La era de la boludez

~ Release by Divididos (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1Salir a asustar
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Salir a asustar
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
3:20
2Ortega y Gasés
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Ortega y Gasés
lyricist:
Diego Arnedo, Federico Gil Solá (Argentine drummer), Ricardo Mollo and Nestor Raul Morales
composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
2:32
3El arriero
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
cover recording of:
El arriero
lyricist and composer:
Atahualpa Yupanqui (singer, songwriter, guitarist, and writer)
6:39
4Salir a comprar
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Salir a comprar
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
4:38
5Qué ves?
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
¿Qué ves?
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
5:14
6Pestaña de camello
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Pestaña de camello
composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
1:28
7Rasputín / Hey Jude
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
medley including a partial cover recording of:
Hey Jude
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
medley including a recording of:
Rasputín
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
3:54
8Dame un limón
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Dame un limón
lyricist:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer), Ricardo Mollo and Gustavo Santaolalla (Argentine score composer)
publisher:
Santos en Remera
3:58
9Paisano de Hurlingham
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Paisano de Hurlingham
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
3:59
10Cristófolo Cacarnú
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Cristófolo Cacarnú
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
2:40
11Indio deja el mezcal
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Indio deja el mezcal
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
24:12
12Huelga de amores
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Huelga de amores
lyricist and composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
1:56
13Tajo C
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Tajo C
lyricist:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer), Ricardo Mollo and Ruben Enrique Pais
publisher:
Santos en Remera
2:47
14Pestaña de camello
assistant recording engineer:
Danny Alonso (from 1993-06 until 1993-07) and Gabriel Sutter (from 1993-06 until 1993-07)
recording engineer:
Tony Peluso (American writer, producer and multi-instrumentalist) (from 1993-06 until 1993-07) and Craig Porteils (producer, engineer) (from 1993-06 until 1993-07)
associate producer:
Aníbal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
assistant mixer:
Danny Alonso
mixer:
Tony Peluso (American writer, producer and multi-instrumentalist)
recorded at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1993-06 until 1993-07) and Devonshire Studios in North Hollywood, Los Angeles, California, United States (from 1993-06 until 1993-07)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Pestaña de camello
composer:
Diego Arnedo, Federico Gil Solá (Argentine drummer) and Ricardo Mollo
publisher:
Santos en Remera
4:10