| # | Title | Artist | Rating | Length |
|---|
| 1 | Let Me Entertain You | Robbie Williams | 2.15 | 3:45 |
| 2 | It’s Raining Men | The Weather Girls | 3.55 | 3:30 |
| 3 | Man! I Feel Like a Woman! | Shania Twain | 4 | 3:55 |
| 4 | I Will Survive- associate producer:
- Freddie Perren
- producer:
- Dino Fekaris
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) and Polydor Incorporated (in 1979)
- edit of:
- I Will Survive by Gloria Gaynor
- part of:
- Billboard: The 500 Best Pop Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (number: 489)
- recording of:
- I Will Survive
- writer:
- Dino Fekaris and Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. and Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:16 |
| 5 | We Are Family | Sister Sledge | | 3:19 |
| 6 | Spinning Around | Kylie Minogue | 3 | 3:27 |
| 7 | Every 1’s a Winner | Hot Chocolate | 4.15 | 4:04 |
| 8 | Everywhere | Fleetwood Mac | 4 | 3:43 |
| 9 | Girls on Film (2003 remastered version) | Duran Duran | | 3:36 |
| 10 | Love Shack | The B‐52’s | | 5:23 |
| 11 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.35 | 3:24 |
| 12 | Too Shy | Kajagoogoo | 3.55 | 3:42 |
| 13 | Something Got Me Started | Simply Red | 2.8 | 4:01 |
| 14 | The Sun Always Shines on T.V. | a‐ha | 3.9 | 5:07 |
| 15 | Babooshka- assistant engineer:
- John Barratt (from 1979-09 until 1980-05)
- engineer:
- Jon Kelly (from 1979-09 until 1980-05)
- producer:
- Kate Bush and Jon Kelly
- analog synthesizer [CS 80] and lead vocals:
- Kate Bush (from 1979-09 until 1980-05)
- balalaika:
- Paddy Bush (from 1979-09 until 1980-05)
- drums (drum set):
- Stuart Elliott (from 1979-09 until 1980-05)
- electric bass guitar:
- John Giblin (from 1979-09 until 1980-05)
- electric guitar:
- Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (from 1979-09 until 1980-05)
- Rhodes piano [Fender Rhodes]:
- Max Middleton (from 1979-09 until 1980-05)
- background vocals:
- Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (in 1982)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05)
- recording of:
- Babooshka (from 1979-09 until 1980-05)
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Ltd. and Kate Bush Music Ltd.
| Kate Bush | 3.55 | 3:30 |
| 16 | All Right- recording engineer and mixer:
- Chet Himes
- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- assistant producer:
- Rob Meurer and Michael Ostin
- producer:
- Michael Omartian
- solo guitar:
- Steve Lukather
- additional vocals:
- Michael McDonald
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1983) and WEA International Inc. (in 1983)
- produced for:
- Free Flow Productions
- recorded at:
- Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- All Right
- lyricist and composer:
- Christopher Cross
- publisher:
- Pop ’n’ Roll Music , Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 5 | 4:16 |
| 17 | Cold as Ice- phonographic copyright (℗) by:
- WEA International Inc. (in 1977)
- recording of:
- Cold as Ice
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. , Warner/Chappell Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division , Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Foreigner | | 3:18 |
| 18 | Strong Enough | Cher | 3.65 | 3:44 |
| 19 | Superstar | Jamelia | 3.65 | 3:35 |
| 20 | The Grease Mega‐mix | John Travolta & Olivia Newton‐John | 3.55 | 4:50 |
| 21 | Hand in My Pocket | Alanis Morissette | 3.95 | 3:42 |
| 22 | Everybody Hurts (MTV Unplugged live version) | The Corrs | 4 | 5:50 |
| 23 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:47 |
| 24 | Walking in Memphis | Marc Cohn | 4 | 4:16 |
| 25 | Never Ever (radio edit) | All Saints | | 5:12 |
| 26 | Little Lies | Fleetwood Mac | | 3:39 |
| 27 | Brass in Pocket- additional recording engineer:
- Steve Nye
- engineer:
- Bill Price
- producer:
- Chris Thomas
- mixer:
- Michael Paul Stavrou
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1979, in 1987, in 2000)
- additionally recorded at:
- Air Studios in London , England, United Kingdom
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- Air Studios in London , England, United Kingdom
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
- recording of:
- Brass in Pocket
- writer:
- James Honeyman‐Scott and Chrissie Hynde
- publisher:
- ATV Music Ltd., Banks Clive Music, EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Hynde House of Hits Music and Modern Music Publishing Co., Inc.
| Pretenders | 4.15 | 3:04 |
| 28 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 29 | Waiting for a Girl Like You | Foreigner | 3.5 | 4:48 |
| 30 | True | Spandau Ballet | 3.65 | 5:28 |
| 31 | Please Don’t Go | KC and the Sunshine Band | 4 | 3:50 |
| 32 | I Love You Always Forever | Donna Lewis | 3.8 | 4:00 |
| 33 | Ain’t Nobody | Rufus & Chaka Khan | 4.05 | 4:42 |
| 34 | In Your Eyes | Kylie Minogue | 3.9 | 3:18 |
| 35 | Don’t Let Go (Love) (radio edit) | En Vogue | 4 | 4:04 |
| 36 | I Wanna Be Down (single version) | Brandy | 4 | 4:08 |
| 37 | I Wanna Sex You Up (single mix)- engineer:
- Angela Piva and Warren Woods
- producer:
- Elliot Straite
- mixer:
- Elliot Straite and Howie Tee
- samples:
- La-Di-Da-Di by Doug E. Fresh & M.C. Ricky D and Tonight Is the Night by Betty Wright
- recording of:
- I Wanna Sex You Up
- writer:
- Bryan Abrams, Bessie Regina Norris , Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton and Sam Watters
- publisher:
- Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing and Hip City Music Inc.
| Color Me Badd | 4.6 | 3:57 |
| 38 | Just a Friend | Biz Markie | 3.8 | 3:58 |
| 39 | Return of the Mack (C & J radio edit) | Mark Morrison | 3.5 | 3:32 |
| 40 | Crazy | Gnarls Barkley | 4.15 | 3:01 |
| 41 | The Wild Boys | Duran Duran | 4.05 | 4:18 |
| 42 | Peaches- engineer:
- Alan Winstanley
- producer:
- Martin Rushent
- assistant mixer:
- Benny King
- mixer:
- Doug Bennett
- bass guitar:
- Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
- drums (drum set):
- Jet Black (from 1976-12-20 until 1977-01-28)
- guitar and lead vocals:
- Hugh Cornwell (from 1976-12-20 until 1977-01-28)
- keyboard:
- Dave Greenfield (from 1976-12-20 until 1977-01-28)
- publisher:
- EMI April Music Inc.
- recorded at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1976-12-20 until 1977-01-28)
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom
- produced at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1977-01 until 1977-02)
- recording of:
- Peaches (from 1976-12-20 until 1977-01-28)
- writer:
- Brian Duffy , Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
- publisher:
- Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
| The Stranglers | 4.15 | 4:07 |
| 43 | People Are Strange | Echo & the Bunnymen | | 4:33 |
| 44 | Love Will Tear Us Apart- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:27 |
| 45 | Stars | Simply Red | 2.8 | 4:08 |
| 46 | Age of Consent | New Order | 4.25 | 5:15 |
| 47 | Moving | Supergrass | 3.15 | 4:27 |
| 48 | Viva Las Vegas- engineer:
- Joe Hardy
- producer:
- Bill Ham
- drums (drum set) and percussion:
- Frank Beard
- electric bass guitar:
- Dusty Hill
- electric guitar:
- Billy Gibbons
- vocals:
- Billy Gibbons and Dusty Hill
- recorded at:
- Ardent Studios in Memphis, Tennessee, United States
- cover recording of:
- Viva Las Vegas
- lyricist:
- Doc Pomus
- composer:
- Mort Shuman
- publisher:
- Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH , Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs and Warner–Tamerlane Publishing Corp.
- recording of:
- Viva Las Vegas
- lyricist:
- Doc Pomus
- composer:
- Mort Shuman
- publisher:
- Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Felder Pomus Entertainment, Intersong GmbH , Mort Shuman Songs, Pomus Songs Inc., Sharoonie Songs and Warner–Tamerlane Publishing Corp.
| ZZ Top | 3.65 | 4:47 |
| 49 | La bamba | Los Lobos | 4.15 | 2:56 |
| 50 | I’m on My Way | The Proclaimers | 4.35 | 3:46 |
| 51 | Chevrolet | Foghat | | 3:22 |
| 52 | California Girls | David Lee Roth | 4.65 | 2:48 |
| 53 | Semi‐Charmed Life | Third Eye Blind | 4.25 | 4:28 |
| 54 | My Best Friend’s Girl | The Cars | 4.35 | 3:43 |
| 55 | My Sharona | Boycott | | 2:39 |
| 56 | Space Oddity (2006 remastered version) | Saigon Kick | | 5:23 |
| 57 | Somewhere in My Heart | Aztec Camera | 3.6 | 4:00 |
| 58 | Sweet Harmony | The Beloved | | 3:22 |
| 59 | Mulder and Scully | Catatonia | 3.5 | 4:11 |
| 60 | Geno | Dexys Midnight Runners | 3 | 3:27 |
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