EMI Special Markets Presents a World of Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Package has cat no: CD PROMO ONE
CDs have separate catalogue numbers

This is a "not for resale" box and no doubt common tracks with many other EMI compilations

Not radio versions - Radiohead Creep still swears as found on the album

Annotation last modified on 2023-09-21 14:42 UTC.

Tracklist

| |
1▼CD: Pop
#TitleArtistRatingLength
1Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:57
2Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
3Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:27
4Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
5Wired for Sound
producer:
Alan Tarney
vocals:
Cliff Richard
recording of:
Wired for Sound
lyricist and composer:
B.A. Robertson and Alan Tarney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music (publisher as Warner/Chappell Music)
Cliff Richard53:40
6Rise to the Occasion
engineer:
John Gallen (UK music producer, recording & mix engineer.) and David Jacob
producer:
Climie Fisher and Stephen Hague
additional percussion:
Frank Ricotti (percussionist)
background vocals:
View From the Hill
recording of:
Rise to the Occasion
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
Climie Fisher24:50
7Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
music videos:
Too Shy by Kajagoogoo
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 9) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 27)
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
EMI Songs and Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:46
8Showing Out (Get Fresh at the Weekend)
recording of:
Showing Out (Get Fresh at the Weekend)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.753:29
9Come in Out of the Rain
vocals:
Wendy Moten
recording of:
Come In Out of the Rain
writer:
Curtiss Boone (songwriter, producer and musician from Detroit) and Ernest Williamson (Keyboard player, songwriter)
Wendy Moten34:16
10Thinking About Your Love
recording of:
Thinking About Your Love
writer:
Michael Ward (UK saxophonist and songwriter, aka Mick Somerset), Shaun Ward and Jim Williams (Early 90s songwriter)
Kenny Thomas4:54
11Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale4.43:15
12Heaven Must Be Missing an Angel
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
edit of:
Heaven Must Be Missing an Angel by Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:33
13You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:04
14That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:06
15Don’t Worry, Be Happy
producer:
Linda Goldstein
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3.73:54
16Do You Feel My Love
recording of:
Do You Feel My Love?
lyricist and composer:
Eddy Grant
publisher:
Intersong (publisher) (in 1980) and Marco Music Ltd. (publisher) (in 1980)
Eddy Grant53:02
17U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:16
18Rhythm Is a Mystery
additional producer:
Matthew Roberts
producer:
K‐Klass
vocals:
Bobbi Depasois
recording of:
Rhythm Is a Mystery
composer:
Russ Morgan (K-Klass), Paul Roberts (house producer & DJ), Carl Thomas (Welsh house producer, member of K-Klass) and Andy Williams (K-Klass)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
K‐Klass3.53:25
2▼CD: Sixties
#TitleArtistRatingLength
1He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:17
2Hippy Hippy Shake
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
lyricist and composer:
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) and Universal Music Careers
The Swinging Blue Jeans3.751:45
3I’m Into Something Good
engineer:
Val Valentin
producer:
Mickie Most (English record producer)
drums (drum set):
Barry Whitwam
electric bass guitar:
Karl Green
guitar:
Keith Hopwood and Derek Leckenby
lead vocals:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
cover recording of:
I’m Into Something Good
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Herman’s Hermits4.352:33
4You Were Made for Me
recording of:
You Were Made for Me
lyricist and composer:
Mitch Murray
Freddie & the Dreamers2:20
5What Do You Want?
producer:
John Barry (English score composer) and John Burgess (British record producer)
vocals:
Adam Faith (on 1959-09-25)
conductor and performer:
John Barry (English score composer) (on 1959-09-25)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-09-25)
recording of:
What Do You Want? (on 1959-09-25)
lyricist and composer:
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:37
6You Don’t Know
recording of:
You Don’t Know
orchestrator:
Martin Slavin
lyricist:
Mike Hawker
composer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
publisher:
Lorna Music Co., Ltd.
Helen Shapiro42:41
7English Country Garden
recording of:
English Country Garden
lyricist:
Jimmie Rodgers (1950s pop/country singer, born in 1933; “Honeycomb”, “Kisses Sweeter Than Wine”)
version of:
Country Gardens (Morris dance tune)
Jimmie Rodgers2:41
8Tie Me Kangaroo Down
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Tie Me Kangaroo Down Sport
lyricist and composer:
Rolf Harris
publisher:
Beechwood Music Corp. and EMI Music Publishing (do not use as a release label!)
Rolf Harris52:42
9The Locomotion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Little Eva22:26
10I’ll Never Find Another You
producer:
Tom Springfield
performer:
The Seekers (Australian pop quartet) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
I'll Never Find Another You (in 1964)
lyricist and composer:
Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The Seekers52:43
11Tell Laura I Love Her
vocals:
Ricky Valance
cover recording of:
Tell Laura I Love Her
lyricist:
Ben Raleigh
composer:
Jeff Barry
publisher:
E.B. Marks Music Corp. and Steeplechase Music
Ricky Valance2:40
12A World Without Love
recording of:
A World Without Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!) and Northern Songs Ltd.
Peter & Gordon32:40
13It Might as Well Rain Until September
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962) and Screen Gems (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 28)
recording of:
It Might as Well Rain Until September
lyricist:
Gerry Goffin
composer:
Carole King
Carole King2:27
14Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:36
15Hello Mary Lou (Goodbye Heart)
producer:
Jimmie Haskell, Ozzie Nelson and Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
phonographic copyright (℗) by:
Polydor GmbH (do not use as a release label, for company-type relationships only) and Liberty (a division of UMG Recordings, Inc.) (in 1961)
cover recording of:
Hello Mary Lou
writer:
Cayet Mangiaracina and Gene Pitney
publisher:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2.52:19
16Three Steps to Heaven
recording of:
Three Steps to Heaven (on 1960-01-08)
writer:
Bob Cochran and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Eddie Cochran42:22
17You’ll Never Walk Alone
performer:
Gerry and the Pacemakers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
18House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:30
19Blue Moon
producer:
Danny and Stu (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 2004)
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
The Marcels32:17
20On the Road Again
recording of:
On the Road Again
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) and United Partnership Ltd.
Canned Heat43:13
21Ain’t Misbehavin’
cover recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Tommy Bruce and The Bruisers2:08
22Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Frederick Heath and Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates3.52:21
235-4-3-2-1
producer:
John Burgess (British record producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-12-17)
recording of:
5-4-3-2-1
composer:
Mike Hugg (drummer & founding member of Manfred Mann), Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) and Manfred Mann (the person)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Keith Prowse Music Publishing Ltd.
Manfred Mann4.51:59
24Rubber Ball
recording of:
Rubber Ball
lyricist and composer:
Gene Pitney and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
J. Albert & Son Pty. Ltd.
Bobby Vee32:18
25Hold Me
cover recording of:
Hold Me
writer:
Little Jack Little, David Oppenheim (songwriter, composer) and Ira Schuster
publisher:
Campbell Connelly & Co. Ltd.
P.J. Proby2:41
3▼CD: Rock
#TitleArtistRatingLength
1Another Brick in the Wall
engineer:
Brian Christian, Nick Griffiths (engineer), James Guthrie, Rick Hart (engineer), John McClure (recording engineer and record producer) and Patrice Quef
co-producer:
James Guthrie
producer:
Bob Ezrin, David Gilmour (Pink Floyd) and Roger Waters
bass guitar:
Roger Waters (in 1979)
drums (drum set):
Nick Mason (of Pink Floyd) (in 1979)
guitar:
David Gilmour (Pink Floyd) (in 1979)
Hammond organ and synthesizer [Prophet-5 synthesizer]:
Richard Wright (Pink Floyd keyboardist) (in 1979)
choir vocals:
Children of Islington Green School
lead vocals:
David Gilmour (Pink Floyd) (in 1979) and Roger Waters (in 1979)
vocals:
Richard Wright (Pink Floyd keyboardist) (in 1979)
arranger:
Bob Ezrin and Michael Kamen (American score composer)
phonographic copyright (℗) by:
Pink Floyd Music Ltd. (in 1979)
recorded at:
Britannia Row Studios (first location, 1975–1995 Islington) in Islington, London (Greater London), England, United Kingdom (in 1979), Producer’s Workshop in Hollywood, Los Angeles, California, United States (in 1979) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (in 1979)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States (in 1979)
recording of:
Another Brick in the Wall, Part 2 (in 1979)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Pink Floyd Music Publishers Inc. (in 1979)
part of:
Another Brick in the Wall
Pink Floyd43:50
2Creep
engineer, producer and mixer:
Paul Q. Kolderie and Sean Slade
bass guitar:
Colin Greenwood (English bassist in Radiohead) (from 1992-09 until 1992-11)
drums (drum set):
Philip Selway (drummer in Radiohead) (from 1992-09 until 1992-11)
guitar:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
guitar, organ and piano:
Jonny Greenwood (English musician and score composer) (from 1992-09 until 1992-11)
vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (from 1992-09 until 1992-11)
mixed at:
Fort Apache in Cambridge, Massachusetts, United States
music videos:
Creep by Radiohead
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 26), Indie 88: Top 500 Indie Rock Songs (number: 28), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 118)
recording of:
Creep (from 1992-09 until 1992-11)
lyricist:
Thom Yorke
composer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Albert Hammond, Mike Hazlewood, Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
EMI April Music Inc., Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
is based on:
The Air That I Breathe
Radiohead4.353:57
3Weather With You
producer:
Neil Finn and Mitchell Froom
mixer:
Bob Clearmountain
drums (drum set) and percussion:
Ricky Fataar
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1991)
music videos:
Weather With You by Crowded House (Australian rock group)
part of:
triple j’s Hottest 100 of Australian Songs (number: 69)
recording of:
Weather With You
writer:
Neil Finn and Tim Finn
publisher:
Mushroom Music Pty. Ltd., Rebel Larynx Music and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 16)
Crowded House3.83:44
4Whole of the Moon
producer:
Mike Scott (The Waterboys)
mixer:
Mick Glossop (producer & engineer)
bass synthesizer and synthesizer:
Karl Wallinger (in 1985-05)
drums (drum set):
Chris Whitten (in 1985-05)
guitar and piano:
Mike Scott (The Waterboys) (in 1985-05)
percussion:
Martin Ditcham (in 1985-05)
saxophone:
Anthony Thistlethwaite (in 1985-05)
trumpet:
Roddy Lorimer (in 1985-05)
background vocals:
Max Edie (in 1985-05) and Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographic copyright (℗) by:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
lyricist and composer:
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:01
5Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:31
6International Bright Young Thing
engineer:
Clive Goddard (engineer)
additional producer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
producer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
remixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
recording of:
International Bright Young Thing
lyricist and composer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
Jesus Jones3.353:14
7Ordinary World
producer:
Duran Duran (English rock band) and John Jones (producer)
mixer:
David Richards (Swiss-based producer and engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Ordinary World
lyricist:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) and Nick Rhodes
composer:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes and John Taylor (UK bassist for Duran Duran)
publisher:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (from 1993 to present), EMI April Music Inc. (from 1993 to present) and Private Parts Musicall (from 1993 to present)
Duran Duran3.34:43
8Sleeping Satellite
engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
producer:
Julian Mendelsohn (Australian record producer and engineer) and Paul Wickens
mixer:
Julian Mendelsohn (Australian record producer and engineer)
music videos:
Sleeping Satellite by Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:41
9Is It Like Today?
recording of:
Is It Like Today?
lyricist and composer:
Karl Wallinger
World Party33:38
10No One Can
audio engineer and mixer:
Rob Eaton
producer:
Christopher Neil
bass:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (in 1991)
drums (drum set):
Ian Mosley (in 1991)
guitar:
Steve Rothery (in 1991)
keyboard and keyboard [keyboards]:
Mark Kelly (Marillion keyboardist) (in 1991)
background vocals:
Chris (in 1991), Pete (bassist for Marillion / Edison’s Children / Transatlantic) (in 1991) and Steve (in 1991)
lead vocals:
Steve Hogarth (in 1991)
arranger:
Marillion (British progressive rock band)
recorded at:
Hook End Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom (in 1991) and Westside Studios in London (Greater London), England, United Kingdom (in 1991)
recording of:
No One Can (in 1991)
lyricist:
Steve Hogarth
composer:
Steve Hogarth, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Hit & Run Music (Publishing) Ltd, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Songs Ltd., Rondor Music (London) Ltd., The Charisma Music Publishing Co Ltd and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
Marillion54:40
11Run to the Hills
additional engineer and additional mixer:
Nick Basich
engineer:
Martin Birch and Ricky DeLena
producer and mixer:
Martin Birch
drums (drum set):
Nicko McBrain (drummer) (in 1985-03)
electric bass guitar:
Steve Harris (Iron Maiden bassist) (in 1985-03, from 1985-03-14 until 1985-03-17)
electric guitar:
Dave Murray (Iron Maiden guitarist) (in 1985-03, from 1985-03-14 until 1985-03-17) and Adrian Smith (UK guitarist/songwriter, Iron Maiden) (in 1985-03, from 1985-03-14 until 1985-03-17)
background vocals:
Steve Harris (Iron Maiden bassist) (in 1985-03, from 1985-03-14 until 1985-03-17) and Adrian Smith (UK guitarist/songwriter, Iron Maiden) (in 1985-03, from 1985-03-14 until 1985-03-17)
lead vocals:
Bruce Dickinson (Iron Maiden vocalist) (in 1985-03)
performer:
Nicko McBrain (drummer) (from 1985-03-14 until 1985-03-17)
recorded at:
Long Beach Arena in Long Beach, California, United States (from 1985-03-14 until 1985-03-17)
recording of:
Run to the Hills (from 1982-01 until 1982-02)
lyricist and composer:
Steve Harris (Iron Maiden bassist)
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
live recording of:
Run to the Hills (from 1985-03-14 until 1985-03-17)
lyricist and composer:
Steve Harris (Iron Maiden bassist)
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
live recording of:
Run to the Hills (in 1985-03)
lyricist and composer:
Steve Harris (Iron Maiden bassist)
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Iron Maiden4:05
12Black Night
drums (drum set):
Ian Paice (in 1970-05)
electric bass guitar:
Roger Glover (in 1970-05)
electric guitar:
Ritchie Blackmore (in 1970-05)
Hammond organ:
Jon Lord (in 1970-05)
lead vocals:
Ian Gillan (in 1970-05)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970-05)
recording of:
Black Night (in 1970-05)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple4.453:27
13Low Life in High Places
engineer:
Ken Lomas
producer:
Luke Morley and Andy Taylor (of Duran Duran)
mixer:
David Bascombe
recording of:
Low Life in High Places
lyricist and composer:
Luke Morley
publisher:
Songs of Windswept Pacific
Thunder4:09
14Lean on Me I Won’t Fall Over
electric bass guitar and keyboard:
Fruitbat
electric guitar:
Jim Bob (Carter USM singer James Morrison)
vocals:
Fruitbat and Jim Bob (Carter USM singer James Morrison)
recording of:
Lean on Me I Won’t Fall Over
writer:
James Neil Morrison (Carter USM singer James Morrison) and Lesley Carter
publisher:
Island Music Ltd.
Carter the Unstoppable Sex Machine3:41
15There’s No Other Way
producer:
Stephen Street (famous producer, songwriter)
phonographic copyright (℗) by:
Food Ltd. (in 1991)
recording of:
There’s No Other Way
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd. and Wixen Music UK Ltd.
Blur3.23:13
16Tramps and Thieves
engineer:
Randy Staub
producer:
Bob Rock
remixer:
Chris Kimsey
recording of:
Tramps and Thieves
writer:
Guy Bailey and Spike (UK singer/songwriter, member of Quireboys)
The Quireboys34:27
17No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:29
18I Hear You Knocking
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier and World Music (publisher)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
19Tiger Feet
co-producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
performer:
Mud (UK glam rock band)
phonographic copyright (℗) by:
RAK (in 1974)
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud53:50
4▼CD: Classical
#TitleArtistRatingLength
1Arrival of the Queen of Sheba
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner42:52
2Morning From “Peer Gynt”
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner4:20
3Ride of the Valkries (Die Walküre, Act 3)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-12-13 until 1972-12-14)
conductor:
Sir Adrian Boult (conductor) (from 1972-12-13 until 1972-12-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-12-13 until 1972-12-14)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1972-12-13 until 1972-12-14)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
London Philharmonic Orchestra conducted by Sir Adrian Boult5:26
4Vltava (No. 2 Pf Ma Vlast)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Paavo Berglund (conductor)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Staatskapelle Dresden conducted by Paavo Berglund5:03
5The Stars Shine Brightly
producer:
John Willan (producer)
tenor vocals [Cavaradossi]:
Plácido Domingo (tenor) (from 1980-07-29 until 1980-08-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-29 until 1980-08-11)
conductor:
James Levine (US conductor and pianist) (from 1980-07-29 until 1980-08-11)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-29 until 1980-08-11)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1980-07-29 until 1980-08-11)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Philharmonia Orchestra conducted by James Levine with Plácido Domingo3:14
6Serenade No. 13 in G Major K 525 (Eine Kleine Nachtmusik)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Colin Davis (English conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Philharmonia Orchestra conducted by Sir Colin Davis4:29
7Farandole
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-01-14 until 1958-01-15)
conductor:
Herbert von Karajan (conductor) (from 1958-01-14 until 1958-01-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-01-14 until 1958-01-15)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1958-01-14 until 1958-01-15)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Philharmonia Orchestra conducted by Herbert von Karajan3:28
8Va Pensiero Sull’Ali Dorate (Inabucco Act 3)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals and performer:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Philharmonia Orchestra conducted by Riccardo Muti4:30
9Canon in D
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner5:01
10Hungarian March
producer:
Michel Glotz
orchestra:
Berlin Philharmonic Orchestra (from 1978-12-29 until 1978-12-31, on 1979-01-03)
conductor:
Herbert von Karajan (conductor) (from 1978-12-29 until 1978-12-31, on 1979-01-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-12-29 until 1978-12-31, on 1979-01-03)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (from 1978-12-29 until 1979-01-03)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Herbert von Karajan4:19
11Meditation From “Thais”
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1976-06)
assistant producer:
Gréco Casadesus (in 1976-06)
producer:
Christopher Bishop (conductor/producer) (in 1976-06)
solo violin:
Lorin Maazel (conductor) (in 1976-06)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-06)
conductor:
Lorin Maazel (conductor) (in 1976-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1976-06)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick)
composer:
Jules Massenet (French Romantic composer)
piano arranger and violin arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
New Philharmonia Orchestra conducted by Lorin Maazel45:06
121812 Overture
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (in 1987)
conductor:
Mariss Jansons (Latvian conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1987)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Oslo Philharmonic Orchestra conducted by Mariss Jansons3:32