A Selection from The Penguin Guide to Bargain Compact Discs and Cassettes

~ Veröffentlichung von Ivan March, Edward Greenfield and Robert Layton (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Concerto in D major, P 175: I. Allegro molto
Cembalo:
Raymond Leppard (conductor and harpsichordist)
Orchester:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
Concerto in D major, RV 121: I. Allegro molto (Konzert D-Dur, RV 121, RV 121: I. Allegro molto)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto in D major, RV 121 (Konzert D-Dur, RV 121)
Antonio Vivaldi2:24
2Horn Concerto no. 4 in E flat major, K. 495: III. Rondo. Allegro vivace
Horn:
Alan Civil (British horn player)
Orchester:
Royal Philharmonic Orchestra
conductor:
Rudolf Kempe (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:31
3Symphony no. 5 in E minor, op. 64: III. Allegro moderato
Techniker(in):
Mike Hatch (engineer/editor)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1990-12)
conductor:
Sian Edwards (English conductor) (in 1990-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
aufgenommen bei:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-12)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1990-12)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1888-05 bis 1888-08)
Teil von:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky6:02
4The Barber of Seville: Act I. Scene 2. “Una voce poco fa”
Soprangesang:
Mirella Freni (soprano)
Orchester:
Glyndebourne Festival Orchestra
conductor:
Vittorio Gui (conductor and composer)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:35
5Symphony no. 5: IV. Adagietto “Sehr langsam”
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orchester:
Royal Liverpool Philharmonic Orchestra (von 1990-01-11 bis 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (von 1990-01-11 bis 1990-01-13)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 1990-01-11 bis 1990-01-13)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1990-01-11 bis 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (von 1990-01-11 bis 1990-01-13)
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler10:02
6Water Music, Suite no. 1: Menuet-Trio
Techniker(in) und Editing:
Neville Boyling (engineer)
Produzent(in):
Victor Olof
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:09
7Water Music, Suite no. 1: Bourrée
Techniker(in) und Editing:
Neville Boyling (engineer)
Produzent(in):
Victor Olof
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel1:25
8The Marriage of Figaro: Act II. Canzona. “Voi, che sapete”
Produzent(in):
Lawrance Collingwood
Soprangesang [Cherubino]:
Risë Stevens (Opera director, actress, mezzo-soprano) (von 1955-07-04 bis 1955-07-12)
Orchester:
Glyndebourne Festival Orchestra (von 1955-07-04 bis 1955-07-12)
conductor:
Vittorio Gui (conductor and composer) (von 1955-07-04 bis 1955-07-12)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1955-07-04 bis 1955-07-12)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (von 1955-07-04 bis 1955-07-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:53
9Suite bergamesque: III. Clair de lune
Klavier:
Daniel Adni (pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:46
10Violin Concerto no. 1 in G minor: III. Allegro energico
recording engineer:
Mike Hatch (engineer/editor) (von 1989-06-30 bis 1989-07-01)
Produzent(in):
Andrew Keener (engineer/editor/producer)
Geige / Violine:
Tasmin Little (violinist) (von 1989-06-30 bis 1989-07-01)
Orchester:
Royal Liverpool Philharmonic Orchestra (von 1989-06-30 bis 1989-07-01)
conductor:
Vernon Handley (conductor) (von 1989-06-30 bis 1989-07-01)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1989-06-30 bis 1989-07-01)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: III. Finale. Allegro energico) (von 1989-06-30 bis 1989-07-01)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:37
11Symphony no. 9 “From the New World”: III. Scherzo “Molto vivace”
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1982-01)
Produzent(in):
Martin Compton (producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1982-01)
conductor:
Zdeněk Mácal (conductor) (in 1982-01)
aufgenommen bei:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1982-01)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": III. Scherzo. Molto vivace) (in 1982-01)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák7:59
12Tosca: Act II. Final Scene. “Vissi d’arte, vissi d’amore”
Soprangesang [Floria Tosca]:
Maria Callas (soprano) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
conductor:
Georges Prêtre (French conductor) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (von 1964-12-03 bis 1964-12-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (von 1964-12-07 bis 1964-12-12)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (am 1964-12-14)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (am 1965-01-19)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini33:03
13Peer Gynt, Suite no. 1: Morning
Produzent(in):
David C. Mottley (Producer)
Orchester:
Bournemouth Symphony Orchestra (in 1973-06)
conductor:
Paavo Berglund (conductor) (in 1973-06)
Tonmeister(in):
Stuart Eltham (engineer) (in 1973-06)
aufgenommen bei:
O₂ Guildhall Southampton in Southampton, England, Vereinigtes Königreich (in 1973-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1973-06)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:15
14Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1983-03)
Produzent(in):
Steve C. Smith (engineer/producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1983-03)
conductor:
Karl Anton Rickenbacher (conductor) (in 1983-03)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1983-03)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. Tanz der Lehrbuben (Dance of the Apprentices) (in 1983-03)
Komponist(in):
Richard Wagner (composer) (von 1863 bis 1867)
Teil von:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
Richard Wagner2:51
15Pomp & Circumstance Marches, op. 39: no. 4 in G major
recording engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1981-02)
Produzent(in):
Barry McCann (Producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-02)
conductor:
Vernon Handley (conductor) (in 1981-02)
aufgenommen bei:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1981-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1981-02)
Komponist(in):
Edward Elgar (composer) (in 1907)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1907-08-24)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar4:46

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hergestellt in:Österreich
Discogs:https://www.discogs.com/release/8255685 [Info]