Ronny’s Pop Show: Die 80er

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD: Vol. 1
Nr.TitelKünstlerBewertungLänge
1Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Come Back and Stay
Produzent(in):
Laurie Latham
Bassgitarre:
Pino Palladino
Gitarre:
Paul Young (English pop singer and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Come Back and Stay
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Chrysalis Songs
Paul Young4.54:20
3Be Free With Your Love
Produzent(in):
Gary Kemp, Gary Langan und Spandau Ballet
recording of:
Be Free With Your Love
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet4:38
4The Promise You Made
recording of:
The Promise You Made
Texter und Komponist(in):
Peter Kingsbery
publisher:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan, Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Nichion Synch Division (NICHION, INC. Synch Division) und Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin3:54
5Reach Out
Interpret(in):
Paul Engemann
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Reach Out
Texter:
Paul Engemann und Richie Zito
Komponist(in):
Giorgio Moroder
publisher:
Axxis Musikverlag GmbH
Giorgio Moroder feat. Paul Engemann3:44
6Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:42
7Midnight Man
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
Midnight Man
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan3.654:54
8Keep On Loving You
assistierende(r) Techniker(in):
Tom Cummings (engineer) und Jeff Eccles
Techniker(in):
Kevin Beamish
Koproduzent(in):
Alan Gratzer
Produzent(in):
Kevin Beamish, Kevin Cronin und Gary Richrath
Akustikgitarre:
Kevin Cronin
Bass:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre:
Gary Richrath
Hammond-Orgel:
Neal Doughty
Schlagzeug:
Alan Gratzer
Hintergrundgesang:
Kevin Cronin, Tom Kelly (songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 67)
recording of:
Keep On Loving You (am 1980-09-03)
Texter und Komponist(in):
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.73:21
9Talking in Your Sleep
Techniker(in):
Hal Hansford und Jim Sessody
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
Mix:
Neil Kernon und Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Nemperor Records, Inc. (in 1983)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Talking in Your Sleep
Verfasser(in):
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) und Peter Solley (English pianist, songwriter and producer)
publisher:
ForeverEndeavor Music, Inc. (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Romantics43:52
10Your Love
Produzent(in):
William Wittman
Mix:
John Agnello (engineer & producer) und William Wittman
Bassgitarre und Sologesang:
Tony Lewis (lead vocalist, bassist in The Outfield)
Gitarre:
John Spinks
Keyboard:
Reg Webb (piano)
Schlagzeug:
Alan Jackman
vocals:
John Spinks
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Your Love von The Outfield
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 59) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 450)
recording of:
Your Love
Texter und Komponist(in):
John Frederick Spinks
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) und Warning Tracks Ltd.
The Outfield43:35
11Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather
gong und Schlagzeug:
Jeff Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather, David Paich und Timothy B. Schmit
Sologesang:
Bobby Kimball und David Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:55
12Voyage, Voyage
recording engineer:
Antoine Cambourakis (engineer) und Gilbert Courtois (engineer)
Produzent(in):
Jean‐Michel Rivat
Mix:
Dominique Blanc-Francard
Synthesizer:
Jean‐Michel Rivat
Hintergrundgesang:
Claudie Fritsch-Mentrop und Daniel Glikmans (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Rivat Music (production company and copyrights holder) (in 1986)
aufgenommen bei:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, Frankreich
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, Frankreich
recording of:
Voyage, voyage
Texter:
Jean‐Michel Rivat
Verfasser(in) und Komponist(in):
Dominique Dubois und Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat und Editions Rivat Music (publisher) (in 1986)
Desireless44:21
13Destiny
Produzent(in):
Candy de Rouge (aka Candy de Rouge) und Gunther Mende
arranger:
Candy de Rouge (aka Candy de Rouge) und Gunther Mende
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1985)
aufgenommen bei und mixed at:
FAR Studios in Rosbach vor der Höhe, Hessen, Deutschland
recording of:
Destiny
Verfasser(in):
Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Musikverlag GmbH (publisher) (in 1985) und Libraphone Musikverlag (publisher) (in 1985)
Jennifer Rush43:34
14Flashdance (What a Feeling)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3:49
15Midnight Lady
Chris Norman5:01
2▼CD: Vol. 2
Nr.TitelKünstlerBewertungLänge
1Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:03
2Square Rooms
recording of:
Square Rooms
Verfasser(in):
Al Corley, Harold Faltermeyer und Peter Wood (UK keyboardist/pianist)
publisher:
Kilauea Musikverlag und Ufaton (publisher)
Al Corley3:39
3Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:02
4Feels Like Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:32
5When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey und Robin Sellers
assistierende(r) Techniker(in):
Richard Edwards (sound engineer) und Alex Osman
Techniker(in):
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in) und Mix:
Nicky Graham
aufgenommen bei:
Hot Nights Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
When Will I Be Famous?
Verfasser(in):
Nicky Graham und Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited und Warner Chappell Music (publisher as Warner/Chappell Music)
Bros5:02
6Good Two Shoes
Adam Ant3:31
7Hey Little Girl
recording of:
Hey Little Girl
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:22
8You
Interpret(in):
Peter Sawatzki und Holger Wobker
recording of:
You
Texter:
Peter Sawatzki und Holger Wobker
Komponist(in):
Peter Sawatzki
Boytronic7:06
9Zorro
My Mine3:50
10Fotonovela (Chapter 1)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Spain) S.A. (not for release label use!) (in 1984)
recording of:
Fotonovela
Texter und Verfasser(in):
Luis Gómez Escolar
Komponist(in):
Pedro Vidal
Iván4:32
11Let’s Hear It for the Boy
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams4:18
12It’s Raining Men
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls45:29
13Rockit
recorded in:
Vereinigte Staaten (in 1983)
recording engineer:
Martin Bisi (in 1983)
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Material (group and producer team led by Bill Laswell)
Mix:
Dave Jerden
Bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
Keyboard:
Michael Beinhorn (in 1983) und Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
Interpret(in):
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
aufgenommen bei:
OAO Studio in Brooklyn, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Rockit von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
Verfasser(in):
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:25
14Call Me
recording of:
Call Me
Verfasser(in):
Ivana Spagna, Larry Pignagnoli und Giorgio Spagna
Spagna4:06
151980‐F
Techniker(in), Produzent(in) und Mix:
Mack (German rock producer/engineer Reinhold Mack)
zusätzliche(r) Techniker(in):
Pete Hammond (UK producer aka “Mixmaster”)
zusätzliche(r) Produzent(in):
Tony Mansfield (producer & songwriter)
Bassgitarre und Sologesang:
Andy Piercy
Gitarre:
John Russell (British guitarist, member of After The Fire)
Schlagzeug:
Pete King (UK drummer for After the Fire/BAP)
Synthesizer:
Memory Banks (keyboard player)
Hintergrundgesang:
Memory Banks (keyboard player) und John Russell (British guitarist, member of After The Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
mixed at und engineered at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
additionally engineered at:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Vereinigtes Königreich
produced at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
1980-F
Komponist(in):
Peter Banks (keyboard player)
After the Fire2:32
3▼CD: Vol. 3
Nr.TitelKünstlerBewertungLänge
1Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) und WB Music Corp. (1929–2019)
The Bangles43:04
2Holding Out for a Hero
Programmierung:
Phil Shenale
Partner-Produzent(in):
Arthur Pyson, Neil Dorfsman und John Jansen (US recording engineer and producer)
Produzent(in):
Jim Steinman
Bassposaune:
Dave Taylor (US jazz bass trombonist)
drum machine [Linn Drums]:
Sterling Smith und Art Wood (US session drummer/percussionist)
elektronisches Schlagzeug / E-Drums [Simmons Drums]:
Art Wood (US session drummer/percussionist)
Gitarre:
Hiram Bullock
Klavier:
Sterling Smith
Posaune:
Jim Pugh (US trombonist) und Tom Malone (US trombonist)
Synthesizer:
Phil Shenale und Sterling Smith
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Alan Rubin und Lew Soloff
Hintergrundgesang:
Rory Dodd, Eric Thayer und Holly Sherwood
Blechblasinstrumente [horn] arranger:
Tom Malone (US trombonist)
vocals arranger:
Rory Dodd, Eric Thayer und Holly Sherwood
zusätzlich vocals arranger:
Ellen Foley
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), SONY Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.355:48
3Oh Julie
recording of:
Oh Julie (1982 song)
Texter und Komponist(in):
Shakin’ Stevens
publisher:
SM Limited und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Shakin’ Stevens42:32
4Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:51
5Kiss You All Over
Exile3:34
6Heartbeat
Techniker(in):
Gary McGachan
zusätzliche(r) Techniker(in):
David Axelbaum
Produzent(in):
Chas Sandford
Mix:
Gary McGachan und Chas Sandford
Bass:
Mark Leonard
Gitarre:
Chas Sandford
Keyboard:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug:
William “Curly” Smith (Jo Jo Gunne musician)
Hintergrundgesang:
Bill Champlin und Tamara Champlin
Sologesang:
Don Johnson (US actor, Miami Vice)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 58)
cover recording of:
Heartbeat
Verfasser(in):
Eric Kaz und Wendy Waldman
publisher:
Cotillion Music Inc. (BMI), Glasco Music Company und Moon and Stars Music
Don Johnson24:10
7Johnny B
recording of:
Johnny B.
Verfasser(in):
Eric Bazilian, Rick Chertoff und Rob Hyman
publisher:
Edition Intro (publisher), Meisel MV und Polygram Songs MV
The Hooters3:58
8What’s Another Year
vocals:
Johnny Logan (in 1987)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
What's Another Year (in 1987)
Texter und Komponist(in):
Shay Healy (Irish songwriter)
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing Germany GmbH (1967–2001) und Melodie der Welt J. Michel KG (German publisher; read annotation)
Johnny Logan3:10
9Love & Pride
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
Verfasser(in):
Paul King (British-Irish singer/musician/VJ) und Mick Roberts
publisher:
EMI Songs Ltd. und King Songs
King43:22
10I’m Not Scared
recording of:
I’m Not Scared
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd. (in 1988) und Cage Music Ltd. (in 1988)
Eighth Wonder3:45
11In the Dutch Mountains
recording of:
In the Dutch Mountains
Texter:
Henk Hofstede
Komponist(in):
Henk Hofstede, Rob Kloet und Robert Jan Stips
publisher:
Soss Music (in 1987)
Nits3:27
12Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
13Dr. Mabuse
recording of:
Dr. Mabuse
Texter:
Ralf Dörper
Komponist(in):
Ralf Dörper, Michael Mertens (German musician & producer) und Andreas Thein
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda5:00
14Okay!
phonographisches Urheberrecht (℗) von:
Westside Music (in 1987) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1989)
recording of:
Okay!
Texter und Komponist(in):
Marcus Gabler
publisher:
Michael Zosel Musikverlag
Okay5:42
15The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.155:06

Nennungen

Veröffentlichung

ASIN:DE: B000WDRZ3U [Info]

Veröffentlichungsgruppe

Teil von:Ronny’s Pop Show (Reihenfolge: 9)