The Jazz Album 2006

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Notes Summertime:
Date: 18 August 1957
Location: Los Angeles
Label: Verve Records
Louis Armstrong (vc, tp), Ella Fitzgerald (vc), Unknown Studio Orchestra (bd), Russell Garcia (cnd, arr)
Verve Records LP 12" STEREO: MG VS-6040-2 - Porgy And Bess (1959)
Verve Records LP 12" MONO: MG V-4011-2 - Porgy And Bess (1959)
Verve Records Reel-to-reel Tape STEREO (4 T): VST4-206 - Porgy And Bess (1959)
Verve Records CD: 314 835 313-2 - Compact Jazz. Ella Fitzgerald And Louis Armstrong (1986)
Verve Records Box Set (multiple CDs): 314 517 898-2 - The First Lady Of Song (1993)
Verve Records Box Set (multiple CDs): 314 537 284-2 - The Complete Ella Fitzgerald And Louis Armstrong On Verve (1997)

Annotation last modified on 2025-11-18 06:59 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:54
2The Girl From Ipanema
Stan Getz & Astrud Gilberto5:11
3Fascinating Rhythm
guest electric bass guitar:
Ben Cullum
guest membranophone:
Ian Thomas (drummer)
piano and lead vocals:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Jamie Cullum4:50
4Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:54
5My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Natalie Cole4:27
6Let’s Face the Music and Dance
producer:
Tommy LiPuma and Johnny Mandel (American composer and arranger)
double bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
conductor:
Eddie Karam and Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Diana Krall5:18
7Cry Me a River
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player)
double bass:
Milt Hinton
drums (drum set):
Panama Francis (US swing jazz drummer) (in 1959)
flute:
Jerome Richardson
guitar:
Kenny Burrell
piano:
Joe Zawinul (jazz and fusion keyboard player)
lead vocals:
Dinah Washington
vocals:
Dinah Washington
conductor:
Belford Hendricks
arranger:
Belford Hendricks
cover recording of:
Cry Me a River (from 1959-06 until 1959-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington2:28
8Stranger on the Shore
phonographic copyright (℗) by:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (in 1962) and K-Tel International (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
composer:
Acker Bilk
publisher:
EMI Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:56
9God Bless the Child
recording of:
God Bless the Child (on 1956-06-07)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday43:58
10I Wish I Knew How It Would Feel to Be Free
phonographic copyright (℗) by:
Blue Note (in 1964)
recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Billy Taylor Trio3:39
11Bei mir bist Du schön
vocals:
The Andrews Sisters (on 1937-11-24)
recording of:
Bei mir bist du schön (English version) (on 1937-11-24)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:07
12It’s My Life
executive producer:
Paul Anka (Canadian singer, songwriter and actor)
bass:
Mike Valerio (double bassist) (in 2004-11)
guitar, piano and background vocals:
Jon Bon Jovi (in 2004-11)
membranophone:
Vinnie Colaiuta (drummer) (in 2004-11)
lead vocals:
Paul Anka (Canadian singer, songwriter and actor) (in 2004-11)
cover recording of:
It’s My Life (Bon Jovi) (in 2004-11)
writer:
Jon Bon Jovi, Max Martin (Swedish record producer) and Richie Sambora
publisher:
Aggressive Music, Bon Jovi Publishing, GV-MXM, Imagem London Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal Music–Z Tunes LLC
Paul Anka44:01
13Fever
Gwyneth Herbert4:03
14Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:07
15You’re the First, the Last, My Everything
Peter Grant3:16
16Manhattan
double bass:
Ray Brown (jazz bassist) (from 1958-09-12 until 1958-09-13)
drums (drum set):
Ed Thigpen (from 1958-09-12 until 1958-09-13)
piano:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
vocals:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
recording of:
Manhattan (from 1958-09-12 until 1958-09-13)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Blossom Dearie4:15
17Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
The Glenn Miller Orchestra33:16
18Take the “A” Train
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1960-06-28)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & His Orchestra5:32
19Mr Sandman
assistant engineer:
Simon Hayes (engineer)
engineer:
Andrew Rugg
producer:
Benoît Charest
mixer:
Rafe McKenna
celesta [celeste], drums (drum set) [drums] and percussion:
Henry Tyler
double bass:
Nick Pini (bassist)
guitar:
Benoît Charest and Martin Kolarides
vocals:
Benoît Charest, Kate Mullins, Stephanie O'Brien and Marcella Puppini
additionally recorded at:
Studios Piccolo in Bellerive (Belleriver), Montréal (Montreal, city), Québec (Quebec), Canada
recorded at and mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
cover recording of:
Mr. Sandman
lyricist and composer:
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Puppini Sisters2:35
20Walk On By
recorded in:
New York, New York, United States (in 1968-02)
producer:
Esmond Edwards
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1968-02)
bass:
Bob Cranshaw (in 1968-02)
bass trombone:
Alan Raph (in 1968-02)
congas and tambourine:
Johnny Pacheco (in 1968-02)
drums (drum set):
Billy Cobham (in 1968-02)
flugelhorn and trumpet:
Jimmy Owens (jazz trumpeter) (in 1968-02)
guitar:
George Benson (jazz guitarist/singer) (in 1968-02) and Eric Gale (in 1968-02)
trumpet:
Ernie Royal (in 1968-02) and Snooky Young (in 1968-02)
conductor:
Tom McIntosh (in 1968-02)
arranger:
Tom McIntosh
instrumental cover recording of:
Walk On By (in 1968-02)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
George Benson3:25
2▼CD
#TitleArtistRatingLength
1In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
The Glenn Miller Orchestra3:15
2Ev’ry Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3.53:32
3As Time Goes By
executive producer:
William D. Hassett (executive producer)
producer:
Van-John Sfiridis
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Torrie Zito
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Tony Bennett3:13
4When I Fall in Love
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1956-05-11)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-05-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
When I Fall in Love (on 1956-05-11)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Miles Davis Quintet24:22
5Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Astrud Gilberto2:20
6Mas que nada
Sérgio Mendes & Brasil ’662:38
7I Get a Kick Out of You
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Jamie Cullum44:10
8Johnny and Mary
Martin Taylor5:02
9The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”) (from 2002-03-25 until 2002-03-30)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Clare Teal4:13
10You’re Gonna Make Me Lonesome When You Go
Madeleine Peyroux3:25
11Lady Sings the Blues
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06)
guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1954-06-06)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
Lady Sings the Blues (on 1956-06-06)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday43:44
12Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Oscar Peterson4:50
13Crazy
Curtis Stigers5:07
14Acknowledgement
recording engineer:
Rudy van Gelder (on 1964-12-09)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1964-12-09)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-12-09)
piano:
McCoy Tyner (jazz pianist) (on 1964-12-09)
tenor saxophone:
John Coltrane (on 1964-12-09)
vocals:
John Coltrane (in 1964-12)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-12-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 315)
recording of:
A Love Supreme, Part 1: Acknowledgement (on 1964-12-09)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
A Love Supreme (entire suite)
John Coltrane7:47
15Sway
assistant engineer:
Simon Hayes (engineer)
engineer:
Andrew Rugg
producer:
Benoît Charest
mixer:
Rafe McKenna
double bass:
Nick Pini (bassist)
drums (drum set) [drums]:
Henry Tyler
guitar:
Martin Kolarides
marimba:
André Cayer and Benoît Charest
melodica:
Kate Mullins
percussion:
Alain Labrosse
strings:
Benoît Charest
viola:
Marie-Claire Cousineau
violin:
Pascale Gagnon and François Pilon
vocals:
Kate Mullins, Stephanie O'Brien and Marcella Puppini
arranger:
Stephanie O'Brien
additionally recorded at:
Studios Piccolo in Bellerive (Belleriver), Montréal (Montreal, city), Québec (Quebec), Canada
recorded at and mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
cover recording of:
Sway
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
The Puppini Sisters3:07
16Get Me to the Church on Time
Matt Dusk3:18
17The Very Thought of You
Gwyneth Herbert4:11
18Let’s Get Lost
bass:
Carson Smith (on 1955-03-07)
drums (drum set):
Bob Neel (on 1955-03-07)
piano:
Russ Freeman (pianist) (on 1955-03-07)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1955-03-07)
phonographic copyright (℗) by:
Blue Note (in 1989)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-03-07)
recording of:
Let’s Get Lost (on 1955-03-07)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony (ASCAP)
Chet Baker3:43
19Main Title From “The Carpetbaggers”
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
George Duvivier (on 1964-04-27)
bass trombone:
Tony Studd (on 1964-04-27)
drums (drum set):
Grady Tate (on 1964-04-27)
French horn:
Ray Alonge (french horn) (on 1964-04-27), Earl Chapin (on 1964-04-27), Bill Corea (on 1964-04-27) and Jim Buffington (US jazz, studio and classical hornist) (on 1964-04-27)
guitar:
Kenny Burrell (on 1964-04-27)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-27)
percussion:
Phil Kraus (on 1964-04-27)
trombone:
Billy Byers (on 1964-04-27), Jimmy Cleveland (US jazz trombonist) (on 1964-04-27) and Urbie Green (on 1964-04-27)
trumpet:
Bernie Glow (on 1964-04-27), Thad Jones (American jazz trumpeter) (on 1964-04-27), Marky Markowitz (on 1964-04-27), Jimmy Maxwell (Trumpet) (on 1964-04-27), Ernie Royal (on 1964-04-27) and Snooky Young (on 1964-04-27)
tuba:
Don Butterfield (on 1964-04-27)
conductor:
Lalo Schifrin (pianist & composer) (on 1964-04-27)
arranger:
Lalo Schifrin (pianist & composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-04-27)
recording of:
Main Title From “The Carpetbaggers” (on 1964-04-27)
composer:
Lalo Schifrin (pianist & composer)
Jimmy Smith3:57
20What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:19