Now Yearbook 1980 (transparent clear vinyl)

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1▼12" Vinyl
#TitleArtistRatingLength
A1Another One Bites the Dust
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
John Deacon (from 1980-02 until 1980-05)
drums (drum set) and electronic instruments [electronic percussion]:
Roger Taylor (Queen drummer) (from 1980-02 until 1980-05)
electric guitar:
John Deacon (from 1980-02 until 1980-05) and Brian May (Queen guitarist) (from 1980-02 until 1980-05)
background vocals and lead vocals:
Freddie Mercury (from 1980-02 until 1980-05)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1980-05)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 48)
recording of:
Another One Bites the Dust (from 1980-02 until 1980-05)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.15?:??
A2Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
Songs banned by the BBC (number: Gulf War ban)
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
Blondie4?:??
A3Dog Eat Dog
producer:
Chris Hughes (producer, aka “Merrick”)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (ex Adam & The Ants) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
music videos:
Dog Eat Dog by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 142)
recording of:
Dog Eat Dog
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Adam & the Ants4?:??
A4Babooshka
assistant engineer:
John Barratt (British audio engineer) (from 1979-09 until 1980-05)
engineer:
Jon Kelly (engineer at Air London Studios) (from 1979-09 until 1980-05)
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
analog synthesizer [CS 80] and lead vocals:
Kate Bush (from 1979-09 until 1980-05)
balalaika:
Paddy Bush (from 1979-09 until 1980-05)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1979-09 until 1980-05)
electric bass guitar:
John Giblin (from 1979-09 until 1980-05)
electric guitar:
Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (UK session guitarist) (from 1979-09 until 1980-05)
Rhodes piano [Fender Rhodes]:
Max Middleton (from 1979-09 until 1980-05)
background vocals:
Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05)
recording of:
Babooshka (from 1979-09 until 1980-05)
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.55?:??
A5Don’t Stand So Close to Me
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland (from 1980-07-07 until 1980-08-07)
electric bass guitar, synthesizer and lead vocals:
Sting (singer, songwriter & member of The Police) (from 1980-07-07 until 1980-08-07)
electric guitar:
Andy Summers (from 1980-07-07 until 1980-08-07)
background vocals:
Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (singer, songwriter & member of The Police) (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
phonographic copyright (℗) by:
A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
recorded at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
recording of:
Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Warner Bros. (holding: file NO releases) (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (UK) (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (US arm of Virgin’s publishing company) (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (PRS‐affiliated) (from 2003 to ????) and Songs of Universal, Inc. (BMI) (from 2022-02 to present)
The Police3.95?:??
A6Brass in Pocket
additional recording engineer:
Steve Nye (producer, engineer and pianist)
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Michael Paul Stavrou (producer/engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Pretenders4.15?:??
A7Start!
recording of:
Start!
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and And Son Music Ltd. (from 1980 to present)
The Jam?:??
A8I Can’t Stand Up for Falling Down
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
cover recording of:
I Can’t Stand Up for Falling Down
composer:
Homer Banks (soul singer and songwriter) and Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello & the Attractions4.5?:??
A9Baggy Trousers
recording of:
Baggy Trousers
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness5?:??
B1Super Trouper
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1980-10-03)
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1980-10-03)
drums (drum set):
Per Lindvall (on 1980-10-03)
guitar:
Janne Schaffer (on 1980-10-03)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-10-03)
percussion:
Åke Sundqvist (on 1980-10-03)
background vocals:
Agnetha Fältskog (in 1980)
lead vocals:
Frida (Swedish singer and member of ABBA) (on 1980-10-03)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-10-03, on 1980-10-14)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1980-10)
recording of:
Super Trouper (in 1980-10)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (from 1980 to ????), Countless Songs, Ltd. (from 1980 to ????), EMI Waterford Music (from 1980 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1980 to present), Universal/Union Songs Musikförlag AB (from 1980 to present) and Union Songs AB (publisher) (in 1980)
part of:
Mamma Mia! (1999 musical)
ABBA3.45?:??
B2Spacer
recording of:
Spacer
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
Sheila & B. Devotion?:??
B3Upside Down
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 89)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.75?:??
B4Funkytown
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown (12″ version) by Lipps, Inc.
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps Inc.4.1?:??
B5Use It Up and Wear It Out
recording of:
Use It Up and Wear It Out
writer:
Lawrence Russell Brown (lyricist) and Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey?:??
B6Dance Yourself Dizzy
recording of:
Dance Yourself Dizzy
writer:
Adrian Baker and Edward Seago
publisher:
Cellar Music (Canadian jazz, studio projects) and Leeds Music
Liquid Gold?:??
B7Feels Like I’m in Love
recording of:
Feels Like I’m in Love
lyricist and composer:
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) and Satellite Music Ltd.
Kelly Marie?:??
2▼12" Vinyl
#TitleArtistRatingLength
A1(Just Like) Starting Over
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
bass guitar:
Tony Levin (US rock bassist/Chapman Stick)
drums (drum set):
Andy Newmark
electric guitar:
John Lennon (The Beatles), Hugh McCracken and Earl Slick
keyboard:
George Small
percussion:
Arthur Jenkins
background vocals:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer and Cassandra Wooten
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1980-08-09)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1980-09-25 until 1980-09-26)
music videos:
(Just Like) Starting Over by John Lennon (The Beatles)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 76)
recording of:
(Just Like) Starting Over
lyricist and composer:
John Lennon (The Beatles)
publisher:
Lenono Music and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.75?:??
A2It’s Still Rock and Roll to Me
assistant engineer:
Bradshaw Leigh
engineer:
Jim Boyer (producer/engineer)
assistant producer:
Michele Slagter
producer:
Phil Ramone
drums (drum set):
Liberty DeVitto (US drummer) (in 1980)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1980)
flute, organ and saxophone:
Richie Cannata (in 1980)
guitar:
David Brown (guitarist for Billy Joel) (in 1980) and Russell Javors (in 1980)
lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1980)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
music videos:
It’s Still Rock and Roll to Me by Billy Joel (American singer-songwriter and pianist)
recording of:
It’s Still Rock and Roll to Me (in 1980)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
Joelsongs, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), April Music (in 1980), CBS Songs Ltd. (in 1980) and Impulsive Music (in 1980)
Billy Joel4.25?:??
A3Emotional Rescue
bass:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
electric piano:
Mick Jagger
saxophone:
Bobby Keys (American saxophonist)
recording of:
Emotional Rescue
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
Colgems-EMI Music Inc. and EMI Music Publishing, Inc.
The Rolling Stones3?:??
A4Coming Up
recording engineer:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
producer:
Paul McCartney (The Beatles)
assistant mixer:
Eddie Klein (engineer, Hog Hill Mill) (in 1979-09)
mixer:
Paul McCartney (The Beatles) (in 1979-09)
bass, drums (drum set), electric guitar, electric piano, percussion, synthesizer, tambourine, background vocals, background vocals and lead vocals and lead vocals:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
recorded at:
Home Studio in East Sussex, England, United Kingdom (from 1979-06 until 1979-07) and Spirit of Ranachan Studio in Scotland, United Kingdom (from 1979-06 until 1979-07)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Coming Up (from 1979-06 until 1979-07)
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney4.35?:??
A5What You’re Proposing
producer:
John Eden (producer) and Status Quo (UK boogie rock band)
arranger:
John Eden (producer) and Status Quo (UK boogie rock band)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1980) and Phonogram Ltd. (not for release label use!) (in 1980)
recording of:
What You’re Proposing
writer:
Bernie Frost and Francis Rossi
publisher:
Birchwood Music Ltd., Dump Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher) and EMI Music Publishing Ltd. (PRS‐affiliated)
Status Quo?:??
A6All Night Long
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
recording of:
All Night Long (in 1979-04)
writer:
Ritchie Blackmore and Roger Glover
publisher:
Blackmore Music and Thames Talent Publishing Ltd.
Rainbow4?:??
A7Me Myself I
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Marcus Miller (jazz musician) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Me Myself I (in 1980-03)
lyricist and composer:
Joan Armatrading
publisher:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Rondor Music (London) Ltd. (in 1980)
Joan Armatrading3.65?:??
A8Suicide is Painless
vocals:
John Bahler, Tom Bahler, Ian Freebairn‐Smith and Ron Hicklin
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
Suicide Is Painless
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
The Mash3?:??
B1Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.75?:??
B2I Die: You Die
lead vocals:
Gary Numan
recording of:
I Die: You Die
lyricist and composer:
Gary Numan
Gary Numan?:??
B3Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.5?:??
B4Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.6?:??
B5To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. and Reformation Publishing Co. Ltd.
Spandau Ballet3.5?:??
B6Too Much Too Young
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom
live recording of:
Too Much Too Young
lyricist and composer:
Jerry Dammers
The Special AKA3.75?:??
B7Food for Thought
engineer:
Bob Lamb (UK drummer, producer and audio engineer)
producer:
Bob Lamb (UK drummer, producer and audio engineer) and UB40
bass:
Earl Falconer
congas and percussion:
Norman Hassan
drums (drum set):
Jim Brown (UB40 drummer)
guitar [lead guitar]:
Robin Campbell
guitar [rhythm guitar] and lead vocals:
Ali Campbell (UB40’s former vocalist)
keyboard, organ and strings:
Michael Virtue
melodica and tenor saxophone:
Brian Travers
spoken vocals [talk over vocal]:
Astro (UB40 toast, trumpet & percussion)
vocals:
Robin Campbell
phonographic copyright (℗) by:
Graduate Records (in 1980)
recorded at:
Home of the Hits in Birmingham, West Midlands, England, United Kingdom (from 1979-12-21 until 1980-07-01)
recording of:
Food for Thought (from 1979-12-21 until 1980-07-01)
writer:
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue and Terence Wilson (aka Astro of UB40)
UB405?:??
B8Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners3?:??
3▼12" Vinyl
#TitleArtistRatingLength
A1London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
The Clash4.1?:??
A2Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.25?:??
A3Talk of the Town
producer:
Chris Thomas (UK record producer / remixer)
recording of:
Talk of the Town
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Pretenders?:??
A4Baby, I Love You
assistant engineer:
Bruce Gold (Engineer)
engineer:
Larry Levine and Boris Menart
producer:
Phil Spector
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Ramones4?:??
A5Happy House
producer:
Nigel Gray (UK producer) and Siouxsie and the Banshees
recording of:
Happy House
lyricist:
Siouxsie Sioux (Susan Janet Ballion)
composer:
Steven Severin and Siouxsie Sioux (Susan Janet Ballion)
publisher:
Chappell and Pure Noise (Siouxsie and the Banshees publisher)
Siouxsie and the Banshees4.75?:??
A6Eighth Day
producer:
Tony Visconti
vocals:
Hazel O’Connor
arranger:
Tony Visconti
recorded at and mixed at:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Eighth Day
lyricist, writer and composer:
Hazel O’Connor
Hazel O’Connor?:??
A7Over You
engineer:
Rhett Davies
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar and guitar:
Phil Manzanera
drums (drum set):
Allan Schwartzberg
keyboard:
Bryan Ferry
saxophone:
Andy Mackay (of Roxy Music)
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, United Kingdom
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Over You
writer:
Bryan Ferry and Phil Manzanera
publisher:
BMG Music Publishing Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher)
Roxy Music3.25?:??
A8It’s Different for Girls
recording engineer:
Alan Winstanley (English record producer)
producer:
David Kershenbaum
mixer:
Aldo Bocca
bass guitar:
Graham Maby
drums (drum set):
Dave Houghton
guitar:
Gary Sanford
lead vocals:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
recorded at:
TW Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
music videos:
It’s Different for Girls by Joe Jackson (English musician)
recording of:
It’s Different for Girls
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music Ltd. (in 1979)
Joe Jackson3.75?:??
B1The Winner Takes It All
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1980-06-06)
cello:
Olle Gustafsson (cellist) (on 1980-06-16) and Åke Olofsson (Swedish cellist) (on 1980-06-16)
drums (drum set):
Ola Brunkert (on 1980-06-06)
guitar:
Lasse Wellander (on 1980-06-06)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-06-06)
percussion:
Åke Sundqvist (on 1980-06-06)
viola:
Nils Heie (on 1980-06-16), Håkan Roos (Swedish violist) (on 1980-06-16) and Bo Söderström (Swedish violinist) (on 1980-06-16)
violin:
Martin Bylund (Swedish violinist) (on 1980-06-16), Anders Dahl (Swedish violinist) (on 1980-06-16), Lars Stegenberg (Swedish violinist) (on 1980-06-16), Gunnar Michols (Swedish violinist) (on 1980-06-16), Bernt Nylund (Swedish violinist) (on 1980-06-16), Bertil Orsin (Swedish violinist) (on 1980-06-16), Sixten Strömvall (Swedish violinist) (on 1980-06-16) and Harry Teike (on 1980-06-16)
background vocals:
Frida (Swedish singer and member of ABBA) (on 1980-06-06)
lead vocals:
Agnetha Fältskog (on 1980-06-06)
cello, viola and violin arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-06-06, on 1980-06-16)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-06-18)
part of:
The Downloader’s Music Source Book (number: 66)
recording of:
The Winner Takes It All (in 1980-06)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
ABBA3.85?:??
B2Magic
engineer and mixer:
David J. Holman
producer:
John Farrar
bass:
David Hungate (in 1980)
drums (drum set):
Carlos Vega (in 1980)
guitar and synthesizer:
John Farrar (in 1980)
vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) (in 1980)
conductor:
Richard Hewson (in 1980)
strings arranger:
Richard Hewson
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980)
recorded at:
David J Holman's Studio and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1980)
recording of:
Magic (in 1980)
lyricist and composer:
John Farrar
publisher:
John Farrar Music
part of:
Xanadu (1980 film soundtrack)
Olivia Newton‐John4.15?:??
B3The Tide is High
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1980)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.45?:??
B4Medley: Working My Way Back to You / Forgive Me, Girl
executive producer:
Jerry Love
producer:
Michael Zager
conductor:
Michael Zager
arranger:
Michael Zager
medley including a recording of:
Forgive Me Girl
writer:
Michael Zager
medley including a recording of:
Forgive Me Girl
writer:
Michael Zager
medley including a cover recording of:
Working My Way Back to You
writer:
Sandy Linzer and Denny Randell
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. and Seasons 4 Music
medley including a cover recording of:
Working My Way Back to You
writer:
Sandy Linzer and Denny Randell
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. and Seasons 4 Music
The Spinners?:??
B5Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.4?:??
B6One Day I’ll Fly Away
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Randy Crawford?:??
B7With You I’m Born Again
assistant engineer:
James Warmack
engineer and mixer:
F. Byron Clark
producer:
James di Pasquale and David Shire (American score composer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
lyricist:
Carol Connors
composer:
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) and Jobete Music (UK) Ltd.
Billy Preston & Syreeta?:??

Credits

Release group

part of:Now Yearbook (UK Now subseries) (number: 1980) (order: 11)