Best of New Romantic

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1The Wild Boys
Techniker(in) und Audio-Engineering:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Duran Duran (English rock band) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984, in 1998)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 54)
recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
Duran Duran4.054:19
2Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
3Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.753:52
4If I Was
recording of:
If I Was
Verfasser(in):
Danny Mitchell (Scottish songwriter and member of Messengers) und Midge Ure
Midge Ure5:20
5Wishing (I Had a Photograph of You)
Techniker(in):
Dave Hutchins (UK engineer)
Produzent(in):
Mike Howlett
Bassgitarre:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1983) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München, Bayern, Deutschland
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.255:31
6I Second That Emotion
Produzent(in):
John Punter
phonographisches Urheberrecht (℗) von:
Hansa Productions Ltd. (in 1982)
cover recording of:
I Second That Emotion
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan43:45
7Wishful Thinking
Produzent(in):
Mike Howlett
vocals:
Eddie Lundon (China Crisis)
recording of:
Wishful Thinking
Texter:
Eddie Lundon (China Crisis)
Komponist(in):
Gary Daly und Eddie Lundon (China Crisis)
publisher:
EMI/Virgin Music Publishing Ltd.
China Crisis4:40
8Love Plus One
Produzent(in):
Bob Sargeant
Gitarre:
Graham Jones (Haircut 100)
Instrumente:
Leslie Nemes
Perkussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
Saxophon:
Phil Smith (Saxophonist)
Schlagzeug:
Blair Cunningham
vocals:
Nick Heyward
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 90)
recording of:
Love Plus One
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:34
9Sometimes
Produzent(in):
Flood (British producer Mark Ellis)
Mix:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) und Mike Pela
Trompete:
Guy Barker
Teil von:
Cachitos Nochevieja 2022 (Nummer: 107)
recording of:
Sometimes
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:38
10Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.54:38
11Locomotion
Techniker(in):
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) und Brian Tench
Produzent(in):
Orchestral Manoeuvres in the Dark und Brian Tench
Klavier:
Gordian Troeller (band manager)
Interpret(in):
Orchestral Manoeuvres in the Dark
Blechblasinstrumente arranger:
Tony Visconti
recording of:
Locomotion (OMD)
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey und Gordian Troeller (band manager)
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark33:53
12It's My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:53
13Waterfront
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Steve Lillywhite und Peter Walsh (UK producer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recording of:
Waterfront
Verfasser(in):
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Publishing Ltd.
Simple Minds4.54:47
14She Blinded Me With Science
drum machine und andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Dolby und Tim Friese‐Greene
Gast-Moog [Moog bass]:
Matthew Seligman (in 1982-08)
Geige / Violine:
Simon House (in 1982-08)
Hintergrundgesang:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) und Miriam Stockley (in 1982-08)
Sprecher:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 76)
recording of:
She Blinded Me With Science (in 1982-08)
Texter:
Thomas Dolby und Tim Kerr (songwriter working with Thomas Dolby)
Komponist(in):
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Participation Music Inc.
Thomas Dolby43:42
15All Stood Still
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
recording of:
All Stood Still
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.54:23
16Happy Birthday
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
produced at:
Genetic Sound in West Berkshire, England, Vereinigtes Königreich
recording of:
Happy Birthday
Verfasser(in):
Tich Anderson, Clare Grogan, Tony McDaid und Johnny McElhone
publisher:
Beam Down Ltd. (publisher), Notting Hill Music (UK) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images32:59
17Is It a Dream
recording of:
Is It a Dream?
Texter und Komponist(in):
Sal Solo
Classix Nouveaux4.53:38
18Doctor! Doctor!
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Doctor! Doctor! von Thompson Twins
recording of:
Doctor! Doctor!
Verfasser(in) und vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
Point Music Ltd.
Thompson Twins2.54:40
2▼CD
Nr.TitelKünstlerBewertungLänge
1Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox)
Gitarre:
Midge Ure
Keyboard und Geige / Violine:
Billy Currie
Schlagzeug:
Warren Cann
vocals:
Midge Ure
recording of:
Vienna
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) und Sing Sing Songs Ltd.
Ultravox3.354:36
2No Regrets
cover recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International und Tubbs Hill Music
Midge Ure34:02
3Enola Gay
Techniker(in):
Laurence Diana und Max Norman
Produzent(in):
Mike Howlett und Orchestral Manoeuvres in the Dark
Bass und Synthesizer:
Andy McCluskey
Keyboard und Synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
Schlagzeug und Perkussion:
Malcolm Holmes (drummer)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Enola Gay
Texter und Komponist(in):
Andy McCluskey
publisher:
Dinsong Music und Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:29
4Lifeline
recording of:
Lifeline
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3:19
5Hungry Like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
Interpret(in):
Duran Duran (English rock band) (in 1982)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 398)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:24
6(We Don't Need This) Fascist Groove Thang
Produzent(in):
B.E.F.
Bass, Gitarre und Synthesizer:
John Wilson (guitarist; Heaven 17)
Perkussion, Klavier und Synthesizer und Hintergrundgesang:
Martyn Ware
Perkussion, Saxophon und Synthesizer:
Ian Craig Marsh
Sologesang:
Glenn Gregory
recording of:
(We Don’t Need This) Fascist Groove Thang
Texter:
Glenn Gregory
Komponist(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174.54:20
7Glittering Prize
Techniker(in) und Produzent(in):
Peter Walsh (UK producer)
Bassgitarre:
Derek Forbes
Effektgerät:
Charlie Burchill und Michael MacNeil
Gitarre:
Charlie Burchill
Keyboard:
Michael MacNeil
membranophone und Schlagzeug:
Mel Gaynor
Gast vocals und zusätzlich sonstiger Gesang:
Sharon Campbell
Sologesang:
Jim Kerr (of Simple Minds)
arranger:
Peter Walsh (UK producer)
recording of:
Glittering Prize
Verfasser(in):
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Publishing Ltd.
Simple Minds54:34
8Talk Talk
Produzent(in):
Rhett Davies
recording of:
Talk Talk (Talk Talk)
Texter und Komponist(in):
Ed Hollis (British songwriter and producer) und Mark Hollis
Talk Talk52:54
9Guilty
recording of:
Guilty
Texter und Komponist(in):
Sal Solo
Classix Nouveaux3:19
10Church of the Poison Mind
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre und Klavier:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Mundharmonika:
Judd Lander
Orgel:
Phil Pickett (songwriter, producer, keyboard player)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Saxophon:
Steve Grainger (saxophonist)
Trompete:
Terry Bailey (trumpeter)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1983 bis heute, in 1983, in 2003) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1983)
produced for:
Do Not Erase Productions
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Church of the Poison Mind von Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd. (vom 1983 bis heute)
Culture Club3.53:30
11Together in Electric Dreams
Produzent(in):
Giorgio Moroder und Philip Oakey
Mix:
Brian Reeves
Bass:
Arthur Barrow
Gitarre:
Richie Zito
Synthesizer:
Giorgio Moroder
Hintergrundgesang:
E.G. Daily (American singer and actress) und Joe Esposito
Sologesang:
Philip Oakey
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
publisher:
BMG Gold Songs und WB Music Corp. (1929–2019)
Philip Oakey & Giorgio Moroder2.53:51
12Einstein a Go-Go
Produzent(in):
Landscape (80s British synthpop)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) (vom 1981 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
recording of:
Einstein a Go-Go
Komponist(in):
Richard James Burgess, Landscape (80s British synthpop) und John L. Walters
publisher:
Landscape Music Ltd. und Sunbury Music Ltd.
Landscape3:00
13Hyperactive
recorded in:
Brussels (Region Brüssel-Hauptstadt), Belgien (in 1983-06)
engineered in:
Brussels (Region Brüssel-Hauptstadt), Belgien
Techniker(in):
Dan Lacksman (Belgian musician & producer)
Produzent(in):
Thomas Dolby
Mix:
Alan Douglas (Scottish born engineer)
Bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
elektronisches Schlagzeug / E-Drums und Perkussion:
Clif Brigden (in 1983-06)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
Klavier:
Thomas Dolby (in 1983-06)
Perkussion:
Matthew Salt (in 1983-06)
Posaune:
Peter Thoms (trombone) (in 1983-06)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) und Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
zusätzlich vocals:
Louise Ulfstedt (in 1983-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
Texter und Komponist(in):
Thomas Dolby
publisher:
Scale Music, Smash Ltd. und Street Music Ltd.
Thomas Dolby54:09
14Love on Your Side
recording of:
Love on Your Side
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
Thompson Twins3:59
15Don't Talk to Me About Love
recording of:
Don’t Talk to Me About Love
Verfasser(in):
Clare Grogan, Stephen Lironi, Tony McDaid und Johnny McElhone
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Slotorest Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Altered Images3:48
16Favourite Shirts (Boy Meets Girl)
Produzent(in):
Bob Sargeant
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred53:06
17Christian
recording of:
Christian
Texter:
Gary Daly
Komponist(in):
Gary Daly, Eddie Lundon (China Crisis) und Dave Reilly (China Crisis)
publisher:
Virgin Music (Publishers) Ltd.
China Crisis4:44
18After a Fashion
Midge Ure & Mick Karn4:23

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ASIN:UK: B000V2BMWM [Info]