5 Original Albums

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

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1CD: After Midnight (1956)
#TitleRatingLength
1Just You, Just Me
double bass:
Charlie Harris (jazz bassist) (on 1956-09-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-14)
guest alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-14)
guitar:
John Collins (US jazz guitarist) (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-14)
cover recording of:
Just You, Just Me (on 1956-09-14)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
3:02
2Sweet Lorraine
double bass:
Charlie Harris (jazz bassist) (on 1956-08-15)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-08-15)
guest trumpet:
Harry Edison (on 1956-08-15)
guitar:
John Collins (US jazz guitarist) (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-15) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
cover recording of:
Sweet Lorraine (on 1956-08-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
4:36
3Sometimes I’m Happy
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
4:11
4Caravan
bongos and congas:
Jack Costanzo
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
valve trombone:
Juan Tizol
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:45
5It’s Only a Paper Moon
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
trumpet:
Harry “Sweets” Edison
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
3:08
6You’re Looking at Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
You’re Looking at Me
lyricist and composer:
Bobby Troup
4:15
7The Lonely One
bongos and congas:
Jack Costanzo
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
valve trombone:
Juan Tizol
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
The Lonely One
lyricist:
Lenny Hambro
composer:
Roberta Heller
3:49
8Don’t Let It Go to Your Head
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967)
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
3:13
9I Know That You Know
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
I Know That You Know (Caldwell & Youmans)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:30
10Blame It on My Youth
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
valve trombone:
Juan Tizol
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Blame It on My Youth
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:12
11When I Grow Too Old to Dream
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
violin:
Stuff Smith (jazz violinist)
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
When I Grow Too Old to Dream
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
3:34
12(Get Your Kicks on) Route 66
double bass:
Charlie Harris (jazz bassist)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R)
guitar:
John Collins (US jazz guitarist)
piano:
Nat King Cole
trumpet:
Harry “Sweets” Edison
vocals:
Nat King Cole
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
(Get Your Kicks on) Route 66
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
3:41
2CD: Welcome to the Club (1959)
#TitleRatingLength
1Welcome to the Club
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
recording of:
Welcome to the Club (on 1958-07-01)
writer:
Noel Sherman and Dick Wolf
2:46
2Anytime, Anyday, Anywhere
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Anytime, Anyday, Anywhere (on 1958-06-30)
lyricist:
Ned Washington
composer:
Lee Wiley and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Catharine Hinen Music, Chappell & Co., Inc. (USA) and Patti Washington Music
2:20
3The Blues Don’t Care
2:12
4Mood Indigo
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1958-06-30)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:22
5Baby, Won’t You Please Come Home
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Baby Won’t You Please Come Home (on 1958-07-01)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:12
6The Late, Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:33
7Avalon
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Avalon (on 1958-07-01)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
1:47
8She's Funny That Way
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
She’s Funny That Way (on 1958-06-30)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:03
9I Want a Little Girl
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
I Want a Little Girl (on 1958-06-30)
lyricist:
Billy Moll (songwriter)
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
recording of:
I Want a Little Girl
lyricist:
Billy Moll (songwriter)
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
2:51
10Wee Baby Blues
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
cover recording of:
Wee Baby Blues (on 1958-07-02)
writer:
Pete Johnson (US boogie‐woogie pianist) and Big Joe Turner
publisher:
Leeds Music Ltd.
3:18
11Look Out for Love
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Look Out for Love (on 1958-07-02)
writer:
Danny Meehan (Broadway actor turned songwriter) and Colin Romoff
1:59
3CD: Tell Me All About Yourself (1960)
#TitleRatingLength
1Tell Me All About Yourself
2:08
2(It Will Have to Do) Until the Real Thing Comes Along3:11
3The Best Thing for You
recording of:
The Best Thing for You (Would Be Me)
lyricist and composer:
Irving Berlin (in 1950)
2:02
4When You Walked By
2:50
5Crazy She Calls Me
recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:39
6You’ve Got the Indian Sign on Me
recording of:
You've Got the Indian Sign on Me
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1960)
composer:
Joe Bushkin (in 1960)
1:50
7For You
recording of:
For You
lyricist:
Al Dubin (in 1930)
composer:
Joe Burke (American composer) (in 1930)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:23
8Dedicated to You2:54
9You Are My Love
1:56
10This Is Always
recording of:
This Is Always
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
2:58
11My Life
2:12
12(I Would Do) Anything for You
recording of:
I Would Do Anything for You
composer:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Claude Hopkins and Bobby Williams (jazz composer)
1:46
4CD: Nat King Cole Sings / George Shearing Plays (1962)
#TitleRatingLength
1September Song
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
recording of:
Knickerbocker Holiday: September Song (on 1961-12-20)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
3:00
2Pick Yourself Up
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat "King" Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
recording of:
Pick Yourself Up (from “Swing Time”) (on 1961-12-20)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:11
3I Got It Bad (And That Ain’t Good)
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
performer:
George Shearing (British jazz pianist)
arranger:
Ralph Carmichael
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
I Got It Bad (and That Ain’t Good) (on 1961-12-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:43
4Let There Be Love
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
2.52:46
5Azure-té
cover recording of:
Azure-Té (Paris Blues) (on 1961-12-19)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Wild Bill Davis
publisher:
Gale & Gayles Inc.
3:55
6Lost April
recording of:
Lost April (on 1961-12-22)
writer:
Eddie DeLange, Emil Newman and Herbert W. Spencer (composer and orchestrator)
3:20
7A Beautiful Friendship
cover recording of:
A Beautiful Friendship (on 1961-12-19)
lyricist:
Stanley Styne
composer:
Donald Kahn
2:41
8Fly Me to the Moon (In Other Words)
cover recording of:
Fly Me to the Moon (on 1961-12-21)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
3:31
9Serenata
cover recording of:
Serenata (english vocals) (in 1961-12)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (original instrumental)
3:02
10I’m Lost
recording of:
I’m Lost (on 1961-12-22)
writer:
Otis René
3:30
11There's a Lull in My Life
bass:
Al McKibbon (double bassist) (on 1961-12-22)
bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-22)
cello:
Hyman Gold (cellist) (on 1961-12-22), Armand Kaproff (on 1961-12-22), Kurt Reher (cellist) (on 1961-12-22) and Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-22)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-22)
guitar:
Al Hendrickson (on 1961-12-22)
piano:
George Shearing (British jazz pianist) (on 1961-12-22)
vibraphone:
Emil Richards (on 1961-12-22)
viola:
Alvin Dinkin (on 1961-12-22), Allan Harshman (violist) (on 1961-12-22), Virginia Majewski (violist) (on 1961-12-22) and Paul Robyn (on 1961-12-22)
violin:
Victor Arno (on 1961-12-22), Israel Baker (American violinist) (on 1961-12-22), Harold Dicterow (on 1961-12-22), David Frisina (on 1961-12-22), Jacques Gasselin (on 1961-12-22), James Getzoff (American concertmaster and violinist) (on 1961-12-22), Erno Neufeld (on 1961-12-22), Isadore Roman (violin) (on 1961-12-22), Felix Slatkin (on 1961-12-22), Albert Steinberg (on 1961-12-22) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-22)
vocals:
Nat King Cole (on 1961-12-22)
conductor:
Ralph Carmichael (on 1961-12-22)
arranger:
Ralph Carmichael
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-22)
cover recording of:
There’s a Lull in My Life (on 1961-12-22)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
2:26
12Don’t Go
recording of:
Don’t Go (on 1961-12-22)
lyricist:
Al Stillman
composer:
Guy Wood
2:29
5CD: Let’s Face the Music (1964)
#TitleRatingLength
1Day In - Day Out
recording of:
Day In, Day Out (in 1961-11)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:25
2Bidin’ My Time
recording of:
Bidin’ My Time (from Girl Crazy) (in 1961-11)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
New World Music Co. (in 1930)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:28
3When My Sugar Walks Down the Street
recording of:
When My Sugar Walks Down the Street (in 1961-11)
writer:
Gene Austin, Jimmy McHugh (songwriter) and Irving Mills
2:10
4Warm and Willing
recording of:
Warm and Willing (in 1961-11)
writer:
Ray Evans (American songwriter), Jay Livingston and Jimmy McHugh (songwriter)
3:02
5I’m Gonna Sit Right Down (And Write Myself a Letter)2:37
6Cold, Cold Heart
cover recording of:
Cold, Cold Heart (in 1961-11)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
3:45
7Something Makes Me Want to Dance With You
recording of:
Something Makes Me Want to Dance With You
writer:
Danny Meehan (Broadway actor turned songwriter) and Colin Romoff
2:09
8Moon Love
recording of:
Moon Love (in 1961-11)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arranger:
André Kostelanetz (conductor)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
is based on:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
2:11
9The Rules of the Road
recording of:
The Rules of the Road (in 1961-11)
writer:
Cy Coleman and Carolyn Leigh
2:45
10Ebony Rhapsody
3:04
11Too Little, Too Late
2:59
12Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (in 1961-11)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:25