Unheard Bird: The Unissued Takes

~ Release by Charlie Parker (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleRatingLength
1Okiedoke (Incomplete 1)
recording of:
Okiedoke (in 1949-01)
composer:
René Hernández and Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
1:37
2Okiedoke (alternate take 1)
recording of:
Okiedoke (in 1949-01)
composer:
René Hernández and Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
3:17
3Okiedoke (Incomplete 2)
recording of:
Okiedoke (in 1949-01)
composer:
René Hernández and Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
1:52
4Okiedoke (alternate take 2)
recording of:
Okiedoke (in 1949-01)
composer:
René Hernández and Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
3:15
5Okiedoke
recording of:
Okiedoke (in 1949-01)
composer:
René Hernández and Machito (Francisco Raúl Gutiérrez Grillo, cuban afro-jazz)
3:05
6Visa (Incomplete)
recording of:
Visa (in 1949-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
0:44
7Visa (alternate take)
recording of:
Visa (in 1949-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:03
8Visa (False Start)
recording of:
Visa (in 1949-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
0:16
9Visa
recording of:
Visa (in 1949-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:01
10Tune X (Incompletes & False Start)
1:46
11Tune X (alternate take)
3:20
12Tune X (Incompletes)
1:17
13Diverse - Tune X (alternate take)
3:19
14Segment - Tune X
3:23
15Tune Y (False Starts)
0:30
16Passport - Tune Y (Rare)
recording of:
Passport (on 1949-05-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
2:56
17Tune Z (False Start take 1)
0:07
18Tune Z (alternate take 2)
2:56
19Tune Z (False Starts Takes 3 & 4)
0:39
20Tune Z (alternate take 5)
2:52
21Tune Z (False Starts Takes 6 & 7)
1:08
22Tune Z (alternate take 9)
3:09
23Passport - Tune Z (Common)
3:03
24If I Should Lose You (False Starts)
instrumental recording of:
If I Should Lose You (on 1949-11-30)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
0:28
25If I Should Lose You
instrumental recording of:
If I Should Lose You (on 1949-11-30)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:50
26Star Eyes (Incomplete & False Start)
recording of:
Star Eyes (in 1950)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
1:10
27Star Eyes (Incomplete)
recording of:
Star Eyes (in 1950)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
2:05
28Star Eyes
recording of:
Star Eyes (in 1950)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
3:30
29Blues (Fast) (False Starts 372-1/2/3)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:06
30Blues (Fast) (alternate take 372-4)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
2:50
31Blues (Fast) (False Start 372-5)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
0:21
32Blues (Fast) (alternate take 372-6)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
2:44
33Blues (Fast) (Incomplete take 372-7)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
0:42
34Blues (Fast) (alternate take 372-8)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
2:50
35Blues (Fast) (Abandoned take, studio Chatter take 372-11)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
0:14
36Blues (Fast)
recording of:
Blues (in 1950)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
2:48
37Bloomdido (False Starts)
recording of:
Bloomdido (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:12
38Bloomdido
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
orchestra:
Charlie Parker Quintet (on 1950-06-06)
recording of:
Bloomdido (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:25
2▼CD
#TitleRatingLength
1An Oscar for Treadwell (Incomplete 411-1)
partial recording of:
An Oscar for Treadwell (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:54
2An Oscar for Treadwell (Incomplete 411-2)
partial recording of:
An Oscar for Treadwell (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
0:57
3An Oscar for Treadwell (alternate take)
recording of:
An Oscar for Treadwell (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:24
4An Oscar for Treadwell
recording of:
An Oscar for Treadwell (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:24
5Mohawk (Incomplete & False Start)
recording of:
Mohawk (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:09
6Mohawk (Alt. take)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
recording of:
Mohawk (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:51
7Mohawk (False Starts)
recording of:
Mohawk (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
1:53
8Mohawk
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
orchestra:
Charlie Parker Quintet (on 1950-06-06)
recording of:
Mohawk (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
23:40
9My Little Suede Shoes (alternate take W/False Start)
recording of:
My Little Suede Shoes (on 1951-03-12)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:03
10My Little Suede Shoes (alternate take 540-3)
recording of:
My Little Suede Shoes (on 1951-03-12)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:19
11My Little Suede Shoes (alternate take 540-4)
recording of:
My Little Suede Shoes (on 1951-03-12)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:09
12My Little Suede Shoes (single version)
recording of:
My Little Suede Shoes (on 1951-03-12)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
3:07
13Tico Tico (alternate take W/False Start)
recording of:
Tico‐Tico (catch‐all for arrangements) (on 1951-03-12)
composer:
Zequinha de Abreu (in 1917)
arrangement of:
Tico-tico no fubá (original Portuguese version)
3:10
14Tico Tico (False Starts 542-3/4/5)
recording of:
Tico‐Tico (catch‐all for arrangements) (on 1951-03-12)
composer:
Zequinha de Abreu (in 1917)
arrangement of:
Tico-tico no fubá (original Portuguese version)
1:24
15Tico Tico (alternate take 542-6)
recording of:
Tico‐Tico (catch‐all for arrangements) (on 1951-03-12)
composer:
Zequinha de Abreu (in 1917)
arrangement of:
Tico-tico no fubá (original Portuguese version)
2:48
16Tico Tico (False Starts 542-7/8)
partial recording of:
Tico‐Tico (catch‐all for arrangements) (on 1951-03-12)
composer:
Zequinha de Abreu (in 1917)
arrangement of:
Tico-tico no fubá (original Portuguese version)
0:52
17Tico Tico
recording of:
Tico‐Tico (catch‐all for arrangements) (on 1951-03-12)
composer:
Zequinha de Abreu (in 1917)
arrangement of:
Tico-tico no fubá (original Portuguese version)
2:46
18Fiesta (alternate take W/False Start)
recording of:
Fiesta (on 1951-03-12)
composer:
Cal Massey
3:22
19Fiesta
recording of:
Fiesta (on 1951-03-12)
composer:
Cal Massey
2:52
20Mama Inez (alternate take)
recording of:
Mama Inez (on 1952-01-23)
lyricist:
L. Wolfe Gilbert
composer:
Eliseo Grenet
3:02
21Mama Inez
recording of:
Mama Inez (on 1951-01-23)
lyricist:
L. Wolfe Gilbert
composer:
Eliseo Grenet
2:53
22Night and Day (alternate take 756-3)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:55
23Night and Day (alternate take 756-4)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:02
24Night and Day
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:53
25Almost Like Being in Love (alternate take)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1952-03-25)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:32
26Almost Like Being in Love (False Start & Incomplete)
partial instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1952-03-25)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
1:21
27Almost Like Being in Love
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1952-03-25)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:38
28What Is This Thing Called Love? (Incomplete 759-1)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
1:18
29What Is This Thing Called Love? (alternate take 759-2)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:16
30What Is This Thing Called Love? (Incomplete 759-3)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
1:21
31What Is This Thing Called Love?
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:36