TÁR: Music From and Inspired by the Motion Picture

~ Release by Hildur Guðnadóttir feat. Cate Blanchett & Sophie Kauer (see all versions of this release, 3 available)

Annotation

Copyright: ℗ 2022 Focus Features LLC, under exclusive license to Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2024-09-30 12:18 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1For Petra (vocal version)
recording engineer:
Hildur Guðnadóttir (Icelandic musician and score composer) and Francesco Donadello (on 2021-08-14)
producer:
Francesco Donadello (task: post-production) and Hildur Guðnadóttir (Icelandic musician and score composer) (task: post-production)
mixer and editor:
Francesco Donadello
vocals:
Hildur Guðnadóttir (Icelandic musician and score composer)
performer:
Hildur Guðnadóttir (Icelandic musician and score composer) (on 2021-08-14)
arranger and orchestrator:
Robert Ames (British composer, conductor and violist)
recorded at:
Vox Ton Studio in Berlin, Germany (on 2021-08-14)
mixed at:
Vox Ton Studio in Berlin, Germany
recording of:
For Petra (vocal)
writer:
Hildur Guðnadóttir (Icelandic musician and score composer)
Hildur Guðnadóttir1:11
2Mortar
additional recording engineer:
LCO
recording engineer:
Francesco Donadello (on 2022-07-04)
producer:
Francesco Donadello (task: post-production)
mixer:
Francesco Donadello
cello:
Hildur Guðnadóttir (Icelandic musician and score composer)
orchestra:
London Contemporary Orchestra
performer:
Hildur Guðnadóttir (Icelandic musician and score composer) (on 2022-07-04)
recorded at:
Vox Ton Studio in Berlin, Germany (on 2022-07-04)
mixed at:
Vox Ton Studio in Berlin, Germany
recording of:
Mortar
composer and arranger:
Hildur Guðnadóttir (Icelandic musician and score composer)
Hildur Guðnadóttir & London Contemporary Orchestra3:36
3Introductory Words
producer:
Francesco Donadello (task: post-production)
mixer:
Francesco Donadello
spoken vocals:
Hildur Guðnadóttir (Icelandic musician and score composer)
mixed at:
Vox Ton Studio in Berlin, Germany
Hildur Guðnadóttir0:19
4For Petra (recording session)
recording engineer:
Matt Jones (engineer, Abbey Road) and Gordon Davidson (engineer, Abbey Road Studios) (on 2022-06-25)
miscellaneous support:
Harry George (pianist, orchestrator, copyist) (task: copyist)
assistant engineer:
Tom Ashpitel (engineer) and Joe Wyatt
producer:
Francesco Donadello (task: post-production)
mixer:
Francesco Donadello
orchestra:
London Contemporary Orchestra (on 2022-06-25)
conductor:
Robert Ames (British composer, conductor and violist) (on 2022-06-25)
additional orchestrator:
Robert Ames (British composer, conductor and violist)
recorded at:
Abbey Road Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 2022-06-25)
mixed at:
Vox Ton Studio in Berlin, Germany
London Contemporary Orchestra & Robert Ames8:18
5Hildur's Impressions
producer:
Francesco Donadello (task: post-production)
mixer:
Francesco Donadello
spoken vocals:
Hildur Guðnadóttir (Icelandic musician and score composer)
mixed at:
Vox Ton Studio in Berlin, Germany
Hildur Guðnadóttir0:14
6Tár: I. Largo
assistant recording engineer:
Samuel Schwenk (from 2021-08-21 until 2021-08-22)
recording engineer:
Francesco Donadello (from 2021-08-21 until 2021-08-22)
co-producer:
Francesco Donadello
producer:
Francesco Donadello (task: post-production) and Hildur Guðnadóttir (Icelandic musician and score composer)
mixer:
Francesco Donadello
instruments:
LCO Soloists (from 2021-08-21 until 2021-08-22)
arranger:
Robert Ames (British composer, conductor and violist)
recorded at:
Vox Ton Studio in Berlin, Germany (from 2021-08-21 until 2021-08-22)
mixed at:
Vox Ton Studio in Berlin, Germany
London Contemporary Orchestra5:44
7Tár: II. Allegro
assistant recording engineer:
Samuel Schwenk (from 2021-08-21 until 2021-08-22)
recording engineer:
Francesco Donadello (from 2021-08-21 until 2021-08-22)
co-producer:
Francesco Donadello
producer:
Francesco Donadello (task: post-production) and Hildur Guðnadóttir (Icelandic musician and score composer)
mixer:
Francesco Donadello
instruments:
LCO Soloists (from 2021-08-21 until 2021-08-22)
arranger:
Robert Ames (British composer, conductor and violist)
recorded at:
Vox Ton Studio in Berlin, Germany (from 2021-08-21 until 2021-08-22)
mixed at:
Vox Ton Studio in Berlin, Germany
London Contemporary Orchestra4:14
8Tár: III. Moderato
assistant recording engineer:
Samuel Schwenk (from 2021-08-21 until 2021-08-22)
recording engineer:
Francesco Donadello (from 2021-08-21 until 2021-08-22)
co-producer:
Francesco Donadello
producer:
Francesco Donadello (task: post-production) and Hildur Guðnadóttir (Icelandic musician and score composer)
mixer:
Francesco Donadello
instruments:
LCO Soloists (from 2021-08-21 until 2021-08-22)
arranger:
Robert Ames (British composer, conductor and violist)
recorded at:
Vox Ton Studio in Berlin, Germany (from 2021-08-21 until 2021-08-22)
mixed at:
Vox Ton Studio in Berlin, Germany
London Contemporary Orchestra4:56
9Symphony No. 5 in C-sharp minor, pt. 1: I. Trauermarsch & II. Stürmisch Bewegt (rehearsals)
additional recording engineer:
Roland Winke
recording engineer:
Jean‐Marie Geijsen, Andreas Gembaczka and Lauran Jurrius (engineer)
miscellaneous support:
Christina Gembaczka (task: production manager)
producer:
Jonathan Allen (engineer) (task: post-production) and Job Maarse
mixer:
Jonathan Allen (engineer)
editor:
Gerard McCann (producer, editor)
compiler:
Gerard McCann (producer, editor)
spoken vocals [dialogue]:
Cate Blanchett (on 2021-09-15) and Jan Wolf (on 2021-09-15)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (on 2021-09-15)
conductor:
Cate Blanchett (on 2021-09-15)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Konzertsaal im Kulturpalast in Dresden, Sachsen (Saxony), Germany (on 2021-09-15)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (on 2021-09-15)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (on 2021-09-15)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Cate Blanchett, Jan Wolf & Dresdner Philharmonie3:19
10Symphony No. 5 in C-sharp minor, pt. 3: IV. Adagietto (rehearsals)
additional recording engineer:
Roland Winke
recording engineer:
Jean‐Marie Geijsen, Andreas Gembaczka and Lauran Jurrius (engineer)
miscellaneous support:
Christina Gembaczka (task: production manager)
producer:
Jonathan Allen (engineer) (task: post-production) and Job Maarse
mixer:
Jonathan Allen (engineer)
editor:
Gerard McCann (producer, editor)
compiler:
Gerard McCann (producer, editor)
spoken vocals [dialogue]:
Cate Blanchett (on 2021-09-15) and Jan Wolf (on 2021-09-15)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (on 2021-09-15)
conductor:
Cate Blanchett (on 2021-09-15)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Konzertsaal im Kulturpalast in Dresden, Sachsen (Saxony), Germany (on 2021-09-15)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 2021-09-15)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Cate Blanchett & Dresdner Philharmonie4:24
11Introductory Words (recording session)
producer:
Jonathan Allen (engineer) (task: post-production)
mixer:
Jonathan Allen (engineer)
spoken vocals [dialogue]:
Rachel Smith (violin) (on 2022-07-03)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 2022-07-03)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
Rachel Smith, Natalie Murray Beale & Sophie Kauer0:21
12Cello Concerto in E minor, op. 85: IV. Allegro (recording session / first take / excerpt)
recording engineer:
George Oulton (sound engineer) and Gordon Davidson (engineer, Abbey Road Studios) (on 2022-07-03)
assistant engineer:
Tom Ashpitel (engineer) and Joe Wyatt
producer:
Jonathan Allen (engineer) (task: post-production) and Rachel Smith (violin)
mixer:
Jonathan Allen (engineer)
solo cello:
Sophie Kauer (on 2022-07-03)
orchestra:
London Symphony Orchestra (on 2022-07-03)
conductor:
Natalie Murray Beale (on 2022-07-03)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 2022-07-03)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
partial recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 2022-07-03)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale1:32
13Control Room Talk (recording session)
producer:
Jonathan Allen (engineer) (task: post-production)
mixer:
Jonathan Allen (engineer)
spoken vocals [dialogue]:
Todd Field (on 2022-07-03), Sophie Kauer (on 2022-07-03), Natalie Murray Beale (on 2022-07-03) and Rachel Smith (violin) (on 2022-07-03)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 2022-07-03)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
Rachel Smith, Natalie Murray Beale, Sophie Kauer & Todd Field1:19
14Cello Concerto in E minor, op. 85: IV. Allegro (recording session)
recording engineer:
George Oulton (sound engineer) and Gordon Davidson (engineer, Abbey Road Studios) (on 2022-07-03)
assistant engineer:
Tom Ashpitel (engineer) and Joe Wyatt
producer:
Jonathan Allen (engineer) (task: post-production) and Rachel Smith (violin)
mixer:
Jonathan Allen (engineer)
solo cello:
Sophie Kauer (on 2022-07-03)
orchestra:
London Symphony Orchestra (on 2022-07-03)
conductor:
Natalie Murray Beale (on 2022-07-03)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 2022-07-03)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 2022-07-03)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale12:08
15Applause (recording session)
producer:
Jonathan Allen (engineer) (task: post-production)
mixer:
Jonathan Allen (engineer)
spoken vocals [dialogue]:
Natalie Murray Beale (on 2022-07-03) and Rachel Smith (violin) (on 2022-07-03)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 2022-07-03)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
Rachel Smith & Natalie Murray Beale0:20
16Cello Concerto in E minor, op. 85: I. Adagio - Moderato (recording session / excerpt)
recording engineer:
George Oulton (sound engineer) and Gordon Davidson (engineer, Abbey Road Studios) (on 2022-07-03)
assistant engineer:
Tom Ashpitel (engineer) and Joe Wyatt
producer:
Jonathan Allen (engineer) (task: post-production) and Rachel Smith (violin)
mixer:
Jonathan Allen (engineer)
solo cello:
Sophie Kauer (on 2022-07-03)
orchestra:
London Symphony Orchestra (on 2022-07-03)
conductor:
Natalie Murray Beale (on 2022-07-03)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 2022-07-03)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 2022-07-03)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale3:44
17Here's That Rainy Day
assistant recording engineer:
Reinis Bogāts and Wirre de Vries (Dutch recording engineer) (on 2022-07-10)
recording engineer:
Lauran Jurrius (engineer) (on 2022-07-10) and Steve Dierkens (on 2022-07-13: trombone)
producer:
Jonathan Allen (engineer) (task: post-production)
mixer:
Jonathan Allen (engineer)
double bass:
Jeroen Vierdag (on 2022-07-10)
guitar:
Martijn van Iterson (Dutch jazz guitarist) (on 2022-07-10)
solo trombone:
Al Kay (on 2022-07-13)
vibraphone:
Frits Landesbergen (on 2022-07-10)
conductor:
Martijn Sohier (on 2022-07-10)
performer:
New Trombone Collective and friends (on 2022-07-10)
recorded at:
Studio 3 at Muziekcentrum van de Omroep in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 2022-07-10) and Studio D (Calgary) in Calgary, Alberta, Canada (on 2022-07-13: trombone)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
recording of:
Here’s That Rainy Day (on 2022-07-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Al Kay & New Trombone Collective2:41
18The Well-Tempered Clavier, Book I, BWV 846-869: Prelude in C major, BWV 846 (lesson / excerpt)
producer:
Jonathan Allen (engineer) (task: post-production)
mixer:
Jonathan Allen (engineer) and Roland Winke
piano:
Cate Blanchett (on 2021-10-25)
spoken vocals [dialogue]:
Cate Blanchett (on 2021-10-25) and Zethphan Smith‐Gneist (on 2021-10-25)
recorded at:
James-Simon-Galerie (on 2021-10-25)
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
partial recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (on 2021-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Cate Blanchett & Zethphan Smith‐Gneist1:27
19Lydia Tár Field Recording
recording engineer:
Zackiel Lewis-Griffiths (on 2022-05-26)
miscellaneous support:
Stephen Griffiths (task: sound design)
producer:
Jonathan Allen (engineer) (task: post-production)
mixer:
Jonathan Allen (engineer)
spoken vocals:
Cate Blanchett
performer:
Elisa Vargas Fernandez
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
Cate Blanchett & Elisa Vargas Fernandez0:30
20Cura mente
recording engineer:
Zackiel Lewis-Griffiths (on 2022-05-26)
miscellaneous support:
Stephen Griffiths (task: sound design)
producer:
Jonathan Allen (engineer) (task: post-production)
mixer:
Jonathan Allen (engineer)
performer:
Elisa Vargas Fernandez
mixed at:
Olliewood Mix Room in London (Greater London), England, United Kingdom
Elisa Vargas Fernandez3:14