Kiri

~ Release by Kiri Te Kanawa (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Let the Bright Seraphim
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
Georg Friedrich Händel5:59
2Dove sono
producer:
Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:02
3Laudate Dominum
choir vocals:
Choir of St. Paul’s Cathedral (London)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:09
4Ave Maria
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Utah Symphony
conductor:
Julius Rudel (conductor)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1984)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod2:53
5Attendo, attendo... Addio del passato
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi3:51
6Vissi d'arte
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (in 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1984-05)
conductor:
Sir Georg Solti (conductor) (in 1984-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:27
7O mio babbino caro
producer:
Roy Emerson (producer, engineer, classical) and Paul Myers (classical record producer)
soprano vocals [Lauretta]:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-09)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:32
8Ecco: respiro appena. Io son l'umile ancella
soprano vocals and soprano vocals [Adriana]:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea3:22
9Chi il bel sogno di Doretta
producer:
Roy Emerson (producer, engineer, classical)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini3:24
10Depuis Le Jour
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jeffrey Tate (conductor)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier (French composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier5:08
11Pie Jesu
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-10)
orchestra:
Montréal Symphony Orchestra (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:51
12Bailero
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-08)
orchestra:
English Chamber Orchestra (in 1982-08)
conductor:
Jeffrey Tate (conductor) (in 1982-08)
balance engineer:
John Dunkerley (engineer) (in 1982-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro (in 1982-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:49
13Tonight
soprano vocals:
Kiri Te Kanawa (soprano)
spoken vocals [Maria]:
Nina Bernstein
spoken vocals [Tony]:
Alexander Bernstein (actor/composer)
tenor vocals:
José Carreras (Spanish tenor)
conductor:
Leonard Bernstein (American conductor, composer, pianist)
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Leonard Bernstein5:48
14Summertime
producer:
John Fraser (UK producer)
choir vocals:
The New York Choral Artists (in 1986-06)
soprano vocals:
Dame Kiri Te Kanawa (soprano) (in 1986-06)
orchestra:
New Princess Theater Orchestra (in 1986-06)
conductor:
John McGlinn (American conductor) (in 1986-06)
orchestrator:
George Gershwin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1986-06)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess) (in 1986-06)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene I
George Gershwin2:44
15Someone to Watch Over Me
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
George Gershwin2:46
16Smoke Gets in Your Eyes
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Sinfonietta
conductor:
Jonathan Tunick
recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Jerome Kern2:57
17Let's Face the Music and Dance
instruments:
The Abbey Road Ensemble
soprano vocals:
Kiri Te Kanawa (soprano)
conductor:
Jonathan Tunick
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Irving Berlin2:09
18True Love
harmonica:
Jim Hughes (harmonica)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
New World Philharmonic
conductor:
Peter Matz
cover recording of:
True Love (High Society)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Cole Porter3:38
19The World You're Coming Into
violin [leader]:
Malcolm Stewart (violinist)
choir vocals:
Choristers of Liverpool Cathedral and Royal Liverpool Philharmonic Choir
solo soprano vocals [Mary Dee] and soprano vocals:
Kiri Te Kanawa (soprano)
solo treble vocals [boy soloist] and treble vocals:
Jeremy Budd
vocals:
Kiri Te Kanawa (soprano)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
chorus master:
Ian Tracey (organist and choir master)
Paul McCartney2:36
20World in Union
engineer:
Haydn Bendall (producer and engineer), Charlie Skarbek and Pat Stapley
producer:
Charlie Skarbek
solo oboe:
Kate St. John
soprano vocals:
Kiri Te Kanawa (soprano)
orchestrator:
Richard Niles
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Savage Sound Studios
recording of:
World in Union
lyricist:
Charles Skarbeck (in 1991)
composer:
Gustav Holst (composer)
publisher:
PS Songs Ltd. and キュー・ミュージック・ジャパン (Q Music Japan)
is based on:
Thaxted
Gustav Holst4:01

Credits

Release

ASIN:US: B00005O83O [info]