The Masterworks

~ Release by Robert Schumann (see all versions of this release, 1 available)

Tracklist

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1▼CD: Orchestral Works
#TitleRatingLength
1Symphony in G minor, WoO 29 "Zwickau": I. Allegro molto
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Symphony in G minor, WoO 29 "Zwickau": I. Moderato - Allegro (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1832 until 1833)
part of:
Symphony in G minor, WoO 29 "Zwickau"
10:35
2Symphony in G minor, WoO 29 "Zwickau": II. Andantino quasi allegretto - Intermezzo quasi Scherzo. Allegro assai - Andantino
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Symphony in G minor, WoO 29 "Zwickau": II. Andantino quasi allegretto - Intermezzo quasi Scherzo: Allegro assai - Andantino (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1832 until 1833)
part of:
Symphony in G minor, WoO 29 "Zwickau"
8:07
3Symphony No. 1 in B-flat major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
10:54
4Symphony No. 1 in B-flat major, Op. 38 "Spring": II. Larghetto - attacca
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
6:22
5Symphony No. 1 in B-flat major, Op. 38 "Spring": III. Scherzo. Molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
5:16
6Symphony No. 1 in B-flat major, Op. 38 "Spring": IV. Allegro animato e grazioso
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
7:51
7Overture, Scherzo and Finale, Op. 52: I. Ouvertüre. Andante con moto - Allegro
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Overture, Scherzo and Finale, op. 52: I. Overture. Andante con moto - Allegro (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
6:03
8Overture, Scherzo and Finale, Op. 52: II. Scherzo. Vivo
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Overture, Scherzo and Finale, op. 52: II. Scherzo. Vivo (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
4:37
9Overture, Scherzo and Finale, Op. 52: III. Finale. Allegro molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Overture, Scherzo and Finale, op. 52: III. Finale. Allegro molto vivace (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
6:18
10Overture to Genoveva, Op. 81
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-09)
conductor:
Rafael Kubelík (conductor) (in 1964-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-09)
recording of:
Genoveva, op. 81: Overture (in 1964-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1850)
part of:
Works of Robert Schumann by opus number (number: op. 81)
part of:
Genoveva, op. 81
9:30
2▼CD: Orchestral Works
#TitleRatingLength
1Symphony No. 4 in D minor, Op. 120: I. Andante con moto - Allegro di molto
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
8:17
2Symphony No. 4 in D minor, Op. 120: II. Romanza. Andante
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
3:48
3Symphony No. 4 in D minor, Op. 120: III. Scherzo. Presto
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
5:08
4Symphony No. 4 in D minor, Op. 120: IV. Largo - Finale. Allegro vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version) (in 1997-05)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
6:59
5Symphony No. 2 in C major, Op. 61: I. Sostenuto assai
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
12:12
6Symphony No. 2 in C major, Op. 61: II. Scherzo. Allegro vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
7:01
7Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: III. Adagio espressivo (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
10:08
8Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom
recording of:
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
8:27
9Overture "Julius Caesar", Op. 128
engineer:
Gordon Parry (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-09-10 until 1969-09-14)
conductor:
Sir Georg Solti (conductor) (from 1969-09-10 until 1969-09-14)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-09-10 until 1969-09-14)
recording of:
Julius Caesar Overture, op. 128 (from 1969-09-10 until 1969-09-14)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Works of Robert Schumann by opus number (number: op. 128)
7:55
3▼CD: Orchestral Works (Orchestre Révolutionnaire et Romantique feat. conductor: John Eliot Gardiner)
#TitleRatingLength
1Konzertstück in F major for four Horns and Orchestra, Op. 86: I. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
horn:
Susan Dent (hornist) (in 1997-10), Gavin Edwards (horn player) (in 1997-10), Robert Maskell (horn player) (in 1997-10) and Roger Montgomery (horn player) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Konzertstück for Four Horns in F, op. 86: I. Lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Konzertstück for Four Horns in F, op. 86
7:06
2Konzertstück in F major for four Horns and Orchestra, Op. 86: II. Romanze. Ziemlich langsam, doch nicht schleppend
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
horn:
Susan Dent (hornist) (in 1997-10), Gavin Edwards (horn player) (in 1997-10), Robert Maskell (horn player) (in 1997-10) and Roger Montgomery (horn player) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Konzertstück for Four Horns in F, op. 86: II. Romanze (in 1997-10)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Konzertstück for Four Horns in F, op. 86
5:03
3Konzertstück in F major for four Horns and Orchestra, Op. 86: III. Sehr lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
horn:
Susan Dent (hornist) (in 1997-10), Gavin Edwards (horn player) (in 1997-10), Robert Maskell (horn player) (in 1997-10) and Roger Montgomery (horn player) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Konzertstück for Four Horns in F, op. 86: III. Sehr lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Konzertstück for Four Horns in F, op. 86
5:43
4Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": I. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
8:50
5Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": II. Scherzo. Sehr mäßig
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
5:54
6Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": III. Nicht schnell
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
4:37
7Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": IV. Feierlich
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
4:55
8Symphony No. 3 in E-flat major, Op. 97 "Rhenisch": V. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft (in 1997-10)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
5:46
9Symphony No. 4 in D minor, Op. 120 (revised version, 1951): I. Ziemlich langsam - Lebhaft - attacca:
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
9:58
10Symphony No. 4 in D minor, Op. 120 (revised version, 1951): II. Romanze. Ziemlich langsam - attacca:
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
3:39
11Symphony No. 4 in D minor, Op. 120 (revised version, 1951): III. Scherzo. Lebhaft - attacca:
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version)
4:51
12Symphony No. 4 in D minor, Op. 120 (revised version, 1951): IV. Etwas zurückhaltend - Langsam
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
1:32
13Symphony No. 4 in D minor, Op. 120 (revised version, 1951): IV. Lebhaft
recording engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-05)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (in 1997-05)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
7:40
4▼CD: Concertos (London Symphony Orchestra feat conductor: Uri Segal, piano: Vladimir Ashkenazy)
#TitleRatingLength
1Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
recording engineer:
John Pellowe (audio engineer) (from 1977-06-01 until 1977-06-02) and Kenneth Wilkinson (engineer) (from 1977-06-01 until 1977-06-02)
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1977-06-01 until 1977-06-02)
orchestra:
London Symphony Orchestra (from 1977-06-01 until 1977-06-02)
conductor:
Uri Segal (Israeli conductor) (from 1977-06-01 until 1977-06-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-06-01 until 1977-06-02)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (from 1977-06-01 until 1977-06-02)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
revision of:
Phantasie in A minor
15:44
2Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso
recording engineer:
John Pellowe (audio engineer) (from 1977-06-01 until 1977-06-02) and Kenneth Wilkinson (engineer) (from 1977-06-01 until 1977-06-02)
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1977-06-01 until 1977-06-02)
orchestra:
London Symphony Orchestra (from 1977-06-01 until 1977-06-02)
conductor:
Uri Segal (Israeli conductor) (from 1977-06-01 until 1977-06-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-06-01 until 1977-06-02)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso (from 1977-06-01 until 1977-06-02)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
5:16
3Piano Concerto in A minor, Op. 54: III. Allegro vivace
recording engineer:
John Pellowe (audio engineer) (from 1977-06-01 until 1977-06-02) and Kenneth Wilkinson (engineer) (from 1977-06-01 until 1977-06-02)
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1977-06-01 until 1977-06-02)
orchestra:
London Symphony Orchestra (from 1977-06-01 until 1977-06-02)
conductor:
Uri Segal (Israeli conductor) (from 1977-06-01 until 1977-06-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-06-01 until 1977-06-02)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (from 1977-06-01 until 1977-06-02)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
11:11
4Introduction and Allegro appassionato for Piano and Orchestra, Op. 92
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (on 1976-05-14)
orchestra:
London Symphony Orchestra (on 1976-05-14)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (on 1976-05-14)
balance engineer:
Stanley Goodall (engineer) (on 1976-05-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-05-14)
recording of:
Konzertstück (Introduction and Allegro appassionato) in G major, op. 92 (on 1976-05-14)
composer:
Robert Schumann (German classical composer)
part of:
Works of Robert Schumann by opus number (number: op. 92)
16:41
5Concerto Allegro with Introduction for Piano and Orchestra in D minor / D major, Op. 134
recording engineer:
John Pellowe (audio engineer) (from 1977-06-01 until 1977-06-02) and Kenneth Wilkinson (engineer) (from 1977-06-01 until 1977-06-02)
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1977-06-01 until 1977-06-02)
orchestra:
London Symphony Orchestra (from 1977-06-01 until 1977-06-02)
conductor:
Uri Segal (Israeli conductor) (from 1977-06-01 until 1977-06-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-06-01 until 1977-06-02)
recording of:
Konzertstück, op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor (from 1977-06-01 until 1977-06-02)
composer:
Robert Schumann (German classical composer)
part of:
Works of Robert Schumann by opus number (number: op. 134)
15:23
5▼CD: Concertos
#TitleRatingLength
1Violin Concerto in D minor, WoO 1: I. In kräftigem, nicht zu schnellem Tempo
engineer:
Robert Eberenz (on 1964-07-05)
producer:
Harold Lawrence
violin:
Henryk Szeryng (violinist) (on 1964-07-05)
orchestra:
London Symphony Orchestra (on 1964-07-05)
conductor:
Antal Doráti (conductor) (on 1964-07-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-05)
recording of:
Violin Concerto in D minor, WoO 23: I. In kräftigem, nicht zu schnellem Tempo (on 1964-07-05)
composer:
Robert Schumann (German classical composer) (from 1853-09-11 until 1853-10-03)
part of:
Violin Concerto in D minor, WoO 23
13:35
2Violin Concerto in D minor, WoO 1: II. Langsam
engineer:
Robert Eberenz (on 1964-07-05)
producer:
Harold Lawrence
violin:
Henryk Szeryng (violinist) (on 1964-07-05)
orchestra:
London Symphony Orchestra (on 1964-07-05)
conductor:
Antal Doráti (conductor) (on 1964-07-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-05)
recording of:
Violin Concerto in D minor, WoO 23: II. Langsam (on 1964-07-05)
composer:
Robert Schumann (German classical composer) (from 1853-09-11 until 1853-10-03)
part of:
Violin Concerto in D minor, WoO 23
5:26
3Violin Concerto in D minor, WoO 1: III. Lebhaft, doch nicht schnell
engineer:
Robert Eberenz (on 1964-07-05)
producer:
Harold Lawrence
violin:
Henryk Szeryng (violinist) (on 1964-07-05)
orchestra:
London Symphony Orchestra (on 1964-07-05)
conductor:
Antal Doráti (conductor) (on 1964-07-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-05)
recording of:
Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell (on 1964-07-05)
composer:
Robert Schumann (German classical composer) (from 1853-09-11 until 1853-10-03)
part of:
Violin Concerto in D minor, WoO 23
9:26
4Cello Concerto in A minor, Op. 129: I. Nicht zu schnell -
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
The Cleveland Orchestra (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell) (in 1981-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
11:10
5Cello Concerto in A minor, Op. 129: II. Langsam -
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
The Cleveland Orchestra (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
recording of:
Cello Concerto in A minor, op. 129: II. Langsam (Concerto for Cello and Orchestra in A minor, Op. 129: II. Langsam) (in 1981-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
4:39
6Cello Concerto in A minor, Op. 129: III. Sehr lebhaft
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
The Cleveland Orchestra (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
recording of:
Cello Concerto in A minor, op. 129: III. Sehr lebhaft (Concerto for Cello and Orchestra in A minor, Op. 129: III. Sehr lebhaft) (in 1981-11)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
9:48
7Fantasy in A minor / C major for Violin and Orchestra, Op. 131
violin:
Anne‐Sophie Mutter (violinist) (in 1997-07)
orchestra:
New York Philharmonic (in 1997-07)
conductor:
Kurt Masur (conductor) (in 1997-07)
recorded at:
Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (in 1997-07)
recording of:
Fantasie für Violine und Orchester C-dur, op. 131 (in 1997-07)
composer:
Robert Schumann (German classical composer) (in 1853)
part of:
Works of Robert Schumann by opus number (number: op. 131)
13:13
6▼CD: Works for Chorus and Orchestra (Orchestre Révolutionnaire et romantique, The Montiverdi Choir feat. conductor: John Eliot Gardiner)
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1Requiem Für Mignon for Soloists, Chorus and Orchestra, Op. 98b
assistant engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals:
William Dazeley (baritone vocalist) (in 1997-10)
choir vocals:
Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1997-10) and Monteverdi Choir (English vocal Baroque ensemble) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Requiem für Mignon, op. 98b (in 1997-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Robert Schumann (German classical composer) (in 1849)
12:46
2Nachtlied for Chorus and Orchestra Op. 108
assistant engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Nachtlied, op. 108 (in 1997-10)
lyricist:
Friedrich Hebbel (German poet and dramatist)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Works of Robert Schumann by opus number (number: op. 108)
9:14
3Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. I. "Vor Edens Tor im Morgenprangen" (Alt-Solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 1 „Vor Edens Tor im Morgenprangen“ (Mezzosopran) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:12
4Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. II. "Wie glücklich sie wandeln, die sel'gen Geister" (Die Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 2 „Wie glücklich sie wandeln“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:14
5Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. III. "Rezitativ: Der hehre Engel (Tenor-Solo); Dir, Kind des Stamms" (Der Engel)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals [The Angel]:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 3 „Der hehre Engel, der die Pforte“ (Rezitativ Tenor, Engel) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
1:59
6Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. IV. "Wo find' ich sie?" (Die Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 4 „Wo find ich sie?“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:30
7Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. V. "So sann sie nach und schwang die Flügel" (Tenor-Solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 5 „So sann sie nach“ (Tenor) – „O süßes Land!“ (Quartett – Sopran, Mezzosopran, Tenor, Bariton) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
1:07
8Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. VI. "Doch seine Ströme sind jetzt rot" (Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 6 „Doch seine Ströme sind jetzt rot“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:46
9Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. VII. "Und einsam steht et Jüngling noch" (Tenor-Solo, Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Gazna]:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 7 „Und einsam steht ein Jüngling noch“ (Tenor, Chor, Gazna, Der Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:26
10Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. VIII. "Weh, weh, weh, er fehlte das Ziel" (Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 8 „Weh, weh, er fehlte das Ziel“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:13
11Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50: Part I. IX. "Die Peri sah das Mal der Wunde" (Tenor-Solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 9 „Die Peri sah das Mal der Wunde“ (Tenor, Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
6:50
7▼CD: Works for Chorus and Orchestra (Orchestre Révolutionnaire et romantique, The Montiverdi Choir feat. conductor: John Eliot Gardiner)
#TitleRatingLength
1Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: X. "Die Peri tritt" (Tenor-Solo); "Gern grüssen wir, die so gegangen" (Der Engel, Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals [The Angel]:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
solo tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 10 „Die Peri tritt mit schüchterner Gebärde“ (Tenor, Engel, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:02
2Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XI. "Ihr erstes Himmelshoffen" (Tenor-Solo); "Hervor aus den Wässern" (Chor, Die Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 11 „Ihr erstes Himmelshoffen schwand“ (Tenor, Chor, Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:35
3Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XII. "Fort streift von hier" (Tenor-Solo); "Für euren ersten Fall" (Die Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 12 „Fort streit von hier das Kind der Lüfte“ (Tenor, Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:47
4Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XIII. "Die Peri weint" (Tenor-Solo, Vokalquartett)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 13 „Die Peri weint, von ihrer Tränen scheint“ (Tenor) – „Denn in der Trän' ist Zaubermacht“ (Quartett – Sopran, Mezzosopran, Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:35
5Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XVI. "Im Waldesgrün am stillen See" (Alt-Solo); "Ach, einen Tropfen" (Der Jüngling)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 14 „Im Waldesgrün am stillen See“ (Alt, Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:11
6Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XV. "Verlassener Hüngling" (Mezzosopran-Solo); "Doch sieh, we naht" (Tenor-Solo); "Du hier?" (Der Jüngling)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 15 „Verlassener jüngling, nur das eine“ (Mezzosopran, Tenor, Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:03
7Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XVI. "O lass mich von der Luft" (Die Jungfrau); "Sie wankt - sie sinkt" (Tenor-Solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Maiden]:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 16 „O lass mich von der Luft durchdringen“ (Jungfrau, Tenor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:20
8Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part II: XVII. "Schlaf nun und ruhe in Träumen" (Die Peri, Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Zweiter Teil: Nr. 17 „Schlaf nun und ruhe in Träumen voll Duft“ (Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:05
9Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XVIII. "Schmücket die Stufen" (Chor); "Auch der Geliebten" (Vokalquartett); "Seht da, die Bahn" (Sopran I, II, Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Jacqueline Connell (alto) (from 1997-03 until 1997-04) and Susanna Spicer (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Constanze Backes (German Soprano vocalist) (from 1997-03 until 1997-04), Donna Deam (soprano) (from 1997-03 until 1997-04), Katherine Fuge (from 1997-03 until 1997-04) and Lucinda Houghton (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 18 „Schmücket die Stufen zu Allahs Thron“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:50
10Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XIX. "Dem Sang von ferne" (Tenor-Solo); "Noch nicht!" (Der Engel)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
solo alto vocals [The Angel]:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 19 „Dem Sang von ferne lauschend“ (Tenor, Engel) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
2:58
11Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XX. "Verstossen! Verschlossen aufs neu das Goldportal!" (Die Peri)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 20 „Verstoßen! Verschlossen auf's neu das Goldportal!“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:14
12Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXI. "Jetzt sank des Abends goldner Schein" (Bariton-Solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 21 „Jetzt sank des Abends goldner Schein“ (Bariton) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
4:21
13Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXII. "Und wie sie niederwärts" (Tenor-Solo); "Peri, ist's wahr" (Vokalquartett); "Mit ihrer Schwestern" (Bariton-Solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Jacqueline Connell (alto) (from 1997-03 until 1997-04) and Susanna Spicer (from 1997-03 until 1997-04)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Donna Deam (soprano) (from 1997-03 until 1997-04) and Lucinda Houghton (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 22 „Und wie sie niederwärts sich schwingt“ (Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:54
14Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXIII. "Hinab zu jenem" (Die Peri); "Sie schwebt herab" (Tenor-Solo); "Doch horch" (Mezzosopran-Solo)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
solo baritone vocals [The Man]:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 23 „Hinab zu jenem Sonnentempel!“ (Peri, Mezzosopran, Tenor, Der Mann) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
5:52
15Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXIV. "O heil'ge Tränen inn'ger Reue" (Vokalquartett, Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 24 „O heil'ge Tränen inniger Reue“ (Quartett – Sopran, Alt, Tenor, Bariton, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
3:16
16Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXV. "Es fällt ein Tropfen" (Die Peri); "Und sieh, demütig betend" (Tenor-Solo, Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 25 „Es fällt ein Tropfen aufs Land“ (Peri, Tenor, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
7:14
17Das Paradies und die Peri for Soloists, Chorus and Orchestra, Op. 50, Part III: XXVI. "Freud', ew'ge Fruede; Wilkommen, wilkommen unter den Frommen!" (Die Peri, Chor)
assistant engineer:
Klaus Behrens (engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Dritter Teil: Nr. 26 „Freud’, ew'ge Freude, mein Werk ist getan“ (Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
6:23
8▼CD: Works for Chorus and Orchestra (Wandsworth School Choir, Aldeburgh Festival Singers, English Chamber Orchestra feat. conductor: Benjamin Britten)
#TitleRatingLength
1Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3: Overture
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Ouverture (Scenes from Goethe's Faust, WoO 3: Overture) (in 1972-09)
composer:
Robert Schumann (German classical composer)
part of:
Szenen aus Goethes Faust, WoO 3
8:11
2Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part I: I. Garden scene: "Du kantest mich, o kleiner Engel, wieder" (Faust, Gretchen, Mephistopheles, Martha)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (bass-baritone) (in 1972-09)
contralto vocals:
Meriel Dickinson (in 1972-09)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 1. Scene im Garten. „Du kanntest mich, o kleiner Engel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
5:08
3Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part I: II. Gretchen before the image of the Mater Dolorosa: "Ach neige, Du Schmerzensreiche" (Gretchen)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 2. Gretchen for dem Bild der Mater dolorosa. „Ach neige, du Schmerzenreiche." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
5:00
4Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part I: III. Scene in the Cathedral: "Wie anders, Gretchen, war dir's" (Evil Spirit, Gretchen, chorus)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 3. Scene im Dom. „Wie anders, Gretchen, war dir's." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
7:00
5Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: IV. Ariel. Sunrise: "Die ihr dies Haupt umschwebt im luft'gen Kreise" (Ariel, chorus, soloists)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
John Noble (baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1972-09)
soprano vocals:
Jenny Hill (soprano) (in 1972-09)
tenor vocals:
John Elwes (tenor) (in 1972-09), Neil Jenkins (tenor) (in 1972-09) and Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 4. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
10:49
6Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: IV. "Des Lebens Pulse schlagen frisch-lebendig" (Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 4. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
7:37
7Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: V. Midnight: "Ich heisse der Mangel" (Want, Debt, Care, Need)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
contralto vocals:
Meriel Dickinson (in 1972-09)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1972-09), Pauline Stevens (soprano) (in 1972-09) and Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
2:22
8Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: V. "Vier sah ich kommen" (Faust, Care)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
soprano vocals:
Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
8:15
9Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: V. "Die Nacht scheint tiefer tief hereinzuddringen" (Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
2:56
10Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VI. Faust's Death: "Herbei, herbei! Herein, herein!" (Mephistopheles, Lemurs, Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (bass-baritone) (in 1972-09)
choir vocals:
Wandsworth School Boys’ Choir (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
5:16
11Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VI. "Ein Sumpf zieht am Gebirge hin" (Faust)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
5:12
12Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VI. "Ihn sättigt keine Lust" (Mephistopheles, chorus)
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
5:11
9▼CD: Works for Chorus and Orchestra
#TitleRatingLength
1Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: I. "Waldung, sie schwankt heran"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 1. Chor. „Waldung, sie schwankt heran." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
2:43
2Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: II. "Ewiger Wonnebrand"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
tenor vocals:
Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 2. Tenor-solo. „Ewiger Wonnebrand, glühendes Liebesband." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
1:54
3Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: III. "Wie Felsenabgrund mir zu Füßen"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1972-09)
bass vocals:
Robert Lloyd (operatic bass) (in 1972-09)
choir vocals:
Wandsworth School Boys’ Choir (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 3. Bass-solo. „Wie Felsen-Abgrund mir zu Füssen." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
6:47
4Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: IV. "Gerettet ist das edle Glied"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
choir vocals:
Aldeburgh Festival Singers (in 1972-09) and Wandsworth School Boys’ Choir (in 1972-09)
soprano vocals:
Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 4. Chor. „Gerettet ist das edle Glied." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
11:09
5Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: V. "Hier is die Aussicht frei"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 5. Bass-solo. „Hier ist die Aussicht frei." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
4:20
6Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: VII. "Dir, der Unberührbaren"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
contralto vocals:
Meriel Dickinson (in 1972-09)
mezzo-soprano vocals:
Alfreda Hodgson (contralto) (in 1972-09)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09), Felicity Palmer (mezzo-soprano) (in 1972-09) and Pauline Stevens (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 6. Bass-solo. Chor. „Dir, der Unberührbaren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
8:40
7Szenen aus Goethes Faust for Soloists, Chorus and Orchestra WoO 3, Part II: VII. Faust's Transfiguration: VII. "Alles Vergängliche ist nur ein Gleichnis"
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer) and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (bass-baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
soprano vocals:
Elizabeth Harrison (in 1972-09) and Felicity Palmer (mezzo-soprano) (in 1972-09)
tenor vocals:
Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 7. Chorus mysticus. „Alles Vergängliche ist nur ein Gleichniss." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
9:27
10▶CD: Works for Chorus and Orchestra
11▶CD: Lieder
12▶CD: Lieder
13▶CD: Lieder
14▶CD: Lieder
15▶CD: Lieder
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17▶CD: Lieder
18▶CD: Lieder
19▶CD: Lieder
20▶CD: Chamber Music
21▶CD: Chamber Music
22▶CD: Chamber Music
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27▶CD: Piano Music
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35▶CD: Piano Music