Julie London Sings the Choicest of Cole Porter

~ Release by Julie London (see all versions of this release, 7 available)

Tracklist

1▼CD
#TitleRatingLength
1All Through the Night
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
All Through the Night (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
4:36
2What Is This Thing Called Love
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1958-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
31:47
3Get Out of Town
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
Get Out of Town (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
recording of:
Get Out of Town
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
3:00
4My Heart Belongs to Daddy (version 1)
recorded in:
Hollywood, Los Angeles, California, United States (in 1961-07)
producer:
Felix Slatkin
cover recording of:
My Heart Belongs to Daddy (in 1961-07)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:42
5So in Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
So in Love (from Kiss Me, Kate) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
4:10
6You’d Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
trumpet:
Bob Flanigan (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
orchestra:
The Jimmy Rowles Orchestra (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (on 1960-03-04)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:15
7In the Still of the Night
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
performer:
The Bud Shank Quintet
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
In the Still of the Night (Cole Porter song) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
2:42
8At Long Last Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
At Long Last Love (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
3:30
9I Love You
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I Love You (Mexican Hayride musical) (in 1955-08)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
31:51
10I’ve Got You Under My Skin
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
I’ve Got You Under My Skin (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
3:05
11Love for Sale
producer:
Felix Slatkin
vocals:
Julie London
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:40
12Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:32
13Make It Another Old Fashioned Please
recording of:
Make It Another Old-Fashioned, Please (Panama Hattie musical) (in 1962)
lyricist and composer:
Cole Porter (composer) (in 1940)
part of:
Panama Hattie (1940 Cole Porter musical)
2:31
14You Do Something to Me
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
2:19
15My Heart Belongs to Daddy (version 2)
producer:
Richard Bock (record producer)
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (drummer) (on 1965-07-12)
guitar:
Joe Pass (jazz guitarist) (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (pianist) (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:49
16Always True to You in My Fashion
producer:
Felix Slatkin
vocals:
Julie London
cover recording of:
Always True to You in My Fashion (in 1961-07)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
recording of:
Always True to You in My Fashion
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
2:32
17Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:23