The Group Masterpieces

~ Veröffentlichung von Art Tatum (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD: Vol. 1: Art Tatum/Benny Carter/Louis Bellson
Nr.TitelBewertungLänge
1Blues in C
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
recording of:
Blues in C
Komponist(in):
Louie Bellson, Benny Carter und Art Tatum (US jazz pianist)
publisher:
BMI und JATAP Publ. Co.
8:05
2Undecided
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
Undecided (am 1954-06-25)
Texter:
Sid Robin (US lyricist & composer) (in 1938)
Komponist(in):
Charlie Shavers (in 1938)
4:54
3Under a Blanket of Blue
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
Under a Blanket of Blue (am 1954-06-25)
Texter:
Marty Symes (lyricist) (in 1933)
zusätzlicher Texter:
Al J. Neiburg (lyricist) (in 1933)
Komponist(in):
Jerry Livingston (songwriter) (in 1933)
6:17
4Blues in B Flat
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
recording of:
Blues in B Flat
Komponist(in):
Louie Bellson und Benny Carter
publisher:
BMI Publishing und JATAP Publishing Co.
5:46
5A Foggy Day
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
A Foggy Day (in London Town) (am 1954-06-25)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
5:30
6Street of Dreams
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
Street of Dreams (am 1954-06-25)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
3:53
7's Wonderful
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
’S Wonderful (am 1954-06-25)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:20
8Makin' Whopee
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
Makin’ Whoopee! (am 1954-06-25)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
6:16
9Old Fashioned Lady
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
Old Fashioned Love (am 1954-06-25)
Komponist(in):
James P. Johnson und Cecil Mack
5:02
10Blues in My Heart
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
recording of:
Blues in B Flat
Komponist(in):
Louie Bellson und Benny Carter
publisher:
BMI Publishing und JATAP Publishing Co.
5:59
11My Blue Heaven
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
My Blue Heaven (am 1954-06-25)
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
4:05
12Hands Across the Table
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
Hands Across the Table (am 1954-06-25)
Texter:
Mitchell Parish
Komponist(in):
Jean Delettre
3:44
13You're Mine, You
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
You’re Mine, You (am 1954-06-25)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
5:12
14Idaho
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter (am 1954-06-25)
Klavier:
Art Tatum (US jazz pianist) (am 1954-06-25)
Schlagzeug:
Louie Bellson (am 1954-06-25)
instrumental recording of:
Idaho (am 1954-06-25)
Texter und Komponist(in):
Jesse Stone
recording of:
Idaho (am 1954-06-25)
Texter und Komponist(in):
Jesse Stone
4:14
2▼CD: Vol. 2: Art Tatum/Roy Eldrige/John Simmons/Alvin Stoller
Nr.TitelBewertungLänge
1Night and Day
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1955-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
6:12
2I Won't Dance
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1955-03)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:31
3In a Sentimental Mood
5:04
4The Moon Is Low
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
The Moon Is Low (from MGM film "Montana Moon") (in 1955-03)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
4:15
5Moon Song
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
Moon Song
Texter:
Sam Coslow (in 1932)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:09
6You Took Advantage of Me
3:38
7This Can't Be Love
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
This Can’t Be Love (in 1955-03)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
3:53
8I Surrender, Dear
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
I Surrender Dear (in 1955-03)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
6:57
9I Won't Dance (alt. take)
3:33
10In a Sentimental Mood (alt. take)
4:59
3▼CD: Vol. 3: Art Tatum/Lionel Hampton/Buddy Rich
Nr.TitelBewertungLänge
1What Is Thing Called Love?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1955-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
7:06
2I'll Never Be the Same
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
I’ll Never Be the Same (am 1955-08-01)
Texter:
Gus Kahn
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) und France Mélodie
6:38
3Makin' Whopee
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Makin’ Whoopee! (am 1955-08-01)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
7:06
4Hallelujah
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Hallelujah!
Texter:
Clifford Grey (in 1927) und Leo Robin (US composer, lyricist & songwriter) (in 1927)
Komponist(in):
Vincent Youmans (in 1927)
Teil von:
Hit the Deck (1955 movie)
4:56
5Perdido
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
recording of:
Perdido (original instrumental version) (am 1955-08-01)
Komponist(in):
Juan Tizol
5:06
6More Than You Know
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
More Than You Know (am 1955-08-01)
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
Great Day!
Teil von:
Hit the Deck (1955 movie)
4:17
7How High the Moon?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
How High the Moon (am 1955-08-01)
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:09
8Hallelujah (alt. take)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Hallelujah!
Texter:
Clifford Grey (in 1927) und Leo Robin (US composer, lyricist & songwriter) (in 1927)
Komponist(in):
Vincent Youmans (in 1927)
Teil von:
Hit the Deck (1955 movie)
5:18
4▼CD: Vol. 4: Art Tatum/Lionel Hampton/Buddy Rich... Again!
Nr.TitelBewertungLänge
1This Can't Be Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
This Can’t Be Love (am 1955-08-01)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
6:20
2Stars Fell on Alabama
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Stars Fell on Alabama (am 1955-08-01)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
5:41
3Lover Man
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Lover Man (am 1955-08-01)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
6:02
4Prisoner of Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Prisoner of Love (am 1955-08-01)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Russ Columbo (American singer, songwriter, violinist and actor) und Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Music Sales Corporation (American copyright holder in both popular and classical music)
6:12
5Love for Sale (Concept I)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
9:41
6Lover for Sale (Concept II)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
6:18
7Body and Soul
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Body and Soul (am 1955-08-01)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:26
8Please Be Kind
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Please Be Kind (am 1955-08-01)
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
4:51
9This Can't Be Love (alt. take)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Bass und Kontrabass:
Red Callender (am 1956-02-06)
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
This Can’t Be Love (am 1956-02-06)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
5:51
5▼CD: Vol. 5: Art Tatum/Lionel Hampton/Harry Edison/Buddy Rich/Red Callender/Barney Kessel
Nr.TitelBewertungLänge
1Verve Blues
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
recording of:
Verve Blues
Komponist(in):
Harry “Sweets” Edison, Lionel Hampton und Art Tatum (US jazz pianist)
publisher:
BMI Publishing und JATAP Publishing Co.
12:47
2Plaid
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
recording of:
Plaid
Komponist(in):
Harry “Sweets” Edison, Lionel Hampton und Art Tatum (US jazz pianist)
publisher:
BMI Publishing und JATAP Publishing Co.
6:41
3Somebody Loves Me
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
instrumental recording of:
Somebody Loves Me (am 1955-09-07)
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
7:14
4September Song
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
instrumental recording of:
Knickerbocker Holiday: September Song (am 1955-09-07)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
7:05
5Deep Purple
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
instrumental recording of:
Deep Purple (am 1955-09-07)
Texter:
Mitchell Parish (in 1938)
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
8:03
6September Song (78 RPM single version)
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
instrumental recording of:
Knickerbocker Holiday: September Song (am 1955-09-07)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
2:40
7What Is Thing Called Love?
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1955-09-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
7:41
8What Is Thing Called Love? (alt. take)
Gitarre:
Barney Kessel (am 1955-09-07)
Klavier:
Art Tatum (US jazz pianist) (am 1955-09-07)
Kontrabass:
Red Callender (am 1955-09-07)
Schlagzeug:
Buddy Rich (am 1955-09-07)
Trompete:
Harry “Sweets” Edison (am 1955-09-07)
Vibraphon:
Lionel Hampton (am 1955-09-07)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1955-09-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
7:51
6▼CD: Vol. 6: Art Tatum/Red Callender/Jo Jones
Nr.TitelBewertungLänge
1Just One of Those Things
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
recording of:
Just One of Those Things (am 1956-01-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
7:14
2More Than You Know
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
instrumental recording of:
More Than You Know (am 1956-01-27)
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
Great Day!
Teil von:
Hit the Deck (1955 movie)
3:37
3Some Other Spring
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
instrumental recording of:
Some Other Spring (am 1956-01-27)
Komponist(in):
Arthur Herzog, Jr. und Irene Kitchings
4:47
4If
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
instrumental recording of:
If (Song, popular in the 1950s)
Texter:
Stanley J. Damerell und Robert Hargreaves (songwriter)
Verfasser(in):
H. Tilsley
Komponist(in):
Tolchard Evans
3:33
5Blue Lou
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
recording of:
Blue Lou (am 1956-01-27)
Komponist(in):
Irving Mills und Edgar Sampson
3:03
6Love for Sale
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
instrumental recording of:
Love for Sale (am 1956-01-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
5:32
7Isn't It Romantic?
3:58
8I'll Never Be the Same
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
instrumental recording of:
I’ll Never Be the Same (am 1956-01-27)
Texter:
Gus Kahn
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) und France Mélodie
4:54
9I Guess I'll Have to Change My Plans
Klavier:
Art Tatum (US jazz pianist) (am 1956-01-27)
Kontrabass:
Red Callender (am 1956-01-27)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1956-01-27)
instrumental recording of:
I Guess I’ll Have to Change My Plan (am 1956-01-27)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
3:40
10Trio Blues
5:06
7▼CD: Vol. 7: Art Tatum/Buddy Defranco/Red Callender/Bill Douglass
Nr.TitelBewertungLänge
1Deep Night
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Kontrabass:
Red Callender (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
Deep Night (am 1956-02-06)
Texter:
Rudy Vallée
Komponist(in):
Charles Henderson
publisher:
Advanced Music corp.
5:48
2This Can't Be Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Kontrabass:
Red Callender (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
This Can’t Be Love (am 1956-02-06)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
4:38
3Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Kontrabass:
Red Callender (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
Memories of You (am 1956-02-06)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
7:10
4Once in a While
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Bass und Kontrabass:
Red Callender (am 1956-02-06)
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
Once in a While (am 1956-02-06)
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
5:13
5A Foggy Day
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Kontrabass:
Red Callender (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
A Foggy Day (in London Town) (am 1956-02-06)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3:24
6Lover Man
6:38
7You're Mine You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Kontrabass:
Red Callender (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
You’re Mine, You (am 1956-02-06)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
7:02
8Makin' Whopee
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Kontrabass:
Red Callender (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
Makin’ Whoopee! (am 1956-02-06)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
3:37
9Deep Night (alt. take)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Kontrabass:
Red Callender (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
Deep Night (am 1956-02-06)
Texter:
Rudy Vallée
Komponist(in):
Charles Henderson
publisher:
Advanced Music corp.
5:51
10Once in a While (alt. take)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Bass und Kontrabass:
Red Callender (am 1956-02-06)
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
Once in a While (am 1956-02-06)
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
5:06
11This Can't Be Love (alt. take)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-06)
Produzent(in):
Norman Granz
Bass und Kontrabass:
Red Callender (am 1956-02-06)
Klarinette:
Buddy DeFranco (am 1956-02-06)
Klavier:
Art Tatum (US jazz pianist) (am 1956-02-06)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-02-06)
instrumental recording of:
This Can’t Be Love (am 1956-02-06)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
4:27
8▼CD: Vol. 8: Art Tatum/Benwebster/Red Callender/Bill Douglass
Nr.TitelBewertungLänge
1Gone With the Wind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass und Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
Gone With the Wind (am 1956-09-11)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:50
2All the Things You Are
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass und Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (am 1956-09-11)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
7:16
3Have You Met Miss Jones?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass und Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1956-09-11)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
4:49
4My One and Only Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass und Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
My One and Only Love (am 1956-09-11)
Texter:
Robert Mellin
Komponist(in):
Robert Mellin und Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
Version von:
Music from Beyond the Moon (My One and Only Love)
6:16
5Night and Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-09-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
5:31
6My Ideal
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass und Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
My Ideal (from “Playboy of Paris”) (am 1956-09-11)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Newell Chase und Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:17
7Where or When
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass und Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
Where or When (from “Babes in Arms”) (am 1956-09-11)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
6:27
8Gone With the Wind (alt. take 1)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
Gone With the Wind (am 1956-09-11)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:52
9Gone With the Wind (alt. take 2)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Kontrabass [bass]:
Red Callender (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
Gone With the Wind (am 1956-09-11)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:50
10Have You Met Miss Jones? (alt. take)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-11)
Techniker(in):
Val Valentin (am 1956-09-11)
Produzent(in):
Norman Granz
Bass und Kontrabass:
Red Callender (am 1956-09-11)
Klavier:
Art Tatum (US jazz pianist) (am 1956-09-11)
Schlagzeug:
Bill Douglass (American jazz drummer) (am 1956-09-11)
Tenorsaxophon:
Ben Webster (am 1956-09-11)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1956-09-11)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
5:02

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