Nummerlijst

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1cd
#TitelArtiestWaarderingDuur
1Acis and Galatea: Symphony
producent:
Chris Hazell
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 1. Sinfonia
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel3:31
2Acis and Galatea: Act I: Oh, the Pleasure of the Plains
producent:
Chris Hazell
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!"
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel5:18
3Acis and Galatea: Act I: Ye Verdant Plains
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 3. Recitative "Ye verdant plains and woody mountains" (Galatea)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:58
4Acis and Galatea: Act I: Hush, Ye Pretty Warbling Quire!
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 4. Aria "Hush, ye pretty warbling quire!" (Galatea)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel6:15
5Acis and Galatea: Act I: Where Shall I Seek the Charming Fair?
producent:
Chris Hazell
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 5. Aria "Where shall I seek the charming fair?" (Acis)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel3:39
6Acis and Galatea: Act I: Stay, Shepherd, Stay!
producent:
Chris Hazell
tenorvocalen [Damon]:
Philip Langridge (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 5a. Recitative "Stay, shepherd, stay!" (Damon)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:20
7Acis and Galatea: Act I: Shepherd, What Art Thou Pursuing?
producent:
Chris Hazell
tenorvocalen [Damon]:
Philip Langridge (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 6. Aria "Shepherd, what art thou pursuing?" (Damon)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel4:40
8Acis and Galatea: Act I: Lo! Here My Love!
producent:
Chris Hazell
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 6a. Recitative: "Lo! Here my love!" (Acis)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:27
9Acis and Galatea: Act I: Love in Her Eyes Sits Playing
producent:
Chris Hazell
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel5:55
10Acis and Galatea: Act I: Oh! Didst Thou Know the Pains
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 7a. Recitative "Oh! Didst thou know the pains of absent love" (Galatea)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel0:16
11Acis and Galatea: Act I: As When the Dove Laments her Love
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 8. Aria "As when the dove laments her love" (Galatea)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel6:07
12Acis and Galatea: Act I: Happy We!
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act I, no. 9a. Duet "Happy we" (Galatea, Acis)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act I
George Frideric Handel4:13
13Acis and Galatea: Act II: Wretched Lovers!
producent:
Chris Hazell
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!"
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:50
14Acis and Galatea: Act II: I Rage- I Melt- I Burn!
producent:
Chris Hazell
baritonvocalen [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:41
15Acis and Galatea: Act II: O Ruddier Than the Cherry
producent:
Chris Hazell
baritonvocalen [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:33
16Acis and Galatea: Act II: Whither, Fairest, Art Thou Running
producent:
Chris Hazell
baritonvocalen [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:24
17Acis and Galatea: Act II: Cease to Beauty to be Suing
producent:
Chris Hazell
baritonvocalen [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 13. Aria "Cease to beauty to be suing" (Polyphemus)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel6:15
18Acis and Galatea: Act II: Would You Gain the Tender Creature
producent:
Chris Hazell
tenorvocalen [Damon]:
Philip Langridge (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel5:18
19Acis and Galatea: Act II: His Hideous Love Provokes my Rage
producent:
Chris Hazell
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 14a. Recitativo "His hideous love provokes my rage" (Acis)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:26
20Acis and Galatea: Act II: Love Sounds Th'alarm
producent:
Chris Hazell
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 15. Aria "Love sounds th'alarm" (Acis)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel5:10
2cd
#TitelArtiestWaarderingDuur
1Acis and Galatea: Act II: Consider, Fond Shepherd
producent:
Chris Hazell
tenorvocalen [Damon]:
Philip Langridge (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel6:31
2Acis and Galatea: Act II: Cease, oh Cease, Thou Gentle Youth
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:32
3Acis and Galatea: Act II: The Flocks Shall Leave the Mountains
producent:
Chris Hazell
baritonvocalen [Polyphemus]:
Benjamin Luxon (baritone) (in 1978-01)
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel2:51
4Acis and Galatea: Act II: Help, Galatea! Help, Ye Parent Gods!
producent:
Chris Hazell
tenorvocalen [Acis]:
Robert Tear (tenor) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 18. Recitativo "Help, Galatea!" (Acis)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel1:15
5Acis and Galatea: Act II: Mourn, All Ye Muses!
producent:
Chris Hazell
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!"
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:14
6Acis and Galatea: Act II: Must I My Acis Still Bemoan
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel4:17
7Acis and Galatea: Act II: 'Tis Done: Thus I Exert My Pow'r Divine
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 20c. Recitativo "'Tis done" (Galatea)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel0:28
8Acis and Galatea: Act II: Heart, the Seat of Soft Delight
producent:
Chris Hazell
sopraanvocalen [Galatea]:
Jill Gomez (soprano) (in 1978-01)
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea)
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:39
9Acis and Galatea: Act II: Galatea, Dry Thy Tears
producent:
Chris Hazell
orkest:
Academy of St Martin in the Fields (in 1978-01)
was dirigent:
Sir Neville Marriner (conductor) (in 1978-01)
balanstechnicus:
Stanley Goodall (engineer) (in 1978-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1978-01)
is een opname van:
Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears"
componist:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
deel van:
Acis and Galatea, HWV 49: Act II
George Frideric Handel3:00
10Il Pastor Fido: Hunting Scene
producent:
Michael Bremner (producer/engineer)
orkest:
Academy of St Martin in the Fields (in 1970-12)
was dirigent:
Sir Neville Marriner (conductor) (in 1970-12)
balanstechnicus:
Stanley Goodall (engineer) (in 1970-12)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
is een gedeeltelijke opname van:
Il pastor fido, HWV 8a (in 1970-12)
componist:
George Frideric Handel (German‐British baroque composer) (tot 1712-10-24)
librettist:
Giacomo Rossi
had de première bij:
His Majesty’s Theatre (Haymarket, London) in London (Greater London), England, Verenigd Koninkrijk (op 1712-11-22)
deel van:
Händel-Werke-Verzeichnis (nummer: HWV 8a)
George Frideric Handel5:41
11Look Down, Harmonious Saint: Recitative: Look Down, Look Down
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Look down, harmonious saint, HWV 124
componist:
George Frideric Handel (German‐British baroque composer) (in 1736)
librettist:
Newburgh Hamilton
had de première bij:
Covent Garden Theatre (1732-1808) in London (Greater London), England, Verenigd Koninkrijk (in 1736-02)
deel van:
Händel-Werke-Verzeichnis (nummer: HWV 124)
George Frideric Handel1:20
12Look Down, Harmonious Saint: Aria: Sweet Accents all Your Numbers Grace
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Look down, harmonious saint, HWV 124
componist:
George Frideric Handel (German‐British baroque composer) (in 1736)
librettist:
Newburgh Hamilton
had de première bij:
Covent Garden Theatre (1732-1808) in London (Greater London), England, Verenigd Koninkrijk (in 1736-02)
deel van:
Händel-Werke-Verzeichnis (nummer: HWV 124)
George Frideric Handel10:00
13Meine Seele Hört Im Sehen
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een opname van:
Meine Seele hört im Sehen, HWV 207
componist:
George Frideric Handel (German‐British baroque composer) (van 1724 tot 1726)
librettist:
Barthold Heinrich Brockes (poet)
deel van:
Händel-Werke-Verzeichnis (nummer: HWV 207)
deel van:
Neun deutsche Arien, HWV 202-210
George Frideric Handel4:10
14Süße Stille
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een opname van:
Süsse Stille, sanfte Quelle ruhiger Gelassenheit, HWV 205
componist:
George Frideric Handel (German‐British baroque composer) (van 1724 tot 1726)
librettist:
Barthold Heinrich Brockes (poet)
deel van:
Händel-Werke-Verzeichnis (nummer: HWV 205)
George Frideric Handel3:51
15Bacchus and Ariadne: Recitative: The faithless Theseus...
producent:
Michael Bremner (producer/engineer)
tenorvocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne1:15
16Bacchus and Ariadne: Aria: Ah Theseus, Theseus stay
producent:
Michael Bremner (producer/engineer)
tenorvocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne2:04
17Bacchus and Ariadne: Recit: The jolly God who rules
producent:
Michael Bremner (producer/engineer)
tenorvocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne0:41
18Bacchus and Ariadne: Aria: Cease lovely Nymph to weep
producent:
Michael Bremner (producer/engineer)
tenorvocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne2:04
19Bacchus and Ariadne: Recitative: With soft reluctance
producent:
Michael Bremner (producer/engineer)
tenorvocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne1:30
20Bacchus and Ariadne: Aria: Learn hence ye fond maidens
producent:
Michael Bremner (producer/engineer)
tenorvocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne2:49
21Fair Caelia Love Pretended: Recit: Fair Caelia love pretented
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Fair Caelia love pretented (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne0:44
22Fair Caelia Love Pretended: Aria: To all the sex deceitfull
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Fair Caelia love pretented (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne1:44
23Fair Caelia Love Pretended: Recit: But Caelia now repenting
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Fair Caelia love pretented (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne0:42
24Fair Caelia Love Pretended: Aria: How engaging, how endearing
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Fair Caelia love pretented (in 1969-11)
componist:
Thomas Arne (composer)
Thomas Arne2:12
25Song of Momus to Mars
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een gedeeltelijke opname van:
Secular Masque (in 1969-11)
componist:
William Boyce (English baroque composer)
William Boyce2:45
26The Lass of Richmond Hill
producent:
Michael Bremner (producer/engineer)
vocalen:
Robert Tear (tenor) (in 1969-11)
orkest:
Academy of St Martin in the Fields (in 1969-11)
was dirigent:
Sir Neville Marriner (conductor) (in 1969-11)
balanstechnicus:
Stanley Goodall (engineer) (in 1969-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
opgenomen bij:
St John’s, Smith Square in London (Greater London), England, Verenigd Koninkrijk (in 1969-11)
is een opname van:
Lass of Richmond Hill (in 1969-11)
tekstschrijver:
Leonard McNally (Irish playwright and lyricist)
componist:
James Hook (composer and organist)
deel van:
Roud Folk Song Index (nummer: 1246)
James Hook2:37

Relaties

Uitgave

gefabriceerd in:Duitsland
gedrukt in:Duitsland
verzorgde artistieke leiding:Jeremy Tilston (art director and designer)
artwork:Gustave Moreau (painter) (van 1880 tot 1881: taak: Cover "Galatea")
rechtenorganisatie:BIEM (international rights organization representing member societies from 58 countries)
MCPS (UK rights society; do not use this as a label or work publisher!)
auteursrecht (©):The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
deel van:Double Decca (volgorde: 93)
Discogs:https://www.discogs.com/release/26026006 [info]