Aangenaam Klassiek Editie 2002

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Pianoconcert No.6 in F Major, BWV 1057
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Murray Perahia (pianist and conductor) (from 2000-05-12 until 2000-05-13)
orchestra:
Academy of St Martin in the Fields (from 2000-05-12 until 2000-05-13)
conductor:
Murray Perahia (pianist and conductor) (from 2000-05-12 until 2000-05-13)
balance engineer:
Markus Heiland
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-05-12 until 2000-05-13)
recording of:
Keyboard Concerto no. 6 in F major, BWV 1057: I. Allegro (from 2000-05-12 until 2000-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 6 in F major, BWV 1057
Johann Sebastian Bach7:04
2Star vicino
performer:
Margiono Quintet
[anonymous]1:46
3De vier jaargetijden: L'inverno: 2 Largo
recording engineer:
Markus Heiland (from 1999-11-15 until 1999-11-17)
violin:
Giuliano Carmignola (violinist) (from 1999-11-15 until 1999-11-17)
orchestra:
Venice Baroque Orchestra (from 1999-11-15 until 1999-11-17)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (from 1999-11-15 until 1999-11-17)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1999-11-15 until 1999-11-17)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1999-11-15 until 1999-11-17)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:49
4Goldbergvariaties BWV 988: Aria
producer:
Samuel H. Carter and Glenn Gould (pianist)
instruments:
Glenn Gould (pianist)
piano:
Glenn Gould (pianist) (from 1981-04-22 until 1981-05-29)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1982 to present)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1981-04-22 until 1981-05-29)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1981-04-22 until 1981-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:07
5Wachet auf, ruft uns die Stimme BWV 140
oboe:
Mark Radcliffe (Oboist)
bass vocals:
Michael George (operatic bass)
choir vocals:
The Choir of King’s College, Cambridge
soprano vocals:
Susan Gritton (soprano)
tenor vocals:
Ian Bostridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1999-06 until 2000-01)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1999-06 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:09
6Andrea Chénier: “La mamma morta”
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano4:54
7Strijkkwartet nr. 1, Adagio
performer:
Panocho Quartet (Panocha Quartet, Panocha Quartet)
Leoš Janáček4:02
8Serenade voor Strijkers op. 48: Finale
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Dennis Russell Davies (conductor and pianist)
recording of:
Kwintet voor klarinet en strijkers
composer:
Tristan Keuris (in 1988)
Пётр Ильич Чайковский8:09
9Trois Poèmes: deel II
recording engineer:
Frits Tor (engineer)
producer:
Ivar Munk
choir vocals:
Netherlands Chamber Choir (in 2000-09)
solo alto vocals:
Karin van der Poel (in 2000-09)
conductor:
Ed Spanjaard (pianist and conductor) (in 2000-09)
recorded at:
Augustinuskerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Trois poëmes de Paul Valéry: II. Cantique des colonnes (in 2000-09)
lyricist:
Paul Valéry
composer:
Jean Françaix (French composer)
part of:
Trois poèmes de Paul Valéry
Jean Françaix5:07
10Homo fugit velut umbra
soprano vocals:
Johannette Zomer (soprano)
tenor vocals:
Marco Beasly (Italian tenor)
performer:
L’Arpeggiata
Stefano Landi4:11
11Songs for Rejoicing
clarinet:
Giora Feidman
[anonymous]3:56
12Idaspe: “Ombra fedele anch'io”
mezzo-soprano vocals [Dario]:
Vivica Genaux (mezzo-soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Idaspe: Aria "Ombra fedele anch'io" (Dario)
part of:
Idaspe (Opera)
Riccardo Broschi10:07
13De profundis (psalm 129)
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
conductor:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
De profundis (for male choir, percussion ad lib. and organ)
lyricist:
[anonymous] (special purpose artist)
composer:
Arvo Pärt (Estonian composer) (in 1980)
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
premiered at:
Martinskirche in Kassel, Hessen (Hesse), Germany (on 1981-04-25)
Arvo Pärt7:58
2▼CD
#TitleArtistRatingLength
1Requiem aeternam: Introitus
conductor:
Paul Van Nevel (Belgian conductor & musicologist)
performer:
Huelgas Ensemble (Belgian early music ensemble)
Jean Richafort4:13
2Sonate in Es BWV 1031: Sicilienne
flute:
Jed Wentz (flautist/conductor)
harpsichord:
Christiane Wuyts (Belgian harpsichordist)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
Johann Sebastian Bach1:33
3Libertango
cello:
Yo-Yo Ma (cellist)
recording of:
Libertango
composer:
Astor Piazzolla (composer and bandoneón player) (until 1974)
Astor Piazzolla3:10
4Cellosonate in A: Allegretto poco mosso
cello:
Pieter Wispelwey (cellist)
piano:
Paolo Giacometti (pianist)
recording of:
Sonata for Cello and Piano in A major: IV. Allegretto poco mosso (arranged by Delsart)
composer:
César Franck (Belgian‐born French composer) (in 1886)
cello arranger:
Jules Delsart (cellist, 19th century) (in 1888)
arrangement of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: IV. Allegretto poco mosso
part of:
Sonate pour violon et piano en la majeur (for cello and piano, Jules Delsart)
César Franck5:55
5Concerto in due cori in B RV 583: Allegro
recording of:
Concerto for Violin and Strings in B-flat major, RV 583 “in due cori”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin and Strings in B-flat major, RV 583 “in due cori”
Antonio Vivaldi4:30
6Klarinetconcert in A, KV 622: Rondo. Allegro
clarinet:
Eric Hoeprich (clarinetist)
orchestra:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
recording of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
arrangement of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (catch-all for arrangements)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:48
7Carneval Op. 9: Eusebius
recording of:
Carnaval, op. 9: V. Eusebius
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
part of:
Carnaval, op. 9 (for piano)
Robert Schumann2:12
8Caro autor di mia doglia HWV 182a: I
instruments:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
soprano vocals:
Patricia Petibon (soprano)
tenor vocals:
Paul Agnew (tenor and conductor)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Caro autor di mia doglia, HWV 182a
composer:
George Frideric Handel (German‐British baroque composer) (from 1707 until 1709)
part of:
Händel-Werke-Verzeichnis (number: HWV 182a)
Georg Friedrich Händel2:21
9Concert voor 2 mandolinen in C major, RV 425: III Allegro
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
mandolin:
Sonia Mauer (mandolinist), Sonia Maurer (Italian mandolinist) and Giovanni Scaramuzzino (mandolinist)
solo mandolin:
Sonia Maurer (Italian mandolinist) and Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12)
recorded at:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: III. Allegro (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:17
10Fuga No. 5 in D
bass:
Vincent Charbonnier
drums (drum set):
André Arpino
piano:
Jacques Loussier
cover recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 5 in D major, BWV 850: Fugue (catch all for arrangements) (in 1993)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 5 in D major, BWV 850.2/850: Fugue
Johann Sebastian Bach4:31
11Reb Itzik's Nign
violin:
Itzhak Perlman (violinist and conductor)
orchestra:
Brave Old World (klezmer band)
recording of:
Reb Itzik’s nign
composer:
Alan Bern (US composer, pianist, accordionist, educator & cultural activist) (in 1995)
dedicated to:
Itzhak Perlman (violinist and conductor)
Alan Bern6:03
12Espiritu
Frédéric Momont3:18
13Le onde
piano:
Ludovico Einaudi (Italian composer and pianist)
recording of:
Le Onde
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi4:59
14Nella fantasia
recording of:
Nella fantasia
lyricist:
Chiara Ferraú (lyricist)
composer:
Ennio Morricone (Italian classical and score composer)
arranger:
Audrey Snyder (composer, arranger)
publisher:
EMI/Virgin Music Publishing Ltd.
is based on:
Gabriel’s Oboe (The Mission, main theme)
Ennio Morricone3:56
15Tosca: “E lucevan le stelle”
tenor vocals:
Salvatore Licitra (tenor)
orchestra:
London Symphony Orchestra
conductor:
Carlo Rizzi (conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:17
16Adagio (vocalise)
Samuel Barber4:17
17O viridissima virga, Ave
recording engineer:
Martin Andrae (from 1993-06-16 until 1993-06-21)
producer:
Klaus L. Neumann
editor:
Barbara Göbel
performer:
Sequentia (early music ensemble) (from 1993-06-16 until 1993-06-21)
phonographic copyright (℗) by:
BMG Entertainment (in 1994)
recorded at:
St. Pantaleon (Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1993-06-16 until 1993-06-21)
recording of:
Symphonia armonie celestium revelationum: O viridissima virga (from 1993-06-16 until 1993-06-21)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen3:53
18Miserere nostri
vocals:
The Tallis Scholars
recording of:
Miserere nostri, P. 207 (à 7, Cantiones sacrae (1575))
lyricist:
[anonymous] (special purpose artist)
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis2:26

Credits

Release group

part of:Aangenaam Klassiek (number: 2002) (order: 7)