Kathleen Ferrier Vol. 7

~ Release by Bach, Handel; Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Mass in B minor: Qui sedes
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J. S. Bach5:48
2St. Matthew Passion: Grief for sin
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
St. Matthew Passion, BWV 244: Part I, X. Aria (Alt) "Grief for Sin" (in 1952)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
J. S. Bach6:04
3St. John Passion: All is fulfilled
viola da gamba:
Ambrose Gauntlett (in 1952)
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (English translation "All is fulfilled") (in 1952)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!"
part of:
Johannes-Passion, BWV 245 (English translation)
J. S. Bach5:21
4Mass in B minor: Agnus Dei
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J. S. Bach5:44
5Samson: Return, O God of Hosts!
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
Handel4:29
6Messiah: O thou that tellest good tidings to Zion
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
performer:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Handel5:39
7Judas Maccabaeus: Father of Heaven
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
partial recording of:
Judas Maccabaeus, HWV 63
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
premiered at:
Covent Garden Theatre (1732-1808) in London (Greater London), England, United Kingdom (on 1747-04-01)
part of:
Händel-Werke-Verzeichnis (number: HWV 63)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 53: Air "Father of Heav'n" (Priest)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
Handel7:54
8Messiah: He was despised
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1952)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Handel6:43

Credits

Release

copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
part of:Kathleen Ferrier Edition (Decca Classics) (number: 7) (order: 1)
Ovation (Decca/London Classics) (order: 38)
Discogs:https://www.discogs.com/release/8228222 [info]