
2:27
24Moonlight Swim (edited, take 4)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-22)
cover recording of:
Moonlight Swim (on 1961-03-22)
writer:
Sylvia Dee (American lyricist) and Ben Weisman
publisher:
Blen Music, Edward Proffitt Music and Warner/Chappell Music, Inc.
version of:
Par une nuit d'été
2:11
25Can’t Help Falling in Love (takes 14, 15, 16)
engineer:
Thorne Nogar
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1961-03-23)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
3:11
3▼CD
#TitleRatingLength
1Make Me Know It (take 1)
cover recording of:
Make Me Know It (on 1960-03-20)
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music and R&H Music
2:20
2Soldier Boy (take 10)
cover recording of:
Soldier Boy (on 1960-03-20)
writer:
David Jones and Theodore Williams
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:01
3It Feels So Right (take 1)
phonographic copyright (℗) by:
BMG Heritage
cover recording of:
It Feels So Right (on 1960-03-20)
writer:
Ben Weisman and Fred Wise
publisher:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. and Spirit Two Music Inc.
2:09
4The Girl of My Best Friend (take 9)
phonographic copyright (℗) by:
BMG Heritage
cover recording of:
The Girl of My Best Friend (on 1960-04-03)
writer:
Sam Bobrick and Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
2:29
5Surrender (takes 5, 6)
recording of:
Surrender (on 1960-10-30)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
composer:
Ernesto De Curtis (composer)
publisher:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music and R&H Music
is based on:
Torna a Surriento
2:31
6Working on the Building (take 4)
cover recording of:
Working on the Building (on 1960-10-30)
writer:
[traditional] (special purpose artist)
publisher:
Carlin Music Corporation
2:00
7Starting Today (take 1)
recording of:
Starting Today (on 1961-03-12)
writer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Don Robertson Music Corp., Gladys Music Elvis Presley Enterprises LLC and Gladys Music Inc.
2:10
8Kiss Me Quick (take 4)
cover recording of:
Kiss Me Quick (on 1961-06-25)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc. and R&H Music
3:00
9That’s Someone You Never Forget (take 7)
cover recording of:
That’s Someone You Never Forget (on 1961-06-25)
writer:
Elvis Presley (“The King of Rock and Roll”) and Red West
publisher:
Chrysalis Songs, Elvis Presley Music Inc. and R&H Music
3:01
10(Marie’s the Name) His Latest Flame (take 12)
guitar:
Neal Matthews (on 1961-06-25)
cover recording of:
(Marie’s the Name) His Latest Flame (on 1961-06-25)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
2:21
11I Met Her Today (take 16)
cover recording of:
I Met Her Today (on 1961-10-15)
writer:
Hal Blair and Don Robertson (“Happy Whistler” songwriter)
publisher:
Don Robertson Music Corp., Gladys Music, Gladys Music Elvis Presley Enterprises LLC and Williamson Music Company
2:47
12Night Rider (take 1)
recording of:
Night Rider (on 1961-10-15)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:22
13Just Tell Her Jim Said Hello (take 4)
cover recording of:
Just Tell Her Jim Said Hello (on 1962-03-19)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:06
14Echoes of Love (take 8)
cover recording of:
Echoes of Love (on 1963-05-26)
writer:
Patty McMains and Bob Roberts (songwriter)
publisher:
Chrysalis Songs and Elvis Presley Music
2:38
15Ask Me (take 7)
recording of:
Ask Me (on 1964-01-12)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman), Florence Kaye and Franco Migliacci
composer:
Domenico Modugno
publisher:
Elvis Presley Music Inc.
recording of:
Ask Me
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman), Florence Kaye and Franco Migliacci
composer:
Domenico Modugno
publisher:
Elvis Presley Music Inc.
2:15
16Stand by Me (take 10)
piano:
Henry Slaughter (on 1966-05-25)
vocals:
Dolores Edgin (on 1966-05-25) and The Imperials (gospel/CCM group) (on 1966-05-25)
cover recording of:
Stand by Me (on 1966-05-25)
writer:
Charles Albert Tindley
2:40
17Somebody Bigger Than You and I (take 15)
piano:
Henry Slaughter (on 1966-05-27)
vocals:
Dolores Edgin (on 1966-05-27) and The Imperials (gospel/CCM group) (on 1966-05-27)
cover recording of:
Somebody Bigger Than You and I (on 1966-05-27)
writer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader), Hy Heath and Johnny Lange
publisher:
Bulls-Eye Music, Inc. and Campbell Connelly & Co. Ltd.
2:46
18Without Him (take 8)
piano:
Henry Slaughter (on 1966-05-27)
vocals:
Dolores Edgin (on 1966-05-27) and The Imperials (gospel/CCM group) (on 1966-05-27)
cover recording of:
Without Him (on 1966-05-27)
writer:
Mylon LeFevre
publisher:
Integrated Copyright Group, Inc. and Angel Band Music (from 1963 to present)
3:08
19Mine (takes 8, 9)
cover recording of:
Mine (on 1967-09-10)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Chrysalis Songs and Gladys Music Elvis Presley Enterprises LLC
2:53
20Singing Tree (first version, take 4)
recording of:
Singing Tree (on 1967-09-10)
writer:
A.L. Owens (American country music singer-songwriter) and A.C. Solberg
publisher:
Chrysalis Songs
2:56
21U.S. Male (take 10)
guitar:
Jerry Reed (on 1968-01-17)
cover recording of:
U.S. Male (on 1968-01-17)
lyricist and composer:
Jerry Reed Hubbard
publisher:
Sixteen Stars Music (BMI-affiliated), Valley Music Ltd (publisher) and Vector Music
3:13
4▼CD: Live in Texas 1972
#TitleRatingLength
1Also sprach Zarathustra
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live recording of:
Also sprach Zarathustra, Introduction (Elvis Presley's 1971-1976 concert intro; from 2001 A Space Odyssey) (on 1972-04-18)
version of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
1:17
2See See Rider
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
See See Rider Blues (on 1972-04-18)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
2:51
3Proud Mary
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Proud Mary (on 1972-04-18)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
2:36
4Never Been to Spain
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Never Been to Spain (on 1972-04-18)
lyricist and composer:
Hoyt Axton
publisher:
Rondor Music and Rondor Music (London) Ltd.
3:30
5You Gave Me a Mountain
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
You Gave Me a Mountain (on 1972-04-18)
lyricist and composer:
Marty Robbins
publisher:
Mariposa Music Inc. (publisher) and Mojave Music Inc.
3:11
6Until It’s Time for You to Go
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Until It’s Time for You to Go (on 1972-04-18)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), Howe Sound Music Publishing LLC and Rondor Music (London) Ltd.
2:29
7Polk Salad Annie
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
phonographic copyright (℗) by:
BMG Heritage
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Polk Salad Annie (on 1972-04-18)
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Blackwood Music Inc.
2:52
8Love Me
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Love Me (on 1972-04-18)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
1:51
9All Shook Up
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
All Shook Up (on 1972-04-18)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
0:58
10(Let Me Be Your) Teddy Bear / Don’t Be Cruel
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live medley including a recording of:
(Let Me Be Your) Teddy Bear (on 1972-04-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
live medley including a recording of:
Don’t Be Cruel (on 1972-04-18)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
1:45
11Heartbreak Hotel
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live recording of:
Heartbreak Hotel (on 1972-04-18)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
1:44
12Hound Dog
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Hound Dog (on 1972-04-18)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
1:20
13How Great Thou Art
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
phonographic copyright (℗) by:
BMG Heritage
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
How Great Thou Art (Hine’s version) (on 1972-04-18)
additional lyricist:
Stuart K. Hine (from 1931 until 1949)
lyricist:
Carl Gustav Boberg
composer:
Stuart K. Hine (from 1931 until 1949)
translator:
Stuart K. Hine (from 1931 until 1949, in 1949)
publisher:
Thankyou Music Ltd.
translated version of:
O store Gud
2:56
14I Can’t Stop Loving You
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
I Can’t Stop Lovin’ You (on 1972-04-18)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
2:25
15Love Me Tender
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live recording of:
Love Me Tender (on 1972-04-18)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
1:41
16Suspicious Minds
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Suspicious Minds (on 1972-04-18)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
4:21
17Introductions
mixer:
Dennis Ferrante
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
1:16
18For the Good Times
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
For the Good Times (on 1972-04-18)
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
3:07
19Burning Love
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Burning Love (on 1972-04-18)
lyricist and composer:
Dennis Linde
publisher:
Combine Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Sony/ATV Songs LLC
2:16
20An American Trilogy
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
An American Trilogy (on 1972-04-18)
lyricist and arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley of:
Dixie
medley of:
All My Trials
medley of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
4:43
21Funny How Time Slips Away
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Funny How Time Slips Away (on 1972-04-18)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Tree Publishing
3:07
22Can’t Help Falling in Love
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
vocals:
J.D. Sumner & The Stamps (on 1972-04-18), The Sweet Inspirations (on 1972-04-18) and Kathy Westmoreland (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
live cover recording of:
Can’t Help Falling in Love (on 1972-04-18)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
1:46
23Closing Vamp
mixer:
Dennis Ferrante
bass:
Jerry Scheff (on 1972-04-18)
drums (drum set):
Ron Tutt (drummer) (on 1972-04-18)
guitar:
James Burton (guitarist) (on 1972-04-18), Charlie Hodge (on 1972-04-18) and John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (on 1972-04-18)
piano:
Glen D. Hardin (on 1972-04-18)
recorded at:
The Convention Center in San Antonio, Texas, United States (on 1972-04-18)
1:06

Credits

Release

printed in:United States
art direction and producer:Ernst Mikael Jorgensen
Roger Semon
photography:Alfred Wertheimer
liner notes:Colin Escott (in 2003-03)
additional mixer:Andreas Meyer (US sound engineer)
mixer:Bill Porter (engineer)
Chris Theis
engineer:Bill Vandevort
Jim Malloy
Bill Porter (engineer)
Ron Steele
executive producer:Joseph DiMuro
mastering:Vic Anesini
Dennis Ferrante
accordion:Jimmie Haskell
bass:Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
Charlie McCoy (white blues harmonica player, 1960s-present)
Bob Moore (U.S. bassist and bandleader)
Myer Rubin (US bassist 1930s - 1960s)
Ray Siegel
celesta [celeste]:Dudley Brooks
drums (drum set):Hal Blaine (U.S. studio drummer and percussionist)
D.J. Fontana
Bernie Mattison
guitar:Hank Garland
Harold Bradley
Jerry Kennedy
Grady Martin (country/rockabilly guitarist)
Neal Matthews
Charlie McCoy (white blues harmonica player, 1960s-present)
Scotty Moore (American guitarist and recording engineer)
Elvis Presley (“The King of Rock and Roll”)
Howard Roberts (jazz guitarist, educator, session musician and producer)
Tiny Timbrell
Chip Young (American session guitarist, bassist, producer in the genre of country)
harmonica:George Fields
organ and piano:Floyd Cramer
piano:David Briggs (English organist and composer)
Dudley Brooks
Gordon Stoker (US pianist, tenor vocalist and music publisher)
saxophone, shakers and vibraphone [vibes]:Boots Randolph
steel guitar:Pete Drake (steel guitar player)
Alvino Rey
tambourine:Hoyt Hawkins
ukulele:Bernie Lewis
Fred Tavares
vocals:The Jordanaires (southern gospel group)
Millie Kirkham
June Page
manufactured by and distributed by:BMG Distribution (distributor, do not use as a label!)
copyrighted (©) by and phonographic copyright (℗) by:BMG Heritage (in 2003)
additionally mixed at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
mixed at and mastered at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
Discogs:https://www.discogs.com/release/5636380 [info]
ASIN:US: B00009V93Z [info]