The Complete Erato Recordings (Some CDs have a different track listing)

~ Release by Pierre Boulez (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1Pulcinella I. Overture
orchestra:
Ensemble intercontemporain (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Pulcinella (Suite): I. Sinfonia (Ouverture) (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
2:05
2Pulcinella II. Serenata – Scherzino
orchestra:
Ensemble intercontemporain (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Pulcinella (Suite): II. Serenata (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
22:26
3Pulcinella III. Tarentella
orchestra:
Ensemble intercontemporain (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Pulcinella (Suite): IV. Tarantella (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
5:20
4Pulcinella IV. Gavotta Con Due Variazioni
orchestra:
Ensemble intercontemporain (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Pulcinella (Suite): VI. Gavotta con due variazioni (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
10:57
5Le Chant Du Rossignol I. Marche Chinoise
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Le Chant du rossignol : II. Marche chinoise (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
5:55
6Le Chant Du Rossignol II. Chant Du Rossignol
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Le Chant du rossignol : III. Chant du rossignol (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
3:23
7Le Chant Du Rossignol IiI. Jeu Du Rossignol Mécanique
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Le Chant du rossignol : IV. Jeu du rossignol mécanique (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
11:05
2▼CD
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1Le Rossignol Introduction
conductor:
Pierre Boulez (composer and conductor)
3:23
2Le Rossignol Acte 1| Le Pêcheur: "Porté Au Vent, Tombant Au Loin"
conductor:
Pierre Boulez (composer and conductor)
4:21
3Le Rossignol Le Rossignol: "Ah! Ah! Ah!..."
conductor:
Pierre Boulez (composer and conductor)
2:28
4Le Rossignol La Cuisinière: "Voici L'endroit, Près De Ces Arbres"
conductor:
Pierre Boulez (composer and conductor)
4:14
5Le Rossignol Le Rossignol: "Ah! Le Chant Du Rossignol"
conductor:
Pierre Boulez (composer and conductor)
2:55
6Le Rossignol Acte 2 | Entr'acte: Chœur
conductor:
Pierre Boulez (composer and conductor)
2:13
7Le Rossignol Marche Chinoise
conductor:
Pierre Boulez (composer and conductor)
3:36
8Le Rossignol Chanson Du Rossignol
conductor:
Pierre Boulez (composer and conductor)
5:37
9Le Rossignol Jeu Du Rossignol Mécanique
conductor:
Pierre Boulez (composer and conductor)
3:47
10Le Rossignol Acte 3 | Introduction
conductor:
Pierre Boulez (composer and conductor)
6:16
11Le Rossignol La Mort: "Ah! J'aime À T'écouter"
conductor:
Pierre Boulez (composer and conductor)
4:52
12Le Rossignol Cortège Solennel
conductor:
Pierre Boulez (composer and conductor)
2:22
13Quatre Chants Paysans Russes I. Près De L'église De Chigisakh
0:40
14Quatre Chants Paysans Russes II. Ovsen
0:31
15Quatre Chants Paysans Russes IIi. Le Brochet
0:52
16Quatre Chants Paysans Russes IV. Monsieur Ventru
1:13
17Quatre Chants Paysans Russes (1954) I. Près De L'église De Chigisakh
0:57
18Quatre Chants Paysans Russes (1954) II. Ovsen
0:48
19Quatre Chants Paysans Russes (1954) III. Le Brochet
1:02
20Quatre Chants Paysans Russes (1954) IV. Monsieur Ventru
1:13
21Three Pieces for String Quartet I. Con Moto
0:58
22Three Pieces for String Quartet II. Moderato
2:01
23Three Pieces for String Quartet III. Largo
3:47
24"Madrid", Etude For Pianola
2:31
25Quatre Études Pour Orchestre I. Danse
0:58
26Quatre Études Pour Orchestre II. Excentrique
2:04
27Quatre Études Pour Orchestre III. Cantique
3:26
28Quatre Études Pour Orchestre IV. Madrid
2:39
3▼CD
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1L'Histoire Du Soldat Première Partie | Marche Du Soldat
conductor:
Pierre Boulez (composer and conductor)
2:46
2L'Histoire Du Soldat Musique De La Première Scène
conductor:
Pierre Boulez (composer and conductor)
11:58
3L'Histoire Du Soldat Musique De La Deuxième Scène
conductor:
Pierre Boulez (composer and conductor)
8:18
4L'Histoire Du Soldat Musique De La Troisième Scène
conductor:
Pierre Boulez (composer and conductor)
4:47
5L'Histoire Du Soldat Deuxième Partie: | Marche Du Soldat
conductor:
Pierre Boulez (composer and conductor)
4:04
6L'Histoire Du Soldat Marche Royale
conductor:
Pierre Boulez (composer and conductor)
6:37
7L'Histoire Du Soldat Petit Concert
conductor:
Pierre Boulez (composer and conductor)
3:14
8L'Histoire Du Soldat Trois Danses: Tango, Valse, Ragtime
conductor:
Pierre Boulez (composer and conductor)
6:20
9L'Histoire Du Soldat Danse Du Diable
conductor:
Pierre Boulez (composer and conductor)
1:26
10L'Histoire Du Soldat Petit Choral
0:36
11L'Histoire Du Soldat Couplets Du Diable
0:36
12L'Histoire Du Soldat Grand Choral
conductor:
Pierre Boulez (composer and conductor)
4:49
13L'Histoire Du Soldat Marche Triomphale Du Diable
conductor:
Pierre Boulez (composer and conductor)
2:31
14Concertino For 12 Instruments
conductor:
Pierre Boulez (composer and conductor)
6:12
4▼CD
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1Pelleas und Melisande, Op. 5
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Pelleas und Melisande, op. 5 (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1902 until 1903-02)
premiered by:
Arnold Schönberg (Arnold Schoenberg, composer) (on 1905-01-25)
premiered at:
[concert] (1905-01-25)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1905-01-25)
part of:
Works of Arnold Schönberg by opus number (number: op. 5)
40:17
2Variations, Op. 31 I. Introduction
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: Introduction (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:35
3Variations, Op. 31 II. Theme
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: Thema (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:04
4Variations, Op. 31 III. Variation I
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: I. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:12
5Variations, Op. 31 IV. Variation II
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: II. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:31
6Variations, Op. 31 V. Variation III
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: III. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
0:42
7Variations, Op. 31 VI. Variation IV
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: IV. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:27
8Variations, Op. 31 VII. Variation V
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: V. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:47
9Variations, Op. 31 VIII. Variation VI
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: VI. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:27
10Variations, Op. 31 IX. Variation VII
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: VII. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
2:09
11Variations, Op. 31 X. Variation VIII
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: VIII. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
0:35
12Variations, Op. 31 XI. Variation IX
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: IX. Variation (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
1:02
13Variations, Op. 31 XII. Finale
sound engineer:
Jean Chatauret and Larry Rock (engineer)
producer:
Pierre Boulez (composer and conductor) and Michel Garcin (French producer)
editor:
Christopher Willis (recording engineer with Chicago Symphony Orchestra)
orchestra:
Chicago Symphony Orchestra (from 1991-12-06 until 1991-12-10)
conductor:
Pierre Boulez (composer and conductor) (from 1991-12-06 until 1991-12-10)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1991-12-06 until 1991-12-10)
recording of:
Variations for Orchestra, op. 31: Finale (from 1991-12-06 until 1991-12-10)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Variations for Orchestra, op. 31
5:29
5▼CD
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1Violin Concerto, Op. 36 I. Poco Allegro – Vivace
violin:
Pierre Amoyal (violinist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Violin Concerto, op. 36: I. Poco allegro - Vivace
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1936)
part of:
Violin Concerto, op. 36
12:31
2Violin Concerto, Op. 36 II. Andante Grazioso
violin:
Pierre Amoyal (violinist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Violin Concerto, op. 36: II: Andante grazioso
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1936)
part of:
Violin Concerto, op. 36
8:56
3Violin Concerto, Op. 36 III. Finale: Allegro
violin:
Pierre Amoyal (violinist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Violin Concerto, op. 36: III. Finale: Allegro
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1936)
part of:
Violin Concerto, op. 36
12:26
4Violin Concerto, Op. 36 Piano Concerto (Andante – Molto Allegro – Adagio – Giocoso (Moderato) – Commodo Grazioso – Stretto)
piano:
Peter Serkin (pianist)
orchestra:
London Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Concerto for Piano and Orchestra, op. 42
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1942-06-27 until 1942-12-30)
part of:
Works of Arnold Schönberg by opus number (number: op. 42)
21:05
6▼CD
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1Et Exspecto Resurrectionem Mortuorum I. « Des Profondeurs De L'abîme, Je Crie Vers Toi, Seigneur : Seigneur, Écoute Ma Voix ! » (Psaume 130, 1-2)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: I. Des profondeurs de l'abîme, je cris vers toi, Seigneur: Seigneur, écoute ma voix ! (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
3:54
2Et Exspecto Resurrectionem Mortuorum II. « Le Christ, Ressuscité Des Morts, Ne Meurt Plus ; La Mort N'a Plus Sur Lui D'empire. » (Romains 6, 9)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: II. Le Christ, ressucité des morts, ne meurt plus; la mort n’a plus su lui d’empire (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
5:27
3Et Exspecto Resurrectionem Mortuorum III. « L'heure Vient Où Les Morts Entendront La Voix Du Fils de Dieu... » (Jean 5, 25)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: III. L’heure vient où les morts entendront la voix du fils de Dieu (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
5:07
4Et Exspecto Resurrectionem Mortuorum IV « Ils Ressusciteront, Glorieux, Avec Un Nom Nouveau - Dans Le Concert Joyeux De Étoiles Et Les Acclamations Des Fils Du Ciel. » (I Corinthiens 15, 43 - Apocalypse 2, 17 - Job 38, 7)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: IV. Ils ressusciteront, glorieux, avec un nom noveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
8:50
5Et Exspecto Resurrectionem Mortuorum V. « Et J'entendis La Voix D'une Foule Immense... » (Apocalypse 19, 6)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: V. Et j’entendis la voix d’une foule immense (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
6:50
6Couleurs De La Cité Céleste
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (pianist) (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (composer and conductor) (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Couleurs de la cité céleste, I/46 (in 1966-01)
composer:
Olivier Messiaen (composer and organist) (from 1963 until 1964)
17:00
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1Sinfonia I.
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: I. (in 1984-04)
lyricist:
Claude Lévi-Strauss (anthropologist, ethnologist) (until 1964)
composer:
Luciano Berio (Italian composer) (in 1968)
revised by:
Luciano Berio (Italian composer) (in 1969)
quotes lyrics from:
Le Cru et le Cuit
part of:
Sinfonia
6:19
2Sinfonia II. O King
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: II. O King (in 1984-04)
lyricist and composer:
Luciano Berio (Italian composer) (in 1968)
revised by:
Luciano Berio (Italian composer) (in 1969)
dedicated to:
Martin Luther King (American minister and civil rights activist)
part of:
Sinfonia
5:01
3Sinfonia III. In Ruhig Fließender Bewegung
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: III. In ruhig fliessender Bewegung (in 1984-04)
lyricist:
Samuel Beckett (Irish writer) (until 1953)
composer:
Luciano Berio (Italian composer) (in 1968)
revised by:
Luciano Berio (Italian composer) (in 1969)
dedicated to:
Gustav Mahler (composer)
is based on:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
quotes lyrics from:
The Unnamable
part of:
Sinfonia
512:27
4Sinfonia IV.
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: IV. (in 1984-04)
composer:
Luciano Berio (Italian composer) (in 1968, from 1968 until 1969)
revised by:
Luciano Berio (Italian composer) (in 1969)
quotes lyrics from:
Sinfonia: I.
quotes lyrics from:
Sinfonia: II. O King
quotes lyrics from:
Sinfonia: III. In ruhig fliessender Bewegung
quotes lyrics from:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple)
part of:
Sinfonia
3:25
5Sinfonia V.
sound engineer:
Didier Arditi and Pierre Lavoix (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Ysabelle Van Wersch-Cot
violin:
Régis Pasquier (violinist) (in 1984-04)
vocals:
New Swingle Singers (in 1984-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1984-04)
conductor:
Pierre Boulez (composer and conductor) (in 1984-04)
chorus master:
Ward Swingle (in 1984-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1984-04)
recording of:
Sinfonia: V. (in 1984-04)
lyricist:
Claude Lévi-Strauss (anthropologist, ethnologist) (until 1964)
composer:
Luciano Berio (Italian composer) (in 1968, from 1968 until 1969)
revised by:
Luciano Berio (Italian composer) (in 1969)
quotes lyrics from:
Le Cru et le Cuit
part of:
Sinfonia
7:19
6Eindrücke (For Orchestra)
sound engineer:
Guy Chesnais (producer) and Michel Lepage (engineer)
producer:
Luciano Berio (Italian composer) (task: recording supervisor)
editor:
Didier Arditi and Ysabelle Van Wersch-Cot
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1981-07)
conductor:
Pierre Boulez (composer and conductor) (in 1981-07)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1986)
co-produced for:
Radio France
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (in 1981-07)
recording of:
Eindrücke (in 1981-07)
composer:
Luciano Berio (Italian composer) (from 1973 until 1974)
dedicated to:
Zurich Tonhalle Gesellschaft
premiered at:
[concert] (1974-06-18) (premiere concert for Berio's Eindrücke)
publisher:
Universal Edition (publisher; do NOT use as release label)
10:24
7Jalons (For 15 Instrumentals)
sound engineer:
Pierre Arditi and Jacques Doll
producer:
Michel Garcin (French producer) and Ιάννης Ξενάκης (Iannis Xenakis, Greek-French composer)
editor:
Pierre Arditi and Ysabelle Van Wersch-Cot
instruments:
Ensemble intercontemporain (in 1990-07)
conductor:
Pierre Boulez (composer and conductor) (in 1990-07)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1992)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1990-07)
recording of:
Jalons (in 1990-07)
composer:
Ιάννης Ξενάκης (Iannis Xenakis, Greek-French composer) (in 1986)
14:35
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1Tema (For 12 Instruments)
16:09
2Cadeau (For 11 Instruments)
11:12
3Études (For Piano) Étude 1 - Disorder
2:18
4Études (For Piano) Étude 2 - Open Strings
3:00
5Études (For Piano) Étude 3 - Blocked Keys
1:51
6Études (For Piano) Étude 4 - Fanfares
3:28
7Études (For Piano) Étude 5 - Rainbow
3:16
8Études (For Piano) Étude 6 - Autumn In Warsaw
4:13
9Trio (For Violin, Horn And Piano) I. Andante Con Tenerezza
horn:
Jacques Deleplancque (horn player)
piano:
Pierre‐Laurent Aimard (pianist)
violin:
Maryvonne Le Dizès-Richard (violinist)
recording of:
Trio for Violin, Horn, and Piano: I. Andantino con tenerezza
composer:
György Ligeti (Austrian-Hungarian composer) (in 1982)
part of:
Trio for Violin, Horn, and Piano
6:13
10Trio (For Violin, Horn And Piano) II. Vivacissimo Molto Ritmico
horn:
Jacques Deleplancque (horn player)
piano:
Pierre‐Laurent Aimard (pianist)
violin:
Maryvonne Le Dizès-Richard (violinist)
recording of:
Trio for Violin, Horn, and Piano: II. Vivacissimo molto ritmico
composer:
György Ligeti (Austrian-Hungarian composer) (in 1982)
part of:
Trio for Violin, Horn, and Piano
4:53
11Trio (For Violin, Horn And Piano) III. Alla Marcia
horn:
Jacques Deleplancque (horn player)
piano:
Pierre‐Laurent Aimard (pianist)
violin:
Maryvonne Le Dizès-Richard (violinist)
recording of:
Trio for Violin, Horn, and Piano: III. Alla marcia
composer:
György Ligeti (Austrian-Hungarian composer) (in 1982)
part of:
Trio for Violin, Horn, and Piano
3:03
12Trio (For Violin, Horn And Piano) IV. Lamento. Adagio
horn:
Jacques Deleplancque (horn player)
piano:
Pierre‐Laurent Aimard (pianist)
violin:
Maryvonne Le Dizès-Richard (violinist)
recording of:
Trio for Violin, Horn, and Piano: IV. Lamento. Adagio
composer:
György Ligeti (Austrian-Hungarian composer) (in 1982)
part of:
Trio for Violin, Horn, and Piano
7:30
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#TitleRatingLength
1Messages De Feu Demoiselle R. V. Troussova, Op. 17 (21 Poems By Rimma Dalos, For Soprano And Chamber Ensemble)
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Michel Garcin (French producer) and György Kurtág (composer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (from 1983-04-12 until 1983-04-13)
conductor:
Pierre Boulez (composer and conductor) (from 1983-04-12 until 1983-04-13)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
recorded at:
Centre Pompidou in Paris, Île-de-France, France (from 1983-04-12 until 1983-04-13)
recording of:
Messages of the Late R. V. Troussova, op. 17 (from 1983-04-12 until 1983-04-13)
lyricist:
Rimma Dalos
composer:
György Kurtág (composer) (from 1976 until 1980)
25:52
2...Agm... (For 16 Voices And 3 Instrumental Groups)
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Sir Harrison Birtwistle (composer) and Michel Garcin (French producer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (from 1982-06-11 until 1982-06-12)
conductor:
Pierre Boulez (composer and conductor) (from 1982-06-11 until 1982-06-12)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
recorded at:
Centre Pompidou in Paris, Île-de-France, France (from 1982-06-11 until 1982-06-12)
recording of:
... agm ... (from 1982-06-11 until 1982-06-12)
lyricist:
Σαπφώ (Sappho, ancient greek poet (7th-6th century BC))
composer:
Sir Harrison Birtwistle (composer) (from 1978 until 1979)
dedicated to:
Nicholas Snowman (UK arts administrator)
translator:
Tony Harrison (English poet)
27:10
3Modulations (For 33 Musicians)
sound engineer:
Didier Arditi and Daniel Raguin
producer:
Michel Garcin (French producer) and Gérard Grisey (French contemporary classical composer)
editor:
Didier Arditi
instruments:
Ensemble intercontemporain (in 1983-04)
conductor:
Pierre Boulez (composer and conductor) (in 1983-04)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1984)
recorded at:
Centre Pompidou in Paris, Île-de-France, France (in 1983-04)
recording of:
Modulations (in 1983-04)
composer:
Gérard Grisey (French contemporary classical composer) (from 1976 until 1977)
part of:
Les Espaces acoustiques
18:38
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