Peace: Pure Classical Calm (2 disk US version)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Armed Man – A Mass For Peace: Agnus Dei:
assistant engineer:
Mat Bartram, Jake Jackson (recording engineer) and Richard Lancaster
engineer:
Dick Lewzey
producer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
trumpet:
Paul Beniston (trumpet player) (on 2000-07-24)
choir vocals:
National Youth Choir of Great Britain (on 2000-08-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 2000-07-24)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (on 2000-07-24) and Mike Brewer OBE (conductor) (on 2000-08-11)
chorus master:
Michael C. Brewer (conductor) (in 2000)
concertmaster:
Duncan Riddell (violinist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Angel Studios in Islington, London (Greater London), England, United Kingdom
recording of:
The Armed Man: A Mass for Peace: Agnus Dei (from 2000-07-24 until 2000-08-11)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Karl Jenkins33:40
2Gollum’s Song
recording engineer:
John Kurlander (engineer)
producer:
Paul Broucek (lead vocals) and Howard Shore (Canadian score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
choir vocals:
The London Oratory School Schola and London Voices
solo vocals:
Emilíana Torrini
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
chorus master:
Terry Edwards (British choir director) and Michael McCarthy (classical bass vocalist, choirmaster)
recording of:
Gollum’s Song
orchestrator and composer:
Howard Shore (Canadian score composer)
lyricist:
Fran Walsh
publisher:
New Line Tunes
Howard Shore3.655:49
3“Emperor” Concerto
harp:
Julia Thornton
arranger:
Craig Leon (musician, arranger, composer and producer)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (catch-all for arrangements)
composer:
Ludwig van Beethoven (German composer) (in 1809)
arrangement of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
Ludwig van Beethoven7:03
4In Trutina
engineer:
Mike Hatch (engineer/editor)
producer:
John H. West (classical engineer/producer)
soprano vocals:
Janice Watson (soprano) (from 1994-09-11 until 1994-09-12)
orchestra:
Bournemouth Symphony Orchestra (from 1994-09-11 until 1994-09-12)
conductor:
David Hill (British organist and conductor) (from 1994-09-11 until 1994-09-12)
recorded at:
The Lighthouse in Poole, England, United Kingdom (from 1994-09-11 until 1994-09-12)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1994-09-11 until 1994-09-12)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:46
5Gnossienne
piano:
Anne Queffélec (pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:26
6Eddie (Wonderland)
Michael Nyman4:01
7Puer natus est nobis
[anonymous]3:41
8Méditation (“Thäis”)
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet5:30
9Agnus Dei (Adagio for Strings)
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
lyricist:
[anonymous] (special purpose artist)
composer:
Samuel Barber (American composer) (in 1936)
arranger:
Samuel Barber (American composer) (in 1967)
part of:
Works of Samuel Barber by opus number (number: op. 11)
arrangement of:
Adagio for Strings
Samuel Barber7:48
10Piano Concerto No. 21 in C major (“Elvira Madigan”)
piano:
Diana Ambache (conductor/pianist) (in 1990-01)
orchestra:
Ambache Chamber Orchestra (in 1990-01)
conductor:
Diana Ambache (conductor/pianist) (in 1990-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:51
11Suite for orchestra No 3 in D major (Air on the G string)
orchestra:
English Chamber Orchestra (in 1988-01)
conductor:
Philip Ledger (in 1988-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach4:54
12The Swan
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:01
13Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:36
14Requiem – In Paradisum
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:36
15Venus, the Bringer of Peace (The Planets)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:48
2▼CD
#TitleArtistRatingLength
1The Four Seasons, Winter: II. Largo
engineer:
Keith Grant (classical recording engineer)
producer:
Tim Handley (engineer/editor/producer)
violin:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
orchestra:
London Chamber Orchestra (in 1988-12)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
recorded at:
All Saints Church in Wallington, Sutton, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1988-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:30
2Canon in D
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:28
3Double Violin Concerto‐Largo ma non tanto
producer:
Nicholas Parker (classical violinist, producer, engineer)
violin:
Alison Bury (violinist) (from 1990-08 until 1991-06) and Elizabeth Wallfisch (violinist) (from 1990-08 until 1991-06)
orchestra:
Orchestra of the Age of Enlightenment (from 1990-08 until 1991-06)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-08 until 1991-06)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1990-08 until 1991-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (from 1990-08 until 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:26
4Lascia ch’io pianga (Rinaldo)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:37
5Guitar Concerto in D (Largo)
recording of:
Concerto for Lute in D major, RV 93: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi6:09
6Goldberg Variations – Aria
harpsichord:
Maggie Cole (harpsichordist) (in 1990-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:35
7Ombra mai fu (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel2:42
8Flute and Harp Concerto – Andantino
flute:
James Galway (flautist)
harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart4:01
9Liebestraum No.3
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt5:34
10Bailero (Chants d’Auvergne)
soprano vocals:
Arleen Augér (soprano)
orchestra:
English Chamber Orchestra
conductor:
Yan Pascal Tortelier (conductor and violinist)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:45
11Gabriel’s Oboe
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:15
12Pie Jesu (Requiem)
producer:
Simon Woods (producer)
choir vocals:
Choir of King’s College, Cambridge (from 1997-07-15 until 1997-07-18)
treble vocals:
Edward Saklatvala (tenor)
orchestra:
City of London Sinfonia (chamber orchestra) (from 1997-07-15 until 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (from 1997-07-15 until 1997-07-18)
chorus master:
Stephen Cleobury (organist, conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-07-15 until 1997-07-18)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1997-07-15 until 1997-07-18)
recording of:
Requiem: III. Pie Jesu (from 1997-07-15 until 1997-07-18)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
part of:
Requiem
John Rutter3:36
13Rhapsody on a Theme of Paganini – Variation 18
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:11
14Song for Athene
choir vocals:
Winchester Cathedral Choir
conductor and chorus master:
David Hill (British organist and conductor)
phonographic copyright (℗) by:
Floating Earth Ltd. (in 1998) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Song for Athene
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener6:12
15Piano Concerto No.2 in F‐II. Andante
piano:
Dmitri Alexeev (pianist) (in 1983-05)
orchestra:
English Chamber Orchestra (in 1983-05)
conductor:
Jerzy Maksymiuk (conductor) (in 1983-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-05)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1983-05)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Дмитрий Дмитриевич Шостакович6:10
16The Armed Man – A Mass For Peace: Benedictus
producer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
cello:
Guy Johnston (cellist) (on 2001-01-12)
choir vocals:
National Youth Choir of Great Britain (on 2000-08-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 2000-07-24)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (on 2000-07-24) and Michael C. Brewer (conductor) (on 2000-08-11)
recording of:
The Armed Man: A Mass for Peace: Benedictus (from 2000-07-24 until 2001-01-12)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Karl Jenkins37:36